Symetrix 258E User Manual Download Page 25

528E

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For best results, the 528E should replace the mic preamp in your console or recording chain. If you
have to plug the 528E into a microphone input (-40 dBu nominal level), then you’ll need to pad
(attenuate) the output of the 528E down to microphone level. An internal jumper connection
reduces the 528E’s output to this level. Although a far preferable connection would be to bypass
your console’s mic preamp, this will work. When configured for mic-level output, the 528E’s
circuitry doesn’t care if phantom powering is or isn’t present at the console’s mic input. Appendix
A contains instructions for altering the output level of the 528E.

Note: Padding (attenuating) the output of the 528E back to microphone level is a workable
solution towards interfacing the 528E into a console or system having only microphone level
inputs. However workable, the ultimate performance of the 528E will be limited by the perfor-
mance of your system’s existing microphone preamps. If you can find a way to bypass the existing
microphone preamps in your system, do so. It’ll be worth the trouble.

Using the 528E as a Channel Insert Device

The 528E can also be used as a channel-insert device with your console. Use the 528E’s line input
and line output as shown in Figure 7-3.

Using the 528E in an Effects Loop

Signal processors used in a console’s effects (send-receive) loop should not be insert or series

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processors. A series processor means that you have to break the signal path to insert the processor.
Since using the effects loop does not break the signal path, we don’t recommend that you connect
the 528E here. Use the channel-insert jacks as described under the previous heading or insert the
528E between your console and your tape machine.

Using the Patch Points

Located on the rear panel are several TRS jacks. These jacks are the connections between the
various processors that make up the 528E. The jacks are half-normalled, which means that without
any plugs inserted, the signal flows through them via internal switching contacts. The term “half
normal” means that only the input or return jack has switching contacts; inserting a plug into the
output or send jack does not break the signal path. This allows you to access the signal at various
points in the 528E’s signal path for use with external processors.

The patch point jacks can be used to insert additional processing into the signal path or perhaps to
rearrange the sequence in which the individual processors receive the input signal. Still another
possibility would be to use the parametric equalizer in the sidechain of the compressor/downward
expander (for additional information on using the sidechain, see the end of this chapter).

Inserting Additional Processing

Figure 7-4 shows an external processor inserted between the 528E’s equalizer and its output stage.
To insert additional (external) processing into the 528E’s signal path:

1.

Decide where in the signal path you wish to insert the external processor.

2.

Patch the appropriate output jack
on the 528E to the input jack of the
external processor. Use either a
TRS or TS patchcord.

3.

Patch the output jack of the external
processor to the corresponding
input jack on the 528E. Use either a
TRS or TS patchcord.

1

An insert or series processor is one that is inserted in series with the signal to be modified. Generally speaking,
series processors have a wet-dry mix control, however compressors, expanders, gates, equalizers, as well as the
528E, are all series processors that don’t.

STAGE

OUTPUT

PRE-AMP

DE-ESS

OUTPUT

INPUT

INPUT

SIDECHAIN

TIP=RETURN

RING=SEND

OUTPUT

INPUT

EXPANDER/COMPRESSOR

OUTPUT

UNBALANCED

OUTPUT

OUTPUT STAGE

INPUT

EQUALIZER

EXTERNAL AUDIO PROCESSOR

INPUT

OUTPUT

LIN

Figure 7-4.  Inserting additional processing

Summary of Contents for 258E

Page 1: ...528E 528E Voice Processor User s Guide...

Page 2: ...ts reserved Symetrix Part Number 53528 0E00 The information in this guide is subject to change without notice Symetrix Inc shall not be liable for technical or editorial errors or omissions contained...

Page 3: ...ransformerless design The line input s design uses matched resistors to attain a high wideband CMRR common mode rejection ratio and multistage RFI filters to prevent Radio Frequency interference probl...

Page 4: ...through the grounding conductor of the power cord To avoid electric shock plug the power cord into a properly wired receptacle before making any connections to the product A protective ground connect...

Page 5: ...ront and rear panel as follows Follow these instructions to get your 528E up and running as quickly as possible The intent of this section is fast setup If you need something clarified then you ll fin...

Page 6: ...threshold control to vary the amount of gain reduction as indicated on the compressor s gain reduction display Generally 3 to 6 dB is sufficient unless you are using a low compression ratio below 2 1...

