TK Audio BC2-ME Quick Start Manual Download Page 3

DRUM 

The BC2-ME can go from subtle to pretty slamming compression on a drum buss and here are a few good starting 
points. Make a habit of adjusting the Make-up gain until the compressed signal is equally loud as the uncompressed 
signal, and toggle the Comp in button to listen what's actually happening to the drums when they are compressed. 

 

A TOUCH OF DRUM COMPRESSION 

The effect should be very subtle and just make the drums come together without adding altering the kick or snare 
drum. Adjust the Threshold until the compression meter shows about 2 dB of gain-reduction. 

Ratio: 2:1 

HFP: 150Hz 

ATTACK: 3 ms 

Release: AUTO 

Blend: Comp 

 

TIGHT DRUM COMPRESSION 

To tighten up the drum buss without altering the drums too much a low ratio should be used. Adjust the Threshold until 
about 3 or 4 dB of compression is done. 

Ratio: 2:1 

HFP: 150Hz 

ATTACK: 10 ms 

Release: 100 ms 

Blend: Comp 

 

HARD DRUM COMPRESSION 

Applying hard drum compression will alter the sound of the snare drum and cymbals but in a dense mix that might be 
the right thing to do. Adjust the Threshold until about 5 to 6 dB of compression is shown. 

Ratio: 4:1 

HFP: 150Hz 

ATTACK: 10 ms 

Release: 50 or 100 ms 

Blend: Comp 

 

 

VOCAL RIDING 

Lead vocals usually need a bit of volume automation to cut through a dense mix - an important and time consuming 
job. Due to its ultra transparent compression the same job can automatically be done with the BC2-ME. The trick is to 
use a low Ratio and fast release, and set the Threshold until about 4 dB of compression is done.  

Ratio: 1.5:1 or 2:1 

HFP: 150Hz 

ATTACK: 10 ms 

Release: 50 ms 

Blend: Comp 

Summary of Contents for BC2-ME

Page 1: ... 1 ratio means that a signal overshooting the threshold by 4 dB will leave the compressor 1 dB above the threshold At the 1 25 1 1 5 1 and 2 1 setting a relatively subtle soft knee compression is applied At 4 1 the compression becomes more obvious and at 10 1 the BC2 ME is basically a peak limiter ATTACK UF ultrafast 0 1 0 3 0 6 1 3 10 30 60 120mS The attack setting defines the time it takes for t...

Page 2: ...o compressed sound in 23 steps Turning the knob clock wise will mix the original signal with the compressed signal For more information please read the section about parallel compression STARTING PRESETS MIX BUSS The main purpose of the BC2 ME is to act as a bus compressor and it does it very well AUTO RELEASE MAGIC One of the true unique features of the BC2 ME is the auto release setting and its ...

Page 3: ...ithout altering the drums too much a low ratio should be used Adjust the Threshold until about 3 or 4 dB of compression is done Ratio 2 1 HFP 150Hz ATTACK 10 ms Release 100 ms Blend Comp HARD DRUM COMPRESSION Applying hard drum compression will alter the sound of the snare drum and cymbals but in a dense mix that might be the right thing to do Adjust the Threshold until about 5 to 6 dB of compress...

Page 4: ...gy into a mix or instrument without affecting the transients or the overall sound too much The trick is to make the compressor work pretty hard around 8 to 16dB on the meter and blend the compressed signal with the original sound To get the best resolution set the Blend knob to Comp the fully clock wise position Adjust the Make up knob until the compressed signal sounds equally loud or slightly lo...

Page 5: ...ttings below Adjust the Threshold until about 2 dB of compression is shown This will make room for the kick drum without having to back down the bass track Ratio 10 1 HFP OFF note that the high pass filer is deactivated EXT SC ON note that the external side chain is activated ATTACK 1 ms Release 50 ms Make up 0 Blend Comp DUCKING DANCE PADS WITH KICK DRUM Another classic trick is to duck the pads ...

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