The t.racks TFX256 PRO User Manual Download Page 4

INTR

INTR

INTR

INTR

INTRODUCTION

ODUCTION

ODUCTION

ODUCTION

ODUCTION

Congratulations on your purchase of the t.racks TFX256
PRO digital reverberator. The TFX256 PRO is a high  
quality and easy-to-use stereo digital reverberator. To  
take full ad-vantage of the TFX256 PRO’s functions, 
and enjoy a longand trouble-free use, please read this 
user’s manualcarefully and keep it for future reference.

FEATURES

256 effect programs available

Programs include reverb, delay, flanger, chorus,

tremolo, phaser, pan effects and combinations

32-40 bit digital signal processing plus 24 bit 

AD/DA conversions

True stereo reverb

Easy-to-read 3-digit LED display

Compact 1U rack-mountable design

Foot switch jacks allow the user to remotely activate 

and mute the effect

Auto-bypass when power is off.

Signal and clip LEDs allow easy setup of the optimum 

input level

A professional quality digital reverb designed for 

musical instruments, recording, and sound reinforce-

ment

  1  

INPUT LEVEL CONTROL

The input level control sets the level going into the
TFX256 PRO. You should set the level so that Peak
(2) indicators only flash RED occasionally.

Page 4

 INTRODUCTION  /  FEATURES  /  GETTING STARTED  /  FRONT-PANEL DESCRIPTION

FR

FR

FR

FR

FRONT

ONT

ONT

ONT

ONT-P

-P

-P

-P

-PANEL  DESCRIPTION

ANEL  DESCRIPTION

ANEL  DESCRIPTION

ANEL  DESCRIPTION

ANEL  DESCRIPTION

1. Check the AC voltage before connecting

the plug. Choose the main supply for the
sound system with care. Do not share
sockets or earthing with light dimmers.

2. Run audio cables separately from dimmer

wiring, using balanced lines wherever
possible. If necessary, cross audio and
lighting cables at 90

o

 right angles to mini-

mize the possibility of interference. Keep
unbalanced cabling as short as possible.

3.    Check your cables regularly and label each

end for easy identification.

4. Before switching on the main power, keep

all output rotary faders all the way down to
prevent  damage  or  excessive  noise
caused by bad level adjustment, wrong
w i r i n g ,   d e f e c t i v e   c a b l e s , o r   b a d
connections.

5. Always turn on the TFX256 PRO before 

the power amplifier; turn off the TFX256 
PRO after turning off the amplifier.

6. Always turn off the unit before connecting

or disconnecting the unit to the power
source.

7. Never use any solvents to clean the unit.

Clean it with a soft, dry cloth.

GETTING ST

GETTING ST

GETTING ST

GETTING ST

GETTING STAR

AR

AR

AR

ARTED

TED

TED

TED

TED

TFX256 PRO USER

SMANUAL

 

  2  

MIX (DRY / WET) CONTROL

This control sets the balance between the unaf-
fected signal coming through the inputs and the
effects being generated by the TFX256 PRO i.e.
the balance of wet (effect) and dry (no effect)
sounds. By keeping the Mix somewhere in the
center, a blend of dry and wet signal can be
achieved.

Summary of Contents for TFX256 PRO

Page 1: ...TFX256 PRO Digital Effect Processor...

Page 2: ...DE REFER ALL SERVICING TO A QUALIFIED SERVICE PERSONNEL Keep this unit clean by using a soft dry brush and occasionally wiping it with a damp cloth Do not use any other solvents which may damage the p...

Page 3: ...6 EFFECT 2 HALL 6 EFFECT 3 PLATE 7 Page 3 EFFECT 4 DELAY 1 ST 7 EFFECT 5 DELAY 2 MONO 8 EFFECT 6 CHORUS 8 EFFECT 7 FLANGER 9 EFFECT 8 PHASER 9 EFFECT 9 PAN 10 EFFECT 10 TREMOLO 10 EFFECT 11 DELAY REV...

Page 4: ...ANEL DESCRIPTION ANEL DESCRIPTION ANEL DESCRIPTION ANEL DESCRIPTION 1 Check the AC voltage before connecting the plug Choose the main supply for the sound system with care Do not share sockets or ear...

