25
Detailed Editing for a Patch (PATCH Parameters)
SYSTEM COMMON
PATCH COMMON
LFO1
Parameter marked with a “
★
” can be controlled using specified MIDI messages.
PATCH Parameters
SUMMARY
Parameter
Value
Explanation
MASTER LEVEL
0–127
Volume of the entire JUNO-Di
PATCH RX/TX CH
(Patch Rx/Tx Channel)
1–16
Channel used to transmit and receive MIDI messages for the Keyboard part in Patch mode
Parameter
Value
Explanation
LEVEL
0–127
Volume of the patch
MONO/POLY
MONO, POLY
MONO:
Only the last-played note will sound. This setting is effective when playing a solo
instrument patch such as sax or flute.
POLY:
Two or more notes can be played simultaneously.
PORTAMENT ON
OFF, ON
Specifies whether the portamento effect will be applied (ON) or not (OFF).
PORTAMENT TIME
0–127
Specifies the time over which the pitch will change.
Parameter
Value
Explanation
WAVEFORM
SIN, TRI,
SAW-UP,
SAW-DW,
SQR, RND,
BEND-UP,
BEND-DW,
TRP, S&H, CHS,
VSIN, STEP
Waveform of the LFO
SIN:
Sine wave
TRI:
Triangle wave
SAW-UP:
Sawtooth wave
SAW-DW:
Sawtooth wave (negative polarity)
SQR:
Square wave
RND:
Random wave
BEND-UP:
Once the attack of the waveform output by the LFO is allowed to develop in standard
fashion, the waveform then continues without further change.
BEND-DW:
Once the decay of the waveform output by the LFO is allowed to develop in standard
fashion, the waveform then continues without further change.
TRP:
Trapezoidal wave
S&H:
Sample & Hold wave (one time per cycle, LFO value is changed)
CHS:
Chaos wave
VSIN:
Modified sine wave. The amplitude of a sine wave is randomly varied once each cycle.
STEP:
A waveform generated by the data specified by LFO Step 1–16. This produces stepped
change with a fixed pattern similar to a step modulator.
* If you set this to “BEND-UP” or “BEND-DW,” you must turn the KEY TRIGGER parameter (p. 40) to
“ON.” If this is “OFF,” it will have no effect.
RATE
★
0–127, Note
Modulation speed of the LFO
If you want the LFO rate to be synchronized with the tempo, this should be set in terms of a note value.
* This setting will be ignored if the WAVEFORM parameter is set to “CHS.”
DELAY
0–127
Time elapsed before the LFO effect is applied (the effect continues) after the key is pressed (or released)
When using violin, wind, or certain other instrument sounds in a performance, rather than having
