Sequential TRGON-6 Operation Manual Download Page 7

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Unison . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .47

Using Chord Memory . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48

Write . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .49

Canceling Save . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50

Comparing Before You Save . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51

Globals . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .51

Preset . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .52

Pitch and Mod Wheels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .53

Pitch Wheel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 53

Modulation Wheel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54

Aftertouch . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .54

Exporting Programs and Banks . . . . . . . . . . . . . . . . . . . . . . . . .57

Calibrating the Trigon-6 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .58

How and When to Calibrate the Oscillators and Filters . . . . . . . . . . 58

Calibrating the Pitch and Mod Wheels . . . . . . . . . . . . . . . . . . . . . . . 59

Resetting the Global Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . 59

Using USB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .60

Support . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .61

Troubleshooting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 61

Recovering from a Failed OS Udate . . . . . . . . . . . . . . . . . . . . . . . . . 62

Contacting Technical Support . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 63

Warranty Repair . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 63

Appendix A: Alternative Tunings . . . . . . . . . . . . . . . . . . . . . . . .65

Appendix B: MIDI Implementation . . . . . . . . . . . . . . . . . . . . . . .95

MIDI Messages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96

NRPN Messages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 100

Control NRPN Data . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 104

Sysex Messages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 104

Packed Data Format . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 107

Summary of Contents for TRGON-6

Page 1: ... Operation Manual ...

Page 2: ...dy Lambert Karl Lee Michelle Marshall Andrew McGowan Joanne McGowan Julio Ortiz Steve Starkweather Brian Tester Tracy Wadley Gabby Wen and Mark Wilcox TRIGON 6 SOUND DESIGN GilAssayas Rory Dow Peter Dyer Mike Hiegemann Tim Koon Kurt Kurasaki Drew Neumann BobOxley JulianPollack FrancisPreve LorenzRhode RobertRich PaulSchilling HustonSingletary Matia Simovich JamesTerris MitchThomas TaihoYamada ...

Page 4: ...r le materiel brouilleur du Canada For pluggable equipment the socket outlet must be installed near the equipment and must be easily accessible For Technical Support email support sequential com Trigon 6 is a registered trademark of Sequential Synths Limited in the UK and other territories CALIFORNIA PROP 65 WARNING This product may expose you to chemicals including BPA which is known to the State...

Page 5: ...n a Preset 4 Comparing an Edited Program to its Original State 4 Creating a Program from Scratch 5 Live Panel Mode 5 Saving a Program 6 Canceling Save 7 Using Poly Chain 8 Moving to the Next Level 9 Connections 10 Global Settings 12 Globals Top Row 13 Oscillators 17 Oscillator Parameters 18 Volume 20 Feedback Drive 20 Noise 21 Filter 21 Filter Envelope 22 Amplifier Envelope 25 ...

Page 6: ...peggiator Parameters 37 Sequencer 38 Programming the Sequencer 39 CorrectingNotesWhenRecordingaSequence 40 MIDI Note Output from the Arpeggiator and Sequencer 41 Sequencer Parameters 42 Clock 42 Master Volume Program Volume 43 Distortion 44 Vintage 44 Pan Spread 44 Pgm Volume 44 P Whl Range 45 Key Mode 45 Transpose 45 Hold 46 Glide 46 ...

Page 7: ...n 6 58 How and When to Calibrate the Oscillators and Filters 58 Calibrating the Pitch and Mod Wheels 59 Resetting the Global Parameters 59 Using USB 60 Support 61 Troubleshooting 61 Recovering from a Failed OS Udate 62 Contacting Technical Support 63 Warranty Repair 63 Appendix A Alternative Tunings 65 Appendix B MIDI Implementation 95 MIDI Messages 96 NRPN Messages 100 Control NRPN Data 104 Sysex...

Page 8: ...Trigon 6 is first and foremost a performance instrument All of its sound shaping controls are immediately accessible on its front panel packing a tremendous amount of power and versatility into a compact easy to use format You can find in depth information about each of the Trigon 6 s parame ters in later sections of this manual But don t hesitate to dive right in and start turning knobs and press...

Page 9: ... bank tens and program selector buttons to select and recall programs To choose a program 1 Hold down the bank button then press a program selector button 0 9 to specify the hundreds bank of the program 2 Hold down the tens button then press a program selector button 0 9 to specify the tens digit of the program 3 Press a program selector button 0 9 to specify the ones digit of the program To choos...

Page 10: ...o recall a preset you can also use the Increment Decrement buttons to step through programs sequentially one by one To do this 1 Hold bank select dec and press tens select inc to increment by a single program 2 Hold tens select inc and press bank select dec to decrement by a single program Editing Programs Because all of the sound shaping controls of the Trigon 6 appear on its front panel editing ...

Page 11: ...atively before saving a program to a new location you may want to check the program in the target location before you overwrite it To compare an edited program to a saved version 1 Edit a program 2 Press the write button It starts flashing 3 Press the global button Both LEDs on the button light up indicating compare mode 4 Play the keyboard to hear the saved version of the sound 5 To disable the c...

Page 12: ...ld down the preset button 2 Press the write button Live Panel Mode The Trigon 6 also features a live panel mode in which its sound switches to the current settings of its knobs and switches In other words the current preset is ignored and what you see on the front panel is what you hear This is a great mode for learning experimentation and instant gratification To enter live panel mode Press the p...

Page 13: ...linking and the program is saved Be careful when write is enabled You can change banks and tens without executing write but once you press a program selector button 0 9 for the ones digit the write command is executed and the program at that location is overwritten To save a program to a different bank location 1 Press the write button Its LED begins blinking 2 Hold down the bank button then press...

Page 14: ...ore you overwrite it 1 Get ready to save by pressing the write button It starts flashing 2 Press the global button Both LEDs on the button light up indicating compare mode 3 Use the program buttons to navigate to the sound you want to compare and play the keyboard to hear the sound 4 To disable the compare function and go back to the edited sound turn off the global button Programs can t be writte...

Page 15: ...s 1 With a MIDI cable connect the rear panel midi out of the first Trigon 6 the master to the midi in of the second Trigon 6 the slave 2 On the master Trigon 6 press the globals button then press program selec tor button 9 midi out 3 Use the bank decrement and tens increment to select PLY poly 4 Press the globals button twice to exit globals mode The two synths are now poly chained You can now pla...

Page 16: ...ead about Pot Modes and determine which works best for you when you re editing sounds You ll also find information about MIDI setup Read this to more effectively integrate the Trigon 6 into your MIDI rig To get the most out of the Trigon 6 s live performance capabilities read up on using a footswitch or expression pedal And finally be on the lookout for tips and notes scattered throughout this man...

Page 17: ...n and off Alternatively an audio signal connected to this jack can be used to either control sequencer arpeggiator playback or to gate the filter and amplifier envelopes while notes are held See Seq Jack on page 15 for more information about choosing the appropriate mode for these behaviors 6 Footswitch Sustain Accepts a momentary normally open or normally closed footswitch to control sustain See ...

Page 18: ...e to add expres siveness and dynamics to live performance 8 Expression Pedal LP Filter Accepts a standard expression pedal that has a variable resistor on a TRS tip ring sleeve inch phone plug Once connected you can use the pedal to control the cutoff frequency of the low pass filter to add expressiveness to live performance 9 Audio Outputs Unbalanced inch audio outputs The Trigon 6 sounds great i...

Page 19: ...upper row is active The yellow LED indicates that the lower row is active The Globals button 1 0 2 3 4 5 6 ELECT TENS Local Ctrl Seq Jack Pot Mode Sustain Alt Tuning Vel Response AT Respons Transpose Master Tune MIDI Channel MIDI Clock Clock Port Param Xmit Param Rcv crement Globals 0 4 4 5 6 7 8 9 Alt Tuning Vel Response AT Response Stereo Mono Pgm Dump Beat Sync Clock Port Param Xmit Param Rcv M...

Page 20: ...ol 0 is centered Steps in semitones up to one octave up 12 or down 12 1 Master Tune 50 50 Master Fine Tune control 0 centered Steps in cents as much as a quarter tone up 50 or down 50 2 MIDI Channel All 1 16 Selects which MIDI channel to send and receive data 1 to 16 all receives on all 16 channels 3 MIDI Clock Sets the Trigon 6 s ability to send and receive MIDI clock messages Off MIDI Clock is n...

Page 21: ...which parameter changes are received via MIDI As with transmission NRPNs are the preferred method 7 MIDI Control Off On When On the synth will respond to MIDI controllers including Pitch Wheel Mod Wheel Pedal Volume 8 MIDI Sysex MID USB When set to MIDI MID it will receive and transmit them using the MIDI ports cables When set to USB it will receive and transmit them using the USB port cable MIDI ...

Page 22: ...Jup Relative Passthru Jump The rotary controls on the front panel are a mixture of endless rotary encoders and potenti ometers or pots The pots are identifiable by their lined knobs and the fact that they have about 300 of travel There are three pot modes to deter mine how the synth reacts when the programmable parameters are edited Master volume is not programmable so these modes don t apply In R...

Page 23: ...ulate ethnic instruments or in other creative ways See Appendix A Alternative Tunings on page 59 for a description of each tuning Additional tunings can be imported into the Trigon 6 as a SysEx message For more information see Appendix A 5 Vel Response 0 7 Curve 0 Curve 1 Curve 2 Curve 3 Curve 4 Curve 5 Curve 6 Curve 7 Sets one of eight velocity curves to adjust the keyboard s velocity response to...

Page 24: ... per voice Level controls for each of these are located in the Oscillator section Oscillators 1 and 2 are capable of generating triangle sawtooth and variable width pulse waves Oscillator 3 is capable of generating triangle sawtooth reverse sawtooth and variable width pulse waves These waveshapes are selected by pressing the corresponding waveshape button Multiple waveshapes can be selected simult...

Page 25: ...itch Fine tune control with a range of 7 semitones a major 5th up or down The 12 o clock position is centered Steps are in cents 50 cents 1 2 semitone This can be used to set Oscillators 2 3 to different inter vals from each other and from Oscillator 1 Waveshape Triangle Sawtooth Reverse Sawtooth Pulse Used to select the waveshape generated by the oscillator Multiple waveshapes can be set for each...

Page 26: ...reate more complex harmonically rich shapes from simple waveforms especially when the frequency of Oscillator 2 is set to a different interval than Oscillator 1 Oscillator 1 Oscillator 2 Oscillator 1 synced to Oscillator 2 Oscillator hard sync Use Poly Mod to sweep the pitch of Oscillator 2 when it is synced to generate the classic hard edged sync sound Keyboard Off On When off Oscillator 3 ignore...

Page 27: ...saturation by increasing the oscillators overall output When turned counter clockwise feedback can introduce a range of tones from harmonic to chaotic by feeding the Trigon 6 s voice card outputs back into the filter stage This allows a feedback path for each voice Noise Sets the output level of the white noise generator Filter Filters take the basic raw sound of the oscillators and noise generato...

Page 28: ...nvelope on page 22 Negative settings invert the envelope Experiment with this control to create a variety of expressive filtering effects 2 Pole on off When enabled sets the filter to two pole mode A 2 pole lowpass filter has a less steep cutoff slope which allows more upper order oscillator harmonics to pass through the filter stage Keyboard off half full Sets the amount of modulation from the ke...

Page 29: ...me by giving you filtering control over its attack decay sustain and release stages This is one of the most important factors in designing a sound Without an envelope the filters would be completely static They would stay open or closed by a fixed amount that wouldn t change over the duration of a sound That s not very interesting to listen to and it s not how instruments behave in the real world ...

Page 30: ...unt of low pass filter resonance Sustain Sets the filter cutoff frequency for the sustained portion of the sound The sound will stay at this filter frequency for as long as a note is held on the keyboard Release Sets the release time of the envelope This controls how quickly the filter closes after a note is released The description of envelope behavior above is true when the envelope amount param...

Page 31: ...hese controls that is subtle but powerful Try it and see To adjust the responsiveness of the filter envelope 1 Select a program such as a synth brass sound that has a slightly soft but bright attack 2 Repeatedly play a series of notes or chords on the keyboard so you can hear the effect of the adjustments as you follow the steps below 3 In the Poly Mod section enable filter as the only destination...

Page 32: ...uration of a note It would begin immediately remain at its full volume for the duration of the note then end immediately when the note was released Again that s not very interesting sonically and it s not typi cally how instruments behave in the real world To give you a real world example the main difference between the sound of the wind and the sound of a snare drum is that they have very differe...

Page 33: ...ote is released To recreate the gated VCA effect used on certain classic rock anthems choose an organ sound then set the vca env amount to zero route the LFO square wave to amp with an initial amt setting of 100 and hold a few chords Velocity This button enables keyboard velocity to modulate the VCA Envelope Amount The harder you play the more the VCA envelope is affected This makes for more touch...

Page 34: ...B are applied one after another in series For this reason reverb effects are only available as Effect B since it s the last stage in the serial effects chain where reverb is traditionally applied Either effect can also be set to off Effect A bbd vintage bucket brigade emulation ddl classic digital delay CHO vintage chorus PH1 vintage 6 stage phaser high resonance PH2 vintage 6 stage phaser lower r...

Page 35: ...epending on which you want to apply and configure 3 Turn the type knob to select an effect Names are abbreviated For instance bbd is the bucket brigade delay Refer to the list above 4 Turn the dry wet knob to the right to blend in a good amount of the processed signal You ll want to be able to clearly hear the effect when you tweak its settings You can dial it down afterward 5 Use the parameter 1 ...

Page 36: ...yncing of the timed delay repeats feedback to the Arpeggiator Sequencer or MIDI clock When Sync is on delay time provides the following values Value Delay Time 1 4 beats 2d 3 beats 2 2 beats 4t 1 beat 4d 1 1 2 beat 4 1 beat 8d 3 4 of 1 beat 8 1 2 of 1 beat 8t 1 2 of 1 beat 16d 3 8 of 1 beat 16 1 4 of 1 beat Maximum delay time is 1 second The combination of longer synced delay times with slower tem...

Page 37: ... room reverb time early reflections PLA plate reverb time early reflections SPr spring reverb decay tone bbd This is a vintage bucket brigade delay emulation Bucket brigade delays were originally a type of analog delay characterized by relatively short delay times and a warmer character than digital delays due to their loss of treble and clarity in the delayed analog signal Adjustable param eters ...

Page 38: ...mount rOO This is a Room reverb It s the second largest of the available reverbs Adjustable parameters are reverb time and early reflection amount PLA This is a Plate reverb It emulates a classic reverb plate Adjustable parameters are reverb time and early reflection amount SPr This is a Spring reverb It emulates a vintage guitar amp style reverb Adjustable parameters are decay and tone Low Freque...

Page 39: ... one cycle The square wave sawtooth and reverse sawtooth generate only positive values In the case of the square wave this makes it possible to generate natural sounding trills Square Random Sawtooth Reverse Sawtooth Triangle 0 LFO waveshapes The Trigon 6 has a sixth hidden LFO waveshape that you can use as a modulation source noise To access this choose random then turn frequency all the way cloc...

Page 40: ...lation destination Use a triangle wave as a source to create vibrato Use a square wave to create trills Freq 2 Selects the frequency of Oscillator 2 as a modulation destination Freq 3 Selects the frequency of Oscillator 3 as a modulation destination Can be applied while Oscillator 3 is in lo mode PW 1 When Oscillator 1 is set to square wave this modulates the pulse width of the wave Use a triangle...

Page 41: ...nations Oscillator 1 frequency Oscillator 2 frequency Oscillator 3 frequency Oscillator 1 pulse widrth Oscillator 2 pulse width Feedback Filter frequency You can control how much the source affects the destination by dialing in a specific modulation amount with the osc 3 or filter env knobs Modu lation amount can either be positive or negative Use Poly Mod to create complex harmonic effects rangin...

Page 42: ...odulation source to sweep Oscillator 3 s frequency in lo mode for a modulated modulator effect for example PW 1 When Oscillator 1 is set to pulse wave choosing this as a destina tion modulates its pulse width This will animate the timbre of Oscillator 1 in interesting ways PW 2 When Oscillator 2 is set to pulse wave choosing this as a destina tion modulates its pulse width This will animate the ti...

Page 43: ...or features auto latching With hold on played notes are held on and arpeggiated and any additional notes you play are added to the arpeggio as long as at least one key is continuously held You can sync the Arpeggiator to external MIDI clock or even an external audio signal When the Arpeggiator is playing the Sequencer is disabled The Arpeggiator section To use the Arpeggiator 1 Press the Arpeggiat...

Page 44: ...again to exit An audio signal connected to the rear panel footswitch sequence jack can be used to control arpeggiator and sequencer playback This makes it possible to tempo sync the arpeggiator to a recorded drum track or other audio source See Seq Jack on page 15 for more information about choosing the appropriate mode for these behaviors Arpeggiator Parameters Divide Selects a beat division rela...

Page 45: ...ys notes in the order the keys were pressed Sequencer The Trigon 6 s sequencer is similar to a classic stepsequencer It allows you to create a single sequence of up to 64 steps including rests and ties with up to 6 notes per step In addition you can play along with a sequence provided there is available polyphony making it a powerful live performance tool When the Sequencer is playing the Arpeggia...

Page 46: ...ay When recording a chord as a step as long as you continue to hold at least one note down you can keep adding notes to the chord step and even use the transpose buttons to extend the keyboard range while doing it 3 To add a rest as you play press the tens increment button for that step then continue playing 4 To add a tie that extends the length of a note continue to hold down the note s and pres...

Page 47: ...old down the rec button to enable transposition Remember that Middle C is the reference point Playing a note above middle C transposes the sequence higher by that interval Playing a note below middle C transposes the sequence lower by that interval Correcting Notes When Recording a Sequence While you are recording a sequence it is possible to step backward using the Bank Decrement button to correc...

Page 48: ... available settings and select either cas or nas Your choice depends on whether you were previously using CC or NRPN to send MIDI controller data to your external device as either setting will send MIDI notes out Choose cas if CC Choose nas if NRPN 3 Once you ve chosen the desired setting press the globals button twice to exit To control an external MIDI device 1 Connect the MIDI or USB output of ...

Page 49: ... external MIDI clock source the BPM setting has no effect Tap Tempo 30 250 Tap this button at least 4 times to quickly set the tempo for the Sequencer and Arpeggiator The LED flashes at the BPM rate you set Divide Sets the note value for each sequencer arpeggiator step relative to the BPM divide works with both internal and external clock sources The following table lists the values Name Tempo Tim...

Page 50: ...unds have roughly the same volume from program to program Unison sounds in particular can be very loud compared to other programs The Volume knob The program volume knob prgm volume in the Miscellaneous Parameters section To set the volume of an individual program 1 Choose a program 2 In the additional paramters section turn the prgm vol knob to set its volume 3 Save the program See Saving a Progr...

Page 51: ...gres sively more variation between voices Try it out Pan Spread Pans the audio in the stereo field individually per voice Set to 0 all voices are panned to the center As Pan Spread is turned up the audio in each voice is gradually moved away from the center by greater amounts Every other voice goes in a different direction left or right Pgm Volume Adjusts the overall volume of an individual progra...

Page 52: ...ose section transpose the keyboard up or down in octaves The LED indicates the current keyboard trans position state Transposing the keyboard also changes the MIDI note numbers of the keys so that MIDI notes sent are also transposed Trans pose settings are global and are not saved with individual programs The Transpose controls Hold When hold is on any notes played will continue to play until hold...

