THE SQUEEZER
First off, there are two controls on the Squeezer not mentioned on the
previous page – Gain and Level.
Gain is what we call a “makeup” gain. With a dynamic range of -10dB
up to +20db, the Gain has more than enough headroom to give your
output signal classic tube growl and bite.
Level sets the final output volume, so you can best match your instru-
ment to the effect. For example, if you have a vintage instrument with
low output pickups, you’ll probably set the Level high, for every bit of
tone to come through. Typically, you would set level to maximum posi-
tion (unity gain).
Comp sets the compression ratio on the Squeezer. Higher ratios will
keep you at the front of the mix, while lower ratios will keep more of
your natural dynamics. The Squeezer can deliver ratios from 1:1 right
up to a crushing 10:1.
THRESHOLD
is where the compressor kicks in on a signal. The higher
the threshold, the more original input signal gets let through.
ATTACK
is how quickly the compressor reacts. Longer attack times
mean more natural signal before the compressor starts to work.
RELEASE
is how long the compressor takes to let the signal go back
to its normal level. The compressor will try to keep a constant output
signal, which is what gives you the extra sustain on your instrument.
COMPRESSORS
can be placed in the beginning or in the end of the
pedal chain. For long sustain, the compressor should be placed after the
distortion pedals.
Summary of Contents for SQUEEZER
Page 1: ...SQUEEZER USER MANUAL ...
