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Sequential PROPHET-600, Operation Manual

The Sequential PROPHET-600 Operation Manual is available to download for free on our website. Detailed instructions on how to use this iconic synthesizer can be found in this comprehensive manual, providing you with all the necessary knowledge to unlock the full potential of the PROPHET-600.

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Summary of Contents for PROPHET-600

Page 1: ... v OPERATION MANUAL EOUEneiAL CRCUii inc ...

Page 2: ...ER OPERATION MANUAL By Stanley Jungleib Sequential Circuits Inc Nijverheidsweg lie 3641 RP Mijdrecht Netherlands 02979 6211 TELEX 12721 SQNTL NL Sequential Circuits Inc 3051 North First Street San3ose CA 95134 2093 408 946 5240 TELEX 364412 INTR 706 ...

Page 3: ...A Issued December 1982 Copyright 1982 by SEQUENTIAL CIRCUITS INC All rights reserved Printed in USA i The contents of this manual are the property of SCI and are not to be copied or reproduced without our prior written permission Please return your warranty card a CM600A 12 82 ...

Page 4: ...es the voice amplitude Only one voice is depicted on the control panel because the voice controls patch the six voices identically This makes the voices homophonous they sound alike with pitch differences corresponding to at most six simultaneously held keys Supplementing the basic voice are polyphonic modulation POLY MOD signal routings within each voice that allow OSC B and the filter envelope g...

Page 5: ... AND RECORD 2 2 UNISON 2 3 ARPEGGIATE 2 4 SEQUENCER 2 5 SAVE TO TAPE 2 6 LOAD FROM TAPE 2 1 2 1 2 1 2 2 2 2 2 2 2 3 BASIC OPERATION 3 0 GENERAL 3 1 POWER ON 3 2 PREPARATION 3 3 PITCH AND MOD WHEELS 3 4 RETUNJNC 3 5 VOICE ASSIGNMENT 3 6 UNISON AND GLIDE 3 7 IN CASE OF DIFFICULTY 3 1 3 1 3 1 3 3 3 3 3 3 3 4 3 5 ARPEGGIATOR 4 0 INTRODUCTION 4 1 MODES 4 2 ARPEGGIATE UP DOWN 4 3 ARPEGIATTE ASSIGN 4 4 N...

Page 6: ... 7 7 7 8 7 9 CASSETTE INTERFACE 8 0 INTRODUCTION 8 1 RECORDER AND TAPE SELECTION 8 1 PRECAUTIONS 8 2 SAVING PROGRAMS OR SEQUENCES TO TAPE 8 3 LOADING PROGRAMS OR SEQUENCES FROM TAPE 8 4 S l 8 3 9 SCALING 9 1 10 MIDI 10 0 INTRODUCTION 10 1 BASIC OPERATION 10 2 CONNECTION INITIALIZATION 10 3 KEYBOARD INFORMATION 10 4 PROGRAM SELECT 10 5 MOD WHEEL 10 6 PITCH WHEEL 10 6 PROGRAM DUMP 10 1 10 1 10 1 10 ...

Page 7: ...circuits If you expect to transport the Prophet 600 regularly it is imperative to invest in a professional road or flight case for it These are made by several manufacturers and should be carried by your music dealer If you can t find a case please contact the SCI Customer Service Department 1 2 LINE VOLTAGE SELECTION AND FUSING CAUTION Check line voltage selector before switching power on Disconn...

Page 8: ...ck that the Prophet 600 power switch is in off position 3 Connect the other end of the power cable to a properly grounded three prong outlet Don t defeat the AC ground 4 Plug all other equipment such as effects devices mixers amplifiers and recorders into the same outlet WARNING Do not overload When in doubt consult an electrician 5 As you probably know many older buildings and clubs are notorious...

Page 9: ...LAVE see secrion Of POWER SWITCH LINE VOLTAGE SWITCH tcuccK BEFOPe applying powcpi n 1 CASSETTE t H OUT X o o o o o STEREO SOOJIMIN 0R SCI MODEL S40 NOT INCLUDED OP OTHeP VOLTAGE PEDAL O tQVDC EAR MONITOR LINE OUT MIC LINE IN see text 1 1 OTHE KEY90ARDS EFFECTS MIXER PRE AMP STEREO AMP 4 Figure 1 0 BACK PANEL CONNECTIONS CM600A 12 S2 1 3 ...

Page 10: ...rs switch amplifier power off when connecting the Prophet 600 s audio output To drive a preamp or amp a standard monophonic cable can be used Or if there are two audio destinations perhaps one to remain dry while the other is processed a stereo cable may be more convenient The Prophet 600 has a monophonic output signal but the jack is wired so that both sides of standard stereo headphones can be d...

Page 11: ...s CV is usually provided by an accessory voltage pedal 1 9 MIDI MIDI stands for Musical Instrument Digital Interface which is a means for interconnecting equipment from various manufacturers For more information see Section 10 1 Connect the IN jack to the MIDI OUT of the master sequencer or synthesizer 2 Connect the OUT jack to the MIDI IN of the sequencer or slave synthesizer CM600A 12 S2 1 5 ...

Page 12: ...E Retune as needed For more information see Section 3 2 1 PROGRAM EDIT AND RECORD 1 Adjust knobs and switches to modify current program Decimal point between program digits lights indicating Edit Mode 2 To cancel changes re select program or press PRESET twice 3 To record edited program press RECORD then select desired program destination For more information see Section 6 2 2 UNISON NORMAL Switch...

Page 13: ...ootswitch PLAY Press SEQ 1 or SEQ 2 To stop press again or press footswitch PROGRAM SPEED During playback adjust SPEED knob as desired To program speed press RECORD For more information see Section 5 2 5 SAVE TO TAPE 1 Insert tape and rewind to start 2 Press RECORD 3 If storing only ten programs press appropriate PROGRAM SELECT once so the second display digit is blank k Start recorder in record m...

Page 14: ...in play mode 5 Press FROM TAPE 6 If loading sequences press either SEQ 1 or SEQ 2 within three seconds of FROM TAPE 7 When the FROM TAPE LED goes out stop the recorder The Prophet 600 is reprogrammed NOTE A cassette is included which contains the Factory Programs followed by two demonstration sequences For more information see Section 8 CM600A 12 S2 2 3 ...

Page 15: ...or these few seconds The Prophet 600 cannot be played while the computer tuning routine is in progress After a few seconds when tuning is complete the TUNE LED will go out and the control panel will come to life The PRESET LED w ill be on indicating Preset Mode This means the computer is ready to patch the synthesizer voices according to any of the 100 programs stored in the Prophet s microcompute...

Page 16: ... programs and sequences through cassette interface TUNE switch Activates and indicates computer tuning of oscillators and filters PRESET switch When on indicates the Prophet 600 is programmed according to memory When unlit indicates Manual Mode RECORD switch Used for storing programs or sequences or initiating tape interface operations Also used to latch arpeggiator SEQ l and SEQ 2 switches Select...

Page 17: ...tion The MOD wheel sets the modulation level When not in use the wheel is left down and no modulation will occur When the wheel is advanced fully up modulation is maximum 3 4 RETUNING The microcomputer tunes the oscillators when the Prophet 600 is first switched on But as the instrument warms up the temperature change causes the oscillators to drift So it will ocassionally be necessary to retune p...

Page 18: ...h eac keystroke the envelopes will only retrigger if the previous key is completely released before the new key is pressed This requires a stacatto touch By the same token if you play legato the envelopes will only trigger on the first note while the rest of the phrase will be sounded by the sustain settings of the envelopes Unless the Arpeggiator is in use With practice this system allows you to ...

Page 19: ... turned up and all voices have been assigned to the bottom of the keyboard by virtue of six different low notes having been played there and you then play notes each in the middle and high ranges the middle notes will arrive before the higher notes In any Unison mode the voices glide at the same rate 3 7 IN CASE OF DIFFICULTY Power If the Prophet 600 is receiving power it will display program numb...

Page 20: ...riffs without you having to actually play them The arpeggiate and sequence rate is controlled by the SPEED knob The arpeggiator can be latched which means it continues to play keys even when you remove your hand s from the keyboard 4 2 ARPEGGIATE UP DOWN 1 Press the ARPEG UP DN switch Its LED will light 2 If only one key is held there will be no arpeggiating This allows monophonic lines to be play...

Page 21: ...the clock pulse the pulse must be at least 10 msec long both high and low By using a combination of UNISON TRACK and ARPEGGIATE it is possible to advance between chords with the footswitch a Hold a chord to be tracked b Switch UNISON TRACK on Or if UNISON TRACK is already on hit the footswitch This latches the chord c Switch ARPEG UP DN or ASSIGN on This arpeggiates the chord d Hit the footswitch ...