Page 53: ... This is the default glide mode Fixed Rate A FRA The same as Fixed Rate but glide is only applied when playing legato when Unison mode is on That is glide only occurs when a note is held until the next note is played This effectively allows glide to be turned on and off from the keyboard Fixed Time FT Glide is set to a fixed time regardless of the interval between notes Fixed Time A FTA The same a...

Page 54: ...n Modes on page 48 for details You can also detune the Oscillators using the pitch controls to thicken a sound The vintage control can also detune and add density to a Unison patch The Unison button To use Unison 1 Press and hold the unison switch 2 With the Unison switch held down use the bank decrement and tens increment switches to choose the number of voices to stack then release the Unison sw...

Page 55: ... To exit Chord mode 1 Hold unison 2 Use the dec button to deselect CHD 3 Press the unison button 4 Save the program again Key Assign Modes Key Assign sometimes called note priority determines what note has priority when more than one note is played on the keyboard or via MIDI Low note priority LO is most common in vintage synths and is often used for playing trills by holding a note and repeatedly...

Page 56: ...onic playback in the case that sustain hold is on and a voice is stolen In this case key priority is always last Write The write button saves the currently active program Saving a program overwrites a previously saved program The Trigon 6 contains a total of 1000 programs 500 are permanent and 500 can be overwritten Banks 0 4 are User Banks that can be overwrit ten Banks 5 9 are Factory Banks that...

Page 57: ...pecify the ones digit of the program 5 The write button LED stops blinking and the program is saved Canceling Save Sometimes you may want to cancel saving a program before you commit To cancel the Save process before you commit If the write button LED is flashing press it again The LED stops flash ing and saving is canceled You can return to editing if you want Comparing Before You Save Before wri...

Page 58: ...n two rows the program number switches 0 9 Press the Globals switch once to access the top row Press it twice to access the bottom row For details on the various Global parameters see on page 1112 The Globals button To change a Global setting 1 Press the globals button Pressing it once accesses the top row of Global parameters Pressing it twice accesses the bottom row of Global parameters The LED ...

Page 59: ...l mode What you see on the front panel is what you hear Note that you can t change programs or banks with Preset off To return to preset mode Press the preset button again to toggle it on The LED is lit The current program is what you hear Pitch and Mod Wheels The Trigon 6 has a spring loaded Pitch wheel and a Mod wheel You can use these controls to enhance live performance by bending notes and ad...

Page 60: ...set a wider range To set the pitch bend range 1 In the Miscellaneous Parameters section press and hold the p whl range button 2 With the button still held down use the bank decrement and tens increment switches to choose the number of semitones up to 12 for the pitch bend range then release the p whl range button Modulation Wheel The Mod wheel controls the amount of modulation applied to any desti...

Page 61: ...a sound by applying additional pressure to a key after the key is already down The greater the pressure applied the more modulation is applied The Trigon 6 provides monophonic or channel aftertouch which means that applying pressure to any key within a chord will apply modu lation to all notes currently held The Aftertouch section lets you choose the amount of modulation applied using aftertouch a...

Page 62: ...cts Oscillator 1 frequency as an aftertouch modulation desti nation With a positive amount setting pressing the keys harder will shift the Oscillator 1 pitch upward With a negative amount setting pressing the keys harder will shift the Oscillator 1 pitch downward Freq 2 Selects Oscillator 2 frequency as an aftertouch modulation desti nation Freq 3 Selects Oscillator 3 frequency as an aftertouch mo...

Page 63: ...a negative amount setting pressing the keys harder will decrease the amount of LFO modulation with the LFO waveform inverted FX Mix A Selects the effects a dry wet parameter as an aftertouch modulation destination With a positive amount setting pressing the keys harder will increase the amount of Effect A s wet mix With a negative amount setting pressing the keys harder will decrease the level of ...

Page 64: ...rs then press program selector 8 to select the midi sysex command 2 Use the bank decrement and tens increment buttons to select the appropriate MIDI port MIDI MID or USB usb 3 Press globals a second time this enables the lower set of parameters then press program selector 8 to select the pgm dump command The write button begins flashing 4 Use the bank decrement and tens increment buttons to select...

Page 65: ...oing so Repeat the calibration procedure as needed over the next few days of use The Trigon 6 learns the range of temperatures at your location and will keep itself in tune over this range A good rule of thumb is to cover the main temperature ranges as the Trigon 6 heats up Calibrate several minutes after powering on at about 30 minutes and at about 1 hour Later if you use the Trigon 6 in a differ...

Page 66: ...7 To calibrate the Pitch wheel s center position With the Pitch wheel centered hold down the preset button and press 8 To calibrate the Pitch and Mod wheel s high position 1 Rotate and hold both wheels in their high position 2 Hold down the preset button and press 9 Resetting the Global Parameters If you re trying to track down a problem it s sometimes a good idea to reset the Global parameters to...

Page 67: ...me and transmit the same data USB Notes Under Mac OS X Trigon 6 Keyboard will appear as a MIDI port when connected via USB and can be configured using the Mac s Audio MIDI Setup utility typically found in Applications Utilities Under Windows the first time the Trigon 6 is connected via USB the Found new hardware alert appears and it is automatically installed as Trigon 6 Keyboard In Windows if you...

Page 68: ...state To do this hold the globals button and press the write button Note that this does not affect or change any of your saved presets There is a ground hum in the audio output USB can cause ground loops so try to resolve any grounding issues between the computer and the Trigon 6 Or use MIDI which is opto isolated The Trigon 6 is behaving erratically This is almost always caused by a MIDI data loo...

Page 69: ... OS Udate In very rare cases the Trigon 6 OS might fail to load correctly when you update There is now a safe and easy way to recover in such situations The Trigon 6 is now equipped with a MIDI boot loader which will allow you to reload the OS in the event the you accidentally brick your synth permanently freeze it while updating its OS To restore your Trigon 6 if it is frozen 1 Power on the Trigo...

Page 70: ...run the calibration routines see Troubleshooting above you should do it before contacting Technical Support It s probably the first thing they ll ask you to do Warranty Repair Sequential warrants that the Trigon 6 will be free from defects in materials and or workmanship for 1 year from the date of purchase Please register your product online at www sequential com to establish the date of purchase...

Page 71: ...n your instrument for repair you are responsible for getting it to Sequential We highly recommend insuring it and packing in the original packaging Damage resulting from shipping a product with insufficient packaging is not covered by warranty ...

Page 72: ...gon 6 alternative tunings 1 12 Tone Equal Temperament non erasable The default Western tuning based on the twelfth root of two 2 Harmonic Series MIDI notes 36 95 reflect harmonics 2 through 60 based on the funda mental of A 27 5 Hz The low C on a standard 5 octave keyboard acts as the root note 55Hz and the harmonics play upwards from there The remaining keys above and below the 5 octave range are...

Page 73: ...tuning systems known from history the Pythagorean scale is constructed from an upward series of pure fifths 3 2 transposed down into a single octave The tuning works well for monophonic melo dies against fifth drones but has a very narrow palate of good chords to choose from C 1 1 261 625 Hz 1 1 256 243 9 8 32 27 81 64 4 3 729 512 3 2 128 81 27 16 16 9 243 128 9 Just Intonation in A with 7 Limit T...

Page 74: ...B and Bb acting as 1 1 for their respective modes Note that some of the notes will have the same frequency By tuning the 1 1 to 60 Hz Dan found a creative way to incorporate the inevitable line hum into his scale Bb B 1 1 60 Hz 1 1 1 1 9 8 7 6 5 4 4 3 11 8 3 2 3 2 7 4 7 4 15 8 14 Yamaha Just Major C When Yamaha decided to put preset microtunings into their FM synth product line they selected this ...

Page 75: ...ans to perform glissando like passages G 1 1 392 Hz MIDI note 67 1 1 81 80 33 32 21 20 16 15 12 11 11 10 10 9 9 8 8 7 7 6 32 27 6 5 11 9 5 4 14 11 9 7 21 16 4 3 27 20 11 8 7 5 10 7 16 11 40 27 3 2 32 21 14 9 11 7 8 5 18 11 5 3 27 16 12 7 7 4 16 9 9 5 20 11 11 6 15 8 40 21 64 33 160 81 17 Arabic 12 Tone A 12 tone approximation of an Arabic scale which appears in some elec tronic keyboards designed ...

Page 76: ... has some unusual relationships note 0 0 note 1 63 note 2 189 note 3 253 note 4 379 note 5 505 note 6 568 note 7 695 note 8 758 note 9 884 note 10 947 note 11 1074 note 12 1200 19 12 Out of 31 tET Meantone Eb G note 0 0 note 1 77 note 2 194 note 3 310 note 4 387 note 5 503 note 6 581 note 7 697 note 8 774 note 9 890 note 10 1006 note 11 1084 note 12 1200 ...

Page 77: ...atio 8 5 JUST 69 Cents 884 358713 Ratio 5 3 JUST 70 Cents 996 089998 Ratio 16 9 JUST 71 Cents 1088 268715 Ratio 15 8 JUST 72 Cents 1200 Ratio 2 1 JUST 21 Lute tuning of Giovanni Maria Artusi 1603 1 4 comma w Acc 1 2 way Naturals 60 Cents 0 Ratio 1 1 JUST 61 Cents 96 578 Ratio 8607 8140 62 Cents 193 157 Ratio 2889 2584 63 Cents 289 735 Ratio 11687 9886 64 Cents 386 313714 Ratio 5 4 JUST 65 Cents 50...

Page 78: ...794 135 Ratio 15708 9929 69 Cents 895 1125 Ratio 14857 8859 70 Cents 998 045 Ratio 12503 7025 71 Cents 1090 225 Ratio 18484 9847 72 Cents 1200 Ratio 2 1 JUST 23 Bulgarian Bagpipe tuning Empirically Measured 0 Cents 0 Ratio 1 1 JUST 1 Cents 66 Ratio 5427 5224 2 Cents 202 Ratio 1925 1713 3 Cents 316 Ratio 11586 9653 4 Cents 399 Ratio 4965 3943 5 Cents 509 Ratio 7451 5553 6 Cents 640 Ratio 13435 9283...

Page 79: ...6 9335 4 Cents 312 Ratio 11873 9915 5 Cents 390 Ratio 11636 9289 6 Cents 468 Ratio 13024 9939 7 Cents 546 Ratio 12433 9070 8 Cents 624 Ratio 11605 8093 9 Cents 702 Ratio 14999 9999 10 Cents 780 Ratio 3471 2212 11 Cents 858 Ratio 15361 9358 12 Cents 936 Ratio 11467 6678 13 Cents 1014 Ratio 17889 9959 14 Cents 1092 Ratio 12599 6705 15 Cents 1170 Ratio 18593 9459 16 Cents 1248 Ratio 14957 7274 17 Cen...

Page 80: ...636 6351 6 Cents 382 8 Ratio 11690 9371 7 Cents 446 6 Ratio 9007 6959 8 Cents 510 4 Ratio 1500 1117 9 Cents 574 2 Ratio 13547 9723 10 Cents 638 Ratio 12529 8667 11 Cents 701 8 Ratio 5584 3723 12 Cents 765 6 Ratio 9281 5964 13 Cents 829 4 Ratio 15760 9761 14 Cents 893 2 Ratio 1047 625 15 Cents 957 Ratio 9629 5540 16 Cents 1020 8 Ratio 16551 9178 17 Cents 1084 6 Ratio 16263 8692 18 Cents 1148 4 Rati...

Page 81: ...Cents 456 287 Ratio 2089 1605 14 Cents 491 386 Ratio 8563 6447 15 Cents 526 485 Ratio 6117 4513 16 Cents 561 584 Ratio 148 107 17 Cents 596 683 Ratio 2895 2051 18 Cents 631 782 Ratio 7627 5295 19 Cents 666 881 Ratio 13901 9457 20 Cents 701 98 Ratio 3 2 just 21 Cents 737 079 Ratio 5477 3578 22 Cents 772 178 Ratio 6981 4469 23 Cents 807 277 Ratio 14613 9167 24 Cents 842 376 Ratio 10660 6553 25 Cents...

Page 82: ...o 33 32 JUST 62 Cents 111 731285 Ratio 16 15 JUST 63 Cents 203 910002 Ratio 9 8 JUST 64 Cents 231 174094 Ratio 8 7 JUST 65 Cents 266 870906 Ratio 7 6 JUST 66 Cents 315 641287 Ratio 6 5 JUST 67 Cents 342 905379 Ratio 128 105 68 Cents 359 472338 Ratio 16 13 JUST 69 Cents 386 313714 Ratio 5 4 JUST 70 Cents 470 780907 Ratio 21 16 JUST 71 Cents 498 044999 Ratio 4 3 JUST 72 Cents 551 317942 Ratio 11 8 J...

Page 83: ...5001 Ratio 3 2 JUST 68 Cents 795 558015 Ratio 19 12 JUST 69 Cents 884 358713 Ratio 5 3 JUST 70 Cents 999 468017 Ratio 57 32 JUST 71 Cents 1088 268715 Ratio 15 8 JUST 72 Cents 1200 Ratio 2 1 JUST 30 John Chalmers JI 3 15 16 17 18 19 20 21 on 1 1 15 20 on 3 2 May 2 1997 60 Cents 0 Ratio 1 1 JUST 61 Cents 111 731285 Ratio 16 15 JUST 62 Cents 216 686695 Ratio 17 15 JUST 63 Cents 315 641287 Ratio 6 5 J...

