background image

 

86

 

Appendices

 

48:3D Delay

 

No.

Parameter

Setting Value

Value Dec.

Initial

 

3

DLY Time C

0 - 1800 ms, note*2

0 - 1822

1815

1

DLY Time L

0 - 1800 ms, note*2

0 - 1822

1810

2

DLY Time R

0 - 1800 ms, note*2

0 - 1822

1813

8

DLY HF Damp

200 - 8000 Hz,
BYPASS (*1)

0 - 17

17

7

DLY Feedback

-98 - +98% 

0 - 98

59

6

DLY Level C

0 - 127

0 - 127

40

4

DLY Level L

0 - 127

0 - 127

64

5

DLY Level R

0 - 127

0 - 127

64

10

EQ Low Gain

-15 - +15 dB 

0 - 30

15

11

EQ High Gain

-15 - +15 dB 

0 - 30

15

12

Balance

D100:0E - D0:100W

0 - 100

40

9

Output Mode

SPEAKER, PHONES

0 - 1

0

 

13

Output Level

0 - 127

0 - 127

127

(*1) 200, 250, 315, 400, 500, 630, 800, 1000, 1250, 1600, 2000,

2500, 3150, 4000, 5000, 6300, 8000 Hz, BYPASS

 

49:3Voice Pitch Shifter

 

No.

Parameter

Setting Value

Value Dec.

Initial

 

2

Coars Pitch1

-24 - +12 semitone

0 - 36

12

3

Coars Pitch2

-24 - +12 semitone

0 - 36

0

4

Coars Pitch3

-24 - +12 semitone

0 - 36

0

5

Fine Pitch1

-100 - +100 cent

0 - 100

50

6

Fine Pitch2

-100 - +100 cent

0 - 100

50

7

Fine Pitch3

-100 - +100 cent

0 - 100

50

1

PS Mode

1, 2, 3, 4, 5

0 - 4

0

11

PS Feedback1

-98 - +98% 

0 - 98

49

12

PS Feedback2

-98 - +98% 

0 - 98

49

13

PS Feedback3

-98 - +98% 

0 - 98

49

8

PS PreDelay1

0.0 - 500 ms

0 - 126

0

9

PS PreDelay2

0.0 - 500 ms

0 - 126

0

10

PS PreDelay3

0.0 - 500 ms

0 - 126

0

20

Balance

D100:0E - D0:100W

0 - 100

100

17

Level1

0 - 127

0 - 127

127

18

Level2

0 - 127

0 - 127

127

19

Level3

0 - 127

0 - 127

127

14

Pan1

L64 - 63R

0 - 127

64

15

Pan2

L64 - 63R

0 - 127

0

16

Pan3

L64 - 63R

0 - 127

127

 

21

Output Level

0 - 127

0 - 127

127

 

50:LoFi Compress

 

No.

Parameter

Setting Value

Value Dec.

Initial

 

2

LoFi Type

1 - 9

0 - 8

5

1

PreFilter Type

1 - 6

0 - 5

1

3

 

PostFilter1 Type

 

1 - 6

0 - 5

1

4

 

PostFilter2 Type

 

OFF, BPF, LPF

0 - 2

1

5

 

PostFilter2 CutOff

 

200 - 8000 Hz (*1)

0 - 16

13

7

EQ Low Gain

-15 - +15 dB 

0 - 30

15

8

EQ High Gain

-15 - +15 dB 

0 - 30

15

6

Balance

D100:0E - D0:100W

0 - 100

100

10

Output Level

0 - 127

0 - 127

127

 

9

Output Pan

L64 - 63R

0 - 127

64

(*1) 200, 250, 315, 400, 500, 630, 800, 1000, 1250, 1600, 2000,

2500, 3150, 4000, 5000, 6300, 8000 Hz

 

51:LoFi Noise

 

No.

Parameter

Setting Value

Value Dec.

Initial

 

1

LoFi Type

1 - 9

0 - 8

2

2

PostFilter Type

OFF, LPF, HPF

0 - 2

1

3

PostFilter Cutoff 200 - 8000 Hz (*1)

0 - 16

13

4

 

Radio Noise Detune

 

0 - 127

0 - 127

0

5

 

Radio Noise Level

 

0 - 127

0 - 127

64

6

 

Disc Noise Type

 

LP, EP, SP, RND

0 - 3

0

7

 

Disc Noise LPF

 

200 - 8000 Hz,
BYPASS (*2)

0 - 17

17

8

 

Disc Noise Level

 

0 - 127

0 - 127

0

10

EQ Low Gain

-15 - +15 dB 

0 - 30

15

11

EQ High Gain

-15 - +15 dB

0 - 30

15

9

Balance

D100:0E - D0:100W

0 - 100

100

13

Output Level

0 - 127

0 - 127

127

 

12

Output Pan

L64 - 63R

0 - 127

64

(*1) 200, 250, 315, 400, 500, 630, 800, 1000, 1250, 1600, 2000,

2500, 3150, 4000, 5000, 6300, 8000 Hz

(*2) 200, 250, 315, 400, 500, 630, 800, 1000, 1250, 1600, 2000,

2500, 3150, 4000, 5000, 6300, 8000 Hz, BYPASS

 

52:Speaker Simulator

 

No.

Parameter

Setting Value

Value Dec.

Initial

 

1

SP Type

(*1)

0 - 15

6

2

Mic Setting

1, 2, 3

0 - 2

1

3

Mic Level

0 - 127

0 - 127

127

4

Mic DirectLevel 0 - 127 

0 - 127

0

 

5

Output Level

0 - 127

0 - 127

127

(*1) Small 1, Small 2, Middle, JC-120, Built In 1, Built In 2, Built In 3,

Built In 4, Built In 5, BG Stack 1, BG Stack 2, MS Stack 1, MS
Stack 2, Metal Stack, 2 Stack, 3 Stack

 

53:Overdrive 2

 

No.

Parameter

Setting Value

Value Dec.

Initial

 

1

OD Drive

0 - 127

0 - 127

127

2

OD Tone

0 - 127

0 - 127

50

4

AmpSim Switch OFF, ON

0 - 1

1

5

AmpSim Type

SMALL, BUILT-IN, 
2-STACK, 3-STACK

0 - 3

0

6

EQ Low Gain

-15 - +15 dB 

0 - 30

15

7

EQ High Gain

-15 - +15 dB 

0 - 30

15

8

Output Level

0 - 127

0 - 127

127

 

3

Output Pan

L64 - 63R

0 - 127

64

 

54:Distortion 2

 

No.

Parameter

Setting Value

Value Dec.

Initial

 

1

DS Drive

0 - 127

0 - 127

127

2

DS Tone

0 - 127

0 - 127

50

4

AmpSim Switch OFF, ON

0 - 1

1

5

AmpSim Type

SMALL, BUILT-IN,
2-STACK, 3-STACK

0 - 3

3

6

EQ Low Gain

-15 - +15 dB 

0 - 30

15

7

EQ High Gain

-15 - +15 dB 

0 - 30

15

8

Output Level

0 - 127

0 - 127

127

 

3

Output Pan

L64 - 63R

0 - 127

64

sd80_manual_e.book 86 ページ 2004年2月10日 火曜日 午前11時5分

Summary of Contents for Studio Canvas SD-80

Page 1: ...ndinavia As Filial Finland Elannontie 5 FIN 01510 Vantaa FINLAND TEL 0 9 68 24 020 GERMANY Roland Elektronische Musikinstrumente HmbH Oststrasse 96 22844 Norderstedt GERMANY TEL 040 52 60090 HUNGARY Roland East Europe Ltd Warehouse Area DEPO Pf 83 H 2046 Torokbalint HUNGARY TEL 23 511011 AUSTRIA Roland Austria GES M B H Siemensstrasse 4 P O Box 74 A 6063 RUM AUSTRIA TEL 0512 26 44 260 BELGIUM HOLL...

Page 2: ...11 Only use attachments accessories specified by the manufacturer 12 Never use with a cart stand tripod bracket or table except as specified by the manufacturer or sold with the apparatus When a cart is used use caution when moving the cart apparatus combination to avoid injury from tip over 13 Unplug this apparatus during lightning storms or when unused for long periods of time 14 Refer all servi...

Page 3: ...vel and sure to remain stable Never place it on stands that could wobble or on inclined surfaces 008a The unit should be connected to a power supply only of the type described in the operating instructions or as marked on the unit 008e Use only the attached power supply cord Used for instructions intended to alert the user to the risk of injury or material damage should the unit be used improperly...

Page 4: ...ore using the unit in a foreign country consult with your retailer the nearest EDIROL Roland Service Center or an autho rized EDIROL Roland distributor as listed on the Information page 023 DO NOT play a CD ROM disc on a conven tional audio CD player The resulting sound may be of a level that could cause permanent hearing loss Damage to speakers or other system components may result 101a The unit ...

Page 5: ...unit with a soft dry cloth or one that has been slightly dampened with water To remove stubborn dirt use a cloth impreg nated with a mild non abrasive detergent After wards be sure to wipe the unit thoroughly with a soft dry cloth 402 Never use benzine thinners alcohol or solvents of any kind to avoid the possibility of discoloration and or deformation 553 Use a reasonable amount of care when usin...

Page 6: ...t 18 Polyphony and voices 18 Specifying the function of the MIDI connectors 19 USB mode 19 MIDI mode 20 Specifying the function of the MIDI connectors 21 Switching the sound generator mode 22 Selecting a part 23 Selecting the type of part INST DRUM 24 Selecting the sound set 25 Selecting a sound 26 Selecting a drum set 27 Muting soloing a part 28 Muting a part 28 Soloing a part 29 About parameters...

Page 7: ...s to an external MIDI device 51 Preview settings 52 Setting the system tempo 52 Switching the driver 52 Restoring the factory settings 52 Controlling the SD 80 via MIDI 53 Controlling the internal sound generator 53 Switching the sound generator mode 53 Switching the sound set 55 Switching the type of part 56 Switching sounds 58 Switching the drum set 61 Editing MIDI effect parameters 63 Writing l...

Page 8: ...n from Microsoft Corporation ADD Windows XP is known officially as Microsoft Windows XP operating system 206f Windows 2000 is known officially as Microsoft Windows 2000 operating system 206g Windows Me is known officially as Microsoft Windows Millennium Edition operating system 206c Windows 98 is known officially as Microsoft Windows 98 operating system 207 Apple and Macintosh are registered trade...

Page 9: ...rt 128 voice polyphony 1050 tones 30 drum sets and 3 units of Multi Effects Optical Coaxial Digital output S P DIF 2 stereo 4 mono multi outputs 2 port external MIDI IN OUT Multi purpose design Desktop Rack mount type Professional quality sound in a compact body New generation of Studio Canvas The SD 80 follows a world leading technology of synthesizer sound engines and high quality waveforms The ...

Page 10: ...s p 39 5 SYSTEM Button Use this button to make settings that affect the entire SD 80 system System related settings p 49 6 PART Buttons Use these buttons to switch the part display If you press and simultaneously parameters that are common to all parts will be displayed Editing parameters that are common to all parts p 32 7 VOLUME Knob This knob adjusts the output level of the audio signal that is...

Page 11: ...on to execute an operation 13 MIDI Indicator This will light when the SD 80 is operating in MIDI mode MIDI mode p 20 14 PREVIEW Button Use this button to audition the currently selected sound instrument Auditioning the sounds Preview p 14 15 USB Indicator This will light when the SD 80 is operating in USB mode USB mode p 19 When you connect the SD 80 to your computer via a USB cable the SD 80 will...

Page 12: ...stination setting of a part will determine whether its sound is sent to OUTPUT jacks 1 or 2 Normally the sound will be sent to the OUTPUT 1 jacks The front panel VOLUME knob affects only the OUTPUT 1 jacks 20 DIGITAL OUT Jacks These jacks can be connected to digital audio devices such as CD players and MD players to transfer digital audio signals Use a coaxial cable for COAXIAL and an optical digi...

Page 13: ...pear 4 Turn the VALUE dial to select a demo song fig 2 05b 5 Press ENTER and the demo song will begin playing Slowly turn the VOLUME knob clockwise to adjust the volume to a comfortable level Once the demo song has played to the end it will automatically be played over again starting from the beginning 6 Press ENTER once again to stop the demo song At this time you will automatically return to the...

Page 14: ...e it immediately the phrase will play back to the end In this case you can stop the phrase playback by pressing PREVIEW once again 2 Turn the VALUE dial to switch sounds At start up the native mode sounds will be selected 1 2 Changing the Preview settings At the factory settings you can audition a characteristic phrase that uses the currently selected sound Phrase Preview Alternatively you can set...

Page 15: ...he display fig 2 02 1 Press SYSTEM The button will light 2 Press PAGE or PAGE until LCD Contrast is displayed 3 Turn the VALUE dial to adjust the contrast of the display fig 2 03 LCD Contrast 1 4 5 Adjusts the contrast of the display 4 Press ENTER The contrast setting you specify will be remembered by the SD 80 Do not turn off the power while the setting is being stored while Saving is displayed D...

Page 16: ...which does not include the extended specifications of GM2 Native mode This is the sound generator mode that allows you to take advantage of the SD 80 s full potential It uses the same instrument files and sound sets as GM2 mode and provides a greater number of editable parameters In addition it provides two special sound sets that collect the most distinctive of the sounds of the SD 80 GS mode Thi...

Page 17: ...c instruments with a clear upper register produced by equalization processing and synth sounds based on multi effects Up to three enhanced sounds can be used simultaneously This set also contains some sounds that do not use MFX With the factory settings in Native mode parts 1 3 allow you to use special sounds or enhanced sounds that use MFX Special This sound set can be used only in Native mode It...

Page 18: ...ode By default the following part mode is selected for each part Polyphony and voices Each of the SD 80 s sounds consist of units called voices There is a limit to the number of voices that can be used and the SD 80 is able to use 128 voices simultaneously Some sounds instruments use more than one voice Instrument list GM2 Native mode p 95 The main reason that an instrument uses some voices is so ...

Page 19: ...t turn on the Thru function of your software running on your USB connected computer Thru is a function by which MIDI messages received from the SD 80 s USB connector are retransmitted back to the SD 80 s USB connector If the Thru function is turned on the MIDI messages received at the MIDI IN connectors will pass through the computer and be passed to the SD 80 s internal sound generator causing so...

Page 20: ...1 will play Parts 01 16 of group A and the MIDI messages received at MIDI IN 2 will play Parts 01 16 of group B For example a MIDI message received at MIDI IN 1 on channel 5 will play Group A Part 5 A05 when still set to the default settings If you want to change the correspondence of Parts to MIDI channels you can send the System Exclusive message Rx CHANNEL via MIDI The MIDI indicator will light...

Page 21: ...They will not be merged In this case it will not be possible to use USB external output 2 EDIROL SD 80 MIDI OUT 2 from the computer However if the SD 80 is operating in MIDI mode and this switch is set to IN1 THRU MIDI messages received at the MIDI IN 1 connector will be thru ed from the MIDI OUT 2 connector as well as being sent to PART A In this case if an external MIDI device sends a dump reque...

Page 22: ... VALUE dial to select the desired sound generator mode GM2 Native GS XGlite fig 5 02a 4 Press ENTER You will switch to the sound generator mode you selected in step 3 The front panel mode indicators show the current sound generator mode 5 Press INST to return to the main screen 4 1 2 3 5 Convenient functions You can use the following shortcuts to switch the sound generator mode fig 5 01a 1 Hold do...

Page 23: ... how to select the part that you want to edit fig 5 03 1 Press INST The button will light fig 5 03a_67 2 2 Press PART or PART to select the part to be edited The number of the part currently being edited is indicated at the bottom of the display 2 1 sd80_manual_e book 23 ページ 2004年2月10日 火曜日 午前11時5分 ...

Page 24: ...f the sound generator mode is GM2 mode or Native mode fig 5 04 1 Press INST The button will light 2 Press PAGE until the display indicates Inst Type 3 Turn the VALUE dial to select the desired part mode INST or DRUM The part mode has now been selected 4 Press INST once again to return to the basic screen 1 4 2 3 sd80_manual_e book 24 ページ 2004年2月10日 火曜日 午前11時5分 ...

Page 25: ...n will light fig 5 05a_67 2 2 Press PAGE until the display indicates Inst Set 3 Turn the VALUE dial to select the desired sound set CLASSICAL Classical CONTEMPORARY Contemporary SOLO Solo ENHANCED Enhanced SPECIAL 1 Special 1 Native mode only SPECIAL 2 Special 2 Native mode only USER User Native mode only The sound set has now been selected 4 Press INST once again to return to the main screen 1 4 ...

Page 26: ...are called variation sounds For details on the various sounds that can be selected refer to Instrument list GM2 Native mode p 95 fig 5 06 1 Press INST The button will light fig 5 06a_67 2 2 Press PAGE until the display indicates Inst Number 3 Turn the VALUE dial to select a capital sound The sound name and Inst Number shown in the display will also change 4 Press PAGE until Variation appears In GS...

Page 27: ...s on how to set the part type to Drum refer to Selecting the type of part INST DRUM p 24 For details on the drum sets that are available refer to Instrument list GM2 Native mode p 95 Drum sets do not have variation sounds fig 5 07 1 Press INST The button will light fig 5 07a_67 2 2 Turn the VALUE dial to select a drum set The drum set name shown in the display will change 1 2 sd80_manual_e book 27...

Page 28: ... muted Mute will be defeated for that part and it will be set to Solo Even if you subsequently cancel Solo that part will not return to Mute If you want to mute that part once again use the procedure described in Muting a part Muting a part fig 5 08 1 Press INST The button will light 2 Press PART or PART to select the part that you want to mute fig 5 08a_67 2 3 When you hold down SHIFT and press P...

Page 29: ... This is referred to as soloing the part fig 5 09 1 Press INST The button will light 2 Press PART or PART to select the part that you want to solo fig 5 09a 3 Hold down SHIFT and press PART to solo the part you selected in step 2 Parts other than the soloed part will not sound nor will the bar graph be displayed Solo will be defeated when you press SHIFT PART once again 1 4 2 3 sd80_manual_e book ...

Page 30: ... included CD ROM The adjustable range of each parameter is printed in this manual as described in the comment column of the MIDI implementation Internal operation of parameters When you select a sound the sound data is loaded into a memory location called the temporary area The SD 80 produces sound based on the data in this temporary area fig 5 14 When you edit a sound or drum set you are temporar...

Page 31: ...ers that adjust the volume tonal character and pitch fig 5 10 1 Make sure that the sound generator mode is set to either GM2 or Native Switching the sound generator mode p 22 2 Press INST The button will light 3 Select the part and sound Selecting a part p 23 and Selecting a sound p 26 fig 5 10a_67 2 4 After you have selected the part and sound press PAGE or PAGE to access the parameter that you w...

Page 32: ..._67 2 2 Press PAGE or PAGE to select the parameter that you want to edit e g Master Volume 3 Turn the VALUE dial to adjust the value of the parameter you selected in step 2 4 If you want to keep the results of your edit hold down SHIFT and press ENTER after step 3 The current setting will be transmitted from the USB connector USB mode p 19 or the MIDI OUT connector MIDI mode p 20 5 Press INST to r...

Page 33: ...Depth 0 10 127 Specifies the depth of vibrato Volume cc 7 0 100 127 Adjusts the volume of each part Increasing this value will make the sound louder The overall volume of the entire SD 80 is adjusted by the VOLUME knob If the VOLUME knob is set to the minimum position there will be no sound even if you raise this level parameter Panpot cc 10 L64 0 63R Adjusts the pan localization of the sound imag...

Page 34: ...e the sound brighter or darker The cutoff frequency will also change over time according to an envelope By adjusting the filter and envelope you can create sounds that have movement and expression fig p8 1j TVF Resonance cc 71 64 0 63 Increasing the resonance value will emphasize the harmonics in the region of the cutoff frequency giving a distinctive character to the sound For some sounds negativ...

Page 35: ...the cutoff frequency If the cutoff frequency is lowered it will rise as the envelope rises and fall as the envelope falls Release Time TVF TVA Release cc 72 64 0 63 This adjusts the time from when you release the key note off message until the sound decays to silence The cutoff frequency will also fall accordingly Attack Time TVF TVA Attack cc 73 64 0 63 This adjusts the sharpness with which the n...

Page 36: ...the pitch of each part you can play these parts together to create rich and spacious sounds To adjust the pitch of all parts together edit the Master Fine Tune setting p 38 Coarse Tune Channel Coarse Tuning 64 0 63 The Channel Coarse Tuning parameter transposes shifts the key of an individual part Transpose means to change the pitch in steps of a semitone For example when playing song data from yo...

Page 37: ... degree to which playing dynamics will affect the volume and cutoff frequency Part Keyboard Fade Width Lower 0 127 This specifies how the volume will change when you play notes that are outside the lower limit of the part s key range With higher settings of this parameter the volume will decrease gradually If you want there to be no sound at all when you play below the specified key range set this...

Page 38: ... Increasing this value will increase the volume The basic overall volume of the SD 80 is adjusted with the VOLUME knob If the VOLUME knob is set to the minimum position there will be no sound even if you use this parameter to raise the volume Master Fine Tuning 415 3 440 0 466 2 Hz When you are playing in an ensemble with other instruments or want to adjust the SD 80 to the tuning of another instr...

Page 39: ...t hall Equalizer This is an effect that boosts or cuts the level of specific frequency bands of the sound modifying its tonal character Multi effect Multi effect provides 90 different effect types These include single effects such as distortion and delay as well as multiple types that combine two or more effects Chorus and reverb are additionally provided as multi effect effect types but you can a...

Page 40: ...switching the sound generator mode refer to Switching the sound generator mode p 22 2 Press EFFECT The sound generator Effect Edit screen will appear 3 Press PAGE or PAGE to select the parameter that you want to edit MFX cannot be selected if the sound generator mode is GM2 mode 4 Turn the VALUE dial to modify the value of the parameter you selected in step 4 This completes the steps needed to edi...

Page 41: ... Explanation Small Room This reverb simulates the reverberation of a room It produces a crisp and spacious re verberation Medium Room Large Room Medium Hall This reverb simulates the reverberation of a hall It produces a deeper sensation than Room Large Hall Plate This simulates a plate echo a reverb unit that uses the vibration of a metal plate Type Default setting Reverberation time seconds Smal...

Page 42: ...nerator section EQ1L EQ for the left channel Lch of the OUTPUT 1 stereo output EQ1R EQ for the right channel Rch of the OUTPUT 1 stereo output EQ2L EQ for the left channel Lch of the OUTPUT 2 stereo output EQ2R EQ for the right channel Rch of the OUTPUT 2 stereo output EQ Switch Off On Switches the equalizer on off EQ1 Low Frequency 200 400 Hz EQ2 Low Frequency 200 400 Hz Specify the frequency at ...

Page 43: ...or the reverb You can select either OUTPUT 1 or OUTPUT 2 stereo outputs When Reverb Type is set to 1 Reverb The following parameters can be edited when Reverb Type is set to 1 Reverb Type Reverb Delay Type Specifies the type of reverb or delay Time Reverb Delay Time 0 127 When the Type is ROOM 1 HALL 2 this adjusts the duration of the reverb When the Type is DELAY or PAN DELAY this specifies the d...

Page 44: ...pecifies the frequency above which the high frequency component of the final output sound will be cut If no cutting is desired set this to BYPASS Range 160 200 250 320 400 500 640 800 1000 1250 1600 2000 2500 3200 4000 5000 6400 8000 10000 12500 Hz BYPASS Density Reverb Density 0 127 Adjusts the density of the reverb sound Higher settings will produce a denser sound Diffusion Reverb Diffusion 0 12...

Page 45: ...f parameters the chorus unit will use Output Assign 1 2 Selects the output jacks for the reverb You can select either OUTPUT 1 or OUTPUT 2 stereo outputs When Chorus Type is 1 CHORUS Rate Chorus Rate 0 05 10 00 Hz Specifies the frequency at which the chorus sound will be modulated Depth Chorus Depth 0 127 Specifies the depth to which the chorus sound will be modulated Feedback Chorus Feedback 0 12...

Page 46: ...SS Range 200 250 315 400 500 630 800 1000 1250 1600 2000 2500 3150 4000 5000 6300 8000 Hz BYPASS Feedback 98 98 Specifies the amount of feedback Changing the amount of feedback will change the number of times that the delay will repeat Negative settings will invert the phase of the feedback sound Center Delay Center Level 0 127 Specifies the level of the delay sound localized at the center Left De...

Page 47: ...r to Native mode you will be able to control the sound and MFX independently In order to apply MFX to the sound of a specific part you must do the following two things These are part parameters Press the INST button and then use the PAGE button to select the editing screen Select the location source of the parameters used by MFX Send the output of the part to MFX Select the location of the paramet...

Page 48: ...tive mode the three MFX will be assigned to parts 1 2 and 3 respectively When you select sounds from the Enhanced set the effects will be applied only to parts 1 2 and 3 unless you change the settings If you want to use sounds from the Enhanced set for other parts in Native mode perform the following steps Example Using MFX A for part 4 1 Set the MFX A Source to PART4 This allows the MFX A effect ...

Page 49: ...in the system screen LCD Contrast Write Patch Inst Init Bulk Dump Inst Startup Sys EX Device ID Control Output Preview Mode Preview Note Preview Velocity System Tempo USB Driver Factory Reset 3 Turn the VALUE dial to edit the value of the item 4 When you have selected the desired value press ENTER Do not turn off the power while the settings are being saved while the display indicates Saving Doing...

Page 50: ...ve mode In other cases the display will indicate and this cannot be executed Switching the sound generator mode Inst Initialize The SD 80 has four sound generator modes GM2 Native GS and XGlite When you switch the sound generator mode the sound generator will also be initialized as appropriate for that mode fig 7 1a Inst Init GM2 Native GS XGlite This switches the unit to the sound generator mode ...

Page 51: ...r user patches and rhythm sets Specifying the start up sound generator mode Inst Startup GM2 NATIVE GS This selects the mode in which the sound generator will be when the SD 80 is started up Setting the Device ID Number The Device ID Number is an identification number used when receiving and transmitting exclusive messages The SD 80 relies on an identical device ID number when transmitting and rec...

Page 52: ...mpo System Tempo 20 120 250 fig 7 1h This sets the tempo of the entire SD 80 system When you set the Delay Time of an internal sound generator effect MFX to Clock Tempo it will follow the tempo you specify here Switching the driver fig 7 1h USB Driver VENDOR GENERIC Selects the type of driver that will be used when the SD 80 is connected to your computer VENDOR The dedicated driver provided on the...

Page 53: ...lthough this mode lets you control parameters that cannot be edited in other modes operations in Native mode are not compatible with GM2 In other words song data created in Native mode cannot be reproduced by playing it back on another GM2 sound generator fig 5 01b In Native mode MFX and sounds instruments can be handled independently For this reason simply selecting an Enhanced sound will not aut...

Page 54: ... part parameters at the beginning of the song Transmit a program change number during the song to switch to sound B The structure of the synthesizer When controlling the sound parameters it is important to understand the structure of a conventional music synthesizer oscillator TVF TVA envelope LFO We recommend that you understand the following concepts before you use the operations described in th...

Page 55: ...he part you want to switch and nn selects the sound set Switching the sound set in Native mode In Native mode you can switch the sound set by transmitting a Bank Select message The upper byte MSB of the MIDI bank number will switch the sound set MIDI bank number CC 00 MSB The set will be switched according to the value you insert here decimal 80 50H Special 1 set 81 51H Special 2 set 96 60H Classi...

Page 56: ...l set 105 61H Contemporary set 106 62H Solo set 107 63H Enhanced set 86 56H User set Switching the Part Mode in GS mode In GS mode the Inst mode and Drum Part are normally set as follows Inst part Part 1 9 11 16 Drum part Part 10 Transmit system exclusive data to switch the Part Mode fig 5 2aj Address 40 1p 15 p Part number Data 00 02 00 Normal 01 Drum1 02 Drum2 Checksum For details on the calcula...

Page 57: ...auses the sound generator to switch to XGlite mode F0 43 10 4C 00 00 7E 00 F7 and then use a Bank Select message to select the sound Switching sounds p 58 Correspondence between actual parts and part numbers in GS mode Actual part Part number Actual part Part number Part1 1 Part9 9 Part2 2 Part10 0 Part3 3 Part11 A Part4 4 Part12 B Part5 5 Part13 C Part6 6 Part14 D Part7 7 Part15 E Part8 8 Part16 ...

Page 58: ...name of the sound Example Native mode instrument list fig 4 7 PC Instrument number program number LSB Variation number value of controller number 32 Capital sounds variation number 0 are printed in bold type MSB Sound set number value of controller number 0 Classic Set Sound set Classical set sounds Contemp Set Sound set Contemporary set sounds Solo Set Sound set Solo set sounds Enhance Set Sound ...

Page 59: ...er 009 Switching sounds in GS mode Transmit bank select MSB and program change Leave the bank select LSB set at 0 Actual transmission of MIDI messages When you input MIDI messages into sequencer software on your computer for transmission to the SD 80 send the messages in the following order 1 Value of control change 0 MIDI bank number MSB variation number 2 Value of control change 32 MIDI bank num...

Page 60: ...to 017 Organ 1 variation 000 transmit the following MIDI CH 02 CC 00 000 set the variation number to 000 CC 32 0 PC 017 set the instrument number to 017 Example Changing the variation of the part s sound To switch the sound of part 1 to 005 Detuned EP1 variation 008 transmit the following MIDI CH 01 CC 00 008 set the variation number to 008 CC 32 0 PC 005 set the instrument number to 005 Example C...

Page 61: ...m set list GM2 Native mode p 105 Drum set list XGlite mode p 117 Drum set list GS mode p 114 Example Native mode drum set list Classical set fig 4 10j PC Drum set number program number Keyboard area Note number Same sound as percussion instrument sound of Standard Set 1 PC 1 Note number for which no percussion instrument exists Switching drum sets in GM2 mode Transmit bank select LSB CC 32 and pro...

Page 62: ...channel 10 The note data in the rhythm data you are playing must match the note numbers of the drum set you are using fig 4 11e Example Switching the drum set Transmit the following to set part 10 sound to 009 Room MIDI CH 10 CC 00 000 specify variation number 000 CC 32 0 PC 009 specify drum set number 009 Room Inst part Drum part 80 50H Special 1 set 81 51H Special 2 set 87 57H User set 86 56H Us...

Page 63: ...To edit the chorus via MIDI messages transmit the following system exclusive data global parameter control F0 7FH 10 04 05 01 01 01 01 02 pp vv F7 pp Parameter number vv Value setting Example Setting the chorus type to 3 Chorus4 Transmit the following system exclusive data F0 7F 10 04 05 01 01 01 02 01 00 03 F7 VV setting pp 0 Reverb Type 00 Small Room 01 Medium Room 02 Large Room 03 Medium Hall 0...

Page 64: ...er parts Native mode By transmitting the following system exclusive message the insertion effect used by the enhanced sounds selected for parts 1 3 can be used by other parts The output of all parts that use that MFX will be mixed and sent to the MFX Do not change the MFX source of the three insertion effects after a Native Reset message is received This will not work if effect type 00 no effect T...

Page 65: ...re than one part the effect setting of the enhanced sound of the part using that MFX will be ignored fig 8 08_99 1 Make the MFX use the settings of the multitimbre common to all parts Address mm when you want to use MFX A from multiple parts 30 when you want to use MFX B from multiple parts 31 when you want to use MFX C from multiple parts 32 Data 01 MFX Source COMMON Checksum ss For details on th...

Page 66: ...t Select the effect type 00 5A Checksum ss For details on the calculation method refer to the section How to calculate the checksum within MIDI Implementation MIDIImp_E pdf on the included CD ROM Example Share MFX B with the sounds of parts 4 6 and 7 and set the effect type to 24 REVERB 1 F0 41 10 00 48 12 10 00 00 31 00 3F F7 2 1 F0 41 10 00 48 12 10 00 23 1F 00 2E F7 2 2 F0 41 10 00 48 12 10 00 ...

Page 67: ...r 1 06 11 when editing parameter number 2 06 15 the address will increment 04H each time the parameter number increases by 1 when editing parameter number 29 07 01 when editing parameter number 30 07 05 when editing parameter number 31 07 09 when editing parameter number 32 07 0D Data d1 d2 d3 d4 Effect parameter The lower 4 bits of the four data bytes indicate a signed numerical value Checksum ss...

Page 68: ...number 29 07 01 for MFX B 09 11 for MFX C 0B 11 when editing MFX A s parameter number 30 07 05 when editing MFX A s parameter number 31 07 09 when editing MFX A s parameter number 32 07 0D Data d1 d2 d3 d4 Effect parameter The lower 4 bits of the four data bytes indicate a signed numerical value For details on the data byte expression refer to Data byte expression p 67 Checksum ss For details on t...

Page 69: ... 8 3 1 Press SYSTEM The button will light 2 Press PAGE or PAGE to make the display indicate Bulk Dump Bulk Dump A01 A16 B1 B16 COMMON PART ALL USER AREA fig 7 1aa_67 2 Specifies the internal sound generator Part whose parameter values will be transmitted when the bulk dump is executed A01 A16 and B01 B16 will transmit the part parameters and patch parameters of the selected patch COMMON will trans...

Page 70: ...can be transmitted in each editing screen fig 8 3a 1 In each editing screen select the parameter that you want to transmit and specify its value 2 Hold down SHIFT and press ENTER The highlighted parameter value will be transmitted 2 sd80_manual_e book 70 ページ 2004年2月10日 火曜日 午前11時5分 ...

Page 71: ...nnot be heard Make sure that the MIDI receive channel of the Part matches the MIDI transmit channel of the connected MIDI device Rx Channel Receive channel p 37 There is a part that does not sound even when you press the PREVIEW button Is the part soloed or muted Muting a part p 28 Soloing a part p 29 A certain range of notes does not sound Keyboard Range settings may have been made Part parameter...

