60
Detailed Editing for a Performance (PERFORM Parameters)
ALL PARAMETERS (ALL PARAMS)
Parameter
Value
Explanation
SOLO
OFF, ON
Switch this to ON if you want to hear the part by itself.
MUTE
OFF, ON
Mutes or un-mutes (OFF) each part.
Use this setting when, for example, you want to use the instrument for karaoke by muting the part playing
the melody, or when you want to play something using a separate sound module.
* The MUTE parameter does not turn the part off, but sets the volume to minimum so that no sound is heard.
Therefore, MIDI messages are still received.
GROUP
USER, PRST
Selects the group to which the desired patch belongs.
USER:
User
PRST:
Preset
CATEGORY
—
Type (category) of the patch
* “NO ASSIGN” can’t be selected on the JUNO-Di itself.
NUMBER
—
Patch name assigned to the part
LEVEL
0–127
Volume of each part
This setting’s main purpose is to adjust the volume balance between parts.
PAN
L64–0–63R
Left/right position of each part
VEL SENS
(Velocity Sens)
-63–+63
Changes the volume and cutoff frequency for each part according to the velocity with which the keys are
pressed.
If you want strongly played notes to raise the volume/cutoff frequency, set this parameter to positive (+)
settings. If you want strongly played notes to lower the volume/cutoff frequency, use negative (-) settings.
OCT SHIFT
(Octave Shift)
-3–+3
Pitch of the part’s sound (in 1-octave units)
* This setting is ignored for parts to which a rhythm set is assigned.
TUNE COARSE
-48–+48
Pitch of the part’s sound (in semitones, +/-4 octaves)
TUNE FINE
-50–+50
Pitch of the part’s sound (in 1-cent steps; one cent is 1/100th of a semitone)
PB RANGE
(Pitch Bend Range)
0–24, PAT
Amount of pitch change in semitones (2 octaves) that will occur when the Pitch Bend Lever is moved.
The amount of change when the lever is tilted is set to the same value for both left and right sides.
If you want to use the Pitch Bend Range setting of the patch assigned to the part (p. 28), set this to “PAT.”
MONO/POLY
MONO,
POLY, PAT
Set this parameter to “MONO” when the patch assigned to the part is to be played monophonically, or to
“POLY” when the patch is to be played polyphonically. If you want to use the Mono/Poly setting of the patch
assigned to the part (p. 25), set this to “PAT.”
* This setting is ignored for parts to which a rhythm set is assigned.
LEGATO
OFF, ON, PAT
You can add legato when performing monophonically. The term “legato” refers to a playing style in which
notes are smoothly connected to create a flowing feel. This creates a smooth transition between notes, which
is effective when you wish to simulate the hammering-on and pulling-off techniques used by a guitarist.
Turn this parameter “ON” when you want to use the Legato feature and “OFF” when you don’t. If you
want to use the Legato Switch setting of the patch assigned to the part (p. 29), set this to “PAT.”
* This setting is ignored for parts to which a rhythm set is assigned.
PORTAMENTO
SW (Switch)
OFF, ON, PAT
Specify whether portamento will be applied.
Turn this parameter “ON” when you want to apply Portamento and “OFF” when you don’t. If you want
to use the Portamento Switch setting of the patch assigned to the part (p. 29), set this to “PAT.”
PORTAMENTO
TIME
0–127, PAT
When portamento is used, this specifies the time over which the pitch will change.
Higher settings will cause the pitch change to the next note to take more time. If you want to use the
Portamento Time setting of the patch assigned to the part (p. 29), set this to “PAT.”
VIBRATO RATE
-64–+63
For each part, adjust the vibrato speed.
VIBRATO DEPTH
-64–+63
For each part, this adjusts the depth of the vibrato effect.
VIBRATO DELAY
-64–+63
For each part, this adjusts the time delay until the vibrato.
VOICE RESERVE
0–63, FULL
This setting specifies the number of voices that will be reserved for each part when more than 128 voices
are played simultaneously.
* It is not possible for the settings of all parts to total an amount greater than 64.
