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4.  Control / Connections 

4.1. Front  

 

 

1.  Gain 

The Gain control adjusts incoming signal level to the VCA circuit. It is always active, so 

switching out the limiter function has no effect on this control. This control should normally be 

left at ‘0’ to achieve accurate threshold calibration.  

 

2.  Treshold 

The threshold control has a range of -40 to +22dB, allowing applications from low level 

compression to high level limiting. The threshold control determines the audio level above 

which gain reduction occurs. When the signal peaks exceed the selected threshold, the LED 

comes on and gain reduction is occurring,  

 

3.  Ratio  

This control determines the ratio of the change in output level to changes in input level for 

signals above threshold. The numbers printed around the ration control are calibrated in dB 

and indicate the increase input (above threshold) required to produce a 1dB increase in 

output. This can be expressed conveniently as a ratio. If the output remains constant no 

matter how high the input level, we have an infinite (

) input/output ratio. It should be 

remembered that the ratio control has no effect on signals which are below threshold.  

 

4.  Attack Time 

The response of the compressor/limiter to signal levels above threshold is further defined by 

the attack time control. Attack time is the amount of time that the unit takes to attenuate the 

output level after threshold has been reached. This unit provides continuously variable attack 

times from 200 µs und 20 ms. 

 

5.  Release Time 

Release time, is the time required to restore system gain to normal after the input signal has 

fallen below threshold level. Proper release time will depend on the type of program material 

being processed and the way in which the limiter is being used. 

 

6.  Output Level 

Output level control is provided to fully cut or restore up to 18dB of system gain. For unity 

gain, set the control to 0. 

Summary of Contents for DualCom 52

Page 1: ...Manual Compressor DualCom 52...

Page 2: ...s 5 4 Control Connections 6 4 1 Front 6 4 2 Back 8 5 Installation 8 5 1 General requirements 8 5 2 AC Power 8 6 Typical applications 9 6 1 The unit as a protective device 9 6 2 Recording 9 6 3 De Essi...

Page 3: ...F 0 C or exceeding 104 F 35 C To avoid placing on un stable location Select a level and stable location to avoid vibration Do not use chemicals or volatile liquids for cleaning Use a clean dry cloth...

Page 4: ...s designed to meet the need for universal peak sensitive automatic gain control AGC devices with exceptional audio performance and rugged durability The unit has the following key features Treshold co...

Page 5: ...effect both ends of the dynamic spectrum will be pushed toward the middle More than anything else it is this double ended effect which distinguishes compressing from limiting 3 Connectors Cables The u...

Page 6: ...threshold required to produce a 1dB increase in output This can be expressed conveniently as a ratio If the output remains constant no matter how high the input level we have an infinite input output...

Page 7: ...only to the extent that the ratio control allows 10 Input output meter select While the gain reduction display accurately represents the action of the limiter comparing input to output level in real...

Page 8: ...mobile use the unit should be further secured as appropriate 5 1 General requirements The unit has specific physical electrical and signal requirements for proper operation These requirements will var...

Page 9: ...crossover and amplifier s Compression and limiting acts on the entire signal preventing crossover and amplifier overload and maximizing the dynamic performance of both After an active crossover and be...

Page 10: ...ng instrument texture Compression can be used to help bring out a lead vocal or instrumental solo in a cluttered mix The compressor is also a great corrective tool when working with singers whose own...

Page 11: ...loud peaks are made quieter When the program source is thus raised in volume its noise floor is also raised in volume by a propionate amount This is not a defect in the compressor limiter but an unavo...

Page 12: ...um input level 23dB Maximum output level 23dB Input impedance 20k balanced Output impedance 132 servo balanced Frequency response 20Hz 20kHz 0 2dB Distortion 0 1 THD 0dBu 1kHz 0 15 THD 15dBu 20Hz 20kH...

Page 13: ...13 13 Importer B K Braun GmbH Industriestra e 2 D 76307 Karlsbad www bkbraun com info bkbraun com...

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