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Input Level Switch

Allows adjustment of the signal level at the STEREO
INPUT connector according to the input source unit.
+4dBu:
For connecting a line signal from a CD or MD player.
    Input impedance: more than 10k ohms
    Reference input level: +4 dBu
+4dBu 600 

:

For connecting a unit such as a professional VTR that
provides a reference level output at 600-ohm load
impedance.
    Input impedance: 600 ohm
    Reference input level: +4 dBu
-10dBu:
For connecting a line signal from a CD or MD player.
    Input impedance: more than 10k ohms
    Reference input level: -10 dBu

L,R Buttons

Used to obtain a mono signal from a stereo signal.
    When the L button is pressed : L-channel mono signal
    When the R button is pressed : R-channel mono signal
    When both buttons are pressed : Mixed (L+R) mono

signal

    When neither button is pressed : Normal stereo signal

LCF (Low-Cut Filter) Button

Activates the low-cut filter to roll off low frequencies below
100 Hz at 12 dB/oct.

HIGH (High Frequency Equalizer) Control

Controls the level of the shelving-type high frequency
equalizer in a range from -15 to +15 dB.  The turnover
frequency is 10 kHz.

MID (Mid Frequency Equalizer) Control

Controls the level of the peaking-type mid frequency
equalizer in a range from -15 to +15 dB.  The center
frequency is 2.5 kHz.

LOW (Low Frequency Equalizer) Control

Controls the level of the peaking-type low frequency
equalizer in a range from -15 to +15 dB.  The center
frequency is 60 Hz.

PEAK Indicator

Illuminates when the input signal level, after passing through
the equalizer, has reached 3 dB below the maximum level.
If this LED is lit, the input level is too high, so adjust using
the LEVEL control.  When the level cannot be lowered
appropriately, set the Input-A switch to the LINE position
and re-adjust with the LEVEL control.

AUX BAL (AUX Output Balance) Control

Allows location of the sound image anywhere between the
odd (1 and 3) and even (2 and 4) AUX output channels.  The
sound image moves in the rotational direction of the AUX
BAL control in proportion to the degree of rotation.  The
maximum position marked ODD or EVEN provides the
output level 3 dB higher than the center position.

AUX LVL (AUX Output Level) Control

Controls the level of the signal to be sent to the AUX
outputs.  The reference level can be obtained by setting the
control to the "0" (maximum) position.

PRE (Pre-Fader) Button

Used to assign either pre-fader or post-fader signal to the
AUX outputs.  The pre-fader signal is the signal before
passing through the channel fader.  The post-fader signal
is the one after passing through the fader.  The pre-fader
signal is selected when the PRE button is pressed.

1-2/3-4 (AUX Output Selection) Button

Press this button to send the signal to AUX outputs 3 and
4.  Release it to send the signal to AUX outputs 1 and 2.  The
AUX output combinations are pre-fixed, making it impossible
to send the signal from one input channel simultaneously to
other combinations such as AUX 1 and 4 or AUX 2 and 3.
The signal level is adjusted by the AUX LVL control.

BAL (Balance) Control

Used to control the output signal position in the sound field.
The sound image moves towards the odd (1 and 3) MASTER
output channels when the BAL control is rotated in the ODD
direction.  Alternatively, it moves towards the even (2 and
4) MASTER output channels when the BAL control is
rotated in the EVEN direction.  When rotated to the maximum
position in either direction, the corresponding MASTER
output level is 3 dB higher than the center position.

1-2, 3-4 (MASTER Output Channel Selection)
Buttons

Used to select the MASTER output channels for sending
the signal.

MUTING Button

Press to mute the MASTER output.  Unless the PRE button
is pressed, the post-fader output to the AUX output channel
is also muted.

LOCAL Button

Disconnects the video editor and REMOTE connections.
When the LOCAL button is pressed, the signal level can be
controlled only by the mixer's channel fader.

PFL (Pre-Fader Listening) Button

While this button is kept pressed, the pre-fader signal is
supplied to the PFL OUT connector and the MONITOR
SOURCE control section.

Channel Fader

Provides control over the channel output level.  The reference
level is indicated by the "0" position on the fader scale.  The
channel fader also provides the fader start function.  As the
fader is pushed up from the -

 position, the fader start

signal is output from the REMOTE connector.

* 0dBu=0.775V

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Summary of Contents for SRP-V200

Page 1: ...sed for an extended period of time To disconnect the cord pull it out by grasping the plug Never pull the cord itself On installation Do not install the unit in a location near heat sources such as radiators or air ducts or in a place subject to direct sunlight excessive dust mechanical vibration or shock On operation Before making program source connections be sure to turn the power switch off an...

Page 2: ...höljet Det kan resultera i risk för elektriska stötar Överlåt allt reparations och underhållsarbete till fackkunniga tekniker Italiano ATTENZIONE Per evitare il pericolo di incendi o scosse elettriche l apparecchio non deve essere esposto alla pioggia o all umidià Per evitare scosse elettriche non aprire l apparecchio Per le riparazioni rivolgersi solo a personale qualificato Français AVERTISSEMEN...

Page 3: ...nd 3 band equalizer DC 48V Power Supply for Condenser Microphones The mono input channels incorporate a DC 48V power supply phantom powering for biasing condenser microphones Remote Control from Video Editor Connected to a video system via Sony standard parallel interface the SRP V200 can be remote controlled from a video editor Editor controllablefunctionsincludecrossfading preview monitoring and...

Page 4: ...A AA AA AA AA AA AA AA A A A A AA A AA AA A A AA AAAA AA A A AA AA MONO INPUT section B HIGH MID LOW PRE AUX PAN LOCAL PFL PEAK AA MUTING 1 1 3 2 4 3 4 1 2 LEVEL LCF LINE MIC 48V MIC 60 30 17 13 15 15 15 15 15 15 1 3 AUX 2 4 0 0 EVEN ODD C 10 5 0 20 30 10 5 5 3 2 6 4 1 9 7 8 10 11 12 13 14 15 16 17 18 ...

Page 5: ...e signal to be sent to AUX output 2 or 4 The reference level can be obtained by setting the control to the 0 maximum position PRE Pre Fader Button Used to assign either pre fader or post fader signal to the AUX outputs The pre fader signal is the signal before passing through the channel fader The post fader signal is the one after passing through it The pre fader signal is selected when the PRE b...

Page 6: ...A AA AA A AA AA AA AA AA AA AA AA AA A A A A AA A STEREO INPUT section HIGH MID LOW PRE AUX BAL LOCAL PFL PEAK A A MUTING ST1 1 2 3 4 3 4 1 2 LCF 10dBu 15 15 15 15 15 15 BAL AUX LVL 0 EVEN ODD C 10 5 0 20 30 10 5 4dBu 600Ω 4dBu L R L R EVEN ODD C 5 3 2 6 4 1 9 7 8 10 11 12 13 14 15 16 17 ...

Page 7: ...her than the center position AUX LVL AUX Output Level Control Controls the level of the signal to be sent to the AUX outputs The reference level can be obtained by setting the control to the 0 maximum position PRE Pre Fader Button Used to assign either pre fader or post fader signal to the AUX outputs The pre fader signal is the signal before passing through the channel fader The post fader signal...

Page 8: ... 1 2 3 4 AUX1 AUX3 AUX2 AUX4 SOURCE MONITOR 1 2 3 4 1 2 3 4 EDITOR PFL 1 2 A A A A A A 3 2 1 0 1 3 5 10 20 VU 2 7 A A A A A A A A A A A A A A A A A A 3 4 RETURN MONI1 2 MONI3 4 AA EDIT FIX2CH FREE2CH FREE4CH FIX4CH 2CH METER MONITOR MASTER RETURN BAL TALKBACK PHONES 1 2 TBOUT 1 2 3 4 3 4 1 2 MUTING A OUTPUT OUTPUT OSC ON POWER A A A A A A A A REC MODE MONITOR AA AA A A A 0 0 1 2 3 4 0 EVEN ODD C L...

Page 9: ...ct the inputs to this switcher EDITOR Indicator Remains lit as long as the mixer is placed under the control of the video editor MONITOR OUTPUT 1 2 3 4 Controls Each provides control over the output level from the MONITOR OUTPUT connectors 1 and 2 or 3 and 4 The maximum position 0 position is the reference level MUTING Button Cuts the signals to the MONITOR OUTPUT connectors RETURN BAL Return Bala...

Page 10: ... Pressing this switch supplies a reference level oscillator signal 1kHz 4dBu sine wave test signal to MASTER OUTPUT channels 1 through 4 MIC Built in microphone for talkback communication LEVEL Control Adjust the built in microphone s output signal level 1 2 Switch The signal from the built in microphone is output from MASTER OUTPUT channels 1 and 2 while this switch is kept pressed TB OUT Talkbac...

Page 11: ...They need not be used in the FIX 2CH or FIX 4CH mode VCA Connector Used to connect the VCA control signal from the video editor REMOTE Connector Used to output the fader start signal that makes it possible to start playing a CD or MD using the mixer s channel fader This connector also functions as the VCA control point jack allowing remote control of channel levels 1 2 3 MONO INPUT STEREO INPUT ED...

Page 12: ...hannels when the B button is pressed 600Ω Switch The input impedance at the MONO INPUT B connectors can be switched to 600 ohm by turning on this switch STEREO INPUT Connectors XLR 3 31 type Balanced Pin 1 ground Pin 2 hot Pin 3 cold Reference level 4 dBu 10 dBu Accept VTR line output signals and pass them to the STEREO INPUT channels Using the input level switch the input reference level can be s...

Page 13: ... 5 dBu Used for outputting the signals selected in the MONITOR matrix switcher PFL OUT Pre Fader Listening Output Connector Phono jack Unbalanced Reference level 5 dBu Used to output the pre fader signal of the input channel the PFL switch is kept pressed TB OUT Talkback Output Connector Phono jack Unbalanced Reference level 5 dBu Sends out the talkback microphone output while the TB OUT switch is...

Page 14: ...video systems by setting the REC MODE switch according to the number of VTRs used in the system as well as the number of audio channels offered by each VTR ST3 L ST3 R ST4 L ST4 R ST5 L ST5 R ST6 L ST6 R SRP V200 VTR1 VTR2 VTR3 VTR4 RECORDER MASTER OUTPUT MONITOR INPUT 1 A1 2 A2 1 A1 2 A2 AUDIO OUTPUT A2 A1 A2 A1 A2 A1 A2 A1 A1 A2 A1 A2 AUDIO OUTPUT AUDIO INPUT Editing control unit PVE 500 or BVE ...

Page 15: ...o 6 must be set according to the connected VTR ST3 L ST3 R ST4 L ST4 R ST5 L ST5 R ST6 L ST6 R SRP V200 VTR1 VTR2 VTR3 VTR4 RECORDER MASTER OUTPUT MONITOR INPUT 1 A1 2 A2 AUDIO OUTPUT A2 A2 A1 A1 A1 A2 A1 A2 AUDIO OUTPUT AUDIO INPUT Editing control unit PVE 500 or BVE 2000 PVE 500 MIXER connector BVE 2000 PARALLEL MIXER connector Cable PVE 500 RCC 5AA BVE 2000 RCC 5A 11A 30A VCA connector ST1 L ST...

Page 16: ...eo editor The LEVEL controls for stereo input signals ST3 to 6 must be set according to the connected VTR ST3 L ST3 R ST4 L ST4 R ST5 L ST5 R ST6 L ST6 R SRP V200 VTR1 VTR2 VTR3 VTR4 MASTER OUTPUT 1 2 AUDIO OUTPUT A2 A1 A2 A1 A2 A1 A2 A1 Editing control unit BVE 2000 PARALLEL MIXER connector Cable RCC 5A 11A 30A VCA connector MONITOR SWER connector A1 A2 connector INPUT OUTPUT Audio distribution a...

Page 17: ...rols for stereo input signals ST1 to 6 must be set according to the connected VTR ST3 L ST3 R ST4 L ST4 R ST5 L ST5 R ST6 L ST6 R SRP V200 VTR1 VTR2 VTR3 VTR4 MASTER OUTPUT 1 A1 2 A2 AUDIO OUTPUT A2 A2 A1 A1 ST1 L ST1 R ST2 L ST2 R A3 A4 A3 A4 A2 A1 A3 A4 A2 A1 A3 A4 2 1 3 4 INPUT OUTPUT A2 A1 A3 A4 A2A1 A3 A4 A2 A1 A3 A4 A2 A1 A3 A4 AUDIO INPUT Audio distribution amplifier 3 A3 4 A4 Editing contr...

Page 18: ... to set up an editing system that allows fixed assignment of a 2 channel VTR as the recorder For connections refer to Editing System Using 2 channel VTR Fixed Recorder Assignment Set the REC MODE switch of the SRP V200 to FIX 2CH Also set the mixer remote control mode selector of the PVE 500 to PARALLEL The table below shows the relationship between the source selector buttons P1 P2 AUX 1 and AUX ...