Page 7: ...ignal downstream yet still keeps the CLIP LED from illuminating The output display is peak responding so you can t quite set levels as if it were a VU meter The output CLIP LED monitors both the equal...

Page 8: ...LED Display Indicates the amount of de esser activity at any instant in time Downward Expander Compressor EXP THRESH Sets the threshold level for the downward expander Signalsbelow this threshold are...

Page 9: ...zer Output Section GAIN Sets the overall gain of the 528E s output over a 15 dB range Note the actual adjustment pointis intheexpander compressor s VCA whichispre EQ VOICE Inserts speech waveform asym...

Page 10: ...alanced This is the output of the equalizer This jack does not interrupt the signal flow to the 528E s output stage INPUT TRS phone jack wired unbalanced This is the input to the equalizer This jack i...

Page 11: ...upts the signal from the Mic Line inputs DE ESS INPUT P OUTPUT Preamp 48V POWER PHANTOM BYPASS MIC INPUT OUTPUT STAGE PRE AMP LINE INPUT PREAMP STAGE TRS phone jack wired unbalanced This is the output...

Page 12: ...ftentimes the two are combined into a single device called a compressor limiter Compressor limiters usually perform as either a compressor or a limiter but not both at once Functionally a compressor l...

Page 13: ...e dynamic range Why Dynamic Range Processors are Necessary For signals to stay below distortion and above noise their actual dynamic range must be kept within the specified dynamic range of the circui...

Page 14: ...r simply makes all changes greater by some ratio which is sometimes user adjust able In the real world linear expanders aren t too practical because clipping occurs when signals just below maximum out...

Page 15: ...trol range De essers usually include controls that allow the operator to determine which frequencies are controlled and how much those frequencies are actually attenuated The 528E s de esser controls...

Page 16: ...ve 3 Cut or Boost is given in dB at the center frequency Equalization Tutorial Equalization is nothing more than selectively or not amplifying a signal based on frequency Since audio signals consist o...

Page 17: ...tave 500 1024 Hz louder with respect to the other octaves the subjective result is a horn like quality If you emphasize the 7th octave 1000 2000 Hz the effect is one of tinniness The fundamental tones...

Page 18: ...commercial reality you could still purchase mono and stereo versions of an LP and there were still more FM stations broadcasting in mono than stereo and as many mixers contained rotary mix pots as th...

Page 19: ...e max CCW Tune the frequency control until you distinctly hear the part of the sound you wish to control Then adjust the cut boost control for the appropriate amount of change and readjust the bandwid...

Page 20: ...change their sound simply by moving in or out from the microphone If clarity is your goal then a variable D4 microphone such as the EV RE 20 RE 27 or RE 18 or an omnidirectional type such as the EV R...

Page 21: ...H HORN TRUMPET CLARINET OBOE FLUTE PICCOLO WIND INSTRUMENTS STRING INSTRUMENTS HUMAN VOICE BASS TREBLE 16 35 18 35 20 60 21 83 24 50 27 50 30 87 32 70 36 71 41 20 43 65 49 00 55 00 61 74 65 41 73 42 8...

Page 22: ...tputs Pin 2 of the XLR connectors is Hot The sidechain access jack output uses a TRS jack wired as an insert jack tip return ring send The interstage patch points use TRS jacks with the ring and sleev...

Page 23: ...HRES GAIN COMP THRES COMP RATIO OPTIONAL POWER SWITCH VOICE SYMMETRY IN OUT INTERNAL OUTPUT LEVEL SELECT SWITCH OUTPUT LEVEL DISPLAY EXP COMP IN OUT THRESHOLD DE ESS IN OUT EXP COMP OUTPUT EQ OUTPUT R...

Page 24: ...strates the connections needed FRONTPANEL MIC INPUT BYPASS 48V POWER PHANTOM LINE INPUT PRE AMP OUTPUT STAGE INPUT OUTPUT SIDECHAIN RING SEND TIP RETURN INPUT DE ESS EQUALIZER INPUT OUTPUT BALANCED OU...

Page 25: ...rear panel are several TRS jacks These jacks are the connections between the various processors that make up the 528E The jacks are half normalled which means that without any plugs inserted the sign...

