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JM-5 MIDI Implementation

 

8

 

❍ 

 

Expression (Controller number 11)

 

• This adjusts the volume of a Part. It can be used independently from Vol-

ume messages. Expression messages are used for musical expression 
within a performance, e.g., expression pedal movements, crescendo and 
decrescendo.

• Not transmitted when "Expression" TX Event is Off.

 

❍ 

 

Hold 1 (Controller number 64)

 

• Not trabsnitted when “Hold” TX Event is Off.

 

❍ 

 

Portamento (Controller number 65)

 

❍ 

 

Sostenuto (Controller number 66)

 

• Not transmitted when “Sostenuto” TX Event is Off.

 

❍ 

 

Soft (Controller number 67)

 

• Not transmitted when “Soft” TX Event is Off.

 

❍ 

 

Hold 2 (Controller number 69)

 

• Not transmitted when “Hold” TX Event is Off.

 

❍ 

 

Filter Resonance (Timbre/Harmonic Intensity) (Controller number 71)

 

❍ 

 

Release Time (Controller number 72)

 

❍ 

 

Attack time (Controller number 73)

 

❍ 

 

Cutoff (Controller number 74)

 

❍ 

 

Decay Time (Controller number 75)

 

❍ 

 

Vibrato Rate (Controller number 76)

 

❍ 

 

Vibrato Depth (Controller number 77)

 

❍ 

 

Vibrato Delay (Controller number 78)

 

❍ 

 

Portamento control (Controller number 84)

 

❍ 

 

Effect 1 (Reverb Send Level) (Controller number 91)

 

• This message adjusts the Reverb Send Level of each Part.
• Not transmitted when “Reverb” TX Event is Off.

 

❍ 

 

Effect 3 (Chorus Send Level) (Controller number 93)

 

• This message adjusts the Chorus Send Level of each Part.
• Not transmitted when “Chorus” TX Event is Off.

 

❍ 

 

NRPN MSB/LSB (Controller number 99, 98)

 

• Not transmitted when “NRPN” TX Event is Off.

**NRPN**
The NRPN (Non Registered Parameter Number) message allows you to use 
an extended range of control changes, which are not defined by the MIDI spec-
ification. NRPNs provide a great deal of freedom, and can be used with any 
manufacturer’s devices. As a result, any particular parameter number can eas-
ily mean one thing when used for a certain device, and mean something com-
pletely different on another device.
Note that RPNs and NRPNs require that a multiple number of messages be 
processed in the correct order. However, a majority of the sequencers currently 
on the market cannot always be relied on to consistently send messages in the 
proper order if the messages are located at almost exactly the same point in 
time.

Status

2nd byte

3rd byte

BnH

0BH

vvH

n= MIDI channel number:

0H~FH (Ch.1~16)

vv= Expression:

00H~7FH (0~127), Initial value= 7FH (127)

Status

2nd byte

3rd byte

BnH

40H

vvH

n= MIDI channel number:

0H~FH (Ch.1~16)

vv= Control value:

00H~7FH (0~127)

Status

2nd byte

3rd byte

BnH

41H

vvH

n= MIDI channel number:

0H~FH (Ch.1~16)

vv= Control value:

00H~7FH (0~127) 0~63= OFF, 64~127= 
ON

Status

2nd byte

3rd byte

BnH

42H

vvH

n= MIDI channel number:

0H~FH (Ch.1~16)

vv= Control value:

00H~7FH (0~127) 0~63= OFF, 64~127= ON

Status

2nd byte

3rd byte

BnH

43H

vvH

n= MIDI channel number:

0H~FH (Ch.1~16)

vv= Control value:

00H~7FH (0~127) 0~63= OFF, 64~127= ON

Status

2nd byte

3rd byte

BnH

45H

vvH

n= MIDI channel number:

0H~FH (Ch.1~16)

vv= Control value:

00H~7FH (0~127) 0~63= OFF, 64~127= ON

Status

2nd byte

3rd byte

BnH

47H

vvH

n= MIDI channel number:

0H~FH (Ch.1~16)

vv= Resonance value 
(relative change):

00H~7FH (-64~0~+63), 
Initial value= 40H (no change)

Status

2nd byte

3rd byte

BnH

48H

vvH

n= MIDI channel number:

0H~FH(Ch.1~16)

vv= Release Time value 
(relative change):

00H~7FH (-64~0~+63), 
Initial value= 40H (no change)

Status

2nd byte

3rd byte

BnH

49H

vvH

n= MIDI channel number:

0H~FH (Ch.1~16)

vv= Attack time value 
(relative change):

00H~7FH (-64~0~+63), 
Initial value=40H (no change)

Status

2nd byte

3rd byte

BnH

4AH

vvH

n= MIDI channel number:

0H~FH (Ch.1~16)

vv= Cutoff value 
(relative change):

00H~7FH(-64~0~+63), 
Initial value= 40H (no change)

Status

2nd byte

3rd byte

BnH

4BH

vvH

n= MIDI channel number:

0H~FH (Ch.1~16)

vv= Decay Time value 
(relative change):

00H~7FH (-64~0~+63), 
Initial value= 40H (no change)

Status

2nd byte

3rd byte

BnH

4CH

vvH

n= MIDI channel number:

0H~FH (Ch.1~16)

vv= Vibrato Rate value 
(relative change):

00H~7FH (-64~0~+63), 
Initial value= 40H (no change)

Status

2nd byte

3rd byte

BnH

4DH

vvH

n= MIDI channel number:

0H~FH (Ch.1~16)

vv= Vibrato Depth Value 
(relative change):

00H~7FH (-64~0~+63), 
Initial Value= 40H (no change)

Status

2nd byte

3rd byte

BnH

4EH

vvH

n= MIDI channel number:

0H~FH (Ch.1~16)

vv= Vibrato Delay value 
(relative change):

00H~7FH (-64~0~+63),
Initial value=40H (no change)

Status

2nd byte

3rd byte

BnH

54H

kkH

n= MIDI channel number:

0H~FH (Ch.1~16)

kk= source note number:

00H~7FH (0~127)

Status

2nd byte

3rd byte

BnH

5BH

vvH

n= MIDI channel number:

0H~FH (Ch.1~16)

vv= Reverb Send Level:

00H~7FH (0~127)

Status

2nd byte

3rd byte

BnH

5DH

vvH

n= MIDI channel number:

0H~FH (Ch.1~16)

vv= Chorus Send Level:

00H~7FH (0~127)

Status

2nd byte

3rd byte

BnH

63H

mmH

BnH

62H

llH

n= MIDI channel number:

0H~FH (Ch.1~16)

mm= upper byte (MSB) of the parameter number specified by NRPN
ll= lower byte (LSB) of the parameter number specified by NRPN

Summary of Contents for VIMA JM-5

Page 1: ...vv note off velocity 00H 7FH 0 127 Status 2nd byte 3rd byte 9nH kkH vvH n MIDI channel number 0H FH Ch 1 16 kk note number 00H 7FH 0 127 vv note on velocity 01H 7FH 1 127 Status 2nd byte 3rd byte AnH kkH vvH n MIDI channel number 0H FH Ch 1 16 kk note number 00H 7FH 0 127 vv key pressure 00H 7FH 0 127 Status 2nd byte 3rd byte BnH 00H mmH BnH 20H llH n MIDI channel number 0H FH Ch 1 16 mm Bank numb...

Page 2: ...annel number 0H FH Ch 1 16 vv Control value 00H 7FH 0 127 0 63 OFF 64 127 ON Status 2nd byte 3rd byte BnH 45H vvH n MIDI channel number 0H FH Ch 1 16 vv Control value 00H 7FH 0 127 0 63 OFF 64 127 ON Status 2nd byte 3rd byte BnH 47H vvH n MIDI channel number 0H FH Ch 1 16 vv Resonance value relative change 00H 7FH 64 0 63 Initial value 40H no change Status 2nd byte 3rd byte BnH 48H vvH n MIDI chan...

Page 3: ... Drum Instr Chorus Send absolute change rr Drum Instrument note number mm 00H 7FH 0 max 60H rrH mmH Equalizer Switch rr Drum Instrument note number mm 00H 02H Global Instrument Off 61H rrH mmH Equalizer Low Frequency rr Drum Instrument note number mm 00H 05H 90 150 180 300 360 600Hz 62H rrH mmH Equalizer Low Gain rr Drum Instrument note number mm 00H 1EH 15 0 15dB 63H rrH mmH Equalizer Mid Frequen...

Page 4: ...en a Continue message is received the Song continues playing from the current position Stop When a Stop message is received the Song stops playing System Common Messages Song Position Pointer Modulation 0 off Expression 127 max Hold 1 0 off Portamento 0 off Sostenuto 0 off Soft 0 off RPN unset previously set data do not change NRPN unset previously set data do not change Status 2nd byte 3rd byte B...

Page 5: ...r whose Exclusive message this is Roland s manufacturer ID is 41H ID numbers 7EH and 7FH are extensions of the MIDI standard Universal Non realtime Messages 7EH and Universal Realtime Messages 7FH dd ee data 00H 7FH 0 127 F7H EOX End Of Exclusive Status Data byte Status F0H 7EH 7FH 09H 01H F7H Byte Explanation F0H Exclusive status 7EH ID number Universal Non realtime Message 7FH Device ID Broadcas...

Page 6: ...vH F7H Byte Explanation F0H Exclusive status 7FH ID number universal realtime message 7FH Device ID Broadcast 04H Sub ID 1 Device Control 05H Sub ID 2 Global Parameter Control 01H Slot path length 01H Parameter width 01H Value width 01H Slot path MSB 02H Slot path LSB Effect 0102 Chorus ppH Parameter to be controlled vvH Value for the parameter F7H EOX End Of Exclusive pp 0 Chorus Type vv 0 Chorus...

Page 7: ...rd 08H Sub ID 2 scale octave tuning 1 byte form ffH Channel Option byte1 bits 0 1 channel 15 to 16 bit 2 to 6 Undefined ggH Channel byte2 bits 0 6 channel 8 to 14 hhH Channel byte3 bits 0 6 channel 1 to 7 ssH 12 byte tuning offset of 12 semitones from C to B 00H 64 cents 40H 0 cents equal temperament 7FH 63 cents F7H EOX End Of Exclusive Status 2nd byte 3rd byte 9nH kkH 00H n MIDI channel number 0...

Page 8: ...al value 7FH 127 Status 2nd byte 3rd byte BnH 40H vvH n MIDI channel number 0H FH Ch 1 16 vv Control value 00H 7FH 0 127 Status 2nd byte 3rd byte BnH 41H vvH n MIDI channel number 0H FH Ch 1 16 vv Control value 00H 7FH 0 127 0 63 OFF 64 127 ON Status 2nd byte 3rd byte BnH 42H vvH n MIDI channel number 0H FH Ch 1 16 vv Control value 00H 7FH 0 127 0 63 OFF 64 127 ON Status 2nd byte 3rd byte BnH 43H ...

Page 9: ... mm 00H 02H Global Instrument Off 61H rrH mmH Equalizer Low Frequency rr Drum Instrument note number mm 00H 05H 90 150 180 300 360 600Hz 62H rrH mmH Equalizer Low Gain rr Drum Instrument note number mm 00H 1EH 15 0 15dB 63H rrH mmH Equalizer Mid Frequency rr Drum Instrument note number mm 00H 10H 200 250 315 400 500 630 800 1000 1250 1600 2000 2500 3150 4000 5000 6300 8000Hz 64H rrH mmH Equalizer ...

Page 10: ...rval of about 40 ms Regarding the checksum please refer to Example of an Exclusive mes sage checksum calculation on page 15 Status 2nd byte 3rd byte BnH 7FH 00H n MIDI channel number 0H FH Ch 1 16 Status FEH Status F8H Status FAH Status FBH Status FCH Status 2nd byte 3rd byte F2H XXH YYH XX Song Position Bar LSB YY Song Position Bar MSB Status Data byte Status F0H iiH ddH eeH F7H F0H System Exclus...

Page 11: ...37 00 00 01 00 7F REVERB PREDELAY TIME 0 127 ms 00 0 REVERB MACRO is a macro parameter that allows global setting of reverb parameters When you select the reverb type with REVERB MACRO each reverb parameter will be set to their most suitable value REVERB CHARACTER is a parameter that changes the reverb algorithm The value of REVERB CHARACTER corresponds to the REVERB MACRO of the same number Addre...

Page 12: ...OFF ON 00 01 OFF ON 40 1x 0B 00 00 01 00 01 Rx MODULATION OFF ON 01 ON 40 1x 0C 00 00 01 00 01 Rx VOLUME OFF ON 01 ON 40 1x 0D 00 00 01 00 01 Rx PANPOT OFF ON 01 ON 40 1x 0E 00 00 01 00 01 Rx EXPRESSION OFF ON 01 ON 40 1x 0F 00 00 01 00 01 Rx HOLD1 OFF ON 01 ON 40 1x 10 00 00 01 00 01 Rx PORTAMENTO OFF ON 01 ON 40 1x 11 00 00 01 00 01 Rx SOSTENUTO OFF ON 01 ON 40 1x 12 00 00 01 00 01 Rx SOFT OFF O...

Page 13: ...00 00 00 01 28 58 MOD PITCH CONTROL 24 24 semitones 40 0 semitones 40 2x 01 00 00 01 00 7F MOD TVF CUTOFF CONTROL 9600 9600 cents 40 0 cents 40 2x 02 00 00 01 00 7F MOD AMPLITUDE CONTROL 100 0 100 0 40 0 40 2x 03 00 00 01 00 7F MOD LFO1 RATE CONTROL 10 0 10 0 Hz 40 0 Hz 40 2x 04 00 00 01 00 7F MOD LFO1 PITCH DEPTH 0 600 cents 0A 10 cents 40 2x 05 00 00 01 00 7F MOD LFO1 TVF DEPTH 0 2400 cents 00 0...