Page 5: ...seconds the digital effects b will be bypassed Holding it down again will reacti 6 OUTPUT LEVEL CONTROL This rotary control sets the level going to the amplifier or mixer from the output of the TFX25...

Page 6: ...1 0 K 6 5 0 8 9 0 0 6 4 1 3 1 1 14 4 0 0 1 0 K 7 6 2 2 6 9 0 0 4 1 4 1 1 15 5 0 0 1 0 K 6 0 1 0 1 2 2 6 1 5 1 1 16 6 0 0 1 0 K 5 7 4 0 6 9 0 5 2 5 8 3 6 1 7 7 S Se eg gm me en nt t L LE ED D H Ha al...

Page 7: ...0 0 5 2 0 4 1 6 63 3 5 0 0 6 0 0 6 0 0 3 0 0 5 1 6 64 4 6 0 0 6 0 0 3 0 6 1 7 7 S Se eg gm me en nt t L LE ED D Plate T E W Y R D F P L F P H O I T A R I H Y A L E D E R P E M I T V E R 3 33 3 0 0 1...

Page 8: ...1 1 7 76 6 5 5 0 0 0 0 2 1 7 77 7 1 2 1 0 0 3 1 7 78 8 2 1 2 1 0 0 4 1 7 79 9 1 5 0 0 0 5 1 8 80 0 4 0 5 1 0 0 0 6 1 7 7 S Se eg gm me en nt t L LE ED D C Ch ho or ru us s C CH HO OR RU US S F P L E S...

Page 9: ...1 1 1 10 08 8 0 8 1 2 6 2 2 1 1 10 09 9 0 8 1 6 8 2 3 1 1 11 10 0 0 8 1 4 8 2 4 1 1 11 11 1 0 8 1 2 6 4 5 1 1 11 12 2 0 8 1 4 6 4 6 1 7 7 S Se eg gm me en nt t L LE ED D P Ph ha as se er r P PH HA AS...

Page 10: ...1 1 13 39 9 L R 0 0 1 8 0 1 1 1 14 40 0 L R 0 0 1 2 1 2 1 1 14 41 1 R L 0 0 1 8 1 3 1 1 14 42 2 L R 0 0 1 8 1 4 1 1 14 43 3 L R 0 0 1 8 1 5 1 1 14 44 4 L R 0 0 1 4 3 6 1 7 7 S Se eg gm me en nt t L LE...

Page 11: ...17 72 2 6 1 L L A H 2 1 2 1 1 17 73 3 1 T A L P 3 1 3 1 1 17 74 4 3 T A L P 4 1 4 1 1 17 75 5 6 T A L P 5 1 5 1 1 17 76 6 2 1 T A L P 6 1 6 1 7 7 S Se eg gm me en nt t L LE ED D C Ch ho or ru us s R R...

Page 12: ...1 1 1 2 20 04 4 6 1 L L A H 2 1 2 1 2 20 05 5 1 T A L P 3 1 3 1 2 20 06 6 3 T A L P 4 1 4 1 2 20 07 7 6 T A L P 5 1 5 1 2 20 08 8 2 1 T A L P 6 1 6 1 7 7 S Se eg gm me en nt t L LE ED D P Ph ha as se...

Page 13: ...eg gm me en nt t L LE ED D S Sp pe ec ci ia al l e ef fx x S SP PE EC CI IA AL L E EF FX X 2 24 41 1 3 E G N A L F 1 1 Y A L E D 1 2 24 42 2 4 S U R O H C 1 1 Y A L E D 2 2 24 43 3 7 R E S A H P 1 1...

Page 14: ...mixer inputs TWO MONO CORDS IN AND OUT to a stereo amplifier or two mixer inputs This can be stereo signal in out or mono signal in out Page 14 SAMPLECONNECTIONS INSTRUMENT OF EFFECTS SEND TO MIXING C...

Page 15: ...esponse Dynamic Range AD DA DSP processing Sampling rate Maximum Input Level Residual Noise T H D 2 phone jack 20dB 600 ohms Input level Mix dry wet Program select Output level Power Sw 2 Input phone...

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