background image

Slow Motion Replay and Special Effects

Using the Dynamic Tracking™ feature the HDW-F500 is capable of noiseless,

continuously variable picture replay in the range of –1 to +2 times normal

playback speed. Ideal for slow motion, reverse action and reverse zoom shots.

High Speed Picture Search

Time is money and so the HDW-F500 provides high speed picture search with

recognizable color pictures up to +/- 60 time normal playback speed (24P

mode).

Versatile I/O capability

The HDW-F500 can be interfaced to its external environment at a number of

levels.

Confidence Playback

Separate playback heads immediately following the recording heads allowing

off-tape video and audio monitoring during recording. Therefore the quality of

a recording can be immediately verified without stopping the production. 

Pre-read Edit

The HDW-F500 is equipped with an advanced playback head to enable 

pre-read editing. This function allows users to edit with a single HDW-F500

and offers a cost-effective editing solution.

Editing and Playback Functionality

HEAD POSITION

Digital Jog Sound

Complete reproduction of all four channels of digital audio is possible within a

speed range of –1 to +1 normal playback speed to allow the exact location of

dialogue or music beats to be found.

VITC (Vertical Interval Time-Code) Read/Write

The HDW-F500 can read and write time code at any speed. The VITC 

facilitates Play, Still, and Slow-motion all with precise time-code information.

Video Remote Controller

An optional video remote controller replicates the important video image 

controls of the front panel onto a remote panel.

Advanced control panel

The HDW-F500 control panel will be familiar to many current operators being

similar to the advanced control panel of the Digital Betacam VTRs. It 

incorporates direct access keys for rapid configuration and the facility to store

machine set-ups and configurations on removable PCMCIA:SRAM memory

cards.

HD-SDI input and outputs for digital, uncompressed, 10 bit component I/O 
conforming to SMPTE-292M with a bit rate of 1.5 Gb/s. These signals carry HD
video, four channels of digital audio and auxiliary data.
HD-SDTI input and outputs for digital HDCAM signals containing the compressed
HD video and four channels of audio within the familiar 270 Mb/s standard SDI
wrapper. This allows the HDCAM signals to be, for example, routed though 
existing SDI infrastructures or stored on conventional SDI based disc recorders.
Using HD-SDTI I/O perfect copies, or clones of material, with zero quality loss,
can be made.
Analog composite outputs are available when the optional HKDV-501A down 
converter board is fitted.  
Digital Audio I/O - two stereo pairs of AES / EBU digital audio I/O are available.
Analog Audio I/O - all four audio channels and the cue track are available on 
analog audio I/O. Two additional analog monitor audio outputs are included.
Reference – the HDW-F500 can be synchronized to either 525, 625, 1125/59.94
or 1125/60 reference signals.


10

Summary of Contents for HDCAM HDW-F500

Page 1: ...Sony Digital Recorder HDW F500 TM TM ...

Page 2: ...2 ...

Page 3: ...3 3 ...

Page 4: ...s such as make up and wardrobe exactly as they will be seen in the final production But that s not all The HDW F500 is supremely flexible Pictures are recorded according to the industry agreed Common Image Format CIF but can be acquired at a number of different frame rates 24 progressive frames per second 24P to exactly match film production or switchable to 25P 30P 50 interlaced 50i or 60i to wor...

Page 5: ... they are opening up new possibilities for international co production Movie making has been liberated with the creative empowerment of the cinematographer It is facilitated by real time HD image evaluation on set instant replay of a full color high resolution digital take real time image optimization while shooting a 50 minute shooting load and most importantly by the significant cost benefits as...

Page 6: ...6 ...

Page 7: ...M compression scheme is a frame based digital compression strategy where every frame of the signal is treated as a single entity By this HDCAM maintains exceptionally high picture quality and multi generation robustness for both progressive and interlace signals Advanced digital pre filtering and dynamic bit allocation for luminance and chrominance components based on the statistical analysis of t...

Page 8: ...de on a global basis Simply stated this is the first singular digital format ever created specifically to suit the needs of Motion Picture HDTV television DVD Internet future E Cinema and all other electronic and digital distribution media In order to retain system compatibility of progressive frames with interlaced signals the 24P system handles each progressive frame as two segments separated in...

Page 9: ...tenance procedures Long Recording Time on a Single Cassette A full length feature movie can be recorded on a single tape cassette The HDW F500 supports both small and large tape cassettes Small cassettes as recorded by the Sony HDCAM camcorder the HDW F900 and large cassettes ideal for production post production and distribution The actual running time is dependent upon the frame rate Typically at...

Page 10: ... Play Still and Slow motion all with precise time code information Video Remote Controller An optional video remote controller replicates the important video image controls of the front panel onto a remote panel Advanced control panel The HDW F500 control panel will be familiar to many current operators being similar to the advanced control panel of the Digital Betacam VTRs It incorporates direct ...

Page 11: ... read and write from these labels and an additional reader writer unit for use under PC control is available for stand alone reading and writing Key Features One World One Model All products with the CineAlta mark are designed for world wide use and for smooth straightforward international collaboration and program material exchange This philosophy is embodied in the world s first truly global HD ...

Page 12: ...tte Tapes BKDW 509 50 pin Parallel Remote Kit BCT 124HDL 64HDL 40HD 22HD HDCAM Video Cassette Tapes RMM 110 Rack Mount Kit HKDV 502 HD Line Converter Board HKDV 503 Video Remote Controller HKDV 501A High Definition to Standard Definition Down Converter Board HKDV 506A SDTI Interface Board ...

Page 13: ...T1 50 µs T2 15 µs on off selectable in recording mode 20 bits sample 20 bits sample 20 Hz to 20 kHz 0 5 dB 1 0 dB 0 dB at 1 kHz More than 95 dB At 1 kHz emphasis ON Less than 0 05 At 1 kHz emphasis ON reference level Less than 90 dB At 1 kHz between any two channels 90 Hz to 12 kHz 3 dB More than 45 dB At 3 distortion level Less than 2 T H D at 1 kHz reference level Less than 0 2 rms AC power cord...

Page 14: ... without notice All non metric weights and measures are approximate Sony and HDVS are registered trademarks of Sony Corporation Japan CineAlta HDCAM Digital Betacam and Dynamic Tracking are trademarks of Sony Corporation Japan All other trademarks are property of their respective owners 24P is used as generic name in this literature describing the Sony 24PsF method Distributed by Printed in Japan ...

Reviews: