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Page 18

Specifications

Noise 

Measured RMS, 22Hz to 22kHz Bandwidth. Inputs at unity gain and terminated 150

W

Output Noise 

24 inputs routed, sends down, master @ unity 

< -80dBu 

EIN 

Mic EIN @ max. gain (150

W

terminated) -129dBu 

THD+N 

Mic sens. -10dBu, Faders @ unity, send at max., 

+20dBu at all outputs @ 1kHz 

<0.005% 

Crosstalk (@1kHz) Typical 

Channel send range 

>90dB

Channel fader range 

>80dB

Mute attenuation 

>100dB

Adjacent output isolation 

>90dB 

CMRR 

Typical at max gain @ 1kHz 

>85dB 

Typical at any gain @ 50Hz 

>65dB 

Frequency Response 

Input to output, medium gain, via output (Hi-pass filter off) 

15Hz to 45kHz 

<-3dB 

25Hz to 25kHz 

<-1dB 

Typical Input and Output levels 

Maximum output 

>+22dBu 

Maximum signal into mic input 

+28dBu 

Maximum signal into FX return & insert return 

+22dBu 

Maximum sensitivity of FX return (Output faders @ unity) 

-15dBu 

Maximum level into Talkback mic input 

+3dBu 

Maximum level into House mic input 

+8dBu 

Headphones (@ 200

W

) 150mW 

Input and Output Impedance 

Mic Input 

1.8k

W

FX returns 

8.6k

W

Monitor Outputs, Wedge & Inserts 

75

W

dim. ’x’

dim. ’y’

Console

24 channel

32 channel

40 channel

1200.6 mm
(47.27")
1454.6 mm
(57.27")
1708.6 mm
(67.27")

1116.6 mm
(43.96")
1370.6 mm
(53.96")
1624.6 mm
(63.96")

dim ’x’

dim ’y’

87.5 mm

(3.44")

Width without end trim

(for flight case mounting)

590.5 mm

(23.25")

Dimensions

Summary of Contents for Monitor 2

Page 1: ...Featuring ...

Page 2: ...h is coloured Blue must be connected to the terminal in the plug which is marked with the letter N l The wire which is coloured Brown must be connected to the terminal in the plug which is marked with the letter L Ensure that these colour codings are followed carefully in the event of the plug being changed To avoid the risk of fire replace the mains fuse only with the correct value fuse as marked...

Page 3: ...Page 3 INPUTS 24 Connecting Up ...

Page 4: ...bleshooting on page 8 to learn how to set SENS correctly Page 4 1 2 3 4 5 7 6 8 100Hz HI PASS FILTER Pressing this switch activates a steep 18dB per octave filter which reduces the level of bass frequencies only Use this in live PA situations to clean up the mix reducing stage rumble or popping from microphones INSERT POINT The unbalanced pre EQ insert point is a break in the channel signal path a...

Page 5: ... LED illuminates to show that the switch is pressed FADER The FADER provides overall level control of any Monitor Sends which are selected as post fade You get most control when the input Sensitivity is set up correctly giving full travel on the fader See the Setting Up Troubleshooting section on page 8 for help in setting a suitable signal level SIGNAL LED This green LED illuminates to show that ...

Page 6: ...10 and 11 12 the signal will be fed in stereo Note that FX Return 1 may be globally switched from the Master section to be the House Mic signal if required FOH Facility A sub grouping facility is included on outputs 1 10 to allow the console to be used as a FOH mixer Pressing the 11 12 switch routes the post fade post insert signal to the Monitor 11 12 busses enabling these outputs to be used as a...

Page 7: ... differences in operating levels Note that the position of this control does not affect the level to the meters HOUSE MICS Two balanced XLR inputs are provided for House Mics and the HOUSE SENS control sets the input level Pressing 48V switches on the powering voltage for condenser microphones if required ONLY connect condenser microphones with the 48V powering OFF switch UP and ONLY turn the 48V ...

Page 8: ... cannot achieve satisfactory input level setting without feedback check microphone and speaker placement and repeat the exercise If feedback persists it may be necessary to use a Graphic Equaliser to reduce the system response at particular resonant frequencies Note The initial settings should only be regarded as a starting point for your mix It is important to remember that many factors affect th...

Page 9: ...Page 9 BAND INSTRUMENTS VOCALS Live Monitor with Effects APPLICATIONS ...

Page 10: ...BAND INSTRUMENTS VOCALS Page 10 Live Monitor with In Ear Monitoring ...

Page 11: ...Page 11 Theatre ...

Page 12: ...Page 12 FOH Console ...

Page 13: ...Page 13 FOH Console with Subgrouping ...

Page 14: ... SIG 3 1 2 3 1 2 3 1 2 3 1 2 3 1 2 GRAPHIC EQ INSERT GRAPHIC EQ INSERT GRAPHIC EQ INSERT WEDGE SOURCE SELECT 11 ONLY WEDGE SOURCE SELECT 12 ONLY TO TO TO FROM FROM FROM INSERT EQ 100Hz HIGH PASS OFF 160Hz PEAK DETECT PEAK DETECT PFL ON SIGNAL DETECT MONO OUTPUT 1 of 8 Shown STEREO OUTPUT 1 of 2 Shown INPUT OUT 1 8 OUT 9 11 OUT 10 12 WEDGE L WEDGE R PHONES PHONES WEDGE SOLO METER L WEDGE SOLO METER...

Page 15: ...Balanced Unbalanced Insert Leads Y Leads Unbalanced Lamp Connections Y Leads Balanced Headphone Splitter Page 15 Connecting Leads ...

Page 16: ...Control Position Sheet You may freely copy this page to mark control positions to assist in resetting the desk between performances ...

Page 17: ...Page 17 INPUTS MONITOR 2 CONSOLE Typical Starting Out Control Positions ...

Page 18: ...ium gain via output Hi pass filter off 15Hz to 45kHz 3dB 25Hz to 25kHz 1dB Typical Input and Output levels Maximum output 22dBu Maximum signal into mic input 28dBu Maximum signal into FX return insert return 22dBu Maximum sensitivity of FX return Output faders unity 15dBu Maximum level into Talkback mic input 3dBu Maximum level into House mic input 8dBu Headphones 200W 150mW Input and Output Imped...

Page 19: ...A Harman International Company Part No ZM0192 ...

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