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Tapco MIX.220FX, Owner'S Manual

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Tapco MIX.220FX Owner'S Manual Download Page 7

7

3

4

CONTROL RM OUT

PHANTOM

ON

MAIN OUT

POWER

ON

LEFT

BAL/UNBAL

BAL/UNBAL

RIGHT

RIGHT

LEFT

ALT 3/4 OUTS

100 - 240 VAC /

50 - 60 Hz 40W

FUSE RATING: 1.6A / 250V

BROUGHT TO YOU BY THE GROOVY FOLKS IN WOODINVILLE, WA, USA•

MANUFACTURED IN CHINA•PATENTS PENDING•COPYRIGHT ©2005

MANUFACTURING DATE

SERIAL NUMBER

WARNING

: 

TO REDUCE THE RISK OF FIRE OR ELECTRIC 

SHOCK, DO NOT EXPOSE THIS EQUIPMENT TO RAIN OR 

MOISTURE. DO NOT REMOVE COVER. NO USER SERVICEABLE 

PARTS INSIDE. REFER SERVICING TO QUALIFIED PERSONNEL.

WARNING

: 

TO REDUCE THE RISK OF FIRE OR ELECTRIC 

SHOCK, DO NOT EXPOSE THIS EQUIPMENT TO RAIN OR 

MOISTURE. DO NOT REMOVE COVER. NO USER SERVICEABLE 

PARTS INSIDE. REFER SERVICING TO QUALIFIED PERSONNEL.

AVIS

:

 

RISQUE DE CHOC ELECTRIQUE — NE PAS OUVRIR

THIS DEVICE COMPLIES WITH PART 15 OF THE FCC RULES. THIS EQUIPMENT ALSO COMPLIES WITH THE RULES FOR CANADA UNDER ICES-003. OPERATION IS SUBJECT TO 

THE FOLLOWING TWO CONDITIONS: (1) THIS DEVICE MAY NOT CAUSE  HARMFUL INTERFERENCE, AND (2) THIS DEVICE MUST ACCEPT ANY INTERFERENCE RECEIVED, 

INCLUDING INTERFERENCE THAT MAY CAUSE UNDESIRED OPERATION.

POWER

PHANTOM

48V

3

MAIN

MIX

ALT

4

ALT

MASTER

AUX SEND

OL

SOURCE SELECT

VARIATIONS

RUDE SOLO

0dB = 0dBu

SOLO

OL

SOLO

OL

SOLO

OL

SOLO

OL

SOLO

OL

SOLO

1

1

MUTE

MUTE

ALT

3/4

EQ

MON

FX

AUX

SEND

AUX

RETURN

FX

RETURN

MIC

INPUT

1

1

LINE

CLIP

LEVEL

SET

RTRN

TO

MON

+10

+5

+2

0

-2

-5

-20

BAL/UNBAL

GAIN

SOLO

SOLO

PHONES

FOOTSW

AUX

 

RETURN

FX

MON

FX

 

RETURN

AUX

 

SENDS

 

(

MON0

)

L

R

L

R

MAIN

ALT 3-4

INTERNAL EFFECTS

CONTROL ROOM

FX OL

FX

INPUT

LEVEL

ROTARY

THEATER

FLANGER

ROOM

STAGE

SPRING

TREMOLD

REV

HALL

REV

CATHEDRAL
STUDIO

STEREO DELAY

ECHO

CHORUS

ECHO+REV

1

2

3

4

5

6

7

8

9

10

11

12

13

14

15

16

75Hz

2

2

MUTE

MUTE

ALT

3/4

EQ

MON

FX

AUX

SEND

MIC

INPUT

1

1

LINE

BAL/UNBAL

GAIN

75Hz

3

3

MUTE

MUTE

ALT

3/4

EQ

MON

FX

AUX

SEND

MIC

INPUT

1

1

LINE

BAL/UNBAL

GAIN

75Hz

4

4

MUTE

MUTE

ALT

3/4

EQ

EQ

MON

FX

AUX

SEND

MIC

INPUT

1

1

LINE

BAL/UNBAL

GAIN

75Hz

ALT

3/4

MON

FX

AUX

SEND

ALT

3/4

MON

FX

AUX

SEND

MON

FX

L

R

(

MONO

)

