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7

INTRODUCTION

Thank you for purchasing a Soundcraft MPM mixer. The MPM range is our most cost-
effective mixing solution, bringing you all the features and performance that you
expect from a Soundcraft product, at an extraordinarily low price.
The packaging, which your MPM arrived in, forms part of the product and must be
retained for future use.
Owning a Soundcraft console brings you the expertise and support of one of the
industry’s leading manufacturers, and the results of nearly 3 decades of supporting
some of the biggest names in the business. Our knowledge has been attained
through working in close contact with leading professionals and institutes to bring
you products designed to get the best possible results from your mixing.
Built to the highest standards using quality components and surface mount tech-
nology, the MPM is designed to be as easy to use as possible. We have spent years
researching the most efficient methods of control for two key reasons:
1) Engineers, musicians, writers and programmers all need to have very few inter-
ruptions to the creative process; our products have been designed to be almost
transparent, allowing this process to breathe.
2) Whether performing or recording, time is a very expensive and rare commodity.
Our products have a user interface which is recognised by millions to be the indus-
try standard because of its efficiency.
The sonic qualities of our products are exemplary - some of the same circuits which
are used on our most expensive consoles are employed in the MPM, bringing you
the great Soundcraft quality in a small format console without compromise.
You will also be glad to know you have a one year warranty with your product from
the date of purchase.  The MPM has been designed using the latest high-end soft-
ware based engineering packages.  Every console from Soundcraft has been proven
to stand up to all the stress and rigours of modern day mixing environments.
The entire MPM is manufactured using some of the most advanced techniques in
the world, from high density surface mount PCB technology, to computer aided test
equipment able to measure signals well outside the range of normal hearing.  As
each console passes through to be quality checked before packing, there is also a
human listening station. Something we have learnt over the years is that the human
touch counts - and only by using people can you ensure the product meets the high
demands of the user.

ADVICE FOR THOSE WHO PUSH THE BOUNDARIES

Although your new console will not output any sound until you feed it signals, it has
the capability to produce sounds which when monitored through an amplifier or
headphones can damage hearing over time.
Please take care when working with your audio - if you are manipulating controls
which you don’t understand (which we all do when we are learning), make sure your
monitors are turned down. Remember that your ears are the most important tool of
your trade, look after them, and they will look after you.
Most importantly - don’t be afraid to experiment to find out how each parameter
affects the sound  -  this will extend your creativity and help you to get the best from
your mixer and the most respect from your artists and audience.

Summary of Contents for MPM 12/2

Page 1: ...1 USER GUIDE...

Page 2: ...soever arising from the use of information or any error contained in this manual No part of this manual may be reproduced stored in a retrieval system or transmitted in any form or by any means electr...

Page 3: ...IRING UP 8 BLOCK DIAGRAM 12 MONO INPUT CHANNEL 13 STEREO INPUT CHANNELS 16 MASTER SECTION 18 USING YOUR MPM CONSOLE 22 FITTING OPTIONAL RACK MOUNT BRACKETS MPM12 2 24 DIMENSIONS 24 APPLICATIONS 25 TYP...

Page 4: ...nly use attachments accessories specified by the manufacturer Use only with the cart stand tripod bracket or table specified by the manufacturer or sold with the apparatus When a cart is used use caut...

Page 5: ...ue must be connected to the terminal in the plug which is marked with the letter N The wire which is coloured Brown must be connected to the terminal in the plug which is marked with the letter L Ensu...

Page 6: ...thin the product s enclosure that may be of suffi cient magnitude to constitute a risk of electric shock to persons CAUTIONS The exclamation point within an equilateral triangle is intended to alert t...

Page 7: ...are employed in the MPM bringing you the great Soundcraft quality in a small format console without compromise You will also be glad to know you have a one year warranty with your product from the dat...

Page 8: ...n although you should then keep cable lengths as short as possible to minimise inter ference pick up on the cable Note that the ring must be grounded if the source is unbalanced Set the input level us...