Page 84: ...io 68 45 JUST 68 Cents 813 686286 Ratio 8 5 JUST 69 Cents 907 289301 Ratio 76 45 JUST 70 Cents 996 089998 Ratio 16 9 JUST 71 Cents 1107 821284 Ratio 256 135 72 Cents 1200 Ratio 2 1 JUST 32 Chinese scale 4th century 0 Cents 0 Ratio 1 1 JUST 1 Cents 99 2 Ratio 3735 3527 2 Cents 199 5 Ratio 11126 9915 3 Cents 296 7 Ratio 9181 7735 4 Cents 398 Ratio 10405 8268 5 Cents 492 9 Ratio 448 337 6 Cents 595 2...

Page 85: ...Fabio Colonna lived in Naples and published a treatise in 1618 called La Sambuca Lincea which included a description of the instrument by that name which he built on commission from Scipione Stella who had had the opportunity in 1594 to examine Vincentino s Archicembalo a 31 tone per octave not equal tempered keyboard instrument 60 Cents 0 Ratio 1 1 JUST 61 Cents 70 672427 Ratio 25 24 JUST 62 Cent...

Page 86: ...t JI for his Megalyra Family Darreg was one of the great modern theorists of just intonation 60 Cents 0 Ratio 1 1 JUST 61 Cents 70 672427 Ratio 25 24 JUST 62 Cents 111 731285 Ratio 16 15 JUST 63 Cents 182 403712 Ratio 10 9 JUST 64 Cents 203 910002 Ratio 9 8 JUST 65 Cents 274 582429 Ratio 75 64 JUST 66 Cents 315 641287 Ratio 6 5 JUST 67 Cents 386 313714 Ratio 5 4 JUST 68 Cents 498 044999 Ratio 4 3 ...

Page 87: ... Ratio 32 19 JUST 70 Cents 996 089998 Ratio 16 9 JUST 71 Cents 1095 04459 Ratio 32 17 JUST 72 Cents 1200 Ratio 2 1 JUST 38 Almost Equal 12 tone Subset of Duodenarium 60 Cents 0 Ratio 1 1 JUST 61 Cents 92 178716 Ratio 135 128 62 Cents 203 910002 Ratio 9 8 JUST 63 Cents 296 088718 Ratio 1215 1024 64 Cents 405 866283 Ratio 512 405 65 Cents 498 044999 Ratio 4 3 JUST 66 Cents 609 776284 Ratio 64 45 JUS...

Page 88: ...358713 Ratio 5 3 JUST 70 Cents 1017 596288 Ratio 9 5 JUST 71 Cents 1088 268715 Ratio 15 8 JUST 72 Cents 1200 Ratio 2 1 JUST 40 Bali Java Slendro Siam 7 empirical 0 Cents 0 Ratio 1 1 JUST 61 Cents 111 731285 Ratio 16 15 JUST 62 Cents 203 910002 Ratio 9 8 JUST 63 Cents 315 641287 Ratio 6 5 JUST 64 Cents 386 313714 Ratio 5 4 JUST 65 Cents 498 044999 Ratio 4 3 JUST 66 Cents 519 551289 Ratio 27 20 JUST...

Page 89: ...o 14076 8389 10 Cents 1019 Ratio 12585 6986 11 Cents 1086 Ratio 16205 8654 42 Erlangen revised 60 Cents 0 Ratio 1 1 JUST 61 Cents 92 178716 Ratio 135 128 62 Cents 203 910002 Ratio 9 8 JUST 63 Cents 294 134997 Ratio 32 27 JUST 64 Cents 386 313714 Ratio 5 4 JUST 65 Cents 498 044999 Ratio 4 3 JUST 66 Cents 590 223716 Ratio 45 32 JUST 67 Cents 701 955001 Ratio 3 2 JUST 68 Cents 794 133717 Ratio 405 25...

Page 90: ...358713 Ratio 5 3 JUST 70 Cents 976 537429 Ratio 225 128 71 Cents 1088 268715 Ratio 15 8 JUST 72 Cents 1200 Ratio 2 1 JUST 44 Fokker s 7 limit 12 tone Just Scale 60 Cents 0 Ratio 1 1 JUST 61 Cents 119 442808 Ratio 15 14 JUST 62 Cents 203 910002 Ratio 9 8 JUST 63 Cents 266 870906 Ratio 7 6 JUST 64 Cents 386 313714 Ratio 5 4 JUST 65 Cents 498 044999 Ratio 4 3 JUST 66 Cents 590 223716 Ratio 45 32 JUST...

Page 91: ...4 JUST 70 Cents 985 798925 Ratio 205 116 71 Cents 1049 362941 Ratio 11 6 JUST 72 Cents 1200 Ratio 2 1 JUST 46 Gamelan Udan Mas approx s6 p6 p7 s1 p1 s2 p2 p3 s3 p4 s5 p5 60 Cents 0 Ratio 1 1 JUST 61 Cents 0 Ratio 1 1 JUST 62 Cents 182 403712 Ratio 10 9 JUST 63 Cents 266 870906 Ratio 7 6 JUST 64 Cents 427 372572 Ratio 32 25 JUST 65 Cents 510 367002 Ratio 47 35 JUST 66 Cents 571 725653 Ratio 32 23 J...

Page 92: ...5905 Ratio 14 9 JUST 69 Cents 884 358713 Ratio 5 3 JUST 70 Cents 968 825906 Ratio 7 4 JUST 71 Cents 1088 268715 Ratio 15 8 JUST 72 Cents 1200 Ratio 2 1 JUST 48 Harmonics 1 to 12 and Subharmonics Mixed 60 Cents 0 Ratio 1 1 JUST 61 Cents 203 910002 Ratio 9 8 JUST 62 Cents 231 174094 Ratio 8 7 JUST 63 Cents 386 313714 Ratio 5 4 JUST 64 Cents 498 044999 Ratio 4 3 JUST 65 Cents 551 317942 Ratio 11 8 JU...

Page 93: ...4 JUST 71 Cents 1109 775004 Ratio 243 128 72 Cents 1200 Ratio 2 1 JUST 50 Helmholtz s two keyboard Harmonium Tuning Untempered 24 notes per octave 60 Cents 0 Ratio 1 1 JUST 61 Cents 92 178716 Ratio 135 128 62 Cents 111 731285 Ratio 16 15 JUST 63 Cents 182 403712 Ratio 10 9 JUST 64 Cents 203 910002 Ratio 9 8 JUST 65 Cents 274 582429 Ratio 75 64 JUST 66 Cents 294 134997 Ratio 32 27 JUST 67 Cents 386...

