Stanton M.207 User Manual Download Page 10

M.207 Description (Rear Panel)

7

3.3

M.207 Description - Rear Panel 

(Figure 3.3)

Figure 3.3

1.     Power Switch: 

Turns the mixer ON or OFF.

2.     AC  IN:

Input  connection  for  the  included  power  supply.  While  the  power  is  switched  OFF,  plug  the  power  supply

       into the mixer first, and then plug it into the outlet.

3.     Fader  Start:

To  use  this  function  you  need  a  CD  player  with  the  Fader  Start  feature  and  its  related  cable  so  you

       can  use  the  Crossfader  to  start  and  stop  the  CD  player.  The  Fader  Start  switch  (Front  Panel,  Figure  3.2,  1)  activates
       the  Fader  Start  feature.  When  the  Fader  Start  switch  is  in  the  ON  position,  this  function  allows  the  fader  to
       activate or return to the preset Cue Point on your compatible CD Player.

4.     Balanced  Master  output:

TRS  balanced  (1/4”)  connectors  are  typically  used  to  connect  to  a  P.A.  mixer  or  an

       amplifier for live performances, or a recording console.

5.     Unbalanced  Master  output:

RCA  connectors  are  typically  used  to  connect  to  a  home  stereo,  or  to  another

       mixer with RCA inputs for practicing or team routines. 

6.     REC:

The  record  output  is  not  affected  by  the  Master  volume  control.  It  can  be  used  to  record  to  a  computer,

       CD, MD, & tape recorder, even while the master volume is turned down.

7.     Aux:

This  AUX  LINE  In  allows  you  to  connect  CD  &  DVD  players,  iPods,  etc.  Just  switch  the  MIC/AUX  Input  Selector

       (Top Panel, 1) to AUX.

8.     Line  Inputs:

Unbalanced  RCA  jacks  for  connecting  stereo  audio  from  line  level  sources  such  as  CD  players, 

       Hi-Fi  VCRs,  cassette  decks,  DAT  machines,  laser  discs,  tuners,  Mini  Discs,  even  synthesizers  or  other  mixing
       consoles. Plug mono audio sources into both Left and Right inputs using a "Y" cable connector.

9.     Phono  Inputs:

Plug  your  turntables  in  here.  When  these  connectors  are  used,  your  signal  is  fed  directly  to  the 

       high-quality  RIAA  phono  pre-amplifiers.  Only  connect  turntables  here.  Line  level  sources  will  overload  the

      sensitive phono pre-amps and will cause distortion.

10.  ground  connector:

To  eliminate  electrical  hum,  connect  the  ground  cable  from  your  standard  turntable  ground

       post to the M.207 ground terminal. Some turntables (like the Stanton STR8.150) do not require grounding wire.

11.  Microphone Input (Mic):

Connect a standard unbalanced (1/4") microphone. 

Summary of Contents for M.207

Page 1: ...M 207 2 Channel Scratch Mixer with E ects User Manual...

Page 2: ...nsure reliable operation of the product and to protect it from overheating and these openings must not be blocked or covered The openings should never be blocked by placing the product on a bed sofa r...

Page 3: ...9 4 2 1 2 The Button Strip 9 4 2 1 3 The LED Strip 9 4 3 E ects 10 4 3 1 Automatic and Manual Filter 11 4 3 2 Phaser Flanger 12 4 3 3 Echo Strobe 12 4 3 4 Pan Transform 13 4 3 5 Key 13 4 3 6 Frequenc...

Page 4: ...e ects parameters sampling and automation In addition the innovative M 207 expands its e ect exibility through the new frequency based e ects sends Now you can select one or more frequency bands Lo M...

Page 5: ...ll input sources Next connect your microphone and monitor headphones located in the Front Panel Figure 3 2 Finally connect the stereo outputs to the power ampli er s and or audio receivers such as tap...

Page 6: ...M 207 Description 3 M 207 Description 3 1 Top Panel Figure 3 1 3 Figure 3 1...

Page 7: ...So if the Crossfader is centered both channels will be sent to the outputs so you are able to fade mix or cut scratch between channels 1 2 signals 13 Frequency FX LOW MID HI The LOW MID and HI button...

Page 8: ...a allows you to control FX parameters and data entry by simply touching one of its 2 distinct areas one is a slider and the other a row of buttons Its LED indicators not only display the current state...

Page 9: ...om of the fader is the loudest point and the top cuts audio completely 4 Channel Reverse CHAN REVERSE Switches which Channel Fader controls Input 1 and 2 If the Channel Reverse switch is in engaged ON...

Page 10: ...or practicing or team routines 6 REC The record output is not a ected by the Master volume control It can be used to record to a computer CD MD tape recorder even while the master volume is turned dow...

Page 11: ...d Reversing a Channel Fader Curve 1 Use the Fader Curve FDR CURVE knob to select between a LONG MID or SHARP fade for the corresponding Channel Fader 2 To reverse the Channel Fader direction set the F...

Page 12: ...ed 0 is always the bottom and 100 is always the top Touching a speci c point on the slider results in a speci c value being generated 4 2 1 2 The Button Strip The Button Strip B is a vertically aligne...

Page 13: ...e button will blink to indicate that the lower e ect is engaged Figure 4 4 Figure 4 4 An FX button will light up red to let you know that it is active Having the FX button engaged on a channel will al...

Page 14: ...available under the manual lters the Manual Filter Hi Pass Filter and Low Pass Filter To scroll between them hold down the M FILTER button Figure 4 8 M Filter Figure 4 8 Man tr The Manual Filter is a...

Page 15: ...ng to a quarter of a beat long The PARAM button controls the amount of signal fed into the echo A small PARAM value results in a shorter and quieter echo longer PARAM values produce longer and louder...

Page 16: ...active BPM and the beat division selected on the FXGlide Button Strip The PARAM button changes the gap length with a high value giving long gaps and short stabs of audio and a low value giving you sho...

Page 17: ...me way that the M Filter e ects do HI is a High Pass Filter and PARAM controls the roll o point MID is a notch lter and PARAM controls the notch frequency LOW is a Low Pass Filter where PARAM controls...

Page 18: ...ust have the CHANNEL FX ON but the FX Engage button OFF 2 Select the frequency range you want to send the e ect to Figure 4 18 In this case we are sending it to the Mid range frequencies When you rst...

Page 19: ...en your nger rst touches the strip you will see the LCD display say AUTOREC to indicate that automation is being recorded Any time you lift your nger o the slider strip the FXGlide value will go to 0...

Page 20: ...e you are doing your recording Remember that any time you lift your nger o the slider strip the FXGlide value will go to 0 To make a smooth sounding pattern keep your nger on the slider strip until th...

Page 21: ...T button Figure 4 25 to toggle the LEDs above the PLAY STOP button between AUTO and MANUAL Make sure that the green MANUAL LED is lit Figure 4 26 Press the SAMPLER button Figure 4 26 1 To arm recordin...

Page 22: ...t Figure 4 28 The selected beat division will ash brie y on the LCD screen You are now ready to create a sample Press any of the 5 button areas and a sample will record to that particular slot Conside...

Page 23: ...ARAM button 2 Figure 4 31 You can use the top 2 or bottom 2 buttons in the FXGlide Button Strip to select playback modes The top 2 buttons put the sampler into LOOP mode and the bottom 2 put it into O...

Page 24: ...ot solve the issue check that the FX button is pressed and that you have selected a speci c e ect by pressing on its related button The Channel Fader does not react as expected Please check the Channe...

Page 25: ...elays However if Tech Support determines that a repair is needed please call us at 1 954 949 9600 to obtain a Return Authorization Number RA PRIOR to shipping your product to us Warranty Service outsi...

Page 26: ...on dealer in the country where the purchaser is located or the country in which the merchandise was received Any returns to a non authorized dealer or to an authorized Stanton dealer not in the same c...

Page 27: ...than 0 1 1 kHz A WEIGHTED Mic Less than 0 1 1 kHz A WEIGHTED 8 MAXIMUM INPUT 1 kHz THD 1 EQ FLAT UNITY GAIN FX OFF LOAD 100K ohm Line Aux More than 14 dBV Phono More than 26 dBV Mic More than 26 dBV 9...

Page 28: ...egistered trademarks of the Stanton Group All other trademarks are property of their respective owners who are in no way a liated with Stanton DJ or SC System products All information included in the...

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