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MODELS BG1.1 AND BG1.1K

UNIDIRECTIONAL DYNAMIC MICROPHONE

The Shure BG1.1 is a reliable, multi-purpose micro-

phone designed to perform in a variety of live music, sound
reinforcement, and basic recording applications.  Its dy-
namic cartridge features a smooth frequency response
and a neodymium magnet for a high output level, while its
cardioid pattern ensures high gain-before-feedback, and
excellent isolation from undesired sound sources.  The
BG1.1’s shock-mounting system, rugged cartridge
construction, 

dent resistant steel ball grille, and sturdy die-

cast handle allow the BG1.1 to maintain its performance
through even the roughest environments.  Typical applica-
tions for the BG1.1 include close-up vocals, instrument
pickup, public address, and Karaoke.

GENERAL RULES FOR MICROPHONE USE

1. For optimal signal-to-noise ratio, place the microphone

as close as practical to the desired sound source.

2. For the best gain-before-feedback and isolation from

undesired background noise, aim the microphone to-
ward the sound source and away from undesired sound
sources (see Figure 1).  The BG1.1 features a cardioid
polar pattern which is most sensitive to sound directly
in front of the microphone, and least sensitive to sound
directly behind the microphone.

3. For the purest reproduction of sound, use no more than

one microphone per sound source and use the fewest
number of microphones necessary for the application.

4. For maximum isolation, keep the distance between mi-

crophones at least three times the distance from each
source to its microphone.

5. Work close to the microphone for extra bass response

(see Figure 2).  This phenomenon is known as proximity
effect and can be used to achieve a fuller sound, espe-
cially for vocals during soft passages where extra em-
phasis is needed.  For instruments, proximity effect can
be used to change bass output without using tone con-
trols.

6. Placing the microphone too close to acoustically reflec-

tive (smooth, hard) surfaces will result in a poor frequen-
cy response and will increase the chances for feed
back.  To minimize this effect, place microphones as far
as possible from acoustically reflective surfaces.

7. Add an external windscreen when using the micro-

phone outdoors to reduce wind noise.  The A58WS
windscreen is available in 7 different colors.

8.

Do not cover any part of the grille with your hand (see
Figure 3).  Covering the grille alters the sound and dis-
torts the polar pattern, increasing the chances for feed-
back.

9.

It is important to keep foreign particles out of the grille
and the windscreen because they may alter the fre-
quency response of the microphone.  The grille may be
periodically cleaned using warm, soapy water.  Rinse
with plain water and let it dry before replacing.

Summary of Contents for BG 1.1

Page 1: ...ICROFONO DINAMICO UNIDIRECCIONAL MODELLO BG1 1 E BG1 1K MICROFONO DINAMICO UNIDIREZIONALE BG1 1 BG1 1K SHURE Incorporated Web Address http www shure com 222 Hartrey Avenue Evanston IL 60202 3696 U S A...

Page 2: ...rest reproduction of sound use no more than one microphone per sound source and use the fewest number of microphones necessary for the application 4 For maximum isolation keep the distance between mi...

Page 3: ...h Can non XL series Switchcraft A3 Q G series or equiva lent Case Die cast zinc handle black matte finish dent resistant wire mesh steel ball grille Dimensions See Figure 5 Net Weight 290 g 10 2 oz Ce...

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Page 5: ...io professionnel 3 broches XLR con u pour s adapter aux s ries Cannon XL Switch craft A3 Q G ou un produit quivalent Bo tier Moul sous pression avec finition noire Dimensions Voir Figure 5 Poids net 2...

Page 6: ...ofon abgeschw cht wird 3 Nur ein Mikrofon je Schallquelle und insgesamt die kleinstm gliche Anzahl von Mikrofonen verwenden um die reinste Tonwiedergabe zu erzielen 4 Den Abstand zwischen den Mikrofon...

Page 7: ...em Finish Abmessungen Siehe Abbildung 5 Nettogewicht 290 g Zulassung Entsprechend den EU Richtlinien mit Berechtigung f r das CE Label erf llt die Sanforderungen der Europ is chen Union hinsichtlich e...

Page 8: ...NG 2 FIGURA 2 FIGURE 3 ABBILDUNG 3 FIGURA 3 AMPLIFIER AMPLIFICATEUR AMPLIFIER AMPLIFICADOR AMPLIFICATORE AMPLIFIER AMPLIFICATEUR AMPLIFIER AMPLIFICADOR AMPLIFICATORE FREQUENCY IN HZ FR QUENCE HERTZIEN...

Page 9: ...URE 4 ABBILDUNG 4 FIGURA 4 FIGURE 5 ABBILDUNG 5 FIGURA 5 120o 150o 150o 120o 180o 150o 120o 150o 120o 180o 60o 90o 30o 30o 60o 5 dB 10 dB 15 dB 20 dB 90o 30o 60o 90o 30o 60o 90o 10 dB 15 dB 20 dB 1000...

Page 10: ...r s del micr fono 3 Para la reproducci n m s fiel del sonido utilice s lo un micr fono para captar una fuente sonora y utilice la cantidad m s baja de micr fonos posible 4 Para ofrecer el aislamiento...

Page 11: ...3 clavijas XLR di se ado para conexi n con la serie Cannon XL Switchcraft A3 Q G o equivalente Alojamiento Fundido a troquel con acabado negro Dimensiones consultar la Figura 5 Peso neto 290 gramos 1...

Page 12: ...a parte anterio re e minima per quelli generati direttamente verso la sua parte posteriore 3 Per ottenere la massima fedelt nella riproduzione dei suoni usare un solo microfono per ogni sorgente sono...

Page 13: ...ato per accoppiarsi alla serie Cannon XL Switch craft A3 Q G o equivalente Contenitore Pressofusione con rifinitura in nero Dimensioni Vedere la Figura 5 Peso netto 290 g Certificazione Conforme alle...

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