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9

Control elements

The MIC GAIN knob controls the input signal's amplification. The
range extends to 72 dB of gain. The levels should be adjusted for a
meter reading around 0 VU to get the best signal-to-noise perfor-
mance. Please note that the meters show only an rms/average
level, so keep your GoldMike from pegging the meters' needles.
When adjusting the MIC GAIN, consider the type of microphone
(dynamic, condenser or ribbon) and the microphone's sensitivity;
likewise, check sound pressure levels at the sound source, the
microphone placement and room acoustics. The sensitivity of a
dynamic microphone is approximately 2 mV/Pa, whereas a
condenser microphone may reach 20 mV/Pa, an increase of 20 dB.

Condenser Mics require a 48-volt power supply, which is sent
through the balanced audio cable on pins 2 and 3. When turning
on the supply voltage, a phantom circuit is generated by splitting
the 48-volt supply signal equally between the + and - conductors
of the audio cabling; the voltage is returned through the cable's
shield. No potential difference is present between the two
conductors (+/-); dynamic microphones may be used while
phantom power is switched on without damage.

Phantom power in effect reduces the interference from ground

loops as well as other unwanted signals picked up by the shiel-
ding. It also proves to be a very HF resilient connection.

WARNING:

All balanced microphones with isolated

grounds, even tube-equipped microphones, may be used
while phantom power is switched on. All other microphones
require the phantom power to be switched off.

Connect line-level signals and unbalanced microphones

only while phantom power is off.

7

2 3 4 5 6

MIC GAIN

1

48 V

2

Phantom power specs in

accordance with 

DIN 45 596/ IEC 268-15

1

The VU meters show 

a rms/average signal

Check the transducer type and

sensitivity

!

Summary of Contents for GoldMike 9844

Page 1: ...Model 9844 Manual Vacuum Tube Microphone Preamplifier ...

Page 2: ...ion of SPL Limitations of Liability In no event will SPL be liable for any damages including loss of data lost profits cost of cover or other special incidental consequen tial or indirect damages arising from the use of the unit however caused and on any theory of liability This limitation will apply even if SPL or an authorised dealer has been advised of the possibility of such damage SPL electro...

Page 3: ...often tested and compared in many publica tions and by our customers themselfs and constantly valued with best results I would like to pass on this broad appreciation to those who deserve it my excellent colleagues Hermann Gier Dear customer Thank you for the confidence you have shown towards SPL electronics GmbH by purchasing the SPL GoldMike You have decided to use an innovative microphone pream...

Page 4: ...e experience of more than 12 years of research in semi conductor amplification design The GoldMike allows for up to 72 dB of gain a value tube only designed preamps can t match The SPL tube IC construction on the other hand superbly combines today s standards with such trademark tube characteristics improved spatial depth rich detailed imaging warm and smooth sonics Moreover the GoldMike delivers ...

Page 5: ...ug the unit Please unplug the cable by pulling on the plug only never pull on the cable Never force a switch or knob To clean the case use a lint free cloth Avoid cleaning agents as they may damage the chassis Manufactured in standard 19 EIA format it utilises two rack units Please support the back of the unit whenever it is being mounted into a 19 rack especially important when touring Again whil...

Page 6: ...can be physically disconnected by the Ground Lift switch GND LIFT This helps to eliminate hums The power supply s output side is filtered by an RC circuit to extract noise and hums caused by your power service 6000µf capacitors smooth out the positive and negative half waves The phantom power is derived from a separate winding in the transformer Filtered and rectified by a series of zener diodes a...

Page 7: ...ge and then maximises the warmth and liveliness of a meticulously selected and tested ECC 83 tube at the second stage This makes the GoldMike an ideal partner for high end HD recording The unit s dynamic range of 111 dBu even outperforms some 24 bit recording gear Advantages of the dual mono design GoldMike s two mono amplifier blocks are designed with a central power supply that utilises a star g...

Page 8: ...ed shelving bandpass neverthe less a shifted timebase phase is responsible for boosting the harmonic content The close correlation however between frequency and amplitude timebase to the dynamics of the input signal remains intact When working on a hard disc recording system you will greatly appreciate the appeal of the Flair circuitry and the topnotch sounding signal it delivers It can spare you ...

Page 9: ... 3 When turning on the supply voltage a phantom circuit is generated by splitting the 48 volt supply signal equally between the and conductors of the audio cabling the voltage is returned through the cable s shield No potential difference is present between the two conductors dynamic microphones may be used while phantom power is switched on without damage Phantom power in effect reduces the inter...

Page 10: ...phone wiring scheme GoldMike s XLR connectors are configured as follows pin 2 high pin 3 low 3 Experimenting with the phase reverse option may reward you with better results The PAD switch attenuates the input signal by 30 dB allowing even high level signals to be processed by the GoldMike This may apply to loud drum or brass recordings The HIGHPASS filter will pass only frequencies above a certai...

Page 11: ... during the tube amplification stage The resulting recorded signal resounds with more detail intelli gibility presence and cut through The FLAIR circuitry is especi ally valuable when working in an HD recording environment because of the great sounding signal it delivers at the outset thereby sparing you hours of fixing a compromised recording Each of the GoldMike s channels is equipped with a bac...

Page 12: ...ormerless Input Impedance 1 8 kOhm Max Input Level 25 72 dBu Outputs XLR Output Microphone Instrument Preamplifier electronically balanced differential transformerless Nominal Output Level XLR 6 dB Max Output Level XLR 25 4 dB Nominal Output Level 1 4 0 dB Max Output Level 1 4 19 4 dB Output Impedance XLR Klinke 600 Ohm Dimensions Standard EIA 19 1HE chassis 19 x 3 47 x 6 18 482 x 88 x 157mm Weigh...

Page 13: ...uthorized SPL warranty repair facility in the country where purchased or to the SPL factory in Germany in the original packaging or a replacement supplied by SPL with all transportation costs and full insurance paid each way by the purchaser or owner All remedies and the measure of damages are limited to the above services It is possible that economic loss or injury to person or property may resul...

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