tech21 SansAmp PSA 2.0 Owner'S Manual Download Page 4

GUIDE TO CONTROLS

The SansAmp PSA gives you access to specific tone-shaping characteristics

within the tube amplifier sound spectrum. The controls offer tremendous flexi-

bility in adjusting tonality, gain structure, and harmonic content. Controls of this

nature are traditionally inaccessible on stock amps and adjustments like these

are ordinarily achieved only by professional permanent modification.

Tonality, for instance, can be adjusted in a variety of ways.  Buzz, Punch, Crunch,

and Drive offer different results than the post EQ section (Low and High).

Gain structure can be adjusted via the Gain control, which results in a different

kind of overdrive than the Drive control.  Additionally, Buzz, Punch, and Crunch

each affect the gain structure within specific frequency bands.

As you experiment and become familiar with the interrelationship of the con-

trols, you’ll be able to customize your own sounds and store them in the

SansAmp PSA’s memory.

GAIN 

This is the input sensitivity control. It adjusts the signal level going into the

input section of the SansAmp PSA. 

BUZZ

Controls the low-end break-up and overdrive. You can boost the effect by turning

clockwise from the center point indicated by the arrow, and cut by turning counter-

clockwise. When you turn towards maximum, the sound becomes (you guessed it)

buzzy. For a clean setting, increase the setting in small increments. For increased

definition when using distortion, position the knob at its midpoint or towards mini-

mum.

PUNCH

Sets the amount of midrange break-up and overdrive. Boost or cut from the

center point indicated by the arrow. Decreasing from the center point pro-

duces a softer, Fender

®

-style break-up. Increasing its setting creates a harder,

heavier distortion.  At maximum, it produces a sound similar to a wah pedal at

mid-boost position placed in front of a Marshall

®

amp.

CRUNCH

Controls the top-end break-up and crunch.  Boost or cut from the center

point indicated by the arrow. Increasing from the center point brings out upper

harmonic content and pick attack. Decreasing from the center point warms up

brittle single coil pickups.

DRIVE

Like the volume control on a non-master-volume tube amp, Drive increases the

amount of power amp distortion. In live applications, we recommend using less

Drive than when direct recording. This compensates for the natural sustain

achieved at high volumes.

LOW 

AND

HIGH

Active shelving EQs, cut or boost ±18dB from unity gain at 12 o’clock, with

pivot point at 1kHz. 

LEVEL

Adjusts the output level.

TRIM

For live performances, this control globally adjusts the level of 

all

presets so

you don’t have to individually adjust each setting on stage. Be aware that if you

have any settings with the Level programmed close to/at minimum or maxi-

mum, the Trim pot will not be as effective. 

5

6

DISPLAY AND SWITCHES

3-DIGIT LED DISPLAY

Because the SansAmp PSA is fully programmable, everything you do

is monitored by its internal processor.  And everything you need to

know is in these three digits. This display is readable from any angle,

in daylight or darkness. It tells you which program is active, whether

any knob’s setting has been changed, when a program is stored, and when MIDI

functions have been activated. (Refer to the sections on programming your

SansAmp PSA and using MIDI for specific information regarding the display’s

functions.)

SAVE SWITCH

The Save switch stores your custom settings in the memory of the SansAmp

PSA. It also gives you access to the Special Page function menu (see page 10). 

UP 

AND

DOWN FOOTSWITCHES

Pushing either of these switches once counts up or down through the pro-

grams one at a time. Holding the switch down moves quickly through the pro-

gram numbers.

ACTIVE / SEARCH FOOTSWITCH

Allows you to alternate between two modes: 

Active Mode:

Depressing the Up or Down footswitch allows you to step-scroll by in-

creasing or decreasing the program number one at a time. 

Search Mode: 

The LED numerical display flashes. Depressing and holding the Up or

Down footswitch allows you to speed-scroll to a desired location --

without sending any program change information. Depressing the Ac-

tive/Search footswitch a second time re-engages the Active mode and

instantly changes to the program desired.

Summary of Contents for SansAmp PSA 2.0

Page 1: ...evision reception which can be determined by turning the equipment off and on the user is encouraged to try to cor rect the interference by one or more of the following measures Reorient or relocate the receiving antenna Increase the separation between the equipment and receiver Connect the equipment into an outlet on a circuit different from that to which the receiver is connected Consult the dea...

Page 2: ...ches to any instrument Live the SansAmp PSA 2 0 can be used as a pre amp direct into a power amp with guitar or bass speaker cabinets as a monster direct box to a P A system or both simultaneously and as an outboard processor Additionally the PSA 2 0 features a Perform ance Mode which turns it into a 3 channel stompbox The SansAmp PSA includes MIDI capability for calling up programs and storing pr...

Page 3: ...Run the 1 4 Output of the PSA directly into the power amp input a k a effects return if applicable of an amp This will bypass the tone coloring pre amp section of the amp rig As a Stomp Box Run the 1 4 Output into the front input of an amp For best results keep the PSA Level close to unity gain so you have the same volume coming from your speaker monitor whether the pedal is active or in bypass Th...

Page 4: ...nic content and pick attack Decreasing from the center point warms up brittle single coil pickups DRIVE Like the volume control on a non master volume tube amp Drive increases the amount of power amp distortion In live applications we recommend using less Drive than when direct recording This compensates for the natural sustain achieved at high volumes LOW AND HIGH Active shelving EQs cut or boost...

Page 5: ...or theTrim the SansAmp PSA will go into edit mode and un lock whichever control you turn The circuitry will then revert to the actual value of that control s position vs the stored value allowing you to edit the sound to your liking When you turn unlock a control from the set ting that s stored in the memory one of the dig its in the LED numerical display will blink the other will dim Note When yo...

Page 6: ...ands as well as MIDI Map and Program dumps NOTE Pins 1 and 3 of the MIDI jack are set up to output 10V DC phantom power to our MIDI Mouse and MIDI Mongoose footcontrollers see Noteworthy Options on page 16 SPEAKER SIMULATION Speaker simulation is an integral part of the SansAmp circuitry It is de signed for a smooth even response as would be achieved by a multiply miked cabinet without the peaks v...

Page 7: ... or 02 to Protect Level Desired Push the Save Switch Again Digits Blink Display Flashes 00 Upon Return to Special Page Function Digits Stop Blinking Upon Return to Program 00 Special Page Function 2 Define MIDI Mapping This function defines internal MIDI mapping That is it tells your SansAmp PSA which program to call up when a MIDI Program Change command comes in For example if your MIDI footcontr...

Page 8: ...Save Switch Select 00 or 01 for Desired Mode Push the Save Switch Again Digits Blink Display Flashes 00 Upon Return to Special Page Function Digits Stop Blinking Upon Return to Program 00 Special Page Function 5 MIDI Channel Select This function sets the MIDI channel on which the SansAmp PSA receives MIDI data It can be set to Omni receive on any or all channels or specific channels 1 through 16 P...

Page 9: ...n you have digital control of an analog circuit 7 Daisy chains Be aware daisy chaining may introduce ground loops noise hum odd artifacts etc We recommend using the pro vided power supply or using a power supply with isolated outputs 8 Placement notes The PSA can be treated like an amplifier or pre amp when it comes to setting up your signal chain Place the following effects BEFORE the PSA Phaser ...

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