Page 72: ... all parts may have been lowered p 10 The volume level may have been lowered by an expression pedal or similar device connected to a connected MIDI device If there is still no sound it is possible that there is a problem with the driver or software settings Refer to Troubleshooting in the Getting Started manual and check the appropriate points The PART level meter does not move even when notes sou...

Page 73: ...on MIDIImp_E pdf on the included CD ROM When connected to your computer via USB sound generator parameters are not output from the MIDI connectors If you are using USB mode the MIDI connectors of the SD 80 will function as a MIDI interface for externally connected MIDI devices The data from the computer will be output from the USB connector and not from the MIDI connectors This means that sound ge...

Page 74: ...er software The SD 80 is able to transmit the following two types of data Transmitting a bulk dump p 69 Transmitting individual data p 70 Bulk Dump allows you to send multiple parameters in one transmission Individual data lets you create data without having to look up each system exclusive message and provides an efficient way to create for example song data that contains exclusive messages If a ...

Page 75: ...annel 1 16 OFF PitchBendSens Pitch Bend Sensitivity 0 24 Modulation Depth Modulation Depth 0 127 Scale Octave Tuning Adjust Scale Octave Tuning Adjust 64 0 63 Part parameters Native mode Parameter Value Legato ON OFF Legato ON OFF ON OFF Part Velocity Sens Offset Part Velocity Sens Offset 63 0 63 Part Keyboard Fade Width Lower Part Keyboard Fade Width Lower 0 127 Part Keyboard Range Lower Part Key...

Page 76: ...ode Parameter Value SYSTEM Control 1 4 System Control OFF CC01 31 33 95 BEND AFT MFX Sw MFX Switch OFF ON Chorus Sw Chorus Switch OFF ON Reverb Sw Reverb Switch OFF ON Scale Tune Sw Scale Tune Switch OFF ON sd80_manual_e book 76 ページ 2004年2月10日 火曜日 午前11時5分 ...

Page 77: ...dulation Rate 0 127 Mod Depth Modulation Depth 0 127 Feedback Feedback 0 127 Send to Reverb Send to Reverb 0 127 EQ Equalizer Parameter Value EQ Switch EQ Switch Off On EQL Low Frequency EQL Low Frequency 200 400Hz EQR Low Frequency EQR Low Frequency 200 400Hz EQL Low Gain EQL Low Gain 15 15 EQR Low Gain EQR Low Gain 15 15 EQL High Frequency EQL High Frequency 2000 4000 8000Hz EQR High Frequency E...

Page 78: ...Frequency 5 LF Damp Gain LF Damp Gain 36 0 dB HF Damp Freq HF Damp Frequency 6 HF Damp Gain HF Damp Gain 36 0 dB 4 160 200 250 320 400 500 640 800 1000 1250 1600 2000 2500 3200 4000 5000 6400 8000 10000 12500 Hz BYPASS 5 50 64 80 100 125 160 200 250 320 400 500 640 800 1000 1250 1600 2000 2500 3200 4000 Hz 6 4000 5000 6400 8000 10000 12500 Hz Chorus System Effect Parameter Value Chorus Type Chorus...

Page 79: ... Source MFX A C Control 1 4 Source OFF CC01 95 PITCH BEND AFTERTOUCH SYS CTRL 1 4 MFX A C Control 1 4 Sens MFX A C Control 1 4 Sensitivity 63 63 MFX A C Parameter 1 32 MFX A C Parameter MFX A SOURCE MFX A source COMMON PART1 32 MFX B SOURCE MFX B source COMMON PART1 32 MFX C SOURCE MFX C source COMMON PART1 32 PART OUTPUT ASSIGN Part Output Assign MFX DRY PAT PART OUTPUT MFX SELECT Part Output MFX...

Page 80: ...c Initial 1 250Hz Gain 15 15 dB 0 30 15 2 500Hz Gain 15 15 dB 0 30 15 3 1000Hz Gain 15 15 dB 0 30 15 4 1250Hz Gain 15 15 dB 0 30 15 5 2000Hz Gain 15 15 dB 0 30 15 6 3150Hz Gain 15 15 dB 0 30 15 7 4000Hz Gain 15 15 dB 0 30 15 8 8000Hz Gain 15 15 dB 0 30 15 9 Band Width Q 0 5 1 0 2 0 4 0 8 0 0 4 0 11 Output Level 0 127 0 127 127 10 Output Pan L64 63R 0 127 64 6 Enhancer No Parameter Setting Value Va...

Page 81: ...200 8000 Hz 1 0 16 7 8 EQ Low Gain 15 15 dB 0 30 15 9 EQ High Gain 15 15 dB 0 30 15 10 Balance D100 0W D0 100W 0 100 50 11 Output Level 0 127 0 127 127 1 200 250 315 400 500 630 800 1000 1250 1600 2000 2500 3150 4000 5000 6300 8000 Hz 15 Stereo Flanger No Parameter Setting Value Value Dec Initial 4 FL LFO Rate 0 05 10 00 Hz 0 125 9 5 FL LFO Depth 0 127 0 127 50 7 FL Feedback 98 98 0 98 89 6 FL Pha...

Page 82: ...ol Delay No Parameter Setting Value Value Dec Initial 1 DLY Time 200 1000 ms 0 120 10 3 DLY Acceleration 0 15 0 15 10 4 DLY HF Damp 200 8000 Hz BYPASS 1 0 17 17 2 DLY Feedback 98 98 0 98 59 6 EQ Low Gain 15 15 dB 0 30 15 7 EQ High Gain 15 15 dB 0 30 15 8 Balance D100 0W D0 100W 0 100 50 9 Output Level 0 127 0 127 127 5 Output Pan L64 63R 0 127 64 1 200 250 315 400 500 630 800 1000 1250 1600 2000 2...

Page 83: ...W D0 100W 0 100 50 8 Output Level 0 127 0 127 127 30 Distortion Flanger No Parameter Setting Value Value Dec Initial 1 DS Drive 0 127 0 127 127 2 DS Pan L64 63R 0 127 64 3 FL PreDelay 0 0 100 0 ms 0 125 10 4 FL Rate 0 05 10 00 Hz 0 125 9 5 FL Depth 0 127 0 127 40 6 FL Feedback 98 98 0 98 89 7 FL Balance D100 0W D0 100W 0 100 50 8 Output Level 0 127 0 127 127 31 Distortion Delay No Parameter Settin...

Page 84: ...127 20 5 CH Balance D100 0W D0 100W 0 100 50 6 DLY Time 0 0 500 0 ms 0 126 10 7 DLY Feedback 98 98 0 98 59 8 DLY HF Damp 200 8000 Hz BYPASS 1 0 17 17 9 DLY Balance D100 0W D0 100W 0 100 50 10 Output Level 0 127 0 127 127 1 200 250 315 400 500 630 800 1000 1250 1600 2000 2500 3150 4000 5000 6300 8000 Hz BYPASS 39 Flanger Delay No Parameter Setting Value Value Dec Initial 1 FL PreDelay 0 0 100 0 ms ...

Page 85: ...810 13 DLY Feedback 98 98 0 98 59 14 DLY HFDamp 200 8000 Hz BYPASS 1 0 17 17 9 DLY Level1 0 127 0 127 127 10 DLY Level2 0 127 0 127 127 11 DLY Level3 0 127 0 127 127 12 DLY Level4 0 127 0 127 127 5 DLY Output Pan1 L64 63R 0 127 0 6 DLY Output Pan2 L64 63R 0 127 32 7 DLY Output Pan3 L64 63R 0 127 96 8 DLY Output Pan4 L64 63R 0 127 127 15 EQ Low Gain 15 15 dB 0 30 15 16 EQ High Gain 15 15 dB 0 30 15...

Page 86: ... Output Level 0 127 0 127 127 9 Output Pan L64 63R 0 127 64 1 200 250 315 400 500 630 800 1000 1250 1600 2000 2500 3150 4000 5000 6300 8000 Hz 51 LoFi Noise No Parameter Setting Value Value Dec Initial 1 LoFi Type 1 9 0 8 2 2 PostFilter Type OFF LPF HPF 0 2 1 3 PostFilter Cutoff 200 8000 Hz 1 0 16 13 4 Radio Noise Detune 0 127 0 127 0 5 Radio Noise Level 0 127 0 127 64 6 Disc Noise Type LP EP SP R...

