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Decades of Sony leadership in digital

cinematography have been leading up to this.

We aspired to build a digital camera that met the

highest expectations of film cinematographers.

So we consulted with directors of photography,

camera operators, camera assistants and digital

imaging technicians, and we applied our latest and

best technology to create something completely

new. The F23 is the first Sony digital cinema camera

with film-camera controls and ergonomics, plus a

chassis that accepts traditional film camera

accessories without modification.

Extraordinary Image Quality

The F23 has been designed from the ground up for

superlative imagery. It starts with a new prism block

that enables the camera to capture Sony's widest

color gamut ever - closer to the gamut of motion

picture film. The three 1080/60P image sensors exceed

the specifications of broadcast HDTV. Sony's 14-bit

analog-to-digital converters and signal processing 

of up to 36 bits help achieve unprecedented color

gradation in a digital camera and more than 12 stops

of exposure latitude. So you get gorgeous handling 

of everything from specular highlights to 

deep shadows.

Creative Possibilities

The F23 is designed to dock to the SRW-1 HDCAM

SR field recorder, which mounts to the top or the

back of the camera for all-in-one cable-free

operation. The camera/recorder combination

enables over- and undercranking, time lapse and

speed ramps. And you can view all of these

effects directly on the set and confirm that you

got the shot. In addition, the option of log or

conventional gamma encoding provides a choice

of shooting style and postproduction path.

Established Post Path

The F23 leverages the spectacular quality of full-

bandwidth, 4:4:4 HDCAM SR recording -- the

system that's already widely accepted by leading

post houses, digital intermediate houses and

movie studios. The HDCAM SR format enables

simple delivery of cassette tapes into

postproduction -- and simple duplication of

original camera master tapes for archival and

insurance backup. Thanks to these advantages,

the F23 offers a powerful combination: the

advantages of digital with the

operating style of film.

F23. Digital Technology Meets Film Style

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SONY53342_F23  7/27/07  4:15 PM  Page 5

Summary of Contents for F23 Cine Alta

Page 1: ...F23 Digital Cinema Camera ...

Page 2: ...ie making with real time HD image evaluation on set instant replay of full color high resolution digital takes digital image optimization while shooting and 50 minute loads all with significant cost benefits The CineAlta system also provides a seamless bridge from 24P digital capture to 24 frame film distribution giving each HD frame a one to one correspondence to a frame of film Over the years So...

Page 3: ...tion in a digital camera and more than 12 stops of exposure latitude So you get gorgeous handling of everything from specular highlights to deep shadows Creative Possibilities The F23 is designed to dock to the SRW 1 HDCAM SR field recorder which mounts to the top or the back of the camera for all in one cable free operation The camera recorder combination enables over and undercranking time lapse...

Page 4: ...Unprecedented Imaging 4 ...

Page 5: ...es that stand up better through vigorous post manipulation 1080 60P Image Sensors Because the F23 uses three separate image sensors for Red Green and Blue there is no need for Bayer color filter arrays And color values are never interpolated from neighboring pixels You get the full resolution of 1920 H x 1080 V images at picture rates of up to 60 progressive frames per second Even in deep shadows ...

Page 6: ...s rigid material resists flexing and galling to stand up to frequent lens changes The B4 mount also offers high thermal stability for consistent back focus Film Style Body Developed expressly for cinematographers the F23 offers a compact rugged design familiar to film camera operators The F23 body weighs just 5 kg 11 lbs without viewfinder Hard mounting points on the top as well as the bottom maxi...

Page 7: ...ctions where the look will largely be established in the color correction suite If you prefer more hands on operation Custom Mode enables you to fine tune camera parameters to produce your desired look on the set Even the shutter accommodates film or digital style operating with a choice of control by seconds or angle Supplied Assistant Panel For operating in tight spaces where access to the camer...

Page 8: ... plays back in real time without the need for de mosaicing or PC based decompression And HDCAM SR material is readily accepted by leading post effects and digital intermediate houses 10 bit 4 4 4 Recording The HDCAM SR format is Sony s finest recording system While most HD acquisition uses 8 bit recording with less than 4 2 2 color the HDCAM SR system uses 10 bit 4 4 4 recording The difference is ...

Page 9: ...ith the additional HKSR 103 RGB 60P processor board Time Lapse with Speed Ramps To make the clouds race by or the sun set in an instant the F23 and SRW 1 also provide Interval Recording the electronic name for time lapse photography You get gorgeous effects from 60 fps to 1 fps Three automatic speed ramp modes plus manual speed ramp enable you to vary the effect at will Time lapse requires the HKS...

