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headlite

headlite

Thank you for choosing the SWR® 

headlite™

 bass amplifier.

The SWR tradition of innovation and excellence began in 1984, when 
founder Steve W. Rabe developed an entirely new concept of bass 
instrument  amplification.  Responding  to  advice  and  suggestions  from 
top L.A. recording bassists of the day who wanted their live sound to 
resemble what they heard in studio playback monitors, Rabe developed a 
full-range, hi-fi bass system that allowed players to dial in any tone they 
wanted with the accuracy of a studio mixing console. The “SWR sound” 
was born.

The 

headlite

 is a result of our ongoing efforts to improve the lives 

of bassists everywhere, and is part of a completely new generation of 
innovative, lightweight bass amplification products. 

Thanks to the laws of physics, bass instruments in general require 
substantially more power for accurate amplification than their high 
frequency counterparts and, until recently, have required extremely heavy 
transformers and bulky power supplies to produce this needed power. 
The 

headlite

  was  made  possible  by  recent  advances  in  technology 

that have finally made powerful, lightweight amplifiers and speaker 
enclosures a reality. Further, the 

headlite

 is the direct result of 

exhaustive research and development efforts and countless hours of real-

world playing applications that, together, ensured that the SWR standards 
of quality, excellence and reliability were successfully met. 

Combining lightweight class “D” amplifier technology with the legendary 
SWR tube preamp, the 

headlite

 is a 3.75-pound (1.7 kg), 400-watt* 

dynamo that delivers the tonal clarity SWR amps are famous for, as well 
as astonishingly thunderous low-end response for such a diminutive 
package.  In  addition  to  convenience,  the 

headlite

 offers a full array 

of professional features, including a studio-quality Line Out, a Compressor 
circuit, an optional footswitch to engage the Effects Loop or Tuning Mute 
(it also controls an integrated Tuner) and a new three-position Aural 
Enhancer™ circuit (Classic, Modern or Bypass). 

Ideal as a stand-alone amp in a head/speaker rig or partnered with the 

amplite™

—a matching 400-watt* power amplifier—in a multiple 

power amp rig, your 

headlite

 is an extremely versatile performance 

tool. Carry it in the included accessory bag, slip it into a pocket of your 
bass’s gig bag or rack-mount it with the optional rack-mounting kit 
(P/N 007-7798-000) and you’ll be ready for nearly any gig in a matter of 
minutes.

We’re confident that you will enjoy your new 

headlite

 for many years 

to come, and many thanks for “Stepping up” to SWR.

*300-watt for 100V Japanese models.

A. POWER 

INDICATOR

—Illuminates when the unit is ON.

B. PAD

—Press IN to reduce input sensitivity by –10dB to 

provide high-output instruments with more headroom and 
cleaner response.

C.  

MUTE

—Disables audio output from the Speaker Out {O},  

DI {R}, and Pre Out {P} jacks. Mute does NOT disable the 
Direct {W} or Send {V} outputs.

D. INPUT

—Plug your instrument in here.

E.  COMPRESSOR LED & PREAMP CLIP LED

—This dual 

purpose indicator turns 

yellow

  when  the  compressor  is 

active and turns 

red

 when the preamp clips. The brightness 

of the 

yellow

 LED represents how much signal level is 

actively being attenuated by the compression circuit. For 
the cleanest signal, increase Gain until the Preamp Clip LED 

occasionally flashes 

red

  at  your  instrument's  peak  output 

levels, then reduce Gain slightly. 

F. GAIN

—Adjusts  the  amount  of  preamp  gain  and  is  used 

together with the Master volume {L} to control the overall 
loudness  of  the  amplifier.  If  signal  distortion  is  desired,  use 
higher Gain settings (unlike power amp clipping, preamp 
clipping is not harmful to the amplifier).

  Gain is also the primary level control for the effects 

loop Send {V} jack on the rear panel and can be used to 
accommodate the input sensitivity of external equipment 
if necessary.

G. SHIFT

—The OUT position (

green

 setting) selects the 

classic Aural Enhancer circuit that has been a trademark 
SWR feature for over 25 years. The IN position (

yellow

setting) selects a modern Aural Enhancer providing a more 
contemporary sound that was developed in partnership 
with SWR artist, Marcus Miller.

front panel

front panel

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