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© 2003 TDM Audio, Inc. 

Graphic Equalizer Owner’s Manual 

Page 6 

Equalizer Terminology 

• 

Filter: 

An electronic circuit that changes the levels of some frequencies without altering 

the levels of others. 

• 

Frequency Band: 

The range of frequencies that a particular filter operates on. Graphic 

equalizers have one slider for each frequency band that they can control. 

• 

Band Width: 

Specifies how broad a range of frequencies is encompassed by a frequency 

band. Audio band widths are often given in octaves. TDM 15GE-2 graphic equalizers 
operate on fixed bands that are 1/3 of an octave wide. That is why they are called 1/3 
octave equalizers. 

• 

Boost and Cut: 

Boosting a range of frequencies raises their level relative to the overall 

level of the signal. Cutting a range of frequencies lowers their level relative to the overall 
signal level. The amount of boost or cut is given in Decibels (dB). TDM 15GE-2 graphic 
equalizers can provide up to 12 dB of boost or cut for each frequency band. 

• 

Bypass: 

Bypassing a piece of signal processing equipment means electronically 

removing it from the signal path. When you press the bypass switch, the unit internally 
disables all signal processing. Thus it has the effect of simply routing the input to the 
output as though the equipment were not there. 

• 

Constant-Q: 

A design requirement for some equalizers that says that the band width and 

characteristic 

shape 

or 

sound 

of filters remains constant as the center frequency varies. In 

graphic equalizer design this means that each of the filters has the same effect on its 
range of frequencies as all of the other filters have on theirs. TDM 15GE-2 graphic 
equalizers are constant-Q designs. 

• 

Interaction: 

Because of the way most equalizers work, adjacent bands 

interact. 

In other 

words, changing the level of one band affects the levels of frequencies in adjacent bands. 
This interaction makes it more difficult to adjust equalizers accurately because you need 
to keep going back and readjusting the levels of some bands after changing the adjacent 
levels. 

15GE-2 Special Features 

• 

Hard-Wire Bypass: 

When you engage the bypass switch on the TDM 15GE-2 graphic 

equalizers, the inputs are electrically “hard wired” directly to the outputs with no 
intermediate circuitry. This means that in a bypassed state the unit is truly, completely 
removed from the signal path. Many equalizers have a bypass switch that simply 
deactivates equalization. The signal still goes through the equalizer’s electronics. The 
hard-wire bypass is very useful when diagnosing system problems, and it works even 
when no power is applied to the unit. 

• 

Non-Interactive Adjacent Bands: 

Special circuitry in the TDM 15GE-2 graphic 

equalizers reduces adjacent band interaction until it is virtually nonexistent. Each filter’s 
characteristics are electrically dependent on the settings of adjacent bands so the filters 
automatically compensate for interaction. This makes the TDM 15GE-2 equalizers easier 
to adjust than most. 

Summary of Contents for 15GE-2

Page 1: ...15GE 2 GRAPHIC EQUALIZER OWNER S MANUAL TDM AUDIO INC 7270 BELLAIRE AVE NORTH HOLLYWOOD CA 91605 818 765 6200 TDMAUDIO COM TDM A U D I O...

Page 2: ...l of the equipment following the equalizer output lines is turned off or all of the inputs are turned down The unit should be plugged in only when it has been established that the main AC line is supp...

Page 3: ...L FEATURES 6 MOUNTING THE UNIT IN A RACK 7 HOOKING UP THE EQUALIZER 8 WHAT YOU LL NEED 8 THE BASIC HOOK UP 8 INSTRUMENT EQUALIZATION 8 OPERATING THE EQUALIZER 10 FRONT PANEL CONTROLS 10 ADJUSTING THE...

Page 4: ...ze yourself with the proper operation of the unit Description The 15GE 2 is a high performance 2 3 octave constant Q graphic equalizers The 15GE 2 provides two channels of equalization in a two rack s...

Page 5: ...ure air movement and the number of people in an area Additionally some rooms just have poor acoustics because of other practical considerations Acoustics are often not the first consideration when des...

Page 6: ...hape or sound of filters remains constant as the center frequency varies In graphic equalizer design this means that each of the filters has the same effect on its range of frequencies as all of the o...

Page 7: ...2 equalizer in the rack as desired Make sure the mounting holes in the equalizer line up with the screw holes in the rack rails Use four standard 10 32 rack screws for each equalizer We recommend that...

Page 8: ...oltage current and frequency This information is printed on the rear panel of your TDM 15GE 2 equalizer Before connecting the equalizer signal cables make sure that any power amplifiers are off or the...

Page 9: ...e 9 chorus or flanging units depending on the effect you are trying to achieve They are typically inserted before delay and reverb units though they are sometimes used to equalize just the return of a...

Page 10: ...ls on the front panel of the unit The 30GE 2 has two channels while the 30GE 1 has only one All channels are identical so you only need to understand how a single channel works Here is a list of the c...

Page 11: ...eded from there At this time raise the levels of your power amplifiers to their regular operating levels You can verify that the unit is set truly flat by running a sound source through the system byp...

Page 12: ...ting is to use extreme discretion and make sure you know what you are doing Use as little equalization as you can get away with to achieve good sound Equalization can easily make things worse if not u...

Page 13: ...le that is known to be good If this fails it s likely that your signal source is malfunctioning or that there is some problem with the way the individual components of the source are connected If the...

Page 14: ...n the noise is probably present in your signal source You can remove the TDM 15GE 2 graphic equalizer from the signal path by simply pressing the hard wire bypass switch If you suspect that the TDM 15...

Page 15: ...nd loops is direct input or DI boxes These let you plug an instrument such as a guitar or bass directly into a microphone input The problem is that the musician playing the guitar or bass might be usi...

Page 16: ...jumper Slope 18 dB octave 3dB point 26Hz Output Type Floating and balanced Connectors XLR and 1 4 Phone Output Impedance 300 Ohms Input Type Balanced and Differential Connectors XLR and 1 4 Phone Inpu...

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