Page 87: ...el 0 127 0 127 127 59 Isolator No Parameter Setting Value Value Dec Initial 3 Boost Cut Low 60 4 dB 0 64 60 2 Boost Cut Mid 60 4 dB 0 64 60 1 Boost Cut High 60 4 dB 0 64 60 6 AntiPhaseLow SW OFF ON 0 1 0 7 AntiPhaseLow Lev 0 127 0 127 127 4 AntiPhaseMid SW OFF ON 0 1 0 5 AntiPhaseMid Lev 0 127 0 127 127 8 LowBoost SW OFF ON 0 1 0 9 LowBoost Lev 0 127 0 127 127 10 Output Level 0 127 0 127 127 60 3D...

Page 88: ...180 degree 0 90 0 8 Keysync Switch OFF ON 0 1 1 9 Keysync Thres 0 127 0 127 60 11 EQ Low Gain 15 15 dB 0 30 15 12 EQ High Gain 15 15 dB 0 30 15 13 Output Level 0 127 0 127 127 67 Multi Tap Delay 2 No Parameter Setting Value Value Dec Initial 1 DLY Time1 0 3000 ms note 2 0 3022 3016 2 DLY Time2 0 3000 ms note 2 0 3022 3015 3 DLY Time3 0 3000 ms note 2 0 3022 3013 4 DLY Time4 0 3000 ms note 2 0 3022...

Page 89: ... 127 0 127 64 4 OD DS Tone 0 127 0 127 50 5 OD DS Level 0 127 0 127 80 6 AmpSim Switch OFF ON 0 1 1 7 AmpSim Type SMALL BUILT IN 2 STACK 3 STACK 0 3 0 8 EQ Switch OFF ON 0 1 1 9 EQ Low Gain 15 15 dB 0 30 15 12 EQ Mid Gain 15 15 dB 0 30 15 13 EQ High Gain 15 15 dB 0 30 15 10 EQ Mid Freq 200 8000 Hz 1 0 16 7 11 EQ Mid Q 0 5 1 0 2 0 4 0 8 0 0 4 0 14 ROT Switch OFF ON 0 1 1 19 ROT Speed SLOW FAST 0 1 ...

Page 90: ... 15 15 dB 0 30 15 14 Spectrum 500Hz 15 15 dB 0 30 15 15 Spectrum 1000Hz 15 15 dB 0 30 15 16 Spectrum 2000Hz 15 15 dB 0 30 15 17 Spectrum 4000Hz 15 15 dB 0 30 15 18 Spectrum 8000Hz 15 15 dB 0 30 15 21 EH Sens 0 100 0 100 50 22 EH Mix level 0 100 0 100 50 24 Output Level 0 127 0 127 127 23 Output Pan 0 127 0 127 64 1 MELLOW DRIVE OVERDRIVE CRY DRIVE MELLOW DIST LIGHT DIST FAT DIST FUZZ DIST 76 Stere...

Page 91: ...AmpSim Switch OFF ON 0 1 1 11 AmpSim Type SMALL BUILT IN 2 STACK 3STACK 0 3 0 12 DLY Switch OFF ON 0 1 1 13 DLY TimeLeft 0 3000 ms note 2 0 3022 3013 14 DLY TimeRight 0 3000 ms note 2 0 3022 3010 15 DLY Feedback 98 98 0 98 59 16 DLY HF Damp 200 8000 Hz BYPASS 1 0 17 17 17 DLY Balance D100 0W D0 100W 0 100 50 18 CH FL Switch OFF ON 0 1 1 19 CH FL Type CHORUS FLANGER 0 1 0 21 CH FL Rate 0 05 10 0 Hz...

Page 92: ...2 0 3022 3010 14 DLY Feedback 98 98 0 98 59 15 DLY HF Damp 200 8000 Hz BYPASS 2 0 17 17 16 DLY Balance D100 0E D0 100E 0 100 50 17 CH FL Switch OFF ON 0 1 1 18 CH FL Type CHORUS FLANGER 0 1 0 20 CH FL Rate 0 05 10 0 Hz 1 222 10 21 CH FL Depth 0 127 0 127 20 22 CH FL Feedback 98 98 0 98 89 19 CH FL PreDly 0 0 100 ms 0 125 10 25 CH FL Balance D100 0E D0 100E 0 100 50 23 CH FL FilterType OFF LPF HPF ...

Page 93: ...st Level 0 127 0 127 127 16 Output Level 0 127 0 127 127 88 Stereo Spectrum No Parameter Setting Value Value Dec Initial 1 250Hz Gain 15 15 dB 0 30 15 2 500Hz Gain 15 15 dB 0 30 15 3 1000HzGain 15 15 dB 0 30 15 4 1250HzGain 15 15 dB 0 30 15 5 2000HzGain 15 15 dB 0 30 15 6 3150HzGain 15 15 dB 0 30 15 7 4000HzGain 15 15 dB 0 30 15 8 8000HzGain 15 15 dB 0 30 15 9 Band Width Q 0 5 1 0 2 0 4 0 8 0 0 4 ...

Page 94: ...94 Appendices sd80_manual_e book 94 ページ 2004年2月10日 火曜日 午前11時5分 ...

Page 95: ... 2 98 St Celesta 3 99 SpaceCelesta 3 10 0 96 Glockenspiel 1 97 Glocken 2 2 98 St Glocken 3 99 Trem Glocken 3 11 0 96 Music Box 1 97 Music Box 2 2 98 St Music Box 3 99 Panning Box 3 12 0 96 Vibraphone 1 97 Vibraphone 2 2 98 St Vibra 2 99 Trem Vibra 2 1 96 Vibraphone w 1 97 Vibraphone2w 2 98 St Vibra w 2 99 Trem Vibra w 2 13 0 96 Marimba 1 97 Marimba 2 2 98 St Marimba 3 99 Enh Marimba 3 1 96 Marimba...

Page 96: ...t Voices MSB Solo Set Voices MSB Enhance Set Voices 33 0 96 Acoustic Bs 1 97 Rockabilly 2 98 Fat Aco Bass 2 99 Enh Aco Bass 1 34 0 96 Fingered Bs 1 97 Fingered Bs2 1 98 Jazz Bass 1 99 Pre Bass 1 1 96 FingerJ Bass 2 97 FingerP Bass 2 98 Finger Slap 2 99 Comp Finger 2 35 0 96 Picked Bass 1 97 Picked Jz Bs 1 98 Picking Bass 2 99 Rock Bass 2 36 0 96 Fretless Bs 1 97 Fretless Bs2 2 98 PhaseFrtless 3 99...

Page 97: ...9 Enh MutedTp2 2 61 0 96 French Horns 1 97 FrenchHorns2 2 98 St Fr Horns 3 99 Enh StFrHorn 3 1 96 Fr Horn 2 97 MildFr Horns 2 98 St Fr Horns2 3 99 Warm Horns 3 62 0 96 Brass 1 2 97 Brass FF 2 98 St Brass 2 99 St Big Brass 4 1 96 Brass 2 2 97 BrassSection 3 98 St Brass 2 5 99 Enh Brs Sect 4 63 0 96 SynthBrass 1 2 97 JP Syn Brass 3 98 Hyper Brass 4 99 SuperJP Brs1 3 1 96 SynthBrass 3 2 97 JPSyn Bras...

Page 98: ...6 BowedGlass 2 97 BowedGlass 2 3 98 BowedGlass 3 3 99 Ring Glass 3 94 0 96 Metal Pad 3 97 Metal Pad 2 4 98 Metal Pad 3 4 99 Space Pad 4 95 0 96 Halo Pad 3 97 Halo Pad 2 4 98 Halo Pad 3 6 99 Phase Halo 6 96 0 96 Sweep Pad 2 97 Sweep Pad 2 2 98 Sweep Pad 3 4 99 Flanging Pad 4 Synth SFX PC LSB MSB Classic Set Voices MSB Contemp Set Voices MSB Solo Set Voices MSB Enhance Set Voices 97 0 96 Ice Rain 2 ...

Page 99: ...Seashore 2 97 98 99 1 96 Rain 2 97 98 99 2 96 Thunder 2 97 98 99 3 96 Wind 2 97 98 99 4 96 Stream 2 97 98 99 5 96 Bubble 2 97 98 99 124 0 96 Bird Tweet 2 97 98 99 1 96 Dog 1 97 98 99 2 96 Horse Gallop 1 97 98 99 3 96 Bird Tweet 2 1 97 98 99 125 0 96 Telephone 1 97 98 99 1 96 Telephone 2 1 97 98 99 2 96 Door Creak 1 97 98 99 3 96 Door 1 97 98 99 4 96 Scratch 1 97 98 99 5 96 Wind Chimes 2 97 98 99 1...