Page 14: ...x 33 00 00 01 00 7F PAf LFO1 RATE CONTROL 10 0 10 0 Hz 40 0 Hz 40 2x 34 00 00 01 00 7F PAf LFO1 PITCH DEPTH 0 600 cents 00 0 cents 40 2x 35 00 00 01 00 7F PAf LFO1 TVF DEPTH 0 2400 cents 00 0 cents 40 2x 36 00 00 01 00 7F PAf LFO1 TVA DEPTH 0 100 0 00 0 40 2x 37 00 00 01 00 7F PAf LFO2 RATE CONTROL 10 0 10 0 Hz 40 0 Hz 40 2x 38 00 00 01 00 7F PAf LFO2 PITCH DEPTH 0 600 cents 00 0 cents 40 2x 39 00...

Page 15: ...s that F0 41 10 42 12 40 01 30 02 0D F7 is the message we need to transmit Example 2 Setting REVERB LEVEL to 12 According to the Patch parameters on page 11 the REVERB LEVEL Address is 40 01 33H and the parameter value is 0CH Thus Next we calculate the checksum In this case however the checksum value should be 00H not 80H You should use 00H if the remainder is 0 This means that F0 41 10 42 12 40 0...

Page 16: ...27 63 63 10 00 72 09 0aaa aaaa MFX A Control 3 Source 0 101 OFF CC01 CC31 CC33 CC95 BEND AFT SYS1 SYS4 10 00 72 0A 0aaa aaaa MFX A Control 3 Sens 1 127 63 63 10 00 72 0B 0aaa aaaa MFX A Control 4 Source 0 101 OFF CC01 CC31 CC33 CC95 BEND AFT SYS1 SYS4 10 00 72 0C 0aaa aaaa MFX A Control 4 Sens 1 127 63 63 10 00 72 0D 000a aaaa MFX A Control Assign 1 0 16 OFF 1 16 10 00 72 0E 000a aaaa MFX A Contro...

Page 17: ...rol 2 Source 0 101 OFF CC01 CC31 CC33 CC95 BEND AFT SYS1 SYS4 10 00 74 08 0aaa aaaa MFX B Control 2 Sens 1 127 63 63 10 00 74 09 0aaa aaaa MFX B Control 3 Source 0 101 OFF CC01 CC31 CC33 CC95 BEND AFT SYS1 SYS4 10 00 74 0A 0aaa aaaa MFX B Control 3 Sens 1 127 63 63 10 00 74 0B 0aaa aaaa MFX B Control 4 Source 0 101 OFF CC01 CC31 CC33 CC95 BEND AFT SYS1 SYS4 10 00 74 0C 0aaa aaaa MFX B Control 4 Se...

Page 18: ...ription 10 00 76 00 0aaa aaaa MFX C Type 0 83 10 00 76 01 0aaa aaaa MFX C Dry Send Level 0 127 10 00 76 02 0aaa aaaa MFX C Chorus Send Level 0 127 10 00 76 03 0aaa aaaa MFX C Reverb Send Level 0 127 10 00 76 05 0aaa aaaa MFX C Control 1 Source 0 101 OFF CC01 CC31 CC33 CC95 BEND AFT SYS1 SYS4 10 00 76 06 0aaa aaaa MFX C Control 1 Sens 1 127 63 63 10 00 76 07 0aaa aaaa MFX C Control 2 Source 0 101 O...

Page 19: ...0000 cccc 0000 dddd MFX C Parameter 24 12768 52768 20000 20000 10 00 76 71 0000 aaaa 0000 bbbb 0000 cccc 0000 dddd MFX C Parameter 25 12768 52768 20000 20000 10 00 76 75 0000 aaaa 0000 bbbb 0000 cccc 0000 dddd MFX C Parameter 26 12768 52768 20000 20000 10 00 76 79 0000 aaaa 0000 bbbb 0000 cccc 0000 dddd MFX C Parameter 27 12768 52768 20000 20000 10 00 76 7D 0000 aaaa 0000 bbbb 0000 cccc 0000 dddd ...

Page 20: ... 1 O 1 O O O O O O O O O O O Reverb 1 O Chorus 1 O 1 O 1 Bank Select Modulation Portamento Time Data Entry Volume Panpot Expression Hold 1 Portamento Sostenuto Soft Hold 2 Resonance Realease Time Attack Time Cutoff Decay Time Vibrato Rate Vibrato Depth Vibrato Delay Portamento Control Effect 1 Depth Effect 3 Depth NRPN LSB MSB RPN LSB MSB Program Change True O 1 O 1 0 127 Program Number 1 128 Syst...

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