SPL Transient Designer 2880 Manual Download Page 11

Transient Designer Analog Code

®

 Plug-in

11

Applications

Drums & Percussions

The  processing  of  drum  and  percussion  sounds  is  probably  the 
Transient Designer’s most typical application.
•  Emphasize the attack of a kick drum or a loop to increase the 

power and presence in the mix.

•  Shorten the sustain period of a snare or a reverb-flag in a very 

musical way to obtain more transparency in the mix.

•  Shorten toms or overheads without physically damping them. 
•  Adjust  the  apparent  “distance”  of  the  microphone  by  simply 

varying the ATTACK and SUSTAIN values.

•  The Transient Designer is a perfect alternative to noise gates. 

Since it adapts processing to the original signal, the sustain is 
shortened more musically than with fixed release times – within 
seconds a drumset is reliably free from crosstalk.

•  Enjoy  an  amazingly  simple  integration  of  drum  sounds  into  a 

mix. If the acoustic level of a snare is expanded to approximately 
+4 dB  by  increasing  the  attack  value,  the  effective  increase  of 
peak levels in the overall mix is merely about 0.5 dB to 1 dB. 

Summary of Contents for Transient Designer 2880

Page 1: ...SPL Analog Code Plug in Manual Transient Designer...

Page 2: ...rmance Lab SPL continuously strives to improve its products and reserves the right to modify the product described in this manual at any time without prior notice This document is the property of SPL...

Page 3: ...g Code 5 Transient Designer 5 Control Elements 7 On 7 Link 7 Attack 7 Sustain 7 Output Gain 8 Power LED 8 Signal LED 8 Overload LED 8 Settings A B C D 9 Mouse Wheel Control 9 Applications 10 Overview...

Page 4: ...in the same folder of your computer like this product manual file Alternatively the following web page provides the same informa tion http www plugin alliance com activation System Requirements and C...

Page 5: ...lutionary concept for level independent dynamic processing It is completely differ ent in principle from common compression technologies that are based upon processing signals from a specific signal l...

Page 6: ...rocessing with entirely new stunning and vast possibilities for dynamic manipulation and processing that cannot even be duplicated with several daisy chained conventional compressors or other dynamics...

Page 7: ...left and right channel are processed independently according to their individual levels Attack With the ATTACK control you can amplify or attenuate the attack of a signal by up to 15dB Positive ATTAC...

Page 8: ...N button to activate or bypass the Transient Designer Signal LED The SIG LED indicates that an audio signal reaches the input In the analog world this LED helps the operator especially in complex setu...

Page 9: ...arameter setting under A calling B restores the last adjustment made under B Settings A B C D can also be included into the automation of host applications to apply different sets of parameters to dif...

Page 10: ...d to separate instruments in a mix the tonal aspect of the signal is considered but not the temporal aspect The Transient Designer now opens this next dimension in signal processing By manipulating th...

Page 11: ...ithout physically damping them Adjust the apparent distance of the microphone by simply varying the ATTACK and SUSTAIN values The Transient Designer is a perfect alternative to noise gates Since it ad...

Page 12: ...e the Transient Designer on guitars to soften the sound by low ering the ATTACK Increase ATTACK for in the face sounds which is very useful and works particularly well for picking guitars Or blow life...

Page 13: ...ut of your reverb through the Transient Designer Create two mono tracks panned hard left and right with the same audio material and insert the same reverb in both channels in an insert before the Tran...

Page 14: ...maintaining enough of their natural dynamic Increase the ATTACK values to re gain a more natural response character istic The sounds occupy less space in the mix and appear more identifiable even at...

Page 15: ...Transient Designer Analog Code Plug in 15 Your Notes...

Page 16: ...SPL Sound Performance Lab Sohlweg 80 41372 Niederkr chten Germany Fon 49 0 21 63 9 83 40 Fax 49 0 21 63 98 34 20 E Mail software spl info Website spl info Transient Designer Analog Code Plug in Manual...

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