Page 100: ...s 5 0 81 TravlnFlutes 3 62 0 80 Enh Theater 4 0 81 DistordedSAW 1 63 0 80 Ld Harmonica 3 0 81 The Leader 3 64 0 80 Guitar Str 3 0 81 SH 2 Lead 1 PC LSB MSB Special 1 Set Voice LSB MSB Special 2 Set Voice 65 0 80 Elec Gut Gt 1 0 81 JP 6 Lead 1 66 0 80 Chorus GutGt 1 0 81 Glassy Saws 3 67 0 80 Enh Nylon Gt 1 0 81 Too Pure 2 68 0 80 CompSteel Gt 1 0 81 Mono Analog 8 69 0 80 Elec Aco Gt 1 0 81 Charang...

Page 101: ... 031 000 Dist Gt 1 008 Feedback Gt 2 032 000 Gt Harmonix 1 008 Gt Feedback 1 Bass PC CC00 GS Set Voices 033 000 Acoustic Bs 1 034 000 Fingered Bs 1 035 000 Picked Bass 1 036 000 Fretless Bs 1 037 000 Slap Bass 1 1 038 000 Slap Bass 2 1 039 000 Syn Bass 1 1 001 Syn Bass101 1 008 Syn Bass 3 1 040 000 Syn Bass 2 2 008 Syn Bass 4 2 016 Rubber Bass 2 Strings orchestra PC CC00 GS Set Voices 041 000 Viol...

Page 102: ...agpipe 1 111 000 Fiddle 1 112 000 Shanai 1 Percussive PC CC00 GS Set Voices 113 000 Tinkle Bell 1 114 000 Agogo 1 115 000 Steel Drums 1 116 000 Woodblock 1 008 Castanets 1 117 000 Taiko 1 008 Concert BD 1 118 000 Melo Tom 1 1 008 Melo Tom 2 1 119 000 Synth Drum 1 008 808 Tom 1 009 Elec Perc 1 120 000 Reverse Cym 1 SFX PC CC00 GS Set Voices 121 000 Gt FretNoiz 1 001 Gt CutNoise 1 002 String Slap 1 ...

Page 103: ...ccordion 2 064 Tango Accordion 2 2 Guitar PC CC32 XG Set Elements 025 000 Nylon Guitar 1 043 Velocity Guitar Harmonics 2 096 Cimbalom 2 026 000 Steel Guitar 1 035 12 string Guitar 2 040 Nylon Steel Guitar 2 041 Steel Guitar with Body Sound2 096 Mandolin 2 027 000 Jazz Guitar 1 032 Jazz Amp 2 028 000 Clean Guitar 1 032 Chorus Guitar 2 029 000 Muted Guitar 1 040 Funk Guitar 1 2 041 Muted Steel Guita...

Page 104: ...topia 2 093 000 Bowed Pad 2 094 000 Metallic Pad 2 095 000 Halo Pad 2 096 000 Sweep Pad 2 Synth SFX PC CC32 XG Set Elements 097 000 Rain 2 065 African Wind 2 066 Carib 2 098 000 Sound Track 2 027 Prologue 2 099 000 Crystal 2 012 Synth Drum Comp 2 014 Popcorn 2 018 Tiny Bells 2 035 Round Glockenspiel 2 040 Glockenspiel Chimes 2 041 Clear Bells 2 042 Chorus Bells 2 065 Soft Crystal 2 070 Air Bells 2...

Page 105: ... St Room 107 Amb Room 17 104 Power Set 105 Power Set 2 106 St Power 107 Gated Power 25 104 Electric Set 105 Dance Set 106 Rust Set 107 Techno Set 26 104 Analog Set 105 Rave Set 106 Analog2 Set 107 Bully Set 33 104 Jazz Set 105 Jazz Set 2 106 St Jazz 107 Amb Jazz 41 104 Brush Set 105 Brush Set 2 106 St Brush 107 Amb Brush 49 104 OrchestraSet 105 106 107 57 104 SFX Set 105 106 107 sd80_manual_e book...

Page 106: ...Ana Mid Tom1 High Tom 2 Room Hi Tom2 Power HiTom2 E Hi Tom 2 Ana Hi Tom2 CrashCymbal1 Ana Cymbal High Tom 1 Room Hi Tom1 Power HiTom1 E Hi Tom 1 Ana Hi Tom1 Ride Cymbal1 China Cymbal Reverse Cym Ride Bell Tambourine SplashCymbal Cowbell CrashCymbal2 Vibra slap Ride Cymbal2 High Bongo Low Bongo MuteHi Conga Ana Hi Conga OpenHi Conga Ana MidConga Low Conga Ana LowConga High Timbale Low Timbale High ...

Page 107: ...MidTom1 Timpani B GtFret Noise Brush HiTom2 Timpani c Cut Noise Up Brush Crash1 Timpani c Cut Noise Dw Brush HiTom1 Timpani d Slap_St Bass Brush Ride 1 Timpani d Fl Key Click Timpani e Laughing BrushRideBel Timpani f Scream Punch Heart Beat Footsteps 1 Footsteps 2 Applause Door Creak Door Scratch Wind Chimes Car Engine Car Stop Car Pass Car Crash Siren Train Jetplane Helicopter Starship Gun Shot M...

Page 108: ...om 1 High Tom 2 Room Hi Tom2 Power HiTom2 Ana Hi Tom2 808Hi Tom 2 CrashCymbal1 Ana Cymbal High Tom 1 Room Hi Tom1 Power HiTom1 Ana Hi Tom1 808Hi Tom 1 Ride Cymbal1 China Cymbal Reverse Cym Ride Bell Tambourine SplashCymbal Cowbell Ana Cowbell CrashCymbal2 Vibra slap Ride Cymbal2 High Bongo Low Bongo MuteHi Conga Ana Hi Conga OpenHi Conga Ana MidConga Low Conga Ana LowConga High Timbale Low Timbale...

Page 109: ...ell BrushMidTom1 Timpani B GtFret Noise Brush HiTom2 Timpani c Cut Noise Up Brush Crash1 Timpani c Cut Noise Dw Brush HiTom1 Timpani d Slap_St Bass Brush Ride 1 Timpani d Fl Key Click Timpani e Laughing BrushRideBel Timpani f Scream Punch Heart Beat Footsteps 1 Footsteps 2 Applause Door Creak Door Scratch Wind Chimes Car Engine Car Stop Car Pass Car Crash Siren Train Jetplane Helicopter Starship G...

Page 110: ...a Mid Tom1 High Tom 2 Room Hi Tom2 Power HiTom2 Elec Tom H2 Ana Hi Tom2 CrashCymbal1 High Tom 1 Room Hi Tom1 Power HiTom1 Elec Tom H1 Ana Hi Tom1 Ride Cymbal1 China Cymbal Reverse Cym Ride Bell Tambourine SplashCymbal Cowbell Ana Cowbell CrashCymbal2 Vibra slap Ride Cymbal2 High Bongo Low Bongo MuteHi Conga Ana Hi Conga OpenHi Conga Ana MidConga Low Conga Ana LowConga High Timbale Low Timbale High...

Page 111: ...Tom1 Timpani B GtFret Noise Brush HiTom2 Timpani c Cut Noise Up Brush Crash1 Timpani c Cut Noise Dw Brush HiTom1 Timpani d Slap_St Bass Brush Ride 1 Timpani d Fl Key Click Timpani e Laughing BrushRideBel Timpani f Scream Punch Heart Beat Footsteps 1 Brush Crash2 Footsteps 2 Applause Brush Ride 2 Door Creak Door Scratch Wind Chimes Car Engine Car Stop Car Pass Car Crash Siren Train Jetplane Helicop...

Page 112: ...om1 High Tom 2 Room Hi Tom2 Room Hi Tom2 Elec Tom H2 Ana Hi Tom2 CrashCymbal1 High Tom 1 Room Hi Tom1 Room Hi Tom1 Elec Tom H1 Ana Hi Tom1 Ride Cymbal1 China Cymbal Reverse Cym Ride Bell Tambourine SplashCymbal Cowbell Ana Cowbell CrashCymbal2 Vibra slap Ride Cymbal2 High Bongo Low Bongo MuteHi Conga Ana Hi Conga OpenHi Conga Ana MidConga Low Conga Ana LowConga High Timbale Low Timbale High Agogo ...

Page 113: ...MidTom1 Timpani B GtFret Noise Brush HiTom2 Timpani c Cut Noise Up Brush Crash1 Timpani c Cut Noise Dw Brush HiTom1 Timpani d Slap_St Bass Brush Ride 1 Timpani d Fl Key Click Timpani e Laughing BrushRideBel Timpani f Scream Punch Heart Beat Footsteps 1 Brush Crash2 Footsteps 2 Applause Brush Ride 2 Door Creak Door Scratch Wind Chimes Car Engine Car Stop Car Pass Car Crash Siren Train Jetplane Heli...