Page 94: ...Cents 1200 Ratio 2 1 JUST 51 North Indian Gamut Modern Hindustani 12 Selected from 22 or More Shrutis 60 Cents 0 Ratio 1 1 JUST 61 Cents 111 731285 Ratio 16 15 JUST 62 Cents 203 910002 Ratio 9 8 JUST 63 Cents 315 641287 Ratio 6 5 JUST 64 Cents 386 313714 Ratio 5 4 JUST 65 Cents 498 044999 Ratio 4 3 JUST 66 Cents 590 223716 Ratio 45 32 JUST 67 Cents 701 955001 Ratio 3 2 JUST 68 Cents 813 686286 Rat...

Page 95: ...atio 27 17 JUST 69 Cents 905 865003 Ratio 27 16 JUST 70 Cents 1017 596288 Ratio 9 5 JUST 71 Cents 1096 302298 Ratio 81 43 JUST 72 Cents 1200 Ratio 2 1 JUST 53 Observed South Indian Tuning of a vina Ellis Octaves are stretched 60 Cents 0 Ratio 1 1 JUST 61 Cents 97 Ratio 8644 8173 62 Cents 195 Ratio 10974 9805 63 Cents 312 Ratio 11873 9915 64 Cents 397 Ratio 3372 2681 65 Cents 515 Ratio 9782 7265 66...

Page 96: ...29094 Ratio 12 7 JUST 70 Cents 968 825906 Ratio 7 4 JUST 71 Cents 1088 268715 Ratio 15 8 JUST 72 Cents 1200 Ratio 2 1 JUST 55 Alternate 7 limit 12 tone Scale 60 Cents 0 Ratio 1 1 JUST 61 Cents 70 672427 Ratio 25 24 JUST 62 Cents 182 403712 Ratio 10 9 JUST 63 Cents 266 870906 Ratio 7 6 JUST 64 Cents 386 313714 Ratio 5 4 JUST 65 Cents 470 780907 Ratio 21 16 JUST 66 Cents 582 512193 Ratio 7 5 JUST 67...

Page 97: ... 8 JUST 72 Cents 1200 Ratio 2 1 JUST 57 3 and 7 prime rational interpretation of 17 tET 60 Cents 0 Ratio 1 1 JUST 61 Cents 62 960904 Ratio 28 27 JUST 62 Cents 140 949098 Ratio 243 224 63 Cents 203 910002 Ratio 9 8 JUST 64 Cents 294 134997 Ratio 32 27 JUST 65 Cents 357 095901 Ratio 896 729 66 Cents 435 084095 Ratio 9 7 JUST 67 Cents 498 044999 Ratio 4 3 JUST 68 Cents 561 005903 Ratio 112 81 JUST 69...

Page 98: ... Ratio 75 44 JUST 11 Cents 1088 268715 Ratio 15 8 JUST 12 Cents 1151 229619 Ratio 35 18 JUST 13 Cents 1221 902045 Ratio 875 432 14 Cents 1333 633331 Ratio 175 81 JUST 15 Cents 1425 812047 Ratio 875 384 16 Cents 1537 543332 Ratio 175 72 JUST 17 Cents 1656 986141 Ratio 125 48 JUST 18 Cents 1719 947045 Ratio 875 324 19 Cents 1884 951273 Ratio 1925 648 20 Cents 1923 857046 Ratio 875 288 21 Cents 2035 ...

Page 99: ...Ratio 1885 1128 70 Cents 963 1899 Ratio 13187 7560 71 Cents 1081 59495 Ratio 1780 953 72 Cents 1200 Ratio 2 1 JUST 60 Rousseau s Monochord Dictionnaire de musique 1768 60 Cents 0 Ratio 1 1 JUST 61 Cents 70 672427 Ratio 25 24 JUST 62 Cents 203 910002 Ratio 9 8 JUST 63 Cents 315 641287 Ratio 6 5 JUST 64 Cents 386 313714 Ratio 5 4 JUST 65 Cents 498 044999 Ratio 4 3 JUST 66 Cents 568 717426 Ratio 25 1...

Page 100: ...9 99971 Ratio 21454 9951 70 Cents 1545 Ratio 18281 7489 71 Cents 1690 00034 Ratio 5797 2184 72 Cents 1830 00051 Ratio 28347 9850 73 Cents 2049 99952 Ratio 32211 9857 74 Cents 2234 99975 Ratio 36331 9991 75 Cents 2337 00011 Ratio 38073 9871 76 Cents 2400 Ratio 4 1 JUST 62 Vallotti Young Vallotti Version 60 Cents 0 Ratio 1 1 JUST 61 Cents 94 135 Ratio 10487 9932 62 Cents 196 09 Ratio 10851 9689 63 C...

Page 101: ... 8 5 JUST 69 Cents 884 358713 Ratio 5 3 JUST 70 Cents 1017 596288 Ratio 9 5 JUST 71 Cents 1088 268715 Ratio 15 8 JUST 72 Cents 1200 Ratio 2 1 JUST 64 LaMonte Young s Well Tuned Piano 60 Cents 0 Ratio 1 1 JUST 61 Cents 176 64591 Ratio 567 512 62 Cents 203 910002 Ratio 9 8 JUST 63 Cents 239 606814 Ratio 147 128 64 Cents 470 780907 Ratio 21 16 JUST 65 Cents 443 516816 Ratio 1323 1024 66 Cents 674 690...

Page 102: ...eived but not sent Clock Thru i 0 MIDI Clock is received and passed to MIDI Out In No Start Stop n55 Receives MIDI Clock but does not respond to MIDI Start or Stop command When set to in or in thru if no MIDI clock is present at the selected input the arpeggiator and sequencer will not function Clock Port MID USB Sets the port s MIDI or USB by which MIDI clock signals are received Param Xmit Off C...

Page 103: ...l be transmitted MIDI USB MIDI USB or Poly Chain MIDI Messages System Real Time Messages Status Description 1111 1000 MIDI Timing Clock Received Channel Messages Status Second Third Description 1000 nnnn 0kkkkkkk 0vvvvvvv Note Off Velocity is ignored 1001 nnnn 0kkkkkkk 0vvvvvvv Note On Note off if vvvvvvv 0 1010 nnnn 0kkkkkkk 0vvvvvvv Polyphonic Key Pressure 1011 nnnn 0vvvvvvv 0vvvvvvv Control Cha...

