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TECH 21, THE COMPANY

Tech 21, Inc., was formed by a guitarist possessing the unusual combina-

ion of a trained ear and electronics expertise. In 1989, B. Andrew Barta

incorporated Tech 21 and made his invention commercially available to

players and studios around the world. His highly-acclaimed 

SansAmp

pioneered Tube Amplifier Emulation in professional applications for re-

cording direct and performing live, and created an entirely new category of

signal processing.There have since been many entries into this niche, yet

SansAmp continues to maintain its reputation as the industry standard.

With a full line of SansAmp models,Tech 21 also offers effect pedals; a

compact, battery operable MIDI footcontroller, the 

MIDI Mouse;

as well as

“traditional” style amplifiers for guitar and bass. Each product is thought-

fully and respectfully designed by B. Andrew Barta himself with the player

in mind. Our goal is to provide you with flexible, versatile tools to culti-

vate, control, refine and redefine your own individual sound.Tech 21 takes

great pride in delivering consistent quality sound, studio to studio, club to

club, arena to arena.

PRODUCT OVERVIEW

SansAmp TRI-A.C. combines the warmth of a 

100% analog

signal path

with the convenience of digital programmability in a super simple, player-

friendly stomp box format.

Our proprietary technology captures the rich, natural harmonics and

sweet overdrive characteristics inherent to tube amplifiers, and does so

even at low volume. SansAmp TRI-A.C. delivers the same dynamics,

responsiveness, and sound quality of massive pro stage rigs in a portable,

programmable, 3-channel pedal.

The ease of operation allows you to make changes on the fly, at the gig,

even during your performance --without having to take this manual with

you.There are no complex formulas or numerical calculations to learn, so

SansAmp TRI-A.C. won’t get in the way of your creative flow.

Independent footswitches put your three favorite tones right at your feet,

from clean jazz to molten metal. Custom actuators provide a smooth

transition between channels for instantaneous switching, so you can dance

to the music instead of your gear.

As with each SansAmp model, the controls are designed to give you the 

flexibility to obtain your desired sound, be it at home, in a local bistro or

on a world tour.

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Summary of Contents for SansAmp TRI-A.C.

Page 1: ...n your warranty registration card ONEYEAR LIMITED WARRANTY PROOF OF PURCHASE REQUIRED Manufacturer warrants unit to be free from defects in materials and workmanship for one 1 year from date of purcha...

Page 2: ...ering consistent quality sound studio to studio club to club arena to arena PRODUCT OVERVIEW SansAmp TRI A C combines the warmth of a 100 analog signal path with the convenience of digital programmabi...

Page 3: ...tput is physically compatible for any application full range tape studio monitors P A stereo and limited range rack systems pre amps head and cabinet combos practice amps SIGNAL LEVEL TO INPUT SansAmp...

Page 4: ...lock a preset Once unlocked the pot will react according to how you reposition it BYPASS SansAmp TRI A C can go into bypass mode in any of the three channels Whichever channel you re already in hit th...

Page 5: ...is in British mode with the Drive control below 12 o clock will yield a very thin tone This is caused by the Bright Boost capacitor on the Drive control and inher ent to classic Marshall amps as ment...

Page 6: ...GS Fender Twin style Factory preset Channel 1 Marshall Plexi style Factory preset Channel 2 Mesa Boogie style Factory preset Channel 3 Fender Tweed Deluxe style Fender Deluxe Reverb style Blonde Bassm...

Page 7: ...Bassman style Registered trademarks Names of sample settings are intended for descriptive purposes only and should not be construed as an endorsement or affiliation with the companies products song ti...

Page 8: ...CUSTOM SETTINGS CUSTOM SETTINGS ________________ ________________ ________________ ________________ ________________ ________________ ________________ ________________...

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