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5

OPERATIONAL SAFETY
During installation or live performances, make sure that your mixer’s power supply cable cannot be walked
on, tripped over or “pinched” – particularly at sockets, around waste bins etc. Also make sure that the power
supply cable is not “stressed” at its point of connection to the mixer.
To avoid interference, do not install your mixer near power transformers, TV sets, RF transmitters, electric
motors, or any other sources of electrical energy.
To avoid potential accidents, only use attachments, accessories and other equipment such as carts, stands,
tripods, brackets or cases that are specified or recommended by the manufacturer, or sold with your mixer.
Loud volume levels can cause irreparable damage to hearing, so avoid the following while using your mixer:
- acoustic feedback (never point microphones directly at a loudspeaker)
- high levels of distortion
- impulse noises (loud “pops”) that can occur when a device is switched on/off, connected to or
disconnected from a system.

MAINTENANCE AND REPAIR
Your mixer can be carefully cleaned, as necessary, using a dry cloth. No water must be used.
When cleaning, do not use any solvents (such as acetone or alcohol). These could damage the mixer’s finish
and its labeling.
Visually check your mixer on a regular basis for any signs of wear and tear or damage, but do not attempt
any kind of servicing or repair.
If your mixer malfunctions, or has been damaged, e.g. if the power supply/cable or plug is damaged, liquid
has been spilled or objects have fallen inside, the mixer has been exposed to rain or moisture, does not
operate normally, or has been dropped, please call your nearest SCHERTLER technical assistance center.
(For more information, contact us at the address on the last page of this manual.)

Summary of Contents for ARTHUR PRIME

Page 1: ...M A N U A L W W W S C H E R T L E R C O M ARTHUR PRIME SERIES ANALOG DESKTOP MIXER M A D E S W I S S U S E R V1 EN ...

Page 2: ... on the move or for smaller spaces A choice of input channels gives you all the benefits of ARTHUR mixer technology in a format that suits your particular performing or recording needs Achieving the best possible sound quality is essential and we are proud of ARTHUR PRIME s advanced electronic design which features a complete absence of Negative Feedback from input to output Circuits are built usi...

Page 3: ... sources may sometimes be required PRIME 13 is the largest member of the family The 13 channel audio mixer is an ideal solution for smaller theaters and performance venues houses of worship rehearsal rooms or recording project studios where excellent sound quality is required but space is more limited A practical number of inputs will neatly accommodate a range of performers without leaving wasted...

Page 4: ...he polarized or grounding type plug A polarized plug has two blades with one wider than the other A grounding type plug has two blades and a third grounding prong The wide blade and third prong are provided for your safety If the supplied plug does not fit your mains socket consult an electrician for replacement of the obsolete socket Do not expose your mixer to rain or any other water even in sma...

Page 5: ... acoustic feedback never point microphones directly at a loudspeaker high levels of distortion impulse noises loud pops that can occur when a device is switched on off connected to or disconnected from a system MAINTENANCE AND REPAIR Your mixer can be carefully cleaned as necessary using a dry cloth No water must be used When cleaning do not use any solvents such as acetone or alcohol These could ...

Page 6: ...wer supply ART48 PSPRO Optional 10 A high end linear power supply this can power up to 3 ARTHUR PRIME mixers together Linear power supplies better suit the noise level needed in professional environments such as recording studios and offer an even wider dynamic range than the switching power supply GROUND LOOP In most cases whether in live situations or in a recording studio it is usual to conside...

Page 7: ... In any case a mixer should always be turned on before any of the subsequent devices in the audio chain IMPORTANT Once the mixer is powered up the audio electronics DC regulators need about two minutes to balance all the DC levels in the circuitry You can start using the mixer after just 10 seconds but the slightly unbalanced DC levels will reduce the dynamic and you might hear a click noise when ...

Page 8: ...io signal in the mixer is interrupted and the INSERT 3 works in the usual way Connecting a mono jack gives you the simple output line signal on the tip Connecting a standard stereo jack gives you the output signal from the tip send while the return signal is connected to the mixer through the ring return of the jack If the button is not depressed the signal will not be interrupted when a jack is p...

Page 9: ...t and to the master section s AUX 1 OUT This is useful for managing internal or external effects see Master Section 2 12 AUX 2 This AUX SEND is prefade it does not depend on the fader position and sets the amount of signal sent to the master section s AUX 2 OUT This is useful for controlling a stage monitor see Master Section 4 13 PAN The PAN pot lets you send the signal to the LEFT or RIGHT MASTE...

Page 10: ...ut channel is intended to accommodate nominal line level signals the input amp s sensitivity can be adjusted from 17 dBu to 18 dBu using these controls Left and right input channels can be separately adjusted Setting the controls to the u icon means that the gain will be set to unity allowing the signal to flow without amplification or attenuation This is particularly useful in a recording situati...

Page 11: ...n important role When these are set hard left and right respectively the line channel gives you a stereo input When these are set to a central position you have a stereo input switched to mono Setting one PAN pot slightly to the left and the other to the right lets you open the stereo image When plugging two independent sources into the line channel such as a guitar and a mono effect you can use t...

Page 12: ... 30 dB of headroom so its electronics and output amps are rarely likely to clip The main purpose of these meters is to monitor the level of signal flow to successive audio devices 13 HP OUT Headphones can be connected to this socket for independent monitoring of the sound 12 VOLUME This lets you adjust the volume level of your headphones Note The signal level you will hear from the L R MASTER thro...

Page 13: ...FFECTS AND MONITORS External effects units and monitors can be connected to the master section s two AUX OUTS balanced jack sockets 5 AUX 2 OUT This is prefade and therefore more suitable for connecting a stage monitor 4 AUX 1 OUT Taking the signals sent from the various input channels this is postfade and more suitable for connecting external effects Note Turning AUX 1 to REV 6 to zero cuts the s...

Page 14: ...ARTHUR PRIME MIXERS SIGNAL FLOW ...

Page 15: ...t power 10 VDC EQ Low Mid High EIN Distortion THD N 1kHz 0 dBu output Effect Preamp Audio transformer Power consumption Supply Modular Available versions 2 2 kg 22 6 x 37 x 6 cm Anodized aluminum assembled box 73 dBu No 4 dBu mic 21 dBu Yellow input XLR 59 to 15 dBu 4 7 kΩ 1 4 jack unbalanced 52 to 9 dBu 600 kΩ 1 4 jack balanced 17 dBu to 18 dBu 37 2 kΩ XLR 32 dBu 180 Ω 10 to 57 kHz 1 4 jack balan...

Page 16: ...tat power 10 VDC EQ Low Mid High EIN Distortion THD N 1kHz 0 dBu output Effect Preamp Audio transformer Power consumption Supply Modular Available versions 3 2 kg 33 x 37 x 6 cm Anodized aluminum assembled box 73 dBu No 4 dBu mic 21 dBu Yellow input XLR 59 to 15 dBu 4 7 kΩ 1 4 jack unbalanced 52 to 9 dBu 600 kΩ 1 4 jack balanced 17 dBu to 18 dBu 37 2 kΩ XLR 32 dBu 180 Ω 10 to 57 kHz 1 4 jack balan...

Page 17: ... 10 VDC EQ Low Mid High EIN Distortion THD N 1kHz 0 dBu output Effect Preamp Audio transformer Power consumption Supply Modular Available versions 4 2 kg 42 x 37 x 6 cm Anodized aluminum assembled box 73 dBu No 4 dBu mic 21 dBu Yellow input XLR 59 to 15 dBu 4 7 kΩ 1 4 jack unbalanced 52 to 9 dBu 600 kΩ 1 4 jack balanced 17 dBu to 18 dBu 37 2 kΩ XLR 32 dBu 180 Ω 10 to 57 kHz 1 4 jack balanced 32 dB...

Page 18: ...ich your mixer will be used Two professional models with linear transformers are available able to supply your mixer with a lower noise level This Instrument input is designed to receive the signal directly from the instrument via a standard jack cable so it is not necessary to use a DI Also because the input is designed for small to medium size situations for example where the mixer is managed di...

Page 19: ...be applicable here TRADEMARKS The SCHERTLER name and logo are registered trade names trademarks of SCHERTLER SA Switzerland All SCHERTLER products use proprietary technology and are covered by one or more worldwide patents DISCLAIMER All information and technical specifications published here are based on data that was available at the time of publication SCHERTLER is however constantly aiming to ...

Page 20: ...A C O U S T I C A U D I O P R O D U C T S S W I S S M A D E VIA BEROLDINGEN 18 6850 MENDRISIO SWITZERLAND T 41 0 91630 0710 F 41 0 91630 0711 INFO SCHERTLER SWISS WWW SCHERTLER COM ...

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