Page 104: ...1 nnnn 123 0vvvvvvv All Notes Off Clear all MIDI notes 1011 nnnn 121 0vvvvvvv Reset All Controllers Clears all MIDI controllers to 0 MIDI volume to maximum See sections below for additional Continuous Controller CC and Non registered Parameter Number NRPN messages received Transmitted Channel Messages Status Second Third Description 1000 nnnn 0kkkkkkk 0000000 Note Off 1001 nnnn 0kkkkkkk 0vvvvvvv N...

Page 105: ...11 nnnn 0000 0111 0vvvvvvv Volume When assigned to Pedal 1 or Pedal 2 1011 nnnn 0100 1010 0vvvvvvv Brightness When assigned to Pedal 1 or Pedal 2 1011 nnnn 0010 0000 0vvvvvvv Bank Select 0 9 1011 nnnn 0100 0000 0vvvvvvv Damper pedal Sends 0 if off 0111 1111 when on 1011 nnnn 0000 0111 0vvvvvvv Volume knob See sections that follow for additional Continuous Controller CC and Non registered Parameter...

Page 106: ...nv Attack 51 Filter Env Decay 52 Filter Env Sustain 53 Filter Env Release 58 Arp On Off 59 Arp Mode 60 Arp Range 62 Clock Divide 65 Glide On Off 67 Osc 1 Octave 68 Osc 1 Synch 69 Osc 1 Level 70 Osc 1 Saw On 71 Osc 1 Pulse Tri On CC Param 72 Osc 1 Pulse On 73 Osc 1 Pulse Width 75 Osc 2 Octave 76 Osc 2 Freq Fine 77 Osc 2 Level 78 Osc 2 Saw On 79 Osc 2 Tri On 80 Osc 2 Pulse On 81 Osc 2 Pulse Width 82...

Page 107: ... 0010 0110 NRPN parameter value LSB CC 0vvv vvvv Parameter value LSB The parameter number can be found in the two tables below one for Global parameters and the other for Program parameters The parameter numbers and the parameter values are broken into two 7 bit bytes for MIDI transmission the LSB has the seven least significant bits and the MSB has the seven most significant bits though in most c...

Page 108: ...ing NRPN number when sent received individually NRPN Range Description 1024 0 100 Master Fine Tune 1025 0 24 Master Coarse Tune 1026 0 16 MIDI Channel 0 All 1027 0 3 MIDI Clock Mode 0 Off 1 Master 2 Slave 3 Slave Thru 1028 0 1 MIDI Clock Port 0 MIDI Port 1 USB 1029 0 2 MIDI Param Send 0 NRPN 1 CC 2 Off 1030 0 2 MIDI Param Receive 0 NRPN 1 CC 2 Off 1031 0 1 MIDI Control Enable 0 Off 1 On 1032 0 1 M...

Page 109: ...ff 26 0 12 Pitch Wheel Range 27 0 127 Vintage 29 0 164 Filter Cutoff 30 0 127 Filter Resonance 31 0 2 Filter Keyboard 32 0 1 FEnv Velocity 33 0 1 Filter 2 Pole NRPN Value Description 34 0 100 Program Volume 35 0 127 Pan Spread 36 0 254 FEnv Amount 40 0 127 FEnv Atatck 41 0 127 VCAAttack 42 0 127 FEnv Decay 43 0 127 VCA Decay 44 0 127 FEnv Sustain 45 0 127 VCA Sustain 46 0 127 FEnv Release 47 0 127...

Page 110: ...ff 96 0 6 Unison Voice Count 97 0 5 Key Mode 98 30 250 BPM 100 0 4 Arp Mode 101 0 2 Arp Octave 102 0 1 Arp On Off 103 0 9 Clock Divide NRPN Value Description 104 0 1 Arp Hold 105 0 1 Sequencer On Off 106 0 1 Sequencer Rec On 137 200 0 127 Seq Step 1 64 Vel 3 201 264 12 108 Seq Step 1 64 Note 4 265 328 0 127 Seq Step 1 64 Vel 4 329 392 12 108 Seq Step 1 64 Note 5 393 456 0 127 Seq Step 1 64 Vel 5 4...

Page 111: ...ssage 0vvv vvvv If MIDI channel is set to 1 16 0vvvvvvv must match unless MIDI Channel ALL always responds if 0vvvvvvv 0111 1111 0000 0110 Inquiry Message 0000 0001 Inquiry Request 1111 0111 End of Exclusive EOX The Trigon 6 responds with Status Description 1111 0000 System Exclusive SysEx 0111 1110 Non realtime message 0vvv vvvv If MIDI Channel ALL 0vvvvvvv 0111 1111 Otherwise 0vvvvvvv Channel Nu...

Page 112: ...tatus Description 1111 0000 System Exclusive SysEx 0000 0001 DSI ID 0010 1101 Trigon 6 ID 0000 0110 Request Program Edit Buffer Transmit 1111 0111 End of Exclusive EOX The Trigon 6 will respond by sending out the current Program edit buffer in the format described below in Program Edit Buffer Data Dump Request Global Parameter Dump Status Description 1111 0000 System Exclusive SysEx 0000 0001 DSI ...

Page 113: ...ption 1111 0000 System Exclusive SysEx 0000 0001 ID 0010 1101 Trigon 6 ID 0000 0011 Edit Buffer Data 0vvv vvvv 1024 bytes expanded to 1171 MIDI bytes in packed MS bit format 1111 0111 End of Exclusive EOX Global Parameters Data Dump Value Description 1111 0000 System Exclusive SysEx 0000 0001 DSI ID 0010 1101 Trigon 6 ID 0000 1111 Main Parameter Data 0vvv vvvv 50 nibbles LS then MS for 25 Global p...

Page 114: ...ta 1 A7 A6 A5 A4 A3 A2 A1 A0 1 00 G7 F7 E7 D7 C7 B7 A7 2 B7 B6 B5 B4 B3 B2 B1 B0 2 00 A6 A5 A4 A3 A2 A1 A0 3 C7 C6 C5 C4 C3 C2 C1 C0 3 00 B6 B5 B4 B3 B2 B1 B0 4 D7 D6 D5 D4 D3 D2 D1 D0 4 00 C6 C5 C4 C3 C2 C1 C0 5 E7 E6 E5 E4 E3 E2 E1 E0 5 00 D6 D5 D4 D3 D2 D1 D0 6 F7 F6 F5 F4 F3 F2 F1 F0 6 00 E6 E5 E4 E3 E2 E1 E0 7 G7 G6 G5 G4 G3 G2 G1 G0 7 00 F6 F5 F4 F3 F2 F1 F0 8 00 G6 G5 G4 G3 G2 G1 G0 This ex...

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