Page 10: ...uts When several crew members need to see the viewfinder the F23 shines The camera supports simultaneous access to two viewfinders For example you can connect both the HDVF C35W 3 5 inch viewfinder viewable area measured diagonally and the HDVF C950W 9 5 inch viewfinder viewable area measured diagonally Supplied Interface Module The interface module for the F 23 attaches to the camera for flexible...

Page 11: ...for individual scenes custom gamma curves from CVPFileEditor software plus your own personal camera setup preferences such as viewfinder indicator settings The F23 is compatible with Memory Stick PRO media up to 2GB capacity Operation is not guaranteed for every type of Memory Stick media Assignable Switches For instant access to the functions you use most the F23 enables you to assign functions t...

Page 12: ...mics the tonal response of a film negative so you retain full flexibility in color correction and a seamless workflow with postproduction facilities geared toward LOG encoded material HyperGamma Like previous CineAlta camcorders the F23 offers four preset HyperGamma curves HyperGamma 1 and 3 enhance natural tonal reproduction in low key areas while HyperGamma 2 and 4 are suitable for scenes with a...

Page 13: ...or scope These adjustments are performed at full bit depth Multi Matrix OFF Multi Matrix ON Simulated image HDVF C35W LCD Color Viewfinder The HDVF C35W viewfinder incorporates a high resolution 3 5 inch LCD screen viewable area measured diagonally The eyepiece adjusts to a full range of positions and angles while an aspherical lens reduces aberration in the image corners When several people need ...

Page 14: ...750 Remote Control Unit MSU 950 Master Setup Unit MSX 256S 512S 1GS 2GS Memory Stick PRO Media AC DN2B AC Adaptor HDVF 20A 2 0 inch CRT B W Viewfinder BC L500 Battery Charger BC M150 Battery Charger BKP L551 Battery Adaptor HDVF C950W 9 0 inch LCD Color Viewfinder Viewable area measured diagonally Cannot be used when the F23 is directly docked to the SRW 1 Optional Accessories 14 ...

Page 15: ...igiZoom Lenses HD CINE COMPACT C Lens HAc18x7 6 HD CINE COMPACT C Lens HAc13x4 5 CLM 1 Lens Servo Unit FF5 HD Follow Focus Unit DigiPrime Lenses BP 5 Bridge Plate HD CINE SUPER ZOOM Prime Lenses HD CINE COMPACT C Lens HAc15x7 3 Sharpmax MB 20 Matte Box Optional Accessories From Other Manufacturers 15 ...

Page 16: ...al Accessories From Other Manufacturers 16 Canon HJ21x7 5B KLL SC HD EC Zoom Lens HD EC Prime Lens Series ABF23CHGR Battery Charger ABF23BATT F23 12V 24v High Capacity Battery ACV 235 Anamorphic Converter ABF23CHRCBL Charger Cable ABF23POWERCBL F23 Power Cable Anton Bauer ...

Page 17: ...KSR 103 4 4 4 1 60 fps HKSR 102 HKSR 103 F23 SRW 1 Dual link HD SDI F23 SRW 1 SRPC 1 RM B750 F23 SRW 1 Direct Docking F23 SRW 1 SRPC 1 Separate System RGB 4 4 4 Recording RGB 4 4 4 Recording HD SDI Dual Link Connection System Configuration Over and Undercranking 17 ...

Page 18: ...nnector supplied DC IN DC 12 V F23 SRW 1 SRPC 1 Separate System AC Operation DC Operation F23 SRW 1 Direct Docking Power Supply Configuration 18 SRW 1 AC DN2B DN10 AC Adaptor AC DN2B DN10 AC Adaptor HD SDI Dual link Connection BKP L551 Battery Adaptor SRPC 1 F23 AC DN2B DN10 are separately required for the F23 and the SRPC 1 SRW 1 Interface Box AC Operation HD SDI Dual Link Connection SRW 1 BP GL9...

Page 19: ...ion 1000 TV lines Signal inputs outputs Genlock video input BNC type x1 1 0 Vp p 75 Audio CH1 CH2 input XLR 3 31 type Female line mic mic 48 V selectable via supplied interface module Test output BNC type x1 VBS HD Y Dual Link HD SDI output BNC type x2 via supplied interface module Monitor output BNC type x2 HD SDI 4 2 2 DC input Lemo 8 pin Male x1 DC 10 5 V to 17 V DC 20 V to 30 V DC input XLR 4 ...

Page 20: ...nge without notice All non metric weights and measurements are approximate Sony CineAlta HDCAM SR HDCAM CVPFileEditor Memory Stick and Memory Stick PRO are trademarks of Sony Windows is a registered trademark of Microsoft Inc V 2364 MK10406V1 Printed in U S A 7 07 Sony Electronics Inc One Sony Drive Park Ridge NJ 07656 www sony com professional www sony com cinealta ...

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