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12

OUTPUT CONNECTIONS

24. MAIN OUTPUTS 

These 1/4" TRS jacks represent the end of the mixer 

chain, where your fully mixed stereo signal enters the 

real world.

Connect these outputs to the inputs of your 

amplifi ers, powered speakers, or serial effects 

processor (graphic equalizer, for example).

25. CTRL ROOM OUTPUTS

These 1/4" TRS jacks can be used to provide 

another main mix output (with the CTRL ROOM (18) 

switch set to MAINS), or to monitor the CD/Tape Inputs 

(CTRL ROOM switch set to CD/TAPE).

Connect these outputs to the inputs of an amplifi er, 

powered speakers, or recording device.

26. AUX SEND 1 MON OUTPUT 

To create a stage monitor mix, connect this 1/4" TRS 

output into your monitor amplifi er’s input, or powered 

monitor’s input. This jack can also be used to feed the 

inputs of an effects device.

Each channel strip has an AUX 1 MON (8) send 

control knob that adjusts how much of that channel’s 

signal appears at this output. The output from this jack 

is the sum of all those active channels that have their 

AUX 1 knobs set to more than the minimum position.

This output 

is not

 affected by the channel LEVEL 

(11), or MAIN MIX (22) controls.

27. AUX SEND 2 FX OUTPUT

This 1/4" TRS output can be used to connect to the 

input of an external effects device.

Each channel strip has an AUX 2 FX (9) control that 

adjusts how much of that channel’s signal appears 

at this output. The output from this jack is the mix of all 

those active channels that have their AUX 2 knobs set 

more than minimum.

This output 

is

 affected by the channel LEVEL (11), 

but not the MAIN MIX (22) control.

Note:

 Since this output is post-channel EQ and 

LEVEL, it is not used as a traditional stage monitor cue. 

It is intended to patch into an effects device’s input, 

hence the name FX.

28. TAPE OUTPUTS 

Use these jacks to capture the entire performance to 

tape. The signal at these jacks is a sample of the main 

mix, as it appears at the MAIN (24) output. The TAPE 

OUTPUT level is affected by the MAIN MIX (22) control.

29. PHONES OUTPUT 

The stereo signal at this output jack is the same as 

the CTRL ROOM (25) outputs, but it is not affected by 

the position of the CTRL ROOM (19) knob. You can 

listen to the main mix, or the CD/TAPE, depending 

upon the position of the CTRL ROOM (18) switch.

The PHONES (20) control allows you to set the levels 

in your headphones as desired, without disturbing the 

main mix or control room levels.

Note:

 Be very careful because 

the PHONES jack can drive any 

standard headphones to very 

loud levels. Please see page 2 for 

information on hearing protection. 

See Appendix B for information about 1/4" TRS 

stereo connectors.

REAR PANEL FEATURES 

30. POWER SWITCH

Push the side of the switch labeled “

ON

” to turn the 

mixer on; you should see the 

POWER 

LED (16) glow 

with happiness. To turn the mixer off, push the switch 

the other way.

As a general rule, turn the mixer on fi rst, before any 

amplifi ers or powered speakers. At the end of a show, 

turn it off last. This will prevent any turn-on or turn-off 

thumps from being heard in the speakers.

31. POWER IN

This connection is where you connect the supplied 

external AC power supply to provide AC power to 

the mixer. Connect the external power supply to the 

Blend 6 fi rst, then plug the power supply into a suitable 

and properly rated AC outlet.

WARNING:

 Make sure you use the correct external 

power supply capable of providing 9 VDC at 1.5 amps.

3/4

BAL

BAL /UNBAL

UNBAL

L

R

LINE IN

5/6

BAL

BAL /UNBAL

UNBAL

L

R

LINE IN

(

MONO

)

(

MONO

)

INPUT

INPUT

INPUT

IN

OUT

L

R

PHONES

L

R

L

R

R

AUX

 SENDS

DS 

IN

IN

OUT

OUT

AUX

 RETURN

MAIN MIX

N MIX

CTRL R

L ROOM

FX

MON

CD/ TAPE

(

MONO

)

L

LEVEL

SET

INPUT

U

-22

dB

+25

dB

+

3

+

50

MIC

LEVEL

SET

U

-22

dB

+25

dB

+

3

+

50

MIC

1

2

OUT

FX

MON

24

24

25

25

26

27

28

28

29

6 CHAN

6 CHANNEL MIXER

6 CHAN

6 CHANNEL MIXER

  9 VAC

  9 VAC

POWER IN

POWER IN

BROUGHT TO YOU 

BROUGHT TO YOU BY THE GROOVY FOLKS IN WOODINVILLE, WA, USA • 

COPYRIGHT ©2003

THE FOLLOWING AR

THE FOLLOWING ARE REGISTERED TRADEMARKS OF LOUD TECH. INC.: 

"TAPCO", "MACKIE",  

"TAPCO", "MACKIE",  AND THE "RUNNING MAN" FIGURE •  PATENT PENDING

POWER

ON

30

31

Summary of Contents for Blend 6

Page 1: ...owner s manual by...

Page 2: ...from digital apparatus as set out in the radio interference regulations of the Canadian Department of Communications ATTENTION Le pr sent appareil num rique n met pas de bruits radio lectriques d pas...

Page 3: ...not a bad idea to write your product information here for future reference i e insurance claims tech support return authorization etc Contents Safety Instructions 2 Getting Started 4 Introduction 6 H...

Page 4: ...ST input Make some noise If it s a microphone sing at your normal singing volume If it s an instrument play it at its normal output level 2 While making noise turn up that channel s GAIN until the adj...

Page 5: ...O MONO MIC INPUT INPUT MIC INPUT INPUT INST INPUT INPUT IN OUT L R PHONES L R L R R AUX SENDS DS IN IN OUT OUT AUX RETURN MAIN MIX N MIX CTRL R L ROOM FX MON CD TAPE MONO L 1 MON MON 2 FX FX AUX SEND...

Page 6: ...tor Inter Planetary Space Drive control OK we made that last one up but we can pencil it in for next time Introduction Thank you for choosing a TAPCO Blend 6 mixer by Mackie The TAPCO family of mixers...

Page 7: ...BAL UNBAL UNBAL L R LINE IN 5 6 BAL BAL UNBAL UNBAL L R LINE IN 1 2 MONO MONO MIC INPUT INPUT MIC INPUT INPUT INST INPUT INPUT IN OUT L R PHONES L R L R R AUX SENDS DS IN IN OUT OUT AUX RETURN MAIN MI...

Page 8: ...e world to be adjusted to optimal internal operating levels Through the mono channels MIC XLR inputs there is 50 dB of gain with the knob fully up Through a mono channels INST IN TRS inputs there is 2...

Page 9: ...stereo signals For instance channel 3 L and 4 R mix together to feed that channel s AUX send knobs 8 AUX 1 MON AUX 1 MON is designed to send a separate mono mix to your stage monitors via the AUX 1 SE...

Page 10: ...levision audio etc Signals coming into these inputs are routed directly to the main mix when the CD TAPE TO MAIN MIX 21 button is pushed in The signals can also be routed to the CONTROL ROOM 25 output...

Page 11: ...ed to the CD TAPE inputs push down this switch to add the CD TAPE signal to the main mix This is useful if you want to play some entertainment while the band is taking a break Use the MAIN MIX control...

Page 12: ...MAIN 24 output The TAPE OUTPUT level is affected by the MAIN MIX 22 control 29 PHONES OUTPUT The stereo signal at this output jack is the same as the CTRL ROOM 25 outputs but it is not affected by th...

Page 13: ...acking box and must have the RA number on the box Once it s repaired we ll ship it back the same way in which it was received This paragraph does not necessarily apply to non warranty repair Warranty...

Page 14: ...hones 1 4 TRS Stereo Unbalanced Wiring Sleeve Shield Tip Left Ring Right 1 4 TS Phone Plugs and Jacks TS stands for Tip Sleeve the two connections available on a mono 1 4 phone jack or plug They are u...

Page 15: ...els Mic Input 18 dBu Gain 3 dB Inst Input 18 dBu Gain 22 dB Stereo Line Input Tape Input and Aux Return 18 dBu Maximum Voltage Gain Mic Input to Main Output 74 dB Tape Output 74 dB Aux Sends 74 dB Con...

Page 16: ...hange these specifications at any time without notice During a recent Garden Fete put on by the Society for the Prevention of Misunderstandings SRSoF this mixer was accidentally awarded first prize in...

Page 17: ...PCO BLEND 6 BLOCK DIAGRAM SSE 01 04 L L R R PAN AUX 2 FX SUM THING SUM THING ELSE AUX RETURN TO MAIN MIX AUX RETURN TO AUX 1 MON AUX 1 MON L R L R LEFT MAIN BUS RIGHT MAIN BUS AUX 1 MON BUS AUX 2 FX B...

Page 18: ...MAX MAX MAX U U MAX MAX MAX MAX MAX MAX U U U U MAX MAX MAX MAX LEVEL U MAX MAX U MAX MAX U MAX MAX U U MAX MAX 1 2 3 4 PAN PAN PAN PAN GAIN U 22dB 25dB 3 50 MIC GAIN U 22dB 25dB 3 50 MIC TAPCO Blend...

Page 19: ...nologies to any location within the boundaries of the USA G LOUD Technologies warrants all repairs performed for 90 days or for the remainder of the warranty period This warranty does not extend to da...

Page 20: ...tapcogear com...

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