5

6

LINE

BAL/

UNBAL

+4

-10

EQ

L

R

(

MONO

)

7

8

LINE

BAL/

UNBAL

FX

MUTE

MAIN

MIX

CD/

TAPE

ALT

3-4

INPUT/OUTPUT

IN

OUT

L

R

CD/TAPE

MAX

TAPE TO

MAIN

SOLO

MODE

CTRL ROOM/

PHONES

5

6

7

8

MUTE

MUTE

MUTE

MUTE

PAN

PAN

PAN

PAN

BAL

BAL

PFL

AFL

0

0

0

0

+4

-10

+15

-15

U

+15

-15

U

+15

-15

U

HIGH

MID

2.5kHz

12kHz

LOW

80Hz

+15

-15

U

+15

-15

U

+15

-15

U

HIGH

MID

2.5kHz

12kHz

LOW

80Hz

+15

-15

U

+15

-15

U

+15

-15

U

HIGH

MID

2.5kHz

12kHz

LOW

80Hz

+15

-15

U

+15

-15

U

+15

-15

U

HIGH

MID

2.5kHz

12kHz

LOW

80Hz

+15

-15

U

+15

-15

U

+15

-15

U

HIGH

MID

2.5kHz

12kHz

LOW

80Hz

+15

-15

U

+15

-15

U

+15

-15

U

HIGH

MID

2.5kHz

12kHz

LOW

80Hz

+15

U

+15

U

+15

U

+15

U

+15

U

+15

U

+15

U

+15

U

+15

U

+15

U

+15

U

+15

U

+15

U

+15

+15

U

R

L

R

L

R

L

R

L

R

L

R

L

U

O

O

dB

30

20

10

40
50

5

5

60

10

U

O

O

dB

30

20

10

40
50

5

5

60

10

U

O

O

dB

30

20

10

40
50

5

5

60

10

U

O

O

dB

30

20

10

40
50

5

5

60

10

U

O

O

dB

30

20

10

40
50

5

5

60

10

U

O

O

dB

30

20

10

40
50

5

5

60

10

U

O

O

dB

30

20

10

40
50

5

5

60

10

O

O

O

O

O

O

U

dB

30

20

10

40
50

5

5

60

10

U

dB

30

20

10

40
50

5

5

60

10

U

dB

30

20

10

40
50

5

5

60

10

MAX

+15

+15

DAT Recorder

Mono in/Stereo out Reverb

(optional)

TAPCO Juice
 Power Amplifier

THUMP TH-15A
Stage Monitors

Microphones
1 and 2

Headphones

CD Player

Drum Machine

Keyboard

TAPCO 6915 Speakers

Hookup diaGrams

Small Club Gig 

3

4

CONTROL RM OUT

PHANTOM

ON

MAIN OUT

POWER

ON

LEFT

BAL/UNBAL

BAL/UNBAL

RIGHT

RIGHT

LEFT

ALT 3/4 OUTS

100 - 240 VAC /

50 - 60 Hz 40W

FUSE RATING: 1.6A / 250V

BROUGHT TO YOU BY THE GROOVY FOLKS IN WOODINVILLE, WA, USA•

MANUFACTURED IN CHINA•PATENTS PENDING•COPYRIGHT ©2005

MANUFACTURING DATE

SERIAL NUMBER

WARNING

: 

TO REDUCE THE RISK OF FIRE OR ELECTRIC 

SHOCK, DO NOT EXPOSE THIS EQUIPMENT TO RAIN OR 

MOISTURE. DO NOT REMOVE COVER. NO USER SERVICEABLE 

PARTS INSIDE. REFER SERVICING TO QUALIFIED PERSONNEL.

WARNING

: 

TO REDUCE THE RISK OF FIRE OR ELECTRIC 

SHOCK, DO NOT EXPOSE THIS EQUIPMENT TO RAIN OR 

MOISTURE. DO NOT REMOVE COVER. NO USER SERVICEABLE 

PARTS INSIDE. REFER SERVICING TO QUALIFIED PERSONNEL.