Page 19: ...ignment Set the REC MODE switch of the SRP V200 to FREE 2CH or FREE 4CH according to the number of audio channels of the VTR On the setup menu of the BVE 2000 set the mixer configuration as shown below On the assignment menu of the BVE 2000 set the mixer cross points MIXER XPT and audio monitor switcher cross point MON A as shown below 0 0 0 2 E V B m e t I p u t e S g n i t t e S E D O M N O M N ...

Page 20: ... R E T S 2 1 T S T U P N I O E R E T S 2 0 4 0 5 T S T U P N I O E R E T S 4 3 T S T U P N I O E R E T S 3 0 5 0 6 T S T U P N I O E R E T S 6 5 T S T U P N I O E R E T S 4 0 6 0 o n n i P n o i t c n u F e d o M H C 2 X I F e d o M H C 4 X I F e d o M H C 4 E E R F H C 2 E E R F 1 1 A C V 1 A C V 1 A C V 2 3 3 A C V 3 A C V 3 A C V 4 5 5 A C V 5 A C V 5 A C V 6 7 7 A C V 7 A C V 7 A C V 8 9 D N G...

Page 21: ...N O M e h t s d n e S L r o t a c i d n I R O T I D E V 0 t a s t h g i L g n i t u M 4 1 T U P T U O R O T I N O M g n i t u m T U P T U O R O T I N O M s e g a g n e s i D H g n i t u m T U P T U O R O T I N O M s e l b a n E L o n n i P 2 A 1 A 4 A 3 A 1 A 2 A A 4 A 4 2 5 A 1 A A 3 A 6 B 1 A B 3 A 7 C 1 A C 3 A 8 D 1 A D 3 A 3 1 9 4 1 B 2 A B 4 A 5 1 C 2 A C 4 A 6 1 D 2 A D 4 A 17 8 1 D N G D N...

Page 22: ...U P N I O E R E T S 2 T U P N I O N O M H H L L R 4 T S T U P N I O E R E T S R 1 T S T U P N I O E R E T S H L H H R 5 T S T U P N I O E R E T S R 3 T S T U P N I O E R E T S H L H L R 6 T S T U P N I O E R E T S R 5 T S T U P N I O E R E T S D 3 A C 3 A B 3 A A 3 A E D O M C E R H C 2 E E R F H C 4 E E R F H H H H F F O F F O H H H L F F O 3 T U P T U O R E T S A M H H L H F F O 3 T U P N I O N ...

Page 23: ...S 7 t u p n I l o r t n o C A C V 3 T S T U P N I O E R E T S 8 t u p n I l o r t n o C A C V 4 T S T U P N I O E R E T S 9 t u p n I l o r t n o C A C V 5 T S T U P N I O E R E T S 0 1 t u p n I l o r t n o C A C V 6 T S T U P N I O E R E T S 2 1 1 1 3 1 D N G 4 1 t u p t u O t r a t S r e d a F 1 T U P N I O N O M 5 1 t u p t u O t r a t S r e d a F 2 T U P N I O N O M 6 1 t u p t u O t r a t S ...

Page 24: ...T PREVIEW 1 4 MASTER 1 MASTER OUTPUT 1 MASTER 2 2 MASTER 3 3 4 MASTER 4 AUXMASTER 1 AUXOUTPUT 1 2 AUXMASTER 2 3 AUXMASTER 3 4 AUXMASTER 4 LEVEL TBOUT TBOUT TALKBACK MIC METER METER 1 2 3 4 1 2 3 4 AUX1 AUX2 AUX3 MONI1 2 MONI3 4 RETURN MONITOR OUTPUT1 2 3 4 MONITOR SOURCE 2CH AUX4 EDIT PFL PFL OUT MUTING MONITOR SELECT 1 2 1 2 3 4 PHONES MONITOR LEVEL AUX LEVEL AUX BAL 4dBu 10dBu 4dBu 600 600 PREVI...

Page 25: ...X B d 4 B d 4 2 k 0 1 Ω 00Ω 6 e r o m r o t u p t u o r e t s a M 4 1 e p y t 2 3 3 R L X B d 4 B d 4 2 100Ω 600Ω or more t u p t u o r e t s a M 4 1 k c a j o n o h P B d 5 B d 5 1 220Ω 10kΩ or more t u p t u o r o t i n o M 4 1 k c a j o n o h P B d 5 B d 5 1 220Ω 10kΩ or more t u p t u o X U A 4 1 k c a j o n o h P B d 5 B d 5 1 220Ω 10kΩ or more t u p t u o B T 1 k c a j o n o h P B d 5 B d 5 ...

Page 26: ...26 Made in Japan ...

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