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With an angle of view of 94.5˚, an
open-aperture of F1.8, and a shallow
depth of field, this super-wide-angle
lens makes picture-taking a fun
experience.  Its fast F1.8 aperture
makes handheld shooting in dim
light possible, making it ideal for
architectural, landscape and indoor
photography.  Designed for digital
SLR cameras, it has a minimum
focusing distance of 20 cm (7.9
inches) and a lens-to-subject
working distance of 6.5 cm (2.6
inches), so it is perfect for close-up
photography.  The use of aspherical
lens elements effectively correct all
types of aberrations, minimize
vignetting, and provide superior
peripheral brightness.  The rear
focus system allows the use of a
Petal-type hood.

20   F1.8 EX DG ASPHERICAL RF

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These are lenses whose wide angle of view and short focusing distance can be utilized to create 
pictures brimming with individuality.  With distinctive features such as bold image distortion and acute perspective, 
they give photographers the freedom to express what they want. 

15mm F2.8 EX DG DIAGONAL FISHEYE

WIDE LENS

•Lens Construction; 11 Groups, 13 Elements
•Minimum Focusing Distance; 20 cm (7.9 in.)
•Magnification; 1:4  •Filter Size; ø 82 mm

24   F1.8 EX DG ASPHERICAL MACRO

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This is a wide-angle lens with a fast
open-aperture value of F1.8.  A
maximum magnification of 1:2.7 and
the use of a floating focus system
enable close-up photography with a
minimum shooting distance of 20
cm(7.9 inches). The lens has a wide
range of applications including
landscape, architectural and
portrait photography, and is
optimized for use with digital SLR
cameras.  The use of aspherical
lens elements effectively correct all
types of aberrations, minimize
vignetting, and provide superior
peripheral brightness.  The lens
has a straight focusing system and
comes equipped with a Petal-type
hood.

28   F1.8 EX DG ASPHERICAL MACRO

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This circular fisheye lens creates a
circular image with a 180-degree
angle of view.  It has an open-
aperture value of F3.5 and an auto-
focus function.  The image
distortion specific to fisheye
lenses can be used for creative
expression.  It has a minimum
focusing distance of 13.5 cm (5.3
inches) and a maximum
magnification of 1:4.6.  The
occurrence of flare and ghosting is
minimized with a Super Multi-
Layer Coating, and SLD (Special
Low Dispersion) glass, ensuring
excellent image quality and
superior correction of chromatic
aberration.

*A full circle can only be captured with full-
frame 35 mm format digital SLR and film
SLR cameras.

8   F3.5 EX DG CIRCULAR FISHEYE 

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This diagonal fisheye lens has an
angle of view of 180° across the
diagonal.  By taking advantage of
both the image distortion specific
to fisheye lenses and the
minimum focusing distance of 15
cm (5.9 inches), the photographer
can shoot creative images.  For
example, a photo with an acute
perspective can be taken by
shooting a subject in the
foreground against a background
wider than the range of human
vision.  This lens has an insertion-
type gelatin filter holder at the
rear, so filter work is a snap. 

15   F2.8 EX DG DIAGONAL FISHEYE 

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This is a large-aperture wide-angle
lens that gives photographers
freedom of expression by allowing
them to set the aperture they want
and obtain effects such as beautiful
out-of-focus images obtained with
an open aperture.  A maximum
magnification of 1:2.7 and the use
of a floating focus system enable a
minimum shooting distance of 18
cm (7.1 inches), opening up the
enjoyment of close-up photography.
The use of aspherical lens elements
effectively correct all types of
aberrations, minimize vignetting,
and provide superior peripheral
brightness.  The lens has a straight
focusing system and comes
equipped with a Petal-type hood.
It can also be used with digital
SLR cameras.

•Lens Construction; 6 Groups, 7 Elements
•Minimum Focusing Distance; 15 cm (5.9 in.)
•Magnification; 1:3.8  •Filter Type; Gelatin filter

•Lens Construction; 6 Groups, 11 Elements
•Minimum Focusing Distance; 13.5 cm (5.3 in.)
•Magnification; 1:4.6  •Filter Type; Gelatin filter

•Lens Construction; 9 Groups, 10 Elements
•Minimum Focusing Distance; 20 cm (7.9 in.)
•Magnification; 1:2.9  •Filter Size; ø 77 mm

•Lens Construction; 9 Groups, 10 Elements
•Minimum Focusing Distance; 18 cm (7.1 in.)
•Magnification; 1:2.7  •Filter Size; ø 77 mm

20mm F1.8 EX DG ASPHERICAL RF

Summary of Contents for 10-20mm F4-5.6 EX DC / HSM

Page 1: ......

Page 2: ...al performance for our digital lenses This is a high performance lens series that fuses technology such as lens power layout and coating design with the know how Sigma has built up over many years of developing interchangeable lenses for SLR cameras By reducing the diameter of the image circle Sigma has achieved a more compact lightweight lens series An image sensor larger than those corresponding...

Page 3: ...ts are used for high image quality throughout the entire zoom range A Super Multi Layer Coating is used to reduce the occurrence of flare and ghosting and display high performance across the entire focusing range 17 70 F2 8 4 5 DC MACRO m m Lens Construction 12 Groups 15 Elements Minimum Focusing Distance 20 cm 7 9 in Magnification 1 2 3 Filter Size ø 72 mm 10 20 F4 5 6 EX DC HSM m m 10 20 F4 5 6 ...

Page 4: ...s and aspherical lens elements deliver high image quality throughout the entire zoom range A Super Multi Layer Coating is used to cut down on the occurrence of flare and ghosting The lens has a minimum focusing distance of 45 cm 17 7 inches at all focal lengths and a maximum photography magnification of 1 3 9 It also has an inner focus system so accepts a Petal type hood and a circular polarizing ...

Page 5: ...y and commemorative photos of groups WIDE ZOOM LENS 12 24mm F4 5 5 6 EX DG ASPHERICAL HSM This is an ultra wide zoom lens that opens up a brand new world of photography with an incredible angle of view of 122 It can be used for a variety of subjects with little distortion including vast landscapes highrise buildings and large groups of people The ideal lens for digital SLR cameras it is equipped w...

Page 6: ...isheye lenses can be used for creative expression It has a minimum focusing distance of 13 5 cm 5 3 inches and a maximum magnification of 1 4 6 The occurrence of flare and ghosting is minimized with a Super Multi Layer Coating and SLD Special Low Dispersion glass ensuring excellent image quality and superior correction of chromatic aberration A full circle can only be captured with full frame 35 m...

Page 7: ... cm 15 7 in Magnification 1 3 8 Filter Size ø 82 mm Lens Construction 15 Groups 16 Elements Minimum Focusing Distance 38 cm 15 0 in Magnification 1 5 8 Filter Size ø 77 mm 28 300mm F3 5 6 3 DG MACRO This is a large aperture standard zoom lens that can handle all kinds of scenes including shooting portraits landscapes and snapshots This compact lens has an open aperture value of F2 8 throughout the...

Page 8: ... aperture standard lens is capable of producing sharp high contrast images from open aperture with plenty of marginal illumination Perfect for portraits that make the most of the beautiful out of focus images obtained with an open aperture of F1 4 the lens offers the photographer a rich pallet of expression for all kinds of subjects The use of glass molded aspherical lenses provides superior corre...

Page 9: ...cro photography with a maximum magnification of 1 2 at the 300 mm focal length It also has a switch for changeover of focal lengths between 200 mm and 300 mm during macro photography It handles not only close up shots but also natural looking portraits of subjects at a distance as well as dynamic sports shots SLD Special Low Dispersion glass is used for superior correction of chromatic aberration ...

Page 10: ...to shoot sports action or the other side of the playing field events or capture the look on a mountain climber s face as he or she scales a high peak The angle of view can be seamlessly changed from 8 2 to 3 1 so the lens takes a lot of the footwork out of picture composition It is equipped with HSM for fast AF speeds and quiet shooting and is capable of full time manual focus With the addition of...

Page 11: ...fication 1 1 Filter Size ø 72 mm APO MACRO 150mm F2 8 EX DG HSM This is a large aperture medium macro lens ideal for shooting flowers in their natural setting Optimized power layout and lens composition ensure high image quality and a Super Multi Layer Coating minimizes the occurrence of flare and ghosting The lens delivers high resolution from life size shots to distant objects It has a screw typ...

Page 12: ...ide angle lens the background will appear remote and the distance from the subject to the background will be emphasized when the focal length of a telephoto lens is large the background will appear to be closer to the object To take advantage of this effect use a wide angle lens to capture both the background and the object and a telephoto lens to emphasize only the object Floating System 28 mm F1...

Page 13: ...O TELE CONVERTER 2x EX DG for SONY for NIKON Please see SPECIFICATION for compatibility of Tele Converters for PENTAX for CANON for SONY for NIKON for SIGMA 0085126 824402 0085126 824211 0085126 824556 0085126 824266 0085126 824273 for SIGMA 0085126 876401 0085126 876210 0085126 876555 0085126 876265 0085126 876272 LH730 02 0085126 580216 ZOOM LENS DC LENS 18 50 mm F2 8 EX DC MACRO 18 50 mm F2 8 E...

Page 14: ...6 APO DG MACRO 70 300mm F4 5 6 DG MACRO 100 300mm F4 APO EX DG HSM 120 300mm F2 8 APO EX DG HSM 120 400mm F4 5 5 6 APO DG OS HSM 2 150 500mm F5 6 3 APO DG OS HSM 2 300 800mm F5 6 APO EX DG HSM 8mm F3 5 EX DG CIRCULAR FISHEYE 2 15mm F2 8 EX DG DIAGONAL FISHEYE 20mm F1 8 EX DG ASPHERICAL RF 24mm F1 8 EX DG ASPHERICAL MACRO 28mm F1 8 EX DG ASPHERICAL MACRO 50mm F2 8 EX DG MACRO 70mm F2 8 EX DG MACRO ...

Page 15: ...sigma foto de German E Mail info sigma foto de Germany http www sigma com hk Chinese E Mail info sigma com hk Hong Kong http www sigma photo co jp Japanese E Mail intl sigma photo co jp Japan http www sigma imaging uk com English E Mail sales sigma imaging uk com U K http www sigma photo com English E Mail info sigmaphoto com U S A E Mail support apds com sg Singapore 2008 06 Caution To ensure the...

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