Rupert Neve Designs Portico 5016 User Manual Download Page 4

5016 MIC PRE/DI

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The Rupert Neve Designs Portico™ 5016 

MICROPHONE PRE-AMPLIFIER AND DI MODULE

The Rupert Neve Designs 5016 module is a half rack width, 1.75” (1U) module in the now well-

known Portico™ style. As with the entire Portico™ range, the construction is a heavy and robust 

steel shell that provides total magnetic screening and exceptional mechanical stability. The front 

panel is machined from a solid .20 inch

 

aluminum plate with a steel sub panel behind it.

Alternative front panel layouts are available providing a choice of vertical or horizontal mounting. 

When the horizontal front panel is chosen, a single 5016 can sit firmly on a bench or desktop on its 

detachable rubber feet. Two 5016s can be joined with the optional Horizontal Joining Kit, model 

number 5221-RM, and mounted across a standard 19” rack.

When the vertical option is chosen, up to eight 5016s can be mounted in the optional vertical frame, 

model number 5285-RM. This leaves a 3” wide space that can be used to house a power supply or 

other future modules. The vertical frame assembly is designed for rack mounting and includes basic 

rear  cable  management.  Blank  panels  are  available  to  fill  any  unused  spaces  when  the  full 

complement of eight modules is not fitted into the vertical frame.

MICROPHONE INPUT

The microphone input is balanced but not floating, being a variant of an instrumentation amplifier. 

My well-proven “Transformer-Like-Amplifier” (T.L.A.) configuration is used, which includes an 

accurate toroidal Common Mode Low Pass Filter that rejects Common Mode signals and excludes 

frequencies  above  150  kHz.  (There  are  high  powered  broadcast  transmitters  at  and  above  this 

frequency  in  several  Continents  and,  even  if  you  can’t  hear  them,  any  vestigial  intermodulation 

products must be excluded!)  

When  the  Mic  Gain  switch  and  Trim  controls  are  set  to  Unity  (0  dB)  the  Portico™  5016 

microphone  pre-amplifier  can  handle  a  balanced  input  signal  of  more  than  +20  dBu  without  an 

input attenuator pad! This is a unique feature that enables this input to double as an additional line 

input.

Summary of Contents for Portico 5016

Page 1: ......

Page 2: ...coffee alcoholic or other drink the sugars and acids will have a very detrimental effect Sugar crystals act like little rectifiers and can produce noise crackles etc SWITCH OFF IMMEDIATELY because on...

Page 3: ...usical performance Power Switch Disconnects supply from internal power converters PorticoTM Bussing System Connect as many units together as you d like to create your own mixes using optional bussing...

Page 4: ...5285 RM This leaves a 3 wide space that can be used to house a power supply or other future modules The vertical frame assembly is designed for rack mounting and includes basic rear cable management B...

Page 5: ...e used great care must be exercised to avoid ground loops and common signal paths Reduced immunity from various forms of interference can be tolerated sometimes but usually results in a loss of that t...

Page 6: ...g volts and virtual starvation of the little pre amp inside the microphone Nevertheless amazingly good microphones were designed and made becoming the familiar product we use today If a low value resi...

Page 7: ...vintage modules The SILK button reduces negative feedback and adjusts the frequency spectrum to provide a very sweet and musical performance We suggest you try it and make your own judgment TO BUSS P...

Page 8: ...n switch If hum or buzz should be heard which might be caused when a separately powered and grounded guitar or instrument is connected a Push Button on the front panel lifts the Portico 5016 D I inter...

Page 9: ...Tip or Ring and Ground In this way although the source the pickup is not usually balanced many of the isolation and grounding benefits of a balanced input are obtained from the Transformer together wi...

Page 10: ...ctronic keyboard and these issues are only exacerbated when the microphone is recording an amplified loudspeaker These phase cancellations and additions can be especially detrimental to the low end re...

Page 11: ...s inputs on 5043 at the internal system level of 2 5 dBu Maximum Output Level Maximum output from 20 Hz to 40 kHz is 24 dBu Mute Mutes Main Output only Phantom Power 48 Volts DC 1 Total Harmonic Disto...

Page 12: ...ance DI 3 Meg Ohm LINE 10 000 Ohm Total Harmonic Distortion Noise Main Output unity gain 1 kHz 20 dBu output Better than 0 001 40 Hz 20 dBu output Better than 0 020 Variable Phase Rotates the phase of...

Page 13: ...INPUT TRANSFORMER TRIM 6dB OUTPUT TRANSFORMER MIC IN METER BLOCK DIAGRAM EQUALIZER LOW MID HIGH LINE IN 12 VARI PHASE TO BUSS BUSS OUT GROUND LIFT INPUT TRANSFORMER TRIM 10 30dB 0 20dB LINE OUTPUT TRA...

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