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BM450 / BM300 / BM150 / BM100

INPUTS / ACTIVE:Connect an active bass guitar to amplifier.

GAIN:Control the level of the input signal, provides more distortion when turned clockwise.

Rear Panel

RATIO:Turn clockwise and the volume of each string will sound exactly as played.

The futher clockwise the control is turned the more even the strings will sound.

Especially useful for "Slap" plating styles.

COMPRESSOR ON/OFF:The switch is used to activate the compressor.

When light is on, the compressor is active.

POWER:Turn  the amplifier On and Off.

AC Inlet: Connect AC power cord.

INPUTS / PASSIVE:Connect a passive bass guitar to amplifier.

Front Panel

MASTER VOLUME:Control the sound of the signal post the amplifiction stage

and ultimately how loud the sound will be.

GRAPHIC EQ:The seven sliders add or take away certain tonal frequencies from the sound.

The first is the lower,(Sub Bass), frequency and they progress to the seventh

which is the highest, (treble), frequency.
When all silders are at the "0" position the tone of the instrument is natural (flat).

PHONES:Connect  headphone

EXTERNAL SPEAKER: Connect  to external speaker load

SHAPE/Pull Flat Boost: When turned in either direction, the control

modifies a section of the middle tones to great effect.
Pulling the contril into a raised position produces a flat equalisation.

BALANCED:This is a 16.5db line output via an XLR cable allowing the signal to be fed from the

amplifier to a mixing desk, recorder or external power amplifier.

GRAPHIC EQ IN/OUT:This button switches in the graphic EQ,(Tone) module.

Summary of Contents for A-MAX BLUE MONSTER BM106

Page 1: ...BLUE MONSTER BASS AMPLIFIERS USER S MANUAL ...

Page 2: ......

Page 3: ...ontrol the higher frequency of the tone turn clockwise to increase the treble MIDDLE Control the middle frequency of the tone turn clockwise to increase the middle BASS Control the lower frequency of the tone turn clockwise to increase the bass Rear Panel POWER Turn the amplifier On and Off AC Inlet Connect AC power cord ...

Page 4: ...ne turn clockwise to increase the treble MIDDLE Control the middle frequency of the tone turn clockwise to increase the middle LIMITER Light up to indicate that the sound has been limited to prevent distortion and overload BASS Control the lower frequency of the tone turn clockwise to increase the bass POWER Turn the amplifier On and Off AC Inlet Connect AC power cord ...

Page 5: ...the middle LIMITER Light up to indicate that the sound has been limited to prevent distortion and overload POWER Turn the amplifier On and Off AC Inlet Connect AC power cord INPUT HIGH Impedence Connect a passive bass guitar to amplifier Front Panel BASS Control the lower frequency of the tone turn clockwise to increase the bass PRESENCE Control a specific narrow band in the middle and high freque...

Page 6: ...ht up to indicate that the sound has been limited to prevent distortion and overload POWER Turn the amplifier On and Off AC Inlet Connect AC power cord INPUTS PASSIVE Connect a passive bass guitar to amplifier Front Panel BASS Control the lower frequency of the tone turn clockwise to increase the bass PRESENCE Control a specific narrow band in the middle and high frequency area turn clockwise to i...

Page 7: ...ound has been limited to prevent distortion and overload POWER Turn the amplifier On and Off AC Inlet Connect AC power cord INPUTS PASSIVE Connect a passive bass guitar to amplifier Front Panel BASS Control the lower frequency of the tone turn clockwise to increase the bass PRESENCE Control a specific narrow band in the middle and high frequency area turn clockwise to increase the Presence PHONES ...

Page 8: ...of the signal post the amplifiction stage and ultimately how loud the sound will be GRAPHIC EQ The seven sliders add or take away certain tonal frequencies from the sound The first is the lower Sub Bass frequency and they progress to the seventh which is the highest treble frequency When all silders are at the 0 position the tone of the instrument is natural flat PHONES Connect headphone EXTERNAL ...

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