AVIS

:

 

RISQUE DE CHOC ELECTRIQUE — NE PAS OUVRIR

THIS DEVICE COMPLIES WITH PART 15 OF THE FCC RULES. THIS EQUIPMENT ALSO COMPLIES WITH THE RULES FOR CANADA UNDER ICES-003. OPERATION IS SUBJECT TO 

THE FOLLOWING TWO CONDITIONS: (1) THIS DEVICE MAY NOT CAUSE  HARMFUL INTERFERENCE, AND (2) THIS DEVICE MUST ACCEPT ANY INTERFERENCE RECEIVED, 

INCLUDING INTERFERENCE THAT MAY CAUSE UNDESIRED OPERATION.

POWER

PHANTOM

48V

3

MAIN

MIX

ALT

4

ALT

MASTER

AUX SEND

OL

SOURCE SELECT

VARIATIONS

RUDE SOLO

0dB = 0dBu

SOLO

OL

SOLO

OL

SOLO

OL

SOLO

OL

SOLO

OL

SOLO

1

1

MUTE

MUTE

ALT

3/4

EQ

MON

FX

AUX

SEND

AUX

RETURN

FX

RETURN

MIC

INPUT

1

1

LINE

CLIP

LEVEL

SET

RTRN

TO

MON

+10

+5

+2

0

-2

-5

-20

BAL/UNBAL

GAIN

SOLO

SOLO

PHONES

FOOTSW

AUX

 

RETURN

FX

MON

FX

 

RETURN

AUX

 

SENDS

 

(

MON0

)

L

R

L

R

MAIN

ALT 3-4

INTERNAL EFFECTS

CONTROL ROOM

FX OL

FX

INPUT

LEVEL

ROTARY

THEATER

FLANGER

ROOM

STAGE

SPRING

TREMOLD

REV

HALL

REV

CATHEDRAL
STUDIO

STEREO DELAY

ECHO

CHORUS

ECHO+REV

1

2

3

4

5

6

7

8

9

10

11

12

13

14

15

16

75Hz

2

2

MUTE

MUTE

ALT

3/4

EQ

MON

FX

AUX

SEND

MIC

INPUT

1

1

LINE

BAL/UNBAL

GAIN

75Hz

3

3

MUTE

MUTE

ALT

3/4

EQ

MON

FX

AUX

SEND

MIC

INPUT

1

1

LINE

BAL/UNBAL

GAIN

75Hz

4

4

MUTE

MUTE

ALT

3/4

EQ

EQ

MON

FX

AUX

SEND

MIC

INPUT

1

1

LINE

BAL/UNBAL

GAIN

75Hz

ALT

3/4

MON

FX

AUX

SEND

ALT

3/4

MON

FX

AUX

SEND

MON

FX

L

R

(

MONO

)

5

6

LINE

BAL/

UNBAL

+4

-10

EQ

L

R

(

MONO

)