Page 26: ...STAGE OUTPUT PRE AMP DE ESS OUTPUT INPUT INPUT SIDECHAIN TIP RETURN RING SEND OUTPUT INPUT EXPANDER COMPRESSOR OUTPUT UNBALANCED OUTPUT OUTPUT STAGE INPUT EQUALIZER LIN Using the Equalizer in the Sid...

Page 27: ...gnal peaks Remember to restore the settings of the various bypass switches Finally the OUTPUT GAIN After adjusting all of the other processors set this control so that the 0 VU LED on the OUTPUT LEVEL...

Page 28: ...ce content of the input signal In sibilant speech the dominant frequency component is the sibilance itself Reducing the level of high frequencies during periods of sibilance reduces the level of the s...

Page 29: ...or less to certain frequencies Because the audio signal and the control signal remain completely separate even while the control circuit tells the VCA whether to turn the gain up or down you can equa...

Page 30: ...t all proper in another Announce Mics Compressing Limiting Expanding The 528E s dynamic range processor is used to control both over modulation and noise Noise in this case may be electrically induced...

Page 31: ...of each of the compressor controls 2 Temporarily set the compressor ratio to 10 1 Increase system gain very carefully until a feedback frequency becomes slightly audible 3 With the bandwidth set at a...

Page 32: ...ponse characteristic at higher frequencies Check the off axis curve the lower one in the manufacturer s literature If there s only a 3dB to 6dB difference between the on axis front response and the of...

Page 33: ...l which in turn can cause feedback in the absence of signal when the compressor releases and brings the gain back up to normal The 528E s interactive dynamics processor allows the use of large amounts...

Page 34: ...s lines are not necessarily low impedance Similarly although 1 4 inch jacks are typically used for things like guitars which are high impedance and unbalanced this does not predispose them to only thi...

Page 35: ...ways line level and is unaffected by the internal switch I O Impedances The 528E is designed to interface into almost any recording studio or sound reinforcement applica tion This includes 600 ohm sys...

Page 36: ...l output level switch Unlike the XLR connector using this jack corrects the gain so that it is unity The interstage patching jacks are half normalled only the input jack breaks normal TRS jacks wired...

Page 37: ...T TYPICAL OF SYMETRIX PRODUCTS FROM BALANCED OUT FROM UNBALANCED OUT FROM BALANCED OUT FROM BALANCED OUT FEMALE XLR PIN 1 GROUND PIN 2 HIGH PIN 3 LOW MALE XLR PIN 1 GROUND PIN 2 HIGH PIN 3 LOW MALE TS...

Page 38: ...power amplifiers clipping Is something else clipping Is the 528E set for mic level output driving a line level input with the 528E s gain set fairly high and upstream devices contributing a significan...

Page 39: ...um Boost Cut 15 dB Metering Type Multi segment LED bar graph Output Level 20 to 3 VU 0 VU 4 dBu VU calibrated peak responding Gain Reduction Separate displays for de esser downward expander and compre...

Page 40: ...cessor shall be equipped with the following LED displays An eight segment LED display shall be provided for monitoring the overall output level six segment displays for monitor ing the de esser compre...

Page 41: ...will be returned freight collect THIS WARRANTY IS EXPRESSLY IN LIEU OF ALL OTHER WARRANTIES EXPRESS OR IMPLIED ARISING BY LAW OR OTHERWISE INCLUDING WITHOUT LIMITATION ANY OBLIGATIONS OF THE SELLER W...

Page 42: ...ed for all necessary parts labor packaging materials and freight charges To Get Your 528E Unit Repaired USA Customers Only 1 Call our Technical Services Group for a return authorization RA number 425...

Page 43: ...three 6 32 x 1 2 inch screws from each side of the chassis 4 Lift the top cover free of the chassis Changing the XLR Output to Microphone Level The 528E ships from Symetrix with the XLR output configu...

Page 44: ...ed apparatus for household and similar general use EN 55103 2 Electromagnetic compatibility Generic immunity standard Part 1 Residential commercial and light industry The technical construction file i...

Page 45: ...528E 43...

Page 46: ...528E 44 Symetrix Inc 6408 216th St SW Mountlake Terrace WA 98043 USA Tel 425 778 7728 Fax 425 778 7727 Web site www symetrixaudio com Email symetrix symetrixaudio com...

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