Roland V-Card VC-1 D-50 Owner'S Manual Download Page 86

 

86

 

Sound List

 

Oneshot

Loop

 

Waveform

 

Number

Display

PCM Name

 

1

Marmba

Marimba

2

Vibes

Vibraphone

3

Xylo1

Xylophone 1

4

Xylo2

Xylophone 2

5

Log_Bs

Log bass

6

Hammer

Hammer

7

JpnDrm

Japanese Drum

8

Kaimba

Kalimba

9

Pluck

Pluck 1

10

Chink

Chink

11

Agogo

Agogo

12

3angle

Triangle

13

Bells

Bell’s

14

Nails

Nail File

15

Pick

Pick

16

Lpiano

Low Piano

17

Mpiano

Mid Piano

18

Hpiano

High Piano

19

Harpsi

Harpsichord

20

Harp

Harp

21

Orgprc

Organ Percussion

22

Steel

Steel Strings

23

Nylon

Nylon Strings

24

Eguit1

Electric Guitar 1

25

Eguit2

Electric Guitar 2

26

Dirt

Dirty Guitar

27

P_Bass

Pick Bass

28

Pop

Pop Bass

29

Thump

Thump

30

Uprite

Upright Bass

31

Clarnt

Clarinet

32

Breath

Breath

33

Steam

Steamer

34

FluteH

High Flute

35

FluteL

Low Flute

36

Guiro

Guiro

37

IndFlt

Indian Flute

38

Harmo

Flute Harmonics

39

Lips1

Lips 1

40

Lips2

Lips 2

41

Trumpt

Trumpet

42

Bones

Trombones

43

Contra

Contrabass

44

Cello

Cello

45

VioBow

Violin bow

46

Violns

Violins

47

Pizz

Pizzicart

 

Number

Display

PCM Name

 

48

Drawbr

Draw bars (Loop)

49

Horgan

High Organ (Loop)

50

Lorgan

Low Organ (Loop)

51

EP_lp2

Electric Piano (Loop 1)

52

EP_lp1

Electric Piano (Loop 2)

53

CLAVlp

Clavi (Loop)

54

HC_lp

Harpsichord (Loop)

55

EB_lp1

Electric Bass (Loop 1)

56

AB_lp

Acoustic Bass (Loop)

57

EB_lp2

Electric Bass (Loop 2)

58

EB_lp3

Electric Bass (Loop 3)

59

EG_lp

Electric Guitar (Loop)

60

CELLlp

CELLlp (Loop)

61

VIOLlp

Violin (Loop)

62

Reedlp

Lead (Loop)

63

SAXip1

Sax (Loop 1)

64

SAXlp2

Sax (Loop 2)

65

Aah_lp

Aah (Loop)

66

Ooh_lp

Ooh (Loop)

67

Manlp1

Male (Loop 1)

68

Spect1

Spectrum 1 (Loop)

69

Spect2

Spectrum 2 (Loop)

70

Spect3

Spectrum 3 (Loop)

71

Spect4

Spectrum 4 (Loop)

72

Spect5

Spectrum 5 (Loop)

73

Spect6

Spectrum 6 (Loop)

74

Spect7

Spectrum 7 (Loop)

75

Manlp2

Male (Loop 2)

76

Noise

Noise (Loop)

 

Number

Display

PCM Name

vc1_for_XT_e1 86 ページ 2005年3月8日 火曜日 午後12時55分

Summary of Contents for V-Card VC-1 D-50

Page 1: ...50 a classic digital synthesizer that was released in 1987 Not just the preset patches but every bit of functionality has been faithfully reproduced giving you that distinctive D 50 sound with the sta...

Page 2: ......

Page 3: ......

Page 4: ...t Factory Settings 28 Transferring Patches To and From the D 50 550 29 Transferring Patches from the D 50 to the VC 1 29 Transferring Patches from the VC 1 to the D 50 550 33 Copying a Reverb Type 35...

Page 5: ...5 Table of Contents Key Mode Alteration 76 Sound List 78 Preset Patches 78 Patch Factors 81 Tone Parameters 82 System Parameters 85 Waveform 86 MIDI Implementation 88 Specifications 97 Index 98...

Page 6: ...ally incapable of containing them All sound generator parameters are assignable to the V Synth XT s full complement of editing controls Parameters can also be edited with the touch panel allowing you...

Page 7: ...50 continues to be used by creative artists around the world There are numerous sound libraries stocked with many original patches In the course of time however keyboards and buttons age and wear out...

Page 8: ...he overall volume that is output MAIN OUT jacks and PHONES jack p 11 V CARD button Starts up VC 1 p 11 Also used to switch among the software in the V CARD series VC 1 VC 2 and V Synth PREVIEW button...

Page 9: ...and buttons POWER Switch Press to turn the power on off p 11 Display Function VALUE Dial This is used to modify values If you hold down SHIFT as you turn the VALUE dial the value will change in greate...

Page 10: ...8 is a digital interface format used for consumer digital audio devices MIDI Connectors IN OUT THRU Connect external MIDI devices here Use MIDI cables sold separately to make connections MAIN OUT Jack...

Page 11: ...the power for any connected amplifiers or speakers 5 After the V Synth XT has started up press the V CARD button and touch D 50 VC 1 in the screen that appears The VC 1 Startup screen appears When yo...

Page 12: ...Remarks Pre1 D 50 No Original D 50 preset patches Pre2 VC 1 No Newly added patches Pre3 PN D50 01 No D 50 D 550 sound library Pre4 PN D50 02 No D 50 D 550 sound library Pre5 PN D50 03 No D 50 D 550 so...

Page 13: ...e until the PATCH TOP screen appears 2 Touch List in the upper left area of the display The PATCH List window appears fig 03 05 PatchList 3 Select a patch from the list Either turn the VALUE dial or u...

Page 14: ...w You can specify whether or not a beep tone will be heard when you touch a valid point on the touch screen At the factory setting the beep tone will be sounded fig 03 07 1 In the upper right of the s...

Page 15: ...factors in this manual in each Patch can be edited by taking the following procedure A patch consists of several Factors as show below fig 05 01e PatchFactorImage Variations of Control Functions Tone...

Page 16: ...g a parameter that requires you to specify a value move the cursor to the value box of that parameter Then modify the value by either turning the VALUE dial or pressing INC or DEC Parameters marked by...

Page 17: ...knobs E1 E8 are applied are specified with the Tone Select button or the Partial Select button Tone Parameters The Tones UPPER or LOWER to be applied are specified with the Tone Select button Partial...

Page 18: ...Bal Chorus Balance TONE PARTIAL FORM p 57 Waveform WG Waveform PCM No WG PCM Wave No PW WG Pulse Width PW Velo WG PW Velocity Range PW Aftr WG PW Aftertouch Range PW LFO WG PW LFO Select PW LFOD WG PW...

Page 19: ...r turning the VALUE dial or pressing INC or DEC 5 Repeat steps 3 4 to set patch factors 6 If you wish to save the changes you ve made perform the Save operation p 27 If you do not wish to save changes...

Page 20: ...and Lower Tones are played by each key in 8 voices polyphony SPLIT The Split mode divides the keyboard into upper and lower sections where two different Tones can be played in 8 voices polyphony That...

Page 21: ...Mode This selects the Tone that on the Pedal Hold effect When the Key mode is Whole Pedal Hold always works whichever of the above three modes may be selected Value U L UL Time Portamento Time This s...

Page 22: ...it reflects many times in the environment fig 05 16e LCD_PatchEditControl Output Mode Output Mode Selects one of the following four output modes Value 1 4 OUTPUT Output Mode Display Function Stereo re...

Page 23: ...ue 0 100 Display Description Display Description 1 Small Hall 17 Bright Hall 2 Medium Hall 18 Large Cave 3 Large Hall 19 Steel Pan 4 Chapel 20 Delay 248 ms 5 Box 21 Delay 338 ms 6 Small Metal Room 22...

Page 24: ...elocity the number of repeats of the delayed sound differ Value UL ULL ULU When the Key Mode is Dual When the Key Mode is Whole Level Chase Level Sets the volume of the chase sound Value 0 100 Time Ch...

Page 25: ...Value 50 50 approx 2 cents You can change the setting of the MIDI Functions included Patch Factor as follows fig 05 19 LCD_PatchEditControl Midi TxCH Transmit Channel The transmit channel of each Pat...

Page 26: ...screen A pulldown menu appears 3 In the pulldown menu touch PATCH NAME or TONE NAME The window for naming appears fig 06 02 LCD_PatchName ToneName 4 Touch the on screen alphabetic or numeric keys to...

Page 27: ...PATCH WRITE window appears 4 Turn the VALUE dial to specify the save destination patch When you touch ReName the PATCH NAME window will appear allowing you to rename the patch By touching Compare you...

Page 28: ...efer to the V Synth XT owner s manual 1 Press MODE The MODE MENU window appears 2 Touch FACTORY RESET The Factory Reset screen appears fig 08 11 ModeMenu 3 Touch OK 4 Touch Execute to execute the Fact...

Page 29: ...have been lost The patches are restored when you turn the power off then on again The transferred patch data 64 patches will be lost if you turn off the power Be sure to save the data Saving Transferr...

Page 30: ...5 Press ENTER button When the data transfer is completed the display shows Complete 6 Return the Memory Protect of the D 50 to On 6 1 Press the TUNE FUNCTION button 6 2 Select Protect with the Select...

Page 31: ...DATA TRANSFER button specify B Dump with the Selector button 5 Press the D 50 s ENTER button to begin the bulk dump When the data transfer is completed the D 50 s display shows Complete 6 Press the EX...

Page 32: ...BankSave 3 Touch Bank Copy in the left of the screen The Bank Copy screen appears 4 When editing a parameter that requires you to specify a value move the cursor to the value box of that parameter The...

Page 33: ...ive Sw of the V Synth XT to On 5 1 Press MODE 5 2 Touch SYSTEM 5 3 Select Exclusive Sw then turn the V Synth XT s VALUE dial to specify On 6 Press MODE on the V Synth XT The MODE MENU window appears 7...

Page 34: ...or buttons then press the ENTER button while holding the DATA TRANS button 4 3 Press the ENTER button again fig 04 05a 5 Turn the Exclusive Sw of the V Synth XT to On 5 1 Press MODE 5 2 Touch SYSTEM 5...

Page 35: ...at bank Reverb types from a bank other than the internal banks any from 1 through 32 can be copied to a reverb type in the internal banks any from 17 through 32 This is convenient when for example you...

Page 36: ...lects the source Patch Bank of Reverb Type Value P1 P6 I1 I8 No Selects the source Reverb Type Value 1 32 Destination Bank Selects the destination Patch Bank of Reverb Type Value I1 I8 No Selects the...

Page 37: ...orarily in the Work Area Bulk dumped data is cleared if the power is simply turned off so be sure to save the data to the VC 1 p 27 Temporary Area Patch data selected for performance is further taken...

Page 38: ...onal analog synthesizer or a PCM sampled synthesizer Consequently They are referred to as Partials since they are far more than just a pure synthesizer These Partials are combined in pairs to form a T...

Page 39: ...sounds can be obtained This is effective for making strings or organ type sounds fig 07 06 RingModulatorBlock Partial 1 can be mixed with the ring modulated sound of Partials 1 and 2 Ring Modulator p...

Page 40: ...fig 07 08e Patch Ring Modulator The Ring Modulator multiplies two sounds creating an unusual and metallic sound that contains complicated harmonics For instance two waveforms and are multiplied and wa...

Page 41: ...generator can be set here The pitch is a Common parameter and is therefore controlled by P ENV and LFO 1 Waveform PCM Wave Number This selects the waveform of the sound source When a synthesizer sound...

Page 42: ...ENV Envelope Generator This generators a control signal envelope curve which controls the pitch timbre and volume of each Partial sound generator P ENV This is the ENV which controls pitch It can be...

Page 43: ...have already been prepared carry out the Initialize operation p 49 2 The parameters are organized into several editing groups Touch one of the buttons at the bottom of the screen to select the edit gr...

Page 44: ...Hold down SHIFT as you move the VALUE dial to increase value increments to make large value changes more quickly INC and DEC Press INC to increase the selected value and DEC to decrease it Keep the b...

Page 45: ..._PartialSelect PANEL_Strycture1Button The Partial select setting will be written into the VC 1 by taking the saving procedure p 27 While editing a Partial parameter any Partial sound can be muted Part...

Page 46: ...window appears fig 08 06 LCD_ToneCopyWindow 4 Touch some buttons checkbox in the left side of the screen to select the object you want to copy 5 Touch a button valuebox in the right side of the scree...

Page 47: ...Value UPPER LOWER PARTIAL Source Partial Select the Partial parameter to be copied Value ALL COMMON PART 1 PART 2 BLOCK Source Block If either PART 1 or PART 2 is selected in any of the following Blo...

Page 48: ...the original sound before it was edited The Compare function allows you to call the original Patch without erasing the edited sound 1 In the upper right of the screen touch A pulldown menu appears 2...

Page 49: ...select the patch that you wish to initialize p 12 2 Touch in the upper right of the screen A pulldown menu appears 3 In the pulldown menu touch INITIALIZE The INITIALIZE window appears fig 08 10 LCD_...

Page 50: ...e balance of the Upper and Lower Tone Value 0 99 Common Parameters Structure Number Partial 1 Partial 2 Combination of two Partials 1 S S Mixture of Partial 1 and partial 2 2 S S Mixture of Partial 1...

Page 51: ...s a greater effect on the envelope Value 0 2 fig 09 10 TimeKeyFollow TKF Keyfollow Time Sets the time of the P ENV depending on the key played Higher values change the time more drastically Value 0 4...

Page 52: ...is released to point 4 Value 0 50 P ENV Level Edit fig 09 13 LCD_P ENV Level L0 Level 0 Sets the pitch created the moment a key is pressed Value 50 50 L1 Level 1 Sets the pitch of the point 1 Value 50...

Page 53: ...ues deepen the effect Value 0 100 After Pitch Aftertouch Modulation This sets the sensitivity of the vibrato depth controlled by aftertouch Higher values deepen the vibrato effect Value 0 100 The para...

Page 54: ...lowing parameters fig 09 17e EQ_Lg LowFreq Low Frequency Sets the frequency where the gain is altered in the low to middle range Value 63 75 88 105 125 150 175 210 250 300 350 r420 500 600 700 840 Hz...

Page 55: ...g 09 19e EQ_Hg HiGain High Gain Sets the gain of the Hf frequency settings raise the gain and settings lower it Value 12 12 dB fig 09 20 LCD_ChorusEdit Chorus Edit Type Chorus Type Selects one of the...

Page 56: ...ound is heard Restriction of the available parameters caused by Structure Depending on what Structure p 50 is used the available parameters may be different 1 Some parameters included in a Partial tha...

Page 57: ...ampled waves of the PCM sound generator p 86 Value 1 127 WG PW WG Pulse Width fig 09 22 LCD_WgPw fig 09 23 PulseWidth PW Pulse Width A square waveform has exactly the same width up and down but a Puls...

Page 58: ...the pulse width With values the pulse width becomes smaller with stronger aftertouch and with values the pulse width becomes wider with stronger aftertouch Value 7 7 LFO LFO Select Pulse Width Modula...

Page 59: ...follow pitch Usually the keyboard to a synthesizer assigns a semi tone to each key This parameter can change the pitch ratio as show below The value represents how many octaves are changed over 12 key...

Page 60: ...ollows Value OFF KEY NOM Display Description OFF No vibrato is obtained Vibrato is on Vibrato is on but inverted A L Vibrato can be obtained only by Aftertouch and Bender Lever Display Description OFF...

Page 61: ...e sound will finally fade out Value 0 100 TVF Time Variant Filter Bender Mode Example If the Bender range is set to 12 1 octave and the Keyfollow Pitch of WG is set to 2 the maximum pitch change cause...

Page 62: ...el to the Keyfollow curve and set the range bias direction where the bias level is valid The bias range is where the bias level is valid on the keyboard It can be set with the bias point where the bia...

Page 63: ...playing harder Value 0 100 DKF Keyfollow Depth This can change the TVF ENV depth depending on the key played Higher values change the depth more drastically Value 0 4 TKF Keyfollow Time fig 09 36 Tim...

Page 64: ...alue 0 100 T2 Time 2 Sets the time needed to reach point 2 from point 1 Value 0 100 T3 Time 3 Sets the time needed to reach point 3 from point 2 Value 0 100 T4 Time 4 Sets the time needed to reach poi...

Page 65: ...Sustain Level This sets the level of point 4 Value 0 100 EndL End Level To lower the level after releasing the key set this to 0 and to raise the level set it to 100 Value 0 100 The End Level is retai...

Page 66: ...ou can change the overall volume of the keyboard bias level from the set level and set the range bias direction where the bias level is valid This bias range is where the bias level is valid on the ke...

Page 67: ...n the key played 0 to 4 are valid Higher values change the time more drastically Value 0 4 TVA ENV Time An envelope curve is determined by times and levels fig 09 37e TvaEnv fig 09 43 LCD_TvaEnvTime T...

Page 68: ...f point 3 Value 0 100 SusL Sustain Level Sets the level of point 4 Value 0 100 EndL End Level To lower the level after releasing the key set this to 0 and to raise the level set it to 100 Value 0 100...

Page 69: ...ct LFOD LFO Depth Sets the depth of a growl effect Higher values deepen the effect Value 0 100 After Aftertouch Range Sets the sensitivity of the aftertouch that controls the cutoff point values lower...

Page 70: ...O Depth Sets the depth of the tremolo effect Higher values deepen the effect Value 0 100 After Aftertouch Range Sets the sensitivity of the aftertouch that controls the volume values lower the volume...

Page 71: ...lue by either turning the VALUE dial or pressing INC or DEC 4 Repeat steps 3 to make the settings for the System function 5 After you have edited the settings of the System function touch Write locate...

Page 72: ...he display shows the frequency of the A4 note center A Value 427 452 Hz Sound Character Sets whether the output characteristics of the sound are the same as those of the D 50 D 50 or the V Synth XT V...

Page 73: ...nge messages set this to On Program Change messages are transmitted only when a Patch is selected by operating the V Synth XT s panel buttons or when the Program Change number to be transmitted is alt...

Page 74: ...transmitted to an external device However it cannot be transmitted by Patch Shift with the pedal switch or by patch selection with the Program Change messages sent from an external device Bank S Bank...

Page 75: ...dard settings or to the factory settings System Initialize fig 10 04a 1 Access the System Edit screen 2 Touch Init located in the lower right of the screen 3 If you want the factory settings to be in...

Page 76: ...how the Tones are played and how the control messages run as shown in the following pictures Mono Mode Poly Mode Name Functions Poly Mode Allows the control of more than one Key message on one channel...

Page 77: ...lo Separate Separate S Separate Solo Key Mode Poly Mode Mode Message Off Mono Mode Receive Channel Lower Upper Lower Receive Channel Group Upper Lower Upper Receive Channel Rceive Channel Lower Upper...

Page 78: ...lo OK Chorale Pianissimo D D S D W D D D 8 Intruder FX Steel Pick Synth Bass Afterthought Bones Bottle Blower Future Pad PCM E Piano D D D D D D D D No 1 2 3 4 5 6 7 8 BANK 1 Brass Tacks A Bright Day...

Page 79: ...D D D W D S W D 8 Star Peace Chorus Spacy Voice Thinful Vox Harmonium Android Nuns Pressure Pad Digital Sound D D D D D D D D No 1 2 3 4 5 6 7 8 BANK 1 Synthetic Piano 1 Upright Pianer Loud Piano Tac...

Page 80: ...D D D D D D D 8 Whispy Vox Alpha Omega Ensemble Vox n Sawz 4th Synth Vox Husky Voices Stereo Panorama Voyageur Glass Voice 2 D D D D D D D D No 1 2 3 4 5 6 7 8 BANK1 Perc E Piano Ballad Piano Choir N...

Page 81: ...ld Hold Mode U L UL Time Portamento Time 0 100 Mode Portamento Mode U L UL OUTPUT p 22 Mode Output Mode 1 4 RevType Reverb Type 1 32 Revbal Reverb Balance 0 100 Vol Total Volume 0 100 CHASE p 24 Mode...

Page 82: ...V Level L0 Level0 50 50 L1 Level1 50 50 L2 Level2 50 50 SusL Sustain Level 50 50 EndL End Level 50 50 Pitch Mod LFOD LFO Depth 0 100 Lever Pitch Lever Modulation 0 100 Aftr Pitch Aftertouch Modulation...

Page 83: ...arameters Parameter Value Comment FORM p 57 WG Form Wave Waveform SQU SAW PCM PCM Wave No 1 127 WG PW PW Pulse Width 0 100 Velo Velocity Range 7 7 After Aftertouch Range 7 7 LFO LFO Select 1 1 2 2 3 3...

Page 84: ...elo Velocity Range 50 50 BP Bias Point Bias Direction A1 C7 A1 C7 BLevel Bias Level 12 12 TVA ENV Velo Velocity Follow 0 4 TKF Time Keyfollow 0 4 TVA ENV Time T1 Time1 0 100 T2 Time2 0 100 T3 Time3 0...

Page 85: ...Character Sound Character D 50 V Synth Digital Freq Digital Output Frequency 44 1 48 96 kHz MIDI p 73 MIDICH Basic CH 1 16 Control Control B CH G CH MdeOff Separate CH Separate Mode Receive CH 1 16 P...

Page 86: ...Flute 38 Harmo Flute Harmonics 39 Lips1 Lips 1 40 Lips2 Lips 2 41 Trumpt Trumpet 42 Bones Trombones 43 Contra Contrabass 44 Cello Cello 45 VioBow Violin bow 46 Violns Violins 47 Pizz Pizzicart Number...

Page 87: ...102 Wurly Wurly 103 FM EP FM Electric Piano 104 M_Box Music Box 105 Kalmb2 Kalimba 2 106 StlGtr Steel Guitar 107 Sitar Sitar 108 FM Bs FM Bass 109 MtlVox Metal Voice 110 Hit Hit 111 Sync Sync 112 FMM...

Page 88: ...nsmitted when Program Change Switch SYSTEM MIDI is OFF System Realtime Messages Active Sensing Status FEH This message is transmitted at intervals of approximately 250 msec System Exclusive Messages S...

Page 89: ...ry Controller number 6 38 Status 2nd byte 3rd byte BnH 06H mmH BnH 26H llH n MIDI channel number 0H FH ch 1 16 mm ll the value of the parameter specified by RPN NRPN mm MSB ll LSB Volume Controller nu...

Page 90: ...number 121 Status 2nd byte 3rd byte BnH 79H 00H n MIDI channel number 0H FH ch 1 16 When this message is received all controllers on the corresponding channel will be set to their reset values MONO C...

Page 91: ...mporary area Address Description 00 00 00 Upper Partial 1 temp area 00 00 40 Upper Partial 2 temp area 00 01 00 Upper Common temp area 00 01 40 Lower Partial 1 temp area 00 02 00 Lower Partial 2 temp...

Page 92: ...vvvv TVF ENV Time T2 0 100 0 100 18H 0vvv vvvv TVF ENV Time T3 0 100 0 100 19H 0vvv vvvv TVF ENV Time T4 0 100 0 100 1AH 0vvv vvvv TVF ENV Time T5 0 100 0 100 1BH 0vvv vvvv TVF ENV Level L1 0 100 0 1...

Page 93: ...20H 0vvv vvvv LFO 2 Sync 0 1 Off On 21H 0vvv vvvv LFO 3 Waveform 0 3 Triangle Sawtooth Square Random 22H 0vvv vvvv LFO 3 Rate 0 100 0 100 23H 0vvv vvvv LFO 3 Delay Time 0 100 0 100 24H 0vvv vvvv LFO 3...

Page 94: ...100 24H 0vvv vvvv Chase Time 0 100 0 100 25H 0vvv vvvv MIDI Transmit CH 0 16 Basic 1 16 26H 0vvv vvvv MIDI Separate Mode Receive CH 0 16 Off 1 16 27H 0vvv vvvv MIDI Transmit Program Change 0 100 Off 1...

Page 95: ...Lower Off 11B 3 Upper On Lower On BIN DEC Description 0000B 0 Upper Partial2 Off Upper Partial1 Off Lower Partial2 Off Lower Partial1 Off 0001B 1 Upper Partial2 Off Upper Partial1 Off Lower Partial2...

Page 96: ...O X X X X X X X X X O X 1 16 1 16 Mode 3 Mono Poly Omni Off Mode 1 Mode 3 Mode 2 Mode 4 O X 0 127 12 108 X O O O 0 63 O X X O O X X O X 1 Can be set to O or X manually and memorized 2 RPN Registered...

Page 97: ...Arithmetic Synthesis Polyphony 16 voices Waveforms Synthesizer 2 PCM 128 Internal User Memory Banks 8 Patches 512 Preset Memory Banks 6 Patches 384 In the interest of product improvement the specifica...

Page 98: ...39 Compare 48 CONTROL 21 Control 73 Control Setup 16 Cursor Buttons 44 cursor buttons 44 Cutoff Frequency 61 D Delay 54 Delay Time 54 Depth 55 63 Destination Bank 32 36 DIGITAL AUDIO INTERFACE 10 Digi...

Page 99: ...nnel 73 MIDI Connectors 10 MOD 69 Mode 21 22 24 Mode Message OFF mode 73 Modulation 69 N Naming 26 No 36 Number 12 NUMBER KEY 8 O OUTPUT 22 Output Mode 22 P parameter 43 Parameter Copy 47 Partial 38 P...

Page 100: ...ime 21 24 Time 1 52 64 67 Time 2 52 64 67 Time 3 52 64 67 Time 4 52 64 Time 5 64 68 Time Variant Amplifier 66 Time Variant Filter 61 TKF 51 63 67 Tone 39 Tone Balance 20 Tone Copy 46 Tone Select 19 TO...

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