7

8

LINE

BAL/

UNBAL

FX

MUTE

MAIN

MIX

CD/

TAPE

ALT

3-4

INPUT/OUTPUT

IN

OUT

L

R

CD/TAPE

MAX

TAPE TO

MAIN

SOLO

MODE

CTRL ROOM/

PHONES

5

6

7

8

MUTE

MUTE

MUTE

MUTE

PAN

PAN

PAN

PAN

BAL

BAL

PFL

AFL

0

0

0

0

+4

-10

+15

-15

U

+15

-15

U

+15

-15

U

HIGH

MID

2.5kHz

12kHz

LOW

80Hz

+15

-15

U

+15

-15

U

+15

-15

U

HIGH

MID

2.5kHz

12kHz

LOW

80Hz

+15

-15

U

+15

-15

U

+15

-15

U

HIGH

MID

2.5kHz

12kHz

LOW

80Hz

+15

-15

U

+15

-15

U

+15

-15

U

HIGH

MID

2.5kHz

12kHz

LOW

80Hz

+15

-15

U

+15

-15

U

+15

-15

U

HIGH

MID

2.5kHz

12kHz

LOW

80Hz

+15

-15

U

+15

-15

U

+15

-15

U

HIGH

MID

2.5kHz

12kHz

LOW

80Hz

+15

U

+15

U

+15

U

+15

U

+15

U

+15

U

+15

U

+15

U

+15

U

+15

U

+15

U

+15

U

+15

U

+15

+15

U

R

L

R

L

R

L

R

L

R

L

R

L

U

O

O

dB

30

20

10

40
50

5

5

60

10

U

O

O

dB

30

20

10

40
50

5

5

60

10

U

O

O

dB

30

20

10

40
50

5

5

60

10

U

O

O

dB

30

20

10

40
50

5

5

60

10

U

O

O

dB

30

20

10

40
50

5

5

60

10

U

O

O

dB

30

20

10

40
50

5

5

60

10

U

O

O

dB

30

20

10

40
50

5

5

60

10

O

O

O

O

O

O

U

dB

30

20

10

40
50

5

5

60

10

U

dB

30

20

10

40
50

5

5

60

10

U

dB

30

20

10

40
50

5

5

60

10

MAX

+15

+15

TAPCO S•5 or other

Active Studio Monitors

Mono in/Stereo out Reverb

(optional)

Guitar

TAPCO DB-1A

Direct Box

Digital Audio Workstation

TAPCO Link.USB or other

Digital Audio Interface

Microphones
1 and 2

Headphones

Drum Machine

Keyboard

Note: Push down the CD/
TAPE [21] switch in the 
CONTROL ROOM section 
to listen to the DAW 
output in the control room 
speakers and headphones. 
Leave it up to listen to the 
main mix. Do not press 
the TAPE TO MAIN [24] 
switch, or there will be 
feedback.

Computer set-up

Summary of Contents for MIX.220FX

Page 1: ......

Page 2: ...nent hearing loss Individuals vary considerably in susceptibility to noise induced hearing loss but nearly everyone will lose some hearing if exposed to sufficiently intense noise for a period of time...

Page 3: ...ipt in a safe place and not a bad idea to write your product information here for future reference i e insurance claims tech support return authorization etc Product Serial Purchased at Date of purcha...

Page 4: ...you are ready to set the levels SET THE LEVELS Mic Line Channels 1 Choose one of the microphones or instruments you connected to the mono MIC or LINE input Make some noise If it s a microphone sing at...

Page 5: ...75Hz 3 3 MUTE MUTE ALT 3 4 EQ MON FX AUX SEND MIC INPUT 1 1 LINE BAL UNBAL GAIN 75Hz 4 4 MUTE MUTE ALT 3 4 EQ EQ MON FX AUX SEND MIC INPUT 1 1 LINE BAL UNBAL GAIN 75Hz ALT 3 4 MON FX AUX SEND ALT 3 4...

Page 6: ...itch PFL AFL Aux Return level control with Main Alt 1 2 assign switch Main Sub 1 2 assign on 260FX FX Return level control with Return to Mon level control Inter Planetary Space Drive control OK we ma...

Page 7: ...0 50 5 5 60 10 MAX 15 15 DAT Recorder Mono in Stereo out Reverb optional TAPCO Juice Power Amplifier THUMP TH 15A Stage Monitors Microphones 1 and 2 Headphones CD Player Drum Machine Keyboard TAPCO 69...

Page 8: ...nd LINE inputs This allows signals from the outside world to be adjusted to optimal internal operating levels The GAIN control provides 50 dB of gain with the knob fully up 4 4 10 Switch Stereo channe...

Page 9: ...ency or edge to keyboards vocals guitar and bacon frying Turn it down a little to reduce sibilance or hide tape hiss 8 MID EQ Turning this clockwise boosts the level of frequencies at and around 2 5 k...

Page 10: ...wn the monitor send is not affected by the channel fader or the MUTE switch Any channel assignments to L R MAIN MIX and SUB 1 2 will be interrupted and the FX send will be silenced The AFL solo on the...

Page 11: ...out what a particular channel is up to anytime during a session You can solo as many channels at a time as you like The OL LED 5 lights continuously to indicate when the SOLO switch is active as well...

Page 12: ...is required for the Set the Levels procedure and is handy for quick spot checks of channels especially ones that have their faders turned down With the switch down you re in AFL mode meaning After Fa...

