B
ut what’s “too high”??
Tastes vary, and so do movie soundtracks, but your SVS
is capable of
tremendous
levels of low distortion, low frequency bass — far more than
most commercial subs. Take advantage of this, especially if you like action movies with
lots of “.1” channel (LFE) action, and give the sub a bit more “bump” during calibration
(also known as running the sub “hot”). Keep in mind too that the human ear is relatively
insensitive to low frequencies. This, coupled with the fact most folks don’t watch mov-
ies at Dolby Digital theater reference level , means turning the bass up a few decibels
usually yields a better movie sound experience.
W
hat sub levels do we recommend?
If you watch movies at relatively moderate
sound levels, a good start is a range of +2dB to +3dB above your other channels (as
measured with your sound meter). This means the test tone will waiver about 75-78 dB
for the subwoofer portion of the calibration run (88dB with
Avia
). (
Note:
You may
want to rotate the sound meter SPL meter dial to 80dB to get a good reading with these
higher levels.) Note too that many modern surround sound receivers allow a variety of
different subwoofer level settings, depending on the “listening mode” you are in. With
“Dolby Digital” as your “mode” use the above calibration routine. You may well find
that CD “Stereo” music calls for a lower bass settings. The above is a guide… experi-
ment some. The louder your master volume though, the more you should back off the
sub level to compensate. Avoid your woofer “bottoming”, resulting in a loud “clack”!
L
ocation and measurement.
You should take the above measurements from your
typical preferred seat for watching movies. Be advised, strong bass levels can vary
sig-
nificantly
simply by moving a few feet. Such is the nature of long wave-length, low
bass sound. Try different locations and different levels for your subwoofer. Calibrating
with the subwoofer’s volume too high (and often, too low) is the most common sub-
woofer setup error.
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V
olume/
G
ain
Use “gain” (in conjunction with your receiver’s subwoofer output
level control) to dial in a bass calibration to your liking. Start calibration with the sub’s
volume/gain no more than 1/4 to 1/3 of the way up (turned clockwise from the left).
C
rossover
F
requency.
If you use your Dolby Digital receiver/processor’s internal
crossover to manage bass frequencies (highly recommended), the setting of this knob on
the sub is irrelevant. (Note: Use the SVS’s crossover “Enable/Disable” switch discussed
below to take advantage of this configuration.) Otherwise this knob is used to best blend
your SVS to your other speakers. Typically used in stereo only systems today.
P
hase
.
Think of bass waves as conflicting or enhancing each other, depending on the
timing of their arrival at your listening location (either together, or not). Since some of
your room’s bass might come from main, center and/or surround speakers, as
well
as
your sub, getting these bass waves to arrive in a complementary,
enhancing
fashion is
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SV Sound
Summary of Contents for PB12-NSD/2
Page 10: ...SVS PB12 NSD 2 tuning chart ...
Page 14: ...SV Sound Page 14 Notes ...
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