Page 22: ...CORD on The LED will light 2 Press either SEQ 1 or SEQ 2 Ignore the SPEED knob 3 Start playing Actual recording does not begin until the first key is pressed 4 When finished press the footswitch or RECORD synchronously with the desired ending 5 The sequence will play continuously loop until the appropriate SEQ switch is switched off Adjust the SPEED knob 6 Care must be taken to not exceed the note...

Page 23: ...es more control range of higher speeds 3 The playback speed can also be programmed As the sequencer is playing back set SPEED as desired then press the RECORD switch which will not light Now whenever the sequence is selected it will play at this speed The progommed speed can be edited and rc rccorded just like the synthesizer controls To stop press the appropriate SEQ switch or the footswitch 5 2 ...

Page 24: ...erceived as useful in a general sense but perhaps not quite right for the immediate work at hand The sound needs to be simpler raunchier more acoustic like more percussive funkier purer Or all at once for all the good words do at describing music This is why you want to be able to create custom programs Perhaps you are ready to see what else the Prophet 600 can do We hope this is the case There ar...

Page 25: ...ogram changes by selectively adjusting each front pane control The original program remains unchanged and can be restored at any time Edited programs can be recorded into the original location if the original program is not desired or into a program location which contains an undesired program In Preset Mode as you select different programs there is no way for the knobs and switches to move themse...

Page 26: ...o close either to or 10 c A solitary pulse wave should not be over modulated or it may cut out To quickly isolate the source of over modulation simply switch off the PW switch in the LFO MOD module d Begin with the MIXER knob approximately centered e The filter cutoff frequency must not be set too low To check this set the FILTER CUTOFF knob to 10 f The AMPLIFIER and FILTER ATTACK time should not ...

Page 27: ...ay erase a program you wanted to keep 6 When a PROGRAM SELECT switch has been hit the RECORD LED will go off and the Prophet will return to either Preset or Manual Mode whichever preceeded Record Mode 7 After recording a program it is always a good idea to check that the program is correctly recorded in the desired location by switching PRESET on 6 CM600A 12 82 ...

Page 28: ...ation effect of the modifiers Each voice contains several of each type of function which are represented on the block diagram Figure 7 0 On each voice there are three audio sources OSC A OSC B and the filter if it is adjusted for self resonance The audio level and timbre can be modified by the mixer filter when not in self resonance and amplifier The keyboard is the most conspicu ous controller si...

Page 29: ...1 5 5 is TO l 7 2 CM600A 12 82 ...

Page 30: ... If SYNC is on and a very narrow or wide pulse is selected for OSC A and OSC B s frequency is set much higher than OSC A the output from OSC A may disappear Because the pulse is not given a chance to discharge before being re synced it degenerates from audio to dc Even if no OSC B waveshapes are switched on SYNC still operates so the overall pitch range of the program will be determined by the OSC...

Page 31: ...on the sawtooth or triangle waves 7 2 OSCILLATOR B OSC B is identical to OSC A except instead of the 5YNC switch there is a FINE knob OSC B can also be a POLY MOD modulation source It can t be modulated by_ POLY MOD OSCILLATOR B 4 1 8 T A A IT 10 MWOUEPJCV FINE SHAPE 7 10 PULSi WIDTH Figure 7 2 FINE knob Raises OSC B frequency up to one semitone This allows detuning the oscillators typically for a...

Page 32: ...ough the filter Thus the brighter the sound RESONANCE knob Adjusts the amount of filter resonance As the setting is increased from 0 the amount of resonance emphasis regeneration or Q applied to those signal components at the cutoff frequency will increase As resonance increases frequencies lower than the cutoff will become decreasingly audible in comparison with those nearer the cutoff As the kno...

Page 33: ...will not be heard until the key is restruck 7 6 ENVELOPE GENERATORS Each voice contains two independent ADSR envelope generators one controls filter cutoff frequency through the ENVELOPE AMOUNT knob the other controls the amplifier gain An envelope is a specific dc voltage which changes value over time at a rate adjusted by the ATTACK DECAY and RELEASE knobs As the envelopes are generated with eac...

Page 34: ...s the length of time for the envelope to go from sustain level to zero If the key is released before the attack or decay periods have elapsed the RELEASE knob controls the time taken for the envelope to drop to zero from its level when the key was released If the attack and decay periods have elapsed and SUSTAIN is set to 0 then the RELEASE setting is irrelevant because there is no level for the e...

Page 35: ... B PW A B FILTER O 10 FREQUENCY n 10 INITIAL AMOUNT DESTINATION _ _ Figure 7 S FREQUENCY knob Adjusts LFO frequency from about K to 20 Hz SHAPE switch Selects a triangle wave for vibrato or a square wave for trills INITIAL AMOUNT knob Programs modulation depth independently of the MOD wheel FREQ A B switch Applies modulation to both oscillator frequencies PW A B switch Applies modulation to pulse ...

Page 36: ... POLY MOD will be useful for creating clangorous sounds such as bells chimes percussion and ring modulation effects Various pitch and timbre sweeps can be obtained using the filter envelope generator to modulate FREQ A Note that the FILTER switch is a redundant path for the the filter envelope which is already controlled by the ENVELOPE AMOUNT knob This path is provided so that OSC B can modulate ...

Page 37: ...oth sequences The procedure for saving and loading is basically the same for all modes 8 1 RECORDER AND TAPE SELECTION Virtually any portable cassette recorder will work satisfactorily with this interface High fidelity cassette decks will work too But since high fidelity contributes little to the recording of digital data an expensive component deck is not at all necessary In other words you can t...

Page 38: ...ot touch the tape itself with your oily fingers Don t leave them in direct sunlight or freeze them overnight in a car Make sure there is no tape sticking out of the cassette when inserting into recorder Use an AC supply with portable recorders Using weak batteries may cause tape speed variations outside of the interface s range Don t copy tapes between recorders Instead load the master into and re...

Page 39: ... 75 of full volume The interface is difficult to overdrive but it can happen it Switch the Prophet 600 RECORD switch on 5 Place recorder into play mode and wait 2 seconds for the sync tone 6 If loading all 100 programs proceed to step 9 7 If loading a group of ten programs press one just one PROGRAM SELECT which signifies the destination of the ten programs For example if you select 8 the stored p...

Page 40: ...ontact the SCI Service Department A poorly tuned machine exhibits greater beating between voices particularly as the PITCH wheel is rotated to its extremes Oscillator and filter scaling is simplified through the use of a special routine which can be activated only after the instrument is opened up To scale the oscillators and filters 1 Warm up the instrument thoroughly Switch power off 2 Remove th...

Page 41: ...lockwise Either point will do with the midpoint between them slightly preferred Basically you want to encourage the lights to toggle 9 When OSC IA is scaled press any PROGRAM SELECT 1 6 to move on to OSC 2A The SEQ 2 LED will light to indicate that Voice 2 should be trimmed 10 Scale OSC 2A then press any PROGRAM SELECT 1 6 to move on to 3A through 6A After OSC 6A trim OSC 1B 6B the second row of t...

Page 42: ... to control Synth B modulation and pitch hold RECORD and press PROGRAM SELECT k on both units 6 To reprogram Synth B with a specific sound from 5ynth A select the Synth A program then on Synth A hold RECORD and press PROGRAM SELECT 2 7 Steps b and 5 must be performed if desired each time power is switched on 10 2 CONNECTION INITIALIZATION The simplest application is to tie two Prophet 600s togethe...

Page 43: ...ppose middle C on the master is struck This is a Note On event transmitted to the slave as a three byte package where the first byte codes the command and channel numbers the second byte is the key number and the third byte is the key velocity For example 90H 3CH 40H 90H 9H Note On status 0H Channel I Range 0 FH Channels 1 16 3CH r key number 60 middle C Range 24 5FH keys 36 CO 96 C5 tOH velocity ...

Page 44: ... simply interconnected master and slave program selections are not linked Instead one independently selects programs on both the master and slave However a coded control function is provided to enable the slave to follow master program changes To enable MIDI program changes while holding down the RECORD then press PROGRAM SELECT I This must be done on both units after power up Now whenever the mas...

Page 45: ... status OH Channel 1 02H Increment of LS byte p6 p5 p4 p3 p2 pi pO LS 7 bits 00H No change in M5byte 0pl3 pl2 pi 1 pIO p9 p8 p7 MS 7 bits Bit p0 0 and bits p9 pl3 are sign bits when transmitted by a 600 In the receiver the I 1 bits are shifted as follows pi 3 pi 3 pl2 pi I pIO p9 pS p7 p6 p5 p p3 p2 pi pO That is pi 3 is assumed to be the sign bit and hence is moved into the MS bit The LS byte is ...

Page 46: ...rminates System Exclusive status Although there is no way to transmit this code from the 600 it will also respond to requests for specific program data The program dump request takes the form FOH System Exclusive status 01H SCI s Manufacturer s ID number OOH Defines program dump request 21H Program number 33 Range 00 63 programs 00 99 F7H End of Block code terminates System Exclusive status When t...

Page 47: ... CUTOFF 7 M2 Ml MO L3 L2 LI LO K K RESONANCE 6 9 02 Q 00 N3 N2 Nl NO M3 L FIL ENV AMT 4 A Q2 Ql Q0 P3 P2 PI PO 03 M FIL REL 4 B S2 SI SO R3 R2 Rl RO Q3 N FIL SUS 4 c U2 Ul uo T3 T2 TI TO S3 O FIL DEC 4 D V6 V5 V4 V3 V2 VI vo U3 PttFIL ATK 4 E 27 26 Z5 Z4 Z3 Z2 Zl ZO Q AMP REL 4 F ZF ZE ZD ZC ZB ZA Z9 ZS R AMP SUS 4 S AMP DEC 4 T AMP ATK 4 U GLIDE 4 V OSC B PULSE WIDTH 7 SWITCH BIT5 ZO OSC A PULSE ...

Page 48: ...ams are not meant as absolutes but as examples The programs should serve as starting points for you to create your own sounds Program editing is often necessary to fit the synthesizer into the specific musical context Seeing how the factory programs are created makes it easier for you to begin editing the various programs to suit your particular needs and tastes You can always restore the Prophet ...

Page 49: ... STRINGS RMONICA WURLIE PIANO CHIFFY ORGAN BRASS III ARCO STRINGS NAWAY HONKY TONK SYNTH DISTORTED ORGAN DIGITAL BRASS HIGH STRINGS PULSE MOD I HIGH PLUCKY CATHEDRAL ORGAN SLOW BRASS ARCO BASS VIOL UNISON FROG CITY DOG S BARK ORGAN PERCUSSIVE I B D L S R F M RMON1UM METALLIC II N ORGAN PERCUSSIVE 11 DETUNED VOCAL HARMONICA SQUARE WAVE BUBBLES METALLIC III FULL ORGAN FILTER FUNK BAN30 CLAV III PULS...

Page 50: ...EMES WHISTLE ANGELIC SYNTH HARD LEAD BASS UNISON HARP X INDIGESTION DESCENDING BELLS HARPSI SYNTH NASAL BASS XYLO PHONE X OBNOXIOUS MOD CAT S MEOW SUSTAINED SYNC W GLIDE MODOR UNISON TACK SYNTH GONZOID STEEL DRUMS POLY MOD PITCH GLIDE SYNC III x FAT OCTAVES UNISON LOW PLUCKY Si ACE RACE UNISON JOSEF PULSE WIDTH MOD II LUCKY MAN UNISON SUPER PERCUSSION NOISE SCREAM UNISON DRUNKEN SYNTH TEARS FIFTHS...

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Page 88: ...l A CI II i it i J r i n i u u 5 DC C o dc V 0 c O J E o i OO 3 o t 2 dc DC o Q g 5E e i LBf h j i 3 1 II r I s i 1 i i J i l s 1 B i B 1 I t Wlc i UJ 5 u I E c 5 cu IfN UJ J Q O o a cc c I 1 c 0 OO o i i LLl O iJ X a o 5 ...

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Page 99: ...f i jl 8 _ i f i 2 a Q r c E 3 i o nj O u HJ oo a oi a X OJ S i i v 0 ooz e i s Z uj f f i f l Q cjcb O O S i m S i a B V j T I H J UJ rt tci o 5 UJ J S oj i n 1 3 i o li r 1 S8 3 2 i l z o 0 is i ncj 2 4J 6 01 2 2 OCT C u i p 1 10 w j 5 u 3 8 X UJ CNP J X q oj a 005 a ...

Page 100: ... i I s I PI ill i i i 0 i JUJI 1 m i j i 3 i l J U 1 vni j 1 i DC C _ fe d 1 i a LB l H h j r t f l t 1 a 8 00 LU O o X r n y u a a c 0i 3 If c I z _ z 0v 9 Q OJ 4 A _i C 5S 1 J OUJ O uj o x ir vi y oos V ...

Page 101: ...re provided for you to record your own programs and map their locations in memory Feel free to reproduce them for your own use For quantities printing at a quick print shop will often be more economical than xerography CM600A 12 S2 12 1 ...

Page 102: ...1 1 8 9 1 ...

Page 103: ...7 8 9 1 4 5 6 7 8 9 i 8 ...

Page 104: ... i i i i m s 1 f j i ifci 1 f i i i 1 dm dCDi mj 8 cd i 1 UD ICD f 1 ...

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