Page 13: ...help assure you that your levels are in the ballpark You don t have to stare at them unless you want to AUXILIARY SECTION 27 MASTER AUX SEND Knobs The Master AUX SEND knobs provide overall control for...

Page 14: ...the internal effects processor and so prevent its output from appearing on the main mix or stage monitors The LED next to the FX MUTE switch reminds you whenever the processor is muted Use FX MUTE if...

Page 15: ...er s PHANTOM Power 58 switch on the rear panel is turned on FRONT PANEL CONNECTORS 44 MON AUX SEND OUT Connect these 1 4 TRS outputs to the inputs of a stage monitor amplifier Each channel strip has a...

Page 16: ...the TAPE TO MAIN 23 switch is pushed in The signals can also be routed to the CONTROL ROOM 55 and PHONES 50 outputs when the CD TAPE 20 switch is engaged in the CONTROL ROOM SOURCE SELECT section When...

Page 17: ...ides 48 VDC phantom powering on XLR pins 2 and 3 If you have ribbon mics tube mics or dynamic mics that do not require phantom power leave the PHANTOM POWER switch out If you are using both condenser...

Page 18: ...best to confirm the problem Visit the Talk To Each Other section of our website www tapcoworld com where you will find user forums to exchange information and ideas You may find the answer to the pro...

Page 19: ...at techmail tapcogear com Repair For warranty repair or replacement refer to the warranty information on page 27 Non warranty repair for TAPCO products is available at a factory authorized service cen...

Page 20: ...dphones 1 4 TRS Stereo Unbalanced Wiring Sleeve Shield Tip Left Ring Right 1 4 TS Phone Plugs and Jacks TS stands for Tip Sleeve the two connections available on a mono 1 4 phone jack or plug They are...

Page 21: ...Hz Mid 15 dB sweepable from 100 Hz to 8 kHz Low 15 dB 80 Hz Mix 260FX Stereo Channels High 15 dB 12 kHz Mid 15 dB 3 kHz Mid 15 dB 500 Hz Low 15 dB 80 Hz Mixer Rated Output Main Aux Control Room 4 dBu...

Page 22: ...GH 12kHz LOW 80Hz 75Hz MID PAN 1 2 L R SOLO 4 4 MUTE MUTE EQ MON FX AUX SEND MIC INPUT 4 LINE BAL UNBAL GAIN HIGH 12kHz LOW 80Hz 75Hz MID PAN 1 2 L R SOLO MUTE MUTE MON FX AUX SEND HIGH 12kHz LOW 80Hz...

Page 23: ...AIN BUS RIGHT MAIN BUS MON AUX BUS FX AUX BUS SOLO L AFL SOLO R AFL SOLO PFL SOLO LOGIC MON AUX SEND FX AUX SEND HEADPHONE OUTPUT LEFT RIGHT CD TAPE TO CTRL RM PHONES ALT 3 4 TO CTRL RM PHONES TAPE TO...

Page 24: ...FL SOLO R AFL SOLO PFL SOLO LOGIC MON AUX SEND FX AUX SEND HEADPHONE OUTPUT LEFT RIGHT CD TAPE TO CTRL RM PHONES SUB 1 2 TO CTRL RM PHONES TAPE TO MAIN RUDE SOLO CONTROL ROOM PHONES LEFT MAIN OUT LEFT...

Page 25: ...ANUFACTURING DATE SERIAL NUMBER WARNING TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK DO NOT EXPOSE THIS EQUIPMENT TO RAIN OR MOISTURE DO NOT REMOVE COVER NO USER SERVICEABLE PARTS INSIDE REFER SERVICI...

Page 26: ...NO LINE BAL UNBAL EQ L R MONO LINE BAL UNBAL 9 10 11 12 5 6 7 8 9 10 11 12 MASTER AUX SEND AUX RETURN FX RETURN RTRN TO MON SOLO SOLO MAIN SUB 1 2 MON FX SOURCE SELECT MAIN MIX CD TAPE SUB 1 2 PFL AFL...

Page 27: ...nty Note You must have a sales receipt from an authorized TAPCO dealer for your unit to be considered for warranty repair IMPORTANT Make sure that the Service Request Number is plainly written on the...

Page 28: ...tapcoworld com...

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