background image

11

SoundField MKV

                       Issue 1.1                                      User Guide

Test 1  To speech check, start at the front of the microphone at about 150mm (6 inches)

 range and progress clockwise around horizontally, noting the signal peaks at 0° and
 180° and the nulls at 90° and 270°.
 Similar nulls should also be found immediately over the top and underneath
 the microphone (see Figure 1 - Page 12)

Test 2  Aim the microphone 90° to the right by rotating the azimuth control 90° clockwise - (see

 Figure 2 - Page 12 )The signal peaks and null will have moved round  90° relative to the

              label.
Test 3   Repeat the test with 90° rotation anti-clockwise and results should be as Test 2.

Test 4   Repeat the test with 180° rotation and results should be as Test 1.

Test 5   Return the controls to forward facing, as in Test 1 and select 45° clockwise on the azimuth

 control. The peaks and nulls will now have moved 45° to the right of microphone front (ie
 halfway between Figures 1 and 2).

Test 6   Repeat Test 5 with the azimuth control selected to 45° anticlockwise. The peaks and nulls

 will now be 45° to the left of microphone front. (Again, halfway between figures 1 and 2 but
 at 90° to Test 5).

Test 7   Return the azimuth to 0° and turn elevation to +45°. The peaks should now be at +45°

 relative to microphone front and -45° relative to microphone back as in Figure 3.

Test 8   Repeat Test 7 at -45° and note that the peaks move to this position relative to

 microphone front and 45° relative to microphone back as in Figure 4.

Test 9   Return the elevation control to 0° and whilst speaking at the microphone front, note

 that increasing dominance increases the microphone sensitivity and reducing
 dominance reduces the sensitivity.

Test 10 Return the dominance control to 0° Move the polar pattern control and observe that the

 microphone works as a single cardioid with a null at 180° (microphone back) in

              cardioid position and all around equally in omni position.

Test 11 With the microphone set as a cardioid check that the dominance has a similar effect as

 Test 10. Return the dominance control to 0° and de-select SF IN.

Test 12 Set the stereo controls to cardioid and 90° and observe that the left signal  peaks when

 speaking at 45° microphone left (to your right) and the right one at 45° microphone right
 (to your left) with corresponding opposite nulls.

Conclusions

If all the above tests have produced the results described, then the system can be assumed to be
working correctly.

Summary of Contents for MKV

Page 1: ...The Soundfield MKV Microphone User Guide 527 027...

Page 2: ...nts Introduction 3 Optional accessories 3 Power requirements 3 Getting started 4 Application Suggestions 5 TheControls inmoredetail 6 Checks andAlignments 10 Warranty 14 AppendixA TheoryofOperation 17...

Page 3: ...hock Mount Assembly 20metremicrophonecable Mains lead Foamwindshield OptionalAccessories 100metremicrophone lead extensioncableondrum NN2886 5m cable NN2882 10m cable NN2883 20mcable NN2884 and50mcabl...

Page 4: ...icrophone The front of the microphone is marked by the SoundField logo SettingaStereoMicrophoneOutput The left and right XLR 3 outputs from the control box are at line level and need to be plugged int...

Page 5: ...time tune this for best effect Why not use the microphone in the control room The accurate polar pattern will allow the dead sides to be faced to the monitors try reversing the phase of the microphone...

Page 6: ...ut that all was not well under difficult monitoring conditions on headphones a discontinuity could go un noticed 4 Osc test the test oscillator produces a 0dBm 1kHz tone at the B Format record outputs...

Page 7: ...SoundField MKV Issue 1 1 User Guide 7 Front Panel Rear Panel...

Page 8: ...t inputs and outputs and should never be used during recording The facility allows B Format to B Format and or B Format to stereo dubbing with fine gain control and SoundField control if required The...

Page 9: ...hey only show the energy being fed to the stereo output circuits and do not show the energy level of the stereo output The bar graphs are calibrated to illuminate 13 green segments at 0dBu line up ton...

Page 10: ...st solo each capsule and listen to one at a time to check the continuity of the microphone lead If a speech check is conducted at this point it should be possible to ascertain the direction of each in...

Page 11: ...nd 2 but at 90 to Test 5 Test 7 Return the azimuth to 0 and turn elevation to 45 The peaks should now be at 45 relative to microphone front and 45 relative to microphone back as in Figure 3 Test 8 Rep...

Page 12: ...12 SoundField MKV Issue 1 1 User Guide 270 o 270 o 180 o o o 0 o 0 o 90 o 90 o...

Page 13: ...SoundField MKV Issue 1 1 User Guide 13 o o o o o o o o o...

Page 14: ...s of operation will not fall under this guarantee However an estimate of the cost of the repair work will be submitted before work is started The manufacturer shall not be responsible for any loss or...

Page 15: ...paper and surround it with a good thickness of shock absorbing material Claimfordamageduringtransit The instrument should be thoroughly inspected immediately upon delivery to the purchaser If the inst...

Page 16: ...responsibility to ensure that the purposes and functions of the equipment meet his requirements prior to purchase However we would non the less be grateful to receive any constructive criticism or ide...

Page 17: ...a zero value at neutral The maximum value of the added signal at the ends of the controls is always or 3dB Once this principle is understood the required phase of the added signal to achieve a desired...

Page 18: ...SoundField MKV Issue 1 1 User Guide 18 Figure 1 Azimuth Control Components of B Format...

Page 19: ...available in the dub mode The monitor jack outputs may be adjusted from off to 10dB relative to the main levels There are two further controls for when the unit is being used as a stereo microphone o...

Page 20: ...Omni minus Figure of eight Sub Cardioid 2 cos Omni greater than the Figure of eight Hyper Cardioid 0 5 cos Omni less than the Figure of eight Omni Omni Omni Omni Figure of eight Figure of eight Figure...

Page 21: ...APPENDIX B Cable and Connector Details SoundField MKV Issue 1 1 User Guide 21...

Page 22: ...1 1 User Guide 22 XLR 3F 5 POWER RB RF LF 1 2 3 1 2 3 1 2 3 1 2 3 1 2 3 1 2 3 1 2 3 1 2 3 1 2 3 1 2 3 1 5 6 7 4 11 10 12 9 8 3 2 LB TUCHEL C70 TYPE A 12 PIN MALE 5 WAY MALE SPLITTER CABLE ALL CONECTI...

Page 23: ...eld MKV Issue 1 1 User Guide 23 7 XLR 3M 5 POWER RB RF LF 5 6 1 4 11 10 12 9 8 3 2 LB TUCHEL C70 TYPE A 12 PIN FEMALE 5 WAY FEMALE SPLITTER CABLE ALL CONECTIONS VIEWED FROM REAR 1 2 3 1 3 2 1 3 2 1 3...

Reviews: