background image

SETTING UP FOR RECORDING

While the connections to the 

FOLIO RAC PAC

 for PA work are quite straightforward, recording is rather more

demanding because the mixer is not only required to mix down input signals but also to provide a monitor mix for artists

to hear previously recorded tracks when overdubbing new parts.  Two typical set-ups are as follows:

Stereo Recording to DAT

••

Connect input sources and set gain as described above.  Route the channels via the groups to Mix.  Connect the

Mix L/R outputs to the tape inputs.  

••

Connect the tape outputs to the 2TK Returns.  Set the level control on these returns at zero.

••

Connect a monitor amplifier for foldback headphones or a monitor speaker to the Aux 1 output.  Set the amplifier

volume to a normal listening level.

••

Use the Aux 1 send controls on the tape channels to set up a mono monitor mix. (make sure that all other Aux 1

controls are fully off)

••

If a compressor is to be used on an individual source, connect this to the channel insert point.

••

Connect any effects required using Aux 2-6, and return them to the mix on the FX Returns or unused Stereo Returns

to allow the effect to be balanced with the original source.

It is important to match the input and output levels of your mixer and recording device to avoid distortion and create the

best recording.

••

Set the recording level as recommended for your recording device, feeding a suitable signal from the Group or

Mix outputs.

••

Monitor the signal going to the recorder by selecting the appropriate source on the C/Room & Phones source

select switches.  Gradually increase the 2TK return level control while alternately switching between the monitor

source and 2TK until no change in level is detected.

8 Track Recording

••

Connect input sources and set gain as described above.  Set the C/Room & Phones source to MIX.  

••

Check that the GROUPS TO MIX button is released.

••

Connect the direct outputs on the eight required channels to the recorder inputs.

••

Connect a monitor amplifier for foldback headphones or a monitor speaker to the Aux 1 or Aux 2 (set PRE) output.

Set the amplifier volume to a normal listening level.

••

If a compressor or other effect is to be used on an individual source, connect this to the channel insert point.

••

Connect the recorder outputs to the 4 stereo returns.  Route the returns to MIX.  Alternatively, if only one or two

tracks are being recorded, the machine outputs could be brought back to spare mono inputs and routed to a group

for monitoring.

The C/Room & Phones will now be listening to the monitor mix, or, if selected to Groups will carry the source mix.  Note

that the balance of these mixes will be essentially the same.

This configuration allows a very high quality recording to be made, with the signal passing through the shortest signal

path.  The mixer may be reconfigured for a separate mix-down session to a stereo master at a later date.

6

SPIRIT FOLIO RAC PAC

All manuals and user guides at all-guides.com

Summary of Contents for Spirit Folio Rac Pac

Page 1: ...LIO RAC PAC Connections The Controls in Detail Technical Specifications System Block Diagram 1 3 6 8 10 13 15 Mono Input Stereo Input Stereo Returns Master Section All manuals and user guides at all g...

Page 2: ...avoid invalidation of the warranty please read this section carefully The FOLIO RAC PAC desk must only be connected through the Power Supply Unit supplied The wires in the mains lead are coloured in a...

Page 3: ...Signal Gnd Screen Gnd Screen Tip Ring Sleeve Unbalanced 3 pole Jack Unbalanced Mic XLR Balanced Mic XLR Balanced 3 pole Jack 2 Hot ve 3 Cold ve 1 Screen 1 Screen 2 Hot ve Link 3 to 1 INPUTS 2 TRACK RE...

Page 4: ...ConNections Input Channels R SPIRIT FOLIO RAC PAC 3 All manuals and user guides at all guides com...

Page 5: ...CONNECTIONS MASTER SECTION R 4 SPIRIT FOLIO RAC PAC All manuals and user guides at all guides com...

Page 6: ...ble level within the range of the GAIN control when using a MIC input on the Mono channels try the LINE input instead Stereo inputs 11 14 do not have a GAIN control since the typical source for these...

Page 7: ...device feeding a suitable signal from the Group or Mix outputs Monitor the signal going to the recorder by selecting the appropriate source on the C Room Phones source select switches Gradually incre...

Page 8: ...gree of immunity to interference on the microphone cable and as a result the level of background noise may be higher If you turn the PHANTOM POWER on top right hand side of the mixer the socket provid...

Page 9: ...range of 250Hz to 6kHz This allows some truly creative improvement of the signal in live situations because this mid band covers the range of most vocals Listen carefully as you use these controls to...

Page 10: ...er signal is available as a DIRECT OUTPUT from the channel to feed tape tracks or other external equipment 8 SOLO The latching SOLO switch has two distinctive modes of operation depending on the posit...

Page 11: ...detented position when not required The control has a shelving response giving 12dB of boost or cut at a fixed frequency of 12kHz LF EQ Turn to the right to boost low bass frequencies adding extra pu...

Page 12: ...he latching SOLO switch has two distinctive modes of operation depending on the position of the master section SOLO MODE switch When this switch is released AFL PFL all channel SOLO switches function...

Page 13: ...eeding the pairs of Groups or Mix allowing you to balance the source in the stereo image When the control is turned fully right or left you feed only that side of the signal to the destination selecte...

Page 14: ...1 4 4 1 1 2 GRPS 3 4 MIX 11 10 7 4 6 3 2 1 12 5 9 8 SPIRIT FOLIO RAC PAC 13 All manuals and user guides at all guides com...

Page 15: ...the playback of a tape machine without using up any of the LINE inputs This control sets the level of playback signal fed either to the MIX when 2TK TO MIX is pressed or the headphones or monitor out...

Page 16: ...1 4 4 1 1 2 GRPS 3 4 MIX 11 10 7 4 6 3 2 1 12 5 9 8 SPIRIT FOLIO RAC PAC 15 All manuals and user guides at all guides com a l l g u i d e s c o m...

Page 17: ...ting A mono source may be fed automatically to both left and right by plugging into the Left return jack only A CUT switch mutes both FX Returns if required 11 BARGRAPH METERS The three colour BARGRAP...

Page 18: ...connecting the channel Direct Outputs to the tape inputs The outputs from the Multitrack are brought back on the Stereo Returns or spare mono channels if only one or two tracks are being recorded A co...

Page 19: ...sert point and a feed to a reverb unit from the direct output The reverb output is brought back to the mix on FX Return 1 The output is taken from Mix L R and connected to the speakers via a suitable...

Page 20: ...panel will still be supported by the fixings through the side panels 5 Loosen the four screws C fixing the connector panel to the side panels Now supporting the connector panel with one hand remove t...

Page 21: ...bottom 95dB Aux send attenuation 88dB Adjacent channel 92dB Frequency Response 20Hz 20kHz Line input via group to mix output 1dB INPUT OUTPUT IMPEDANCES Mic 2k Line 10k Outputs 75 INPUT OUTPUT LEVELS...

Page 22: ...rejects low frequencies Line level signals at a nominal level of 10 to 6dBu usually coming from a low impedance source Oscillator a built in tone generator for test and line up purposes Peaking an eq...

Page 23: ...3 1 2 MONO INPUT CHANNELS 1 10 STEREO INPUT CHANNELS 11 14 TYPICAL STEREO RETURN A D MASTER SECTION System Block Diagram 22 SPIRIT FOLIO RAC PAC All manuals and user guides at all guides com...

Reviews: