background image

Introduction

3

Congratulations on your purchase of the Samson CL7 studio condenser.  The
CL7 features a large, 1.1-inch, ultra thin diaphragm capsule which faithfully
reproduces a variety of sound sources including vocals, acoustic instruments
and overhead cymbals, to name a few.  The extended frequency and fast tran-
sient response insures an accurate reproduction with linear characteristics from
bottom to top.

In these pages, you’ll find a detailed description of the features of the CL7
Studio Condenser Microphone, as well as step-by-step instructions for its setup
and use, and full specifications. You’ll also find a warranty card enclosed—
please don’t forget to fill it out and mail it in so that you can receive online tech-
nical support and so we can send you updated information about these and
other Samson products in the future.

With proper care, your CL7 will operate trouble free for many years. We recom-
mend you record your serial number in the space provided below for future ref-
erence.

Serial number:

Date of purchase:

Should your unit ever require servicing, a Return Authorization number (RA)
must be obtained before shipping your unit to Samson. Without this number, the
unit will not be accepted. Please call Samson at 1-800-3SAMSON (1-800-372-
6766) for a Return Authorization number prior to shipping your unit. Please
retain the original packing materials and if possible,  return the unit in the origi-
nal carton and packing materials.

CL7 Features

Large Diaphragm Studio Condenser 

1.1” Capsule with 3-micron Gold Sputtered  Diaphragm

Switchable Hi-pass Filter, 12dB per octave at 100 Hz

Switchable 10 dB PAD for handling signals with high SPL’s (Sound

Pressure Levels)

Smooth and transparent sound reproduction

Cardioid pick-up pattern

36-52 Volt Phantom Power operation 

Internal Shock-mount

Extended frequency response

Solid Die Cast construction 

Swivel Stand Mount and Carry Case included

Summary of Contents for CL7

Page 1: ...Large Diaphragm Studio Condenser Microphone P R O F E S S I O N A L M I C R O P H O N E S...

Page 2: ...tch 5 Polar Pattern 5 Microphone Placement 6 P Popping 6 Stand Mounting 6 Using the Optional SP01 Spider Shock Mount 7 Specifications 8 K TEAM A PRODUCTION Copyright 2003 Samson Technologies Corp Prin...

Page 3: ...care your CL7 will operate trouble free for many years We recom mend you record your serial number in the space provided below for future ref erence Serial number Date of purchase Should your unit eve...

Page 4: ...and recorders of reasonable quality will offer a microphone input with mic trim usual called Trim or Gain control The purpose of the mic trim control is to optimize the amount of good signal to any n...

Page 5: ...is its directionality or pick up pattern There are three basic categories of pick up patterns omni bi and uni directional Omni mics pick up sound from all directions bi directional fig ure 8 mics pic...

Page 6: ...f the capsule to the sound source This can be a very useful tech nique in capturing the optimum sound of drum set acoustic guitar piano or other instruments in a live room or sound stage Experimentati...

Page 7: ...mount by rotating the threaded collar counter clockwise as shown in figure 1 Install the CL7 into the SP01 by fitting the microphone into the center of the web positioning the CL7 onto the bot tom mo...

Page 8: ...ications Frequency Response 20 20000 HZ Polar pattern Cardioid Element type Condenser Diaphragm thickness 3 microns Sensitivity 40 dB Pa Max SPL 147 dB Equivalent Noise Level 17dB Impedance 200 ohms M...

Reviews: