Roland SuperNATURAL ARX-01 Owner'S Manual Download Page 68

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Specifications

ARX-01 DRUMS

Maximum Polyphony

128 voices (varies according to the sound generator load)

Parts

1 part

User Memory

Drum Kits: 50 (including pre-loaded kits)

Effects

EQ/COMP:

24 systems (1 system par instrument)

Multi-Effects(MFX):

1 system, 47 types

Reverb:

1 system, 4 types

Customize Functions

SNARE, KICK, TOM:

Shell Depth, Head Tuning, Muffling, Mic Position, Buzz

HIHAT, CYMBAL, RIDE:

Size, Sustain

E.DRUM:

Tune, Decay, Cutoff, Resonance and more

Miscellaneous

24-channel Mixer, Flam/Roll effect for each tone

Accessories

Owner’s manual

Screwdriver

* In the interest of product improvement, the specifications and/or

appearance of this unit are subject to change without prior notice.

ARX-01_e.book 68 ページ２００８年２月１９日　火曜日　午後４時７分

Summary of Contents for SuperNATURAL ARX-01

Page 1: ...0 4 9 0 7 4 5 6 0 1 04907456 08 02 1N Owner s Manual...

Page 2: ......

Page 3: ...ct Additionally in order to feel assured that you have gained a good grasp of every feature provided by your new product Owner s Manual should be read in its entirety The manual should be saved and ke...

Page 4: ...hat must be done is indicated by the design contained within the circle In the case of the symbol at left it means that the power cord plug must be unplugged from the outlet The symbol alerts the user...

Page 5: ...r store the product in places that are Subject to temperature extremes e g direct sunlight in an enclosed vehicle near a heating duct on top of heat generating equipment or are Damp e g baths washroom...

Page 6: ...nauthorized giving trading lending renting re issue redistribution or re sale of the sounds included in the ARX 01 are expressly prohibited In Plain English Be creative in your application of the ARX...

Page 7: ...om G 20 Selecting a Tone Tone screen 21 Tone Settings 22 Customizing a tone Tone Customize screen 22 Flam Roll settings Tone Flam Roll screen 24 Volume change and tone adjustments Tone Comp EQ screen...

Page 8: ...electronic components or connectors Save the bag in which the board was originally shipped and put the board back into it whenever you need to store or transport it Do not touch any of the printed cir...

Page 9: ...into the product s non latched board holders until you hear a click 4 Gently lower the board into place Align board s holes with holders Connector of board Connector of product Board Non latched hold...

Page 10: ...the illustration until the latched board holders lock into place 6 Verify that the latched board holders are locked 7 Return the expansion board installation slot to its original state Edge of the boa...

Page 11: ...ere is for when the board is installed in the Fantom G If the installation confirmation screen does not appear the first time you power up after installing the expansion board it is likely that the bo...

Page 12: ...as installed 2 Unlatch the latched board holders 3 Verify that the two latched board holders are unlocked then gently pull up the board and disconnect the connector 4 Disengage the board from the non...

Page 13: ...connecteurs Conservez le sachet d origine dans lequel tait la carte lors de l envoi et remettez la carte dedans si vous devez la ranger ou la transporter Ne pas toucher aux circuits imprim s ou aux c...

Page 14: ...supports non bloqu s jusqu ce qu un clic se fasse entendre 4 Abaisser la carte d licatement Aligner les trous de la carte et les supports Connecteur de la carte Connecteur de l appareil Carte Support...

Page 15: ...orts se bloquent en place 6 S assurer que les supports de carte sont bien bloqu s 7 Suivre les instructions donn es dans le guide d utilisation et v rifier que la carte d expansion est install e corre...

Page 16: ...e d expansion a t install e 2 D bloquer les supports de carte 3 V rifier que les deux supports de carte sont d bloqu s puis tirer d licatement sur la carte et d connecter le connecteur 4 Retirer la ca...

Page 17: ...e position of the mic or even the muffling muting giving you the same degree of customization that you have over an acoustic drum Customizing the drum sound is easy and does not require specialized kn...

Page 18: ...individual instruments e g bass drum or cymbal that makes up a drum set Each tone is provided with COMP compressor and EQ equalizer You can also make settings such as Roll or Flam for each tone You ca...

Page 19: ...alled the Group Faders You can divide the twenty four tones among eight groups and use these group faders to adjust the volume of the groups To assign each tone to a group use the Tone screen s Fader...

Page 20: ...ed as follows 1 Press WRITE on the Fantom G 2 Assign a name to the kit For details on how to assign a name refer to the Fantom G owner s manual fig 01 101 eps 3 When you ve finished assigning the name...

Page 21: ...p 1 8 Assigns the tone to a fader group Layer Tone OFF Tone 01 Tone 24 If you want the current tone to sound simultaneously with another tone specify the number of that tone Mute Group 0 OFF 1 24 If t...

Page 22: ...ustomizable parameters vary depending on the instrument type to which the tone belongs KICK SNARE TOM HIHAT RIDE CYMBAL OTHER E KICK Tone Settings Parameter Value Shell Depth 2 2 Head Tuning 120 120 M...

Page 23: ...ne 100 100 Tone 100 100 Attack Level 100 100 Snpy Decay 100 100 Cutoff 0 127 Resonance 0 127 Parameter Value Tune 100 100 Decay 100 100 Cutoff 0 127 Resonance 0 127 Parameter Value Tune 100 100 Tone 1...

Page 24: ...normal way Flam Roll Type Lower OFF FLAM ROLL Selects the way in which the tone will sound when the note velocity is below the Velocity Threshold setting At OFF the tone sounds in the normal way Param...

Page 25: ...e roll notes will become stronger with a negative setting the roll notes will become weaker Roll Time 1 16 Number of roll notes Time Ve locity Sens 100 100 Change in the number of roll notes in respon...

Page 26: ...on off Input Level 0 127 Volume level that is input to the compres sor Attack 0 05 50 0 ms Time from when the input exceeds the threshold until compression begins Release 0 05 200 ms Time from when th...

Page 27: ...ar right Tone Level 0 127 Specifies the volume of the tone You ll use this parameter mainly to adjust the volume balance relative to the other tones Output Level 0 127 Specifies the signal level of ea...

Page 28: ...e For de tails on each type refer to Multi Ef fects List p 34 MFX Output Level 0 127 Specifies the volume of the sound that has passed through the multi ef fect MFX Reverb Send Level 0 127 Specifies t...

Page 29: ...s For example you can use the pitch bend lever to vary the depth of distortion or use your keyboard playing touch to change the delay time The parameters that can be controlled in this way are pre ass...

Page 30: ...value if you want to modify the parameter from its current value toward the negative direction lower value toward the left slower etc With both positive and negative settings the greater the number th...

Page 31: ...e delay time from the direct sound until the reverb sound is heard Time 0 127 Time length of reverberation Size 1 8 Size of the simulated room or hall High Cut 160 Hz 12 5 kHz BYPASS Adjusts the frequ...

Page 32: ...y while a strong velocity will mute the sound quickly Choking muting the drum sound Ctrl screen Parameter Value Description Mute Key Type OFF HHT RID CYM RID CYM HHT RID CYM ALL Specify the type of in...

Page 33: ...IT button If you ve installed the ARX 01 in a Fantom G6 G7 G8 executing a Factory Reset for the Fantom G6 G7 G8 will reset the expan sion boards to their factory set condition Copying a tone This oper...

Page 34: ...US p 46 21 STEREO FLANGER p 47 22 STEP FLANGER p 48 DYNAMICS 7 types 23 OVERDRIVE p 48 24 DISTORTION p 48 25 GUITAR AMP SIMULATOR p 49 26 STEREO COMPRESSOR p 50 27 STEREO LIMITER p 51 28 SLICER p 51 2...

Page 35: ...r Value Description Low Freq 200 400 Hz Frequency of the low range Low Gain 1 15 15 dB Gain of the low frequency range High Freq 2000 4000 8000 Hz Frequency of the high range High Gain 4 15 15 dB Gain...

Page 36: ...bands Pan L64 63R Stereo location of the SPECTRUM output Level 0 127 Output level Band 1 250 Hz 15 15 dB Gain of each frequency band This can be set using the sliders of the part mixer Band 2 500 Hz...

Page 37: ...ements within a sound This is effective only for stereo source Anti Phase Low Sw OFF ON Settings of the Anti Phase function for the Mid dle frequency ranges The parameters are the same as for the Midd...

Page 38: ...ng this value will raise the cutoff frequen cy Filter Reso nance 3 0 127 Filter resonance level Increasing this value will emphasize the region near the cutoff frequency Filter Gain 4 0 12 dB Amount o...

Page 39: ...ely steep Filter Resonance 3 0 127 Filter resonance level Increasing this value will emphasize the region near the cutoff frequency Filter Gain 4 0 12 dB Amount of boost for the filter output Level 0...

Page 40: ...at which reset is applied Manual 4 0 100 Point at which Vowel 1 2 switch 49 or less Vowel 1 will have a longer duration 50 Vowel 1 and 2 will be of equal du ration 51 or more Vowel 2 will have a longe...

Page 41: ...the phase Mix 0 127 Level of the phase shifted sound Low Gain 15 15 dB Gain of the low frequency range High Gain 15 15 dB Gain of the high frequency range Level 0 127 Output level R in R out L in L o...

Page 42: ...evel Parameter Value Description Parameter Value Description Frequency 1 0 127 Adjusts the frequency at which modulation is ap plied Sens 2 0 127 Adjusts the amount of frequency modulation applied Pol...

Page 43: ...dB Gain of the low frequency range High Gain 15 15 dB Gain of the high frequency range Level 0 127 Output level L in R in L out R out Tremolo 2 Band EQ 2 Band EQ Tremolo Parameter Value Description M...

Page 44: ...e 4 0 05 10 00 Hz Fast speed FAST of the low frequency rotor Speed SLOW FAST Simultaneously switches the rotational speed of the low frequency rotor and high frequency ro tor SLOW Slows down the speed...

Page 45: ...enter 20 The chorus layers are spaced at 60 degree intervals relative to the center Balance 3 D100 0W D0 100W Volume balance between the direct sound D and the chorus sound W Level 0 127 Output level...

Page 46: ...sound W Level 0 127 Output level L in R in Space D Space D L out R out 2 Band EQ 2 Band EQ Balance W Balance W Balance D Balance D Parameter Value Description Filter Type OFF LPF HPF Type of filter O...

Page 47: ...0 100 0 ms Adjusts the time until the flanger sound is heard Rate 1 0 05 10 00 Hz note Frequency of modulation Depth 2 0 127 Depth of modulation Phase 0 180 deg Spatial spread of the sound Feedback 3...

Page 48: ...read of the sound Low Gain 15 15 dB Gain of the low frequency range High Gain 15 15 dB Gain of the high frequency range Balance 4 D100 0W D0 100W Volume balance between the direct sound D and the flan...

Page 49: ...Type Pre Amp Middle Pre Amp Treble Pre Amp Presence 0 127 MATCH DRIVE 127 0 Tone for the ultra high frequency range L in R in L out R out Pan R Pan L Pre Amp Speaker Pre Amp Bright OFF ON Turning this...

Page 50: ...enclosure 12 x 2 condenser Built In 5 open back enclosure 12 x 2 condenser BG Stack 1 sealed enclosure 12 x 2 condenser BG Stack 2 large sealed enclosure 12 x 2 condenser MS Stack1 large sealed enclo...

Page 51: ...Output level L in R in L out R out Limiter 2 Band EQ 2 Band EQ Limiter Parameter Value Description Rate 1 0 05 10 00 Hz note Rate at which the 16 step sequence will cycle Attack 2 0 127 Speed at which...

Page 52: ...e Mode GATE DUCK Type of gate GATE The gate will close when the vol ume of the original sound decreases cut ting the original sound DUCK Ducking The gate will close when the volume of the original sou...

Page 53: ...se BYPASS no cut W P Noise Level 2 0 127 Volume of the white pink noise R in R out L in L out Lo Fi Lo Fi Noise Gen Disc Noise Type LP EP SP RND Type of record noise The frequency at which the noise i...

Page 54: ...8000 Hz Basic frequency of the Post Filter Balance 3 D100 0W D0 100W Volume balance between the direct sound D and the effect sound W Level 0 127 Output level L in R in L out R out Compressor Lo Fi L...

Page 55: ...ularities of an old turntable fig MFX34 Parameter Value Description Voice Quality 1 0 15 Audio quality of the telephone voice Treble 2 15 15 dB Bandwidth of the telephone voice Balance 3 D100 0 D0 100...

Page 56: ...efinite cycle rotational irregu larity Total Wow Flutter 4 0 127 Depth of overall rotational irregularity Balance D100 0W D0 100W Volume balance between the direct sound D and the effect sound W Level...

Page 57: ...mi Adjusts the pitch of the pitch shifted sound in semitone steps Fine 100 100 cent Adjusts the pitch of the pitch shifted sound in 2 cent steps Delay 2 0 0 2000 ms note Adjusts the time until the pit...

Page 58: ...A0 100B Volume balance between Pitch Shift A and Pitch Shift B Level B Balance D100 0W D0 100W Volume balance between the direct sound D and the pitch shifted sound W Level 0 127 Output level L in R i...

Page 59: ...1 0 2000 ms note Adjusts the time until the delay sound is heard Delay Right 2 Phase Left NORMAL INVERT Phase of the delay sound Phase Right Feedback 3 98 98 Adjusts the amount of the delay sound tha...

Page 60: ...y Left 1 0 2000 ms note Adjusts the time until the delay sound is heard Delay Right 2 Feedback 3 98 98 Adjusts the amount of the delay sound that s fed back into the effect Negative settings invert th...

Page 61: ...ft Right Center Level 0 127 Volume of each delay Low Gain 15 15 dB Gain of the low frequency range High Gain 15 15 dB Gain of the high frequency range Balance D100 0W D0 100W Volume balance between th...

Page 62: ...the time until Delays 1 4 are heard Pan 1 4 L64 63R Stereo location of Delays 1 4 Level 1 4 0 127 Output level of Delays 1 4 Feedback 98 98 Adjusts the amount of the delay sound that s fed back into t...

Page 63: ...frequency range High Gain 15 15 dB Gain of the high frequency range Level 0 127 Output level Feedback 1 L in R in L out R out 2 Band EQ 2 Band EQ D1 Delay D3 D2 D4 Feedback 4 Rev Delay 1 2 3 Parameter...

Page 64: ...ck into the effect Negative settings invert the phase Acceleration 3 0 15 Adjusts the time over which the Delay Time changes from the current setting to a specified new setting The rate of change for...

Page 65: ...Time changes from the current setting to its specified new setting HF Damp 200 8000 Hz BYPASS Adjusts the frequency above which sound fed back to the effect is filtered out If you don t want to filter...

Page 66: ...To do this set the Control Assign setting for that effect type to Step Reset For example if you want to use the modulation lever to control Step Reset you would make the following settings MFX Contro...

Page 67: ...able to use multi effect control to control that parameter About Note Value Description 1 64T Sixty fourth note triplet 1 64 Sixty fourth note 1 32T Thirty second note triplet 1 32 Thirty second note...

Page 68: ...m 47 types Reverb 1 system 4 types Customize Functions SNARE KICK TOM Shell Depth Head Tuning Muffling Mic Position Buzz HIHAT CYMBAL RIDE Size Sustain E DRUM Tune Decay Cutoff Resonance and more Misc...

Page 69: ...H Head Tuning 22 I Inst Number 21 Inst Type 21 K Kit Save 20 Select 19 Kit Init 33 L Layer Tone 21 M MFX 2Vo PITCH SHIFTER 58 AUTO PAN 43 AUTO WAH 39 COMPRESSOR 50 DISTORTION 48 ENHANCER 36 FBK PITCH...

Page 70: ...4 TIME SKIP DELAY 65 TREMOLO 43 TREMOLO CHORUS 45 TRIPLE TAP DELAY 61 MFX Control Sens 30 MFX Control Source 30 MFX Ctrl screen 29 MFX Output Level 28 MFX Reverb Send Level 28 MFX screen 29 MFX Type 2...

Page 71: ...71 T Tone Customize 22 Select 21 Tone Init 33 Tone screen 21 Tone Comp EQ screen 26 Tone Customize screen 22 Tone Output screen 27 Type 31 U Utility screen 33 ARX 01_e book 71...

Page 72: ...er there is no guarantee that interference will not occur in a particular installation If this equipment does cause harmful interference to radio or television reception which can be determined by tur...

Page 73: ...ONFORMITY Compliance Information Statement Model Name Type of Equipment Responsible Party Address Telephone ARX 01 Expansion Board Roland Corporation U S 5100 S Eastern Avenue Los Angeles CA 90040 293...

Page 74: ...74 For EU Countries ARX 01_e book 74...

Page 75: ...75 For China ARX 01_e book 75...

Page 76: ...an Street Tsuen Wan New Territories HONG KONG TEL 2415 0911 Parsons Music Ltd 8th Floor Railway Plaza 39 Chatham Road South T S T Kowloon HONG KONG TEL 2333 1863 INDIA Rivera Digitec India Pvt Ltd 411...

Page 77: ...2844 Norderstedt GERMANY TEL 040 52 60090 GREECE CYPRUS STOLLAS S A Music Sound Light 155 New National Road Patras 26442 GREECE TEL 2610 435400 HUNGARY Roland East Europe Ltd Warehouse Area DEPO Pf 83...

Page 78: ...ARX 01_e book 78...

Page 79: ...P 80 P 82 2008 ARX 01_j book 79...

Page 80: ...8 8 8 80 0 0 0 ARX 01_j book 80...

Page 81: ...8 8 8 81 1 1 1 P 84 Fantom G6 G7 G8 Fantom G6 G7 G8 ARX 01_j book 81...

Page 82: ...8 8 8 82 2 2 2 SuperNATURAL ARX 01 6 ARX 01_j book 82...

Page 83: ...s 89 ARX 01 Drums 90 91 91 91 91 Fantom G 92 Tone 93 94 Tone Customize 94 Tone Flam Roll 96 Tone Comp EQ 98 Tone Output 99 Mixer 100 Effects Routing 100 Effects MFX 101 Effects MFX Ctrl 101 Effects Re...

Page 84: ...8 8 8 84 4 4 4 1 2 ARX 01_j book 84...

Page 85: ...8 8 8 85 5 5 5 3 4 ARX 01_j book 85...

Page 86: ...8 8 8 86 6 6 6 5 3 6 7 2 ARX 01_j book 86...

Page 87: ...8 8 8 87 7 7 7 1 2 F8 Execute Fantom G 5 10 3 Power Off ARX 01_j book 87...

Page 88: ...8 8 8 88 8 8 8 1 2 3 2 4 ARX 01_j book 88...

Page 89: ...9 9 SuperNATURAL ARX SR JV80 SRX SuperNATURAL logo supernatural eps SuperNATURAL SuperNATURAL ARX 01 SuperNATURAL PCM TR 808 909 24 24 ARX 01 SuperNATURAL ARX Roland SuperNATURAL ARX 01 Drums ARX 01_...

Page 90: ...uperNATURAL ARX ARX ARX 16 ARX 01 Drums 1 ARX 01 Drums COMP EQ 24 MFX 24 34 B 1 57 A3 ARX 01 Drums 50 Fantom G Fantom G fig 01 002j eps ARX 01 Drums 24 57 MFX ARX 01 Drums COMP EQ ARX ARX 50 01 1 34 A...

Page 91: ...9 9 9 91 1 1 1 fig 01 003 eps KIT NAME P 93 24 Group Fader KIT NAME 001 050 ARX 01 8 Group Fader Group Fader 24 8 Tone Fader Group P 93 Fantom G Fantom G ARX 01_j book 91...

Page 92: ...9 9 9 92 2 2 2 Fantom G 1 Fantom G WRITE 2 Fantom G 3 F8 OK 4 F8 WRITE 5 F7 OK ARX 01_j book 92...

Page 93: ...one Tone Current Tone Tone 01 Tone 24 Inst Type KICK SNARE TOM HIHAT RIDE CYMBAL OTHER E KICK E SNARE E TOM E HIHAT E RIDE E CYMBAL E OTHER Inst Number Inst Type Fader Group 1 8 Layer Tone OFF Tone 01...

Page 94: ...OM HIHAT RIDE CYMBAL OTHER E KICK Shell Depth 2 2 Head Tuning 120 120 Muffling 0 3 Mic Position 100 100 Buzz 0 127 Size 120 120 Sustain 0 100 Pitch 120 120 Sustain 0 100 Tune 100 100 Attack Level 100...

Page 95: ...L Tune 100 100 Tone 100 100 Attack Level 100 100 Snpy Decay 100 100 Cutoff 0 127 Resonance 0 127 Cutoff Tune 100 100 Decay 100 100 Cutoff 0 127 Resonance 0 127 Cutoff Tune 100 100 Tone 100 100 Decay 1...

Page 96: ...0 127 Upper Lower Flam Roll Type Upper OFF FLAM ROLL Velocity Threshold OFF Flam Roll Type Lower OFF FLAM ROLL Velocity Threshold OFF Rate 1 100 Offset 100 100 Flam Time 1 16 Time Velocity Sens 100 10...

Page 97: ...9 9 9 97 7 7 7 Rate 1 100 Delay 1 100 Offset 100 100 Curve 100 100 Roll Time 1 16 Time Veloctiy Sens 100 100 Feel 0 32 Time Velocity Note On Delay Rate Curve Offset Rate ARX 01_j book 97...

Page 98: ...ne Output P 99 Tone Level Comp Sw ON OFF Input Level 0 127 Attack 0 05 50 0ms Threshold Release 0 05 200ms Threshold Output Gain 0 24dB Threshold 0 127 Ratio 1 1 1 Low Freq 50 400Hz Low Gain 15 15dB H...

Page 99: ...evel Inst Pan Input Level COMP EQ Tone Level Output Level Output Assign DRY MFX to Reverb to MFX to Mixer Pan L64 0 63R L64 0 63R Tone Level 0 127 Output Level 0 127 Output Assign DRY MFX MFX DRY MFX...

Page 100: ...P 99 Pan P 99 Tone Level P 99 EQ P 98 Effedts Routing MFX Mixer Effects Routing MFX Type 0 THRU 1 47 P 106 MFX Output Level 0 127 MFX Reverb Send Level 0 127 0 Reverb Type 0 OFF 1 REVERB 2 SRV ROOM 3...

Page 101: ...Type P 100 P 106 Control Assign 1 4 Effects MFX Ctrl P 101 Effects MFX Ctrl MIDI MIDI MIDI P 107 MIDI 4 MIDI Source 1 4 Control Assign 1 4 Sens 1 4 Effects MFX MFX Type 0 THRU 1 47 P 106 Control Assig...

Page 102: ...1 1 1 10 0 0 02 2 2 2 MFX Control Source 1 4 MFX Control Sens 1 4 0 63 63 OFF CC01 31 32 OFF 33 95 PITCH BEND AFTERTOUCH AUDIO MFX ARX 01_j book 102...

Page 103: ...L1 HALL2 DELAY PAN DELAY Time 0 127 Type ROOM1 HALL2 Type DELAY PAN DELAY HF Damp 200 8000Hz BYPASS BYPASS Delay Feedback 0 127 Type DELAY PAN DELAY Type 2 SRV ROOM 3 SRV HALL 4 SRV PLATE Pre Delay 0...

Page 104: ...1 1 1 10 0 0 04 4 4 4 58 B 3 Ctrl Ctrl Mute Key Type OFF HHT RID CYM RID CYM HHT RID CYM ALL OFF HHT HIHAT RID RIDE CYM CYMBAL RID CYM RIDE CYMBAL HHT RID CYM HIHAT RIDE CYMBAL ALL ARX 01_j book 104...

Page 105: ...5 5 5 5 Utility Kit Init Tone Init 1 2 Utility Kit Init Tone Init 3 F7 OK F8 EXIT Fantom G6 G7 G8 Fantom G6 G7 G8 1 2 Utility Tone Copy Tone Copy 3 Destination 4 F8 Execute 5 F7 OK F8 EXIT Utility ARX...

Page 106: ...STEREO FLANGER P 118 22 STEP FLANGER P 119 7 23 OVERDRIVE P 119 24 DISTORTION P 120 25 GUITAR AMP SIM P 120 26 COMPRESSOR P 121 27 LIMITER P 122 28 SLICER P 122 29 GATE P 123 6 30 LOFI NOISE P 124 31...

Page 107: ...Freq 200 400Hz Low Gain 1 15 15dB High Freq 2000 4000 8000Hz High Gain 4 15 15dB Mid1 Freq 200 8000Hz 1 Mid1 Q 0 5 1 0 2 0 4 0 8 0 1 Mid1 Gain 2 15 15dB 1 Mid2 Freq 200 8000Hz 2 Mid2 Q 0 5 1 0 2 0 4 0...

Page 108: ...and 1 250Hz 15 15dB Band 2 500Hz 1 Band 3 1kHz 2 Band 4 1 25kHz Band 5 2kHz 3 Band 6 3 15kHz Band 7 4kHz 4 Band 8 8kHz Spectrum L out R out Pan R Pan L L in R in Sens 1 0 127 Mix 2 0 127 Low Gain 15 1...

Page 109: ...l 0 127 Middle Anti Phase Low Sw OFF ON Low Middle Anti Phase Low Level 0 127 Low Boost Sw OFF ON Low Boost Level 0 127 Level 0 127 L in R in L out R out Isolator Low Boost Low Boost Isolator Boost Fr...

Page 110: ...Slope 12 24 36dB 1 36dB 24dB 12dB Filter Cutoff 2 0 127 Filter Resonance 3 0 127 Filter Gain 4 0 12dB Modulation Sw OFF ON L in R in L out R out Super Filter Super Filter Modulation Wave TRI SQU SIN...

Page 111: ...Cutoff HPF Cutoff NOTCH Cutoff Filter Slope 12 24 36dB 1 12dB 24dB 36dB Filter Resonance 3 0 127 Filter Gain 4 0 12dB Level 0 127 Step 01 16 0 127 L in R in L out R out Step Filter Step Filter Filter...

Page 112: ...F ON LFO ON LFO Input Sync Threshold 0 127 Manual 4 0 100 1 2 49 Vowel 1 50 Vowel 1 2 51 Vowel 2 Low Gain 15 15dB High Gain 15 15dB Pan L64 63R Level 0 127 Formant 2 Band EQ L in R in Overdrive L out...

Page 113: ...127 Low Gain 15 15dB High Gain 15 15dB Level 0 127 R in R out L in L out Phaser Mix 2 Band EQ 2 Band EQ Mix Phaser Mode 4 8 stage Polarity INVERSE SYNCHRO INVERSE SYNCHRO Rate 2 0 05 10 00Hz Depth 0 1...

Page 114: ...5 15dB High Gain 15 15dB Balance 3 D100 0W D0 100W D W Level 0 127 L in R in L out R out Ring Mod 2 Band EQ 2 Band EQ Ring Mod Modulation Wave 1 TRI SQR SIN SAW1 SAW2 TRI SQR SIN SAW1 SAW2 Rate 2 0 05...

Page 115: ...R in L out R out Auto Pan 2 Band EQ 2 Band EQ Auto Pan Tweeter Slow Rate 1 0 05 10 00Hz SLOW Woofer Slow Rate 2 0 05 10 00Hz SLOW Tweeter Fast Rate 3 0 05 10 00Hz FAST Woofer Fast Rate 4 0 05 10 00Hz...

Page 116: ...20 60 Balance 3 D100 0W D0 100W D W Level 0 127 Balance W Balance W L in R in L out R out Hexa Chorus Balance D Balance D Pre Delay 0 0 100 0ms Chorus Rate 1 0 05 10 00Hz Chorus Depth 2 0 127 Tremolo...

Page 117: ...127 L in R in Space D Space D L out R out 2 Band EQ 2 Band EQ Balance W Balance W Balance D Balance D Filter Type OFF LPF HPF OFF LPF HPF Cutoff Freq 200 8000Hz Pre Delay 0 0 100 0ms Rate 1 0 05 10 00...

Page 118: ...000Hz Pre Delay 0 0 100 0ms Rate 1 0 05 10 00Hz Depth 2 0 127 Phase 0 180deg Feedback 3 98 98 R in R out L in L out Flanger Feedback Feedback Flanger Balance W Balance D Balance W Balance D 2 Band EQ...

Page 119: ...e 4 D100 0W D0 100W D W Level 0 127 R in R out L in L out Feedback Feedback Balance W Balance D Balance W Balance D 2 Band EQ 2 Band EQ Step Flanger Step Flanger Drive 1 0 127 Tone 2 0 127 Pan 3 L64 6...

Page 120: ...Type 1 JC 120 Clean Twin Match Drive BG Lead MS1959I MS1959II MS1959I II SLDN Lead Metal 5150 Metal Lead OD 1 OD 2 Turbo Distortion Fuzz Pre Amp Volume 2 0 127 Pre Amp Master 3 0 127 Pre Amp Gain Low...

Page 121: ...x 2 Built In 2 12 x 2 Built In 3 12 x 2 Built In 4 12 x 2 Built In 5 12 x 2 BG Stack 1 12 x 2 BG Stack 2 12 x 2 MS Stack1 12 x 4 MS Stack 2 12 x 4 Metal Stack 2 12 x 4 2 Stack 2 12 x 4 3 Stack 3 12 x...

Page 122: ...st Gain 4 0 18dB Low Gain 15 15dB High Gain 15 15dB Level 0 127 L in R in L out R out Limiter 2 Band EQ 2 Band EQ Limiter Rate 1 0 05 10 00Hz 16 Attack 2 0 127 Input Sync Sw OFF ON ON OFF Input Sync T...

Page 123: ...127 Step Step 2 Step 4 Step 6 Level 0 127 Step 01 16 0 127 Threshold 1 0 127 Mode GATE DUCK GATE DUCK Balance D100 0W D0 100W D W Attack Time 2 0 127 Hold Time 3 0 127 Release Time 4 0 127 Level 0 12...

Page 124: ...HITE PINK W P Noise LPF 200 8000Hz BYPASS BYPASS W P Noise Level 2 0 127 R in R out L in L out Lo Fi Lo Fi Noise Gen Disc Noise Type LP EP SP RND Disc Noise LPF 200 8000Hz BYPASS BYPASS Disc Noise Lev...

Page 125: ...Cutoff 200 8000Hz Post Filter Balance 3 D100 0W D0 100W D W Level 0 127 L in R in L out R out Compressor Lo Fi Lo Fi Compressor LoFi Type 1 1 9 Post Filter Type OFF LPF HPF LoFi OFF LPF HPF Post Filte...

Page 126: ...D W Level 0 127 L in R in L out R out Telephone Telephone Signal Distortion 0 127 Frequency Range 1 0 127 Disc Type 2 LP EP SP Scratch Noise Level 0 127 Dust Noise Level 0 127 Hiss Noise Level 0 127...

Page 127: ...utter 4 0 127 Balance D100 0W D0 100W D W Level 0 127 Mode 1 S M L S M S L M L S M L 3 S M L Repeat Rate 2 0 127 Intensity 3 0 127 Bass 15 15 Treble 15 15 Head S Pan L64 63R Head M Pan Head L Pan Echo...

Page 128: ...127 Direct Level 0 127 Level 0 127 Mode 1 2 3 4 5 Coarse 1 24 12 semi Fine 100 100 cent 2 Delay 2 0 2000ms Feedback 3 98 98 Pan L64 63R Low Gain 15 15dB High Gain 15 15dB Balance 4 D100 0W D0 100W D W...

Page 129: ...e A 100 100 cent A B 2 Fine B Delay A 3 0 0 500ms A B Delay B 4 Pan A L64 63R A B Pan B Level A 0 127 A B Level B L in R in L out R out 2Voice Pitch Shifter Level Balance A Balance W Balance D Balance...

Page 130: ...63R Low Gain 15 15dB High Gain 15 15dB Balance 4 D100 0W D0 100W D W Level 0 127 L in R in L out R out Gated Reverb 2 Band EQ Balance W Balance W Balance D Balance D 2 Band EQ R in R out L in L out Fe...

Page 131: ...3 98 98 HF Damp 200 8000Hz BYPASS BYPASS Low Gain 15 15dB High Gain 15 15dB Balance 4 D100 0W D0 100W D W Level 0 127 R in R out L in L out Feedback Feedback Balance W Balance D Balance W Balance D 2...

Page 132: ...w Gain 15 15dB High Gain 15 15dB Balance 2 D100 0W D0 100W D W Level 0 127 Left 1 Center 2 Right 3 0 4000ms Feedback 4 98 98 HF Damp 200 8000Hz BYPASS BYPASS Left Right Center Level 0 127 Low Gain 15...

Page 133: ...in L out R out Quadruple Tap Delay Balance W Balance D Balance W Balance D Delay 1 Delay 2 Delay 3 Delay 4 Feedback 1 2 3 4 L R Delay 1 4 1 4 0 4000ms 1 4 Level 1 4 0 127 1 4 Feedback 98 98 HF Damp 20...

Page 134: ...W Balance D Balance W Balance D Delay 1 Delay 3 Delay 4 Delay 2 Feed back 2 Band EQ 2 Band EQ Delay 1 4 1 4 0 4000ms 1 4 Pan 1 4 L64 63R 1 4 Level 1 4 0 127 1 4 Feedback 98 98 HF Damp 200 8000Hz BYPAS...

Page 135: ...4 D100 0W D0 100W D W Low Gain 15 15dB High Gain 15 15dB Level 0 127 Feedback 1 L in R in L out R out 2 Band EQ 2 Band EQ D1 Delay D3 D2 D4 Feedback 4 Rev Delay 1 2 3 Delay 1 0 4000ms Shuffle Rate 2 0...

Page 136: ...W D W Level 0 127 Delay 1 0 4000ms Feedback 2 98 98 Acceleration 3 0 15 HF Damp 200 8000Hz BYPASS BYPASS Pan L64 63R Low Gain 15 15dB High Gain 15 15dB L in R in L out R out 2 Band EQ Balance W Balanc...

Page 137: ...ms Skip Rate 0 05 10 0Hz Feedback 2 98 98 Acceleration 3 0 15 HF Damp 200 8000Hz BYPASS BYPASS Pan L64 63R Low Gain 15 15dB High Gain 15 15dB Balance 4 D100 0W D0 100W D W Level 0 127 L in R in L out...

Page 138: ...13 3 3 38 8 8 8 07 STEP FILTER 28 SLICER 2 16 Effects MFX Ctrl P 101 Control Assign Step Reset MFX Control Source CC01 MODULATION MFX Control Sens 63 Control Assign Step Reset STEP RESET ARX 01_j boo...

Page 139: ...e Sync Sw Sync Rate Delay Time Sync Sync Control Assign 1 64T 3 64 1 64 64 1 32T 3 32 1 32 32 1 16T 3 16 1 32 32 1 16 16 1 8T 3 8 1 16 16 1 8 8 1 4T 3 4 1 8 8 1 4 4 1 2T 3 2 1 4 4 1 2 2 1 1T 3 1 2 2 1...

Page 140: ...1 1 14 4 4 40 0 0 0 ARX 01 DRUMS 128 1 50 EQ COMP 24 MFX 1 47 Reverb 1 4 Shell Depth Head Tuning Muffling Mic Position Buzz Size Sustain E Tune Decay Cutoff Resonance 24ch Flam Roll ARX 01_j book 140...

Page 141: ...93 Flam Roll Type Lower 96 Flam Roll Type Upper 96 Flam Roll 96 G Group Fader 91 H Head Tuning 94 HF Damp 103 HF Damp Freq 103 HF Damp Gain 103 High Cut 103 I Inst Number 93 Inst Type 93 K Kit Init 10...

Page 142: ...Q 107 STEREO FLANGER 118 STEREO PHASER 113 SUPER FILTER 110 TAPE ECHO 127 TELEPHONE 126 TIME CONTROL DELAY 136 TIME SKIP DELAY 137 TREMOLO 114 TREMOLO CHORUS 116 TRIPLE TAP DELAY 132 MFX Control Sens...

Page 143: ...tput 99 Tone Roll Flam 96 Tone Init 105 Tone 93 Type 103 U Utility 105 V Velocity Threshold 96 93 92 91 105 105 91 99 96 99 106 2 129 109 108 115 111 119 120 133 123 130 121 135 110 111 113 119 107 11...

Page 144: ...1 1 1 14 4 4 44 4 4 4 114 116 112 128 112 126 116 134 131 135 122 114 115 125 124 125 109 Effects MFX Ctrl 101 99 99 103 97 ARX 01_j book 144...

Page 145: ...07 10 01 Roland 050 3101 2555 http www roland co jp 10 00 17 30 IP 0000 4 NTT ARX 01_j book 145...

Page 146: ...ARX 01_j book 146...

Page 147: ......

Page 148: ...0 4 9 0 7 4 5 6 0 1 04907456 08 02 1N Owner s Manual...

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Summary of Contents for SuperNATURAL ARX-01

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Roland SuperNATURAL ARX-01, Owner'S Manual, Page: 68 / 148

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Summary of Contents for SuperNATURAL ARX-01

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