1 SDDS Print Master Format
SDDS Print Master Guidelines, Page
3
of
26
5
Akai DD8 machines – Care and Use
14
5.1 Models
14
5.2 Media
14
5.3 At the optical camera transfer facility
14
5.4 Track assignment
14
5.5 Synchronisation at the dubbing theatre
14
5.6 Levels
15
5.7 Problems with MO drives
15
5.8 Drive servicing
16
6
SDDS - T he industry's best sounding format
17
Hear the Difference
17
6.2
System Basics
17
SDDS Products
17
6.4
Big Sound for the Big Screen
17
6.5 Further details – Why is it the best sounding system?
18
6.6 Testimonials
19
7
Dolby level versus operating level. Historical notes.
20
8
Subwoofers
21
8.1 Introduction
21
8.2 Setting the acoustical reference level on the dub stage.
21
8.3 Setting the subwoofer acoustical gain using a screen speaker as a reference.
21
8.4 Why we do it this way.
22
8.5 What it means.
22
8.6 Setting the digital screen speakers in the cinema.
22
8.7 Setting the digital subwoofer in the cinema.
23
8.8 Optical subwoofer defined.
23
8.9 Setting the optical subwoofer.
23
8.10
Subwoofer polarity.
24
8.11
Rule-of-thumb methods.
24
9
Glossary of T erms
25