Page 114: ...e mode Due to the limited number of letters that can be used for the display the names shown in the display may be slightly different from the instrument names listed here PC GS Set 1 STANDARD 9 ROOM 17 POWER 25 ELECTRONIC 26 TR 808 33 JAZZ 41 BRUSH 49 ORCHESTRA 57 SFX sd80_manual_e book 114 ページ 2004年2月10日 火曜日 午前11時5分 ...

Page 115: ...om Mid Tom1 Room Mid Tom1 Elec Mid Tom1 808 Mid Tom1 Timpani B High Tom2 Room Hi Tom2 Room Hi Tom2 Elec Hi Tom2 808 Hi Tom2 Timpani c Crash Cymbal1 808 Cymbal Timpani c High Tom1 Room Hi Tom1 Room Hi Tom1 Elec Hi Tom1 808 Hi Tom1 Timpani d Ride Cymbal1 Timpani d Chinese Cymbal Reverse Cymbal Timpani e Ride Bell Timpani f Tambourine Splash Cymbal Cowbell 808 Cowbell Crash Cymbal2 Concert Vibra slap...

Page 116: ...ps2 Applause Door Creaking Door Scratch Wind Chimes Car Engine Car Stop Car Pass Car Crash Siren Train Jetplane Helicopter Starship Gun Shot Machine Gun Lasergun Explosion Dog Horse Gallop Birds Rain Thunder Wind Seashore Stream Bubble 35 39 40 41 43 45 47 42 44 46 36 38 37 87 88 84 86 85 51 52 53 55 57 59 54 56 58 48 50 49 63 64 65 67 69 71 66 68 70 60 62 61 75 76 77 79 81 83 78 80 82 72 74 73 C2...

Page 117: ...splay the names shown in the display may be slightly different from the instrument names listed here PC MSB LSB XG Set MSB LSB XG Set 001 127 0 Standard Kit 126 0 SFX Kit 1 002 127 0 Standard Kit 2 126 0 SFX Kit 2 009 127 0 Room Kit 017 127 0 Rock Kit 025 127 0 Electro Kit 026 127 0 Analog Kit 033 127 0 Jazz Kit 041 127 0 Brush Kit 049 127 0 Classic Kit sd80_manual_e book 117 ページ 2004年2月10日 火曜日 午前...

Page 118: ... Snare Tight Snare Tight H Snare Tight Snappy Snare Rock Rim Snare Noisy 3 Floor Tom L Tom Room 1 Tom Rock 1 Tom Electro 1 Hi Hat Closed Floor Tom H Tom Room 2 Tom Rock 2 Tom Electro 2 Hi Hat Pedal Low Tom Tom Room 3 Tom Rock 3 Tom Electro 3 Hi Hat Open Mid Tom L Tom Room 4 Tom Rock 4 Tom Electro 4 Mid Tom H Tom Room 5 Tom Rock 5 Tom Electro 5 Crash Cymbal 1 High Tom Tom Room 6 Tom Rock 6 Tom Elec...

Page 119: ...ght Kick Analog Short Gran Cassa Kick Kick Analog Kick Jazz Kick Small Gran Cassa Mute Side Stick Side Stick Analog Snare Snare Analog Brush Slap 3 Band Snare Hand Clap Snare Tight Snare Analog 2 Brush Tap 2 Band Snare 2 Floor Tom L Tom Analog 1 Tom Jazz 1 Tom Brush 1 Tom Jazz 1 Hi Hat Closed Hi Hat Closed Ana Floor Tom H Tom Analog 2 Tom Jazz 2 Tom Brush 2 Tom Jazz 2 Hi Hat Pedal Hi Hat Closed An...

Page 120: ...Conga Analog H Conga H Open Conga Analog M Conga L Conga Analog L Timbale H Timbale L Agogo H Agogo L Cabasa Maracas Maracas 2 Samba Whistle H Samba Whistle L Guiro Short Guiro Long Claves Claves 2 Wood Block H Wood Block L Cuica Mute Scratch H 2 Cuica Open Scratch L 3 Triangle Mute Triangle Open Shaker Jingle Bells Bell Tree 53 55 57 59 54 56 58 63 64 65 67 69 71 66 68 70 60 62 61 75 76 77 79 81 ...

Page 121: ...res Squeal Car Passing Car Crash Siren Train Jet Plane Starship Burst Roller Coaster Submarine Shower Laugh Thunder Scream Wind Punch Stream Heart Beat Bubble Foot Steps Dog Machine Gun Horse Laser Gun Bird Tweet 2 Explosion Firework Ghost 39 40 41 43 45 47 42 44 46 36 38 37 87 88 84 86 85 51 52 53 55 57 59 54 56 58 48 50 49 63 64 65 67 69 71 66 68 70 60 62 61 75 76 77 79 81 83 78 80 82 72 74 73 C...

Page 122: ...O O 0 127 0 127 O 1 O 1 O 1 O 1 0 127 O 1 X X X X X O 120 126 127 O X O 123 127 O X Bank select Modulation Portamento time Data entry Volume Panpot Expression Hold 1 Portamento Sostenuto Soft Legato Foot Switch Resonance Release Time Attack Time Cutoff Decay Time Vibrato Rate Vibrato Depth Vibrato Delay Portamento control General purpose effects 1 General purpose effects 3 CC1 2 General purpose co...

Page 123: ...Reverb O Chorus O O X O X X X X X X X X X X X O X 1 16 1 16 Mode 3 Mode 3 4 M 1 O X 0 127 0 127 O 1 O 1 O 1 O 1 0 127 O X X X X X O 120 126 127 O X O 123 127 O X Bank select Modulation Portamento time Data entry Volume Panpot Expression Hold 1 Portamento Sostenuto Soft Portamento control General purpose effects 1 General purpose effects 3 CC1 General purpose controller 1 CC1 General purpose contro...

Page 124: ...tor Digital Audio OUT Connector COAXIAL type conforms to S P DIF OPTICAL type conforms to S P DIF Output jack 1 Stereo Output jack 2 Stereo Headphones jack Stereo MIDI connector IN OUT x 2 Power Supply AC 120 V AC 230 V or AC 240 V Power Consumption 11W AC 120 V 12W AC 230 V 13W AC 240 V Dimensions 280 W x 258 4 D x 46 H mm 11 1 16 W x 10 3 16 D x 1 13 16 H inches Weight 1 8 kg 4 lbs Accessories U...

Page 125: ...4 INST Button 10 Inst Init 22 50 Inst Initialize 50 Inst part 18 Inst Startup 51 INST DRUM 24 instrument 13 18 Instrument Button 10 instrument list 58 Instrument number 14 26 L LCD Contrast 50 LFO 54 Low Frequency Oscillator 54 M MFX 46 64 MIDI Connector 12 MIDI Indicator 11 MIDI mode 20 MIDI OUT THRU Switch 12 Mode Indicator 11 Multi effect 16 39 multitimbral sound module 18 mute 28 N Native 16 O...

Page 126: ...stem Effect 41 43 45 system exclusive data 50 System Tempo 52 T tempo 52 temporary area 30 Time Variant Amplifier 54 Time Variant Filter 54 TVA 54 TVF 54 U USB Connector 12 USB Driver 52 USB Indicator 11 USB mode 19 user patch 50 V VALUE dial 10 Variation number 14 26 Vibrato 36 voice 18 VOLUME Knob 10 W WAVE 54 WritePatch 50 X XGlite 16 sd80_manual_e book 126 ページ 2004年2月10日 火曜日 午前11時5分 ...

Page 127: ...11 Only use attachments accessories specified by the manufacturer 12 Never use with a cart stand tripod bracket or table except as specified by the manufacturer or sold with the apparatus When a cart is used use caution when moving the cart apparatus combination to avoid injury from tip over 13 Unplug this apparatus during lightning storms or when unused for long periods of time 14 Refer all servi...

Page 128: ...ndinavia As Filial Finland Elannontie 5 FIN 01510 Vantaa FINLAND TEL 0 9 68 24 020 GERMANY Roland Elektronische Musikinstrumente HmbH Oststrasse 96 22844 Norderstedt GERMANY TEL 040 52 60090 HUNGARY Roland East Europe Ltd Warehouse Area DEPO Pf 83 H 2046 Torokbalint HUNGARY TEL 23 511011 AUSTRIA Roland Austria GES M B H Siemensstrasse 4 P O Box 74 A 6063 RUM AUSTRIA TEL 0512 26 44 260 BELGIUM HOLL...

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