Page 9: ...e lengths as short as possible to minimise interference pick up on the cable Note that the ring must be grounded if the source is unbalanced Mono sources can be fed to both paths by plugging into the...

Page 10: ...ground only at their source and not at both ends If the use of unbalanced connections is unavoidable you can minimise noise by following these wiring guidelines On INPUTS unbalance at the source and u...

Page 11: ...different outputs or to auxiliary sends to identify problems on the Master section Compare a suspect channel with an adjacent channel which has been set up identically Use PFL to monitor the signal in...

Page 12: ...12 BLOCK DIAGRAM...

Page 13: ...nput is BALANCED for low noise and top quality from professional equipment but you can use UNBALANCED sources by wiring up the jacks as shown in the wiring up section although you should then keep cab...

Page 14: ...the sound HF EQ Turn to the right to boost high treble frequencies above 12kHz by up to 15dB adding crispness to cymbals vocals and electronic instruments Turn to the left to cut by up to 15dB reduci...

Page 15: ...1 PFL When the latching PFL switch is pressed the pre fade pre mute signal is fed to the headphones control room output and meters where it replaces the MIX The PFL ACTIVE LED on the Master section il...

Page 16: ...ce hum boominess or improve a mushy sound Set the knob to the centre detented position when not required The control has a shelving response giving 15dB of boost or cut at 60Hz 4 AUX SENDS These are u...

Page 17: ...eplaces the MIX The PFL ACTIVE LED on the Master section illuminates to warn that a PFL is active The Left and Right meters display the PFL signal in mono This is a useful way of listening to any requ...

Page 18: ...18 MASTER SECTION...

Page 19: ...rnal equipment 2 TRACK 3 2 TRACK IN These two RCA phono sockets are unbalanced Left and Right line level inputs used for connecting a play back device 4 2 TRACK LEVEL CONTROL This adjusts the signal l...

Page 20: ...the final level of the Mix outputs This should normally be set close to the 0 mark if the input GAIN settings have been correctly set to give maximum travel on the fader for smoothest control 15 GRP...

Page 21: ...pective aux output signal to the monitor headphones out puts 24 PRE POST SWITCHES These two switches globally switch the AUX 1 and AUX 2 feeds respectively on all the input modules to be either pre fa...

Page 22: ...instruments where rejection of unwanted sounds and elimination of feed back is important The aim should be to place the microphone as close as physically possible to the source to cut out unwanted su...

Page 23: ...r adjust the Master Faders Remember that the mixer is a mixer not an amplifier Increasing the overall level is the job of the amplifier and if it is impossible to provide adequate level it is probable...

Page 24: ...24 FITTING OPTIONAL RACK MOUNT BRACKETS MPM12 2 The rack mount kit part number is RW5753 DIMENSIONS...

Page 25: ...25 APPLICATIONS APPLICATION 1 LIVE SOUND REINFORCEMENT APPLICATION 2 MULTISPEAKER APPLICATIONS This configuration demonstrates how multiple speaker configurations can be driven by the EPM...

Page 26: ...ard of hearing Aux 1 output is used to generate foldback monitoring for the speaker singer Aux 2 could also be used for foldback but has been omitted for clarity The main outputs are used to drive the...

Page 27: ...CATION 4 RECORDING The insert points on channels 1 8 may be used to feed a multitrack recorder as shown link the send and return signals The Mix outputs are used for a preliminary stereo mix on a DAT...

Page 28: ...28 TYPICAL CONNECTING LEADS...

Page 29: ...29...

Page 30: ...30 MARK UP SHEETS You may freely copy these pages and use them to record the settings used for particular applications gigs...

Page 31: ......

Page 32: ...o and from the Dealer or Soundcraft and postage must be prepaid 4 This warranty shall only be valid if a the Equipment has been properly installed in accordance with instructions contained in Soundcra...

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