Page 18
Specifications
Noise
Measured RMS, 22Hz to 22kHz Bandwidth. Inputs at unity gain and terminated 150
W
Output Noise
24 inputs routed, sends down, master @ unity
< -80dBu
EIN
Mic EIN @ max. gain (150
W
terminated) -129dBu
THD+N
Mic sens. -10dBu, Faders @ unity, send at max.,
+20dBu at all outputs @ 1kHz
<0.005%
Crosstalk (@1kHz) Typical
Channel send range
>90dB
Channel fader range
>80dB
Mute attenuation
>100dB
Adjacent output isolation
>90dB
CMRR
Typical at max gain @ 1kHz
>85dB
Typical at any gain @ 50Hz
>65dB
Frequency Response
Input to output, medium gain, via output (Hi-pass filter off)
15Hz to 45kHz
<-3dB
25Hz to 25kHz
<-1dB
Typical Input and Output levels
Maximum output
>+22dBu
Maximum signal into mic input
+28dBu
Maximum signal into FX return & insert return
+22dBu
Maximum sensitivity of FX return (Output faders @ unity)
-15dBu
Maximum level into Talkback mic input
+3dBu
Maximum level into House mic input
+8dBu
Headphones (@ 200
W
) 150mW
Input and Output Impedance
Mic Input
1.8k
W
FX returns
8.6k
W
Monitor Outputs, Wedge & Inserts
75
W
dim. ’x’
dim. ’y’
Console
24 channel
32 channel
40 channel
1200.6 mm
(47.27")
1454.6 mm
(57.27")
1708.6 mm
(67.27")
1116.6 mm
(43.96")
1370.6 mm
(53.96")
1624.6 mm
(63.96")
dim ’x’
dim ’y’
87.5 mm
(3.44")
Width without end trim
(for flight case mounting)
590.5 mm
(23.25")
Dimensions
Summary of Contents for Monitor 2
Page 1: ...Featuring ...
Page 3: ...Page 3 INPUTS 24 Connecting Up ...
Page 9: ...Page 9 BAND INSTRUMENTS VOCALS Live Monitor with Effects APPLICATIONS ...
Page 10: ...BAND INSTRUMENTS VOCALS Page 10 Live Monitor with In Ear Monitoring ...
Page 11: ...Page 11 Theatre ...
Page 12: ...Page 12 FOH Console ...
Page 13: ...Page 13 FOH Console with Subgrouping ...
Page 17: ...Page 17 INPUTS MONITOR 2 CONSOLE Typical Starting Out Control Positions ...
Page 19: ...A Harman International Company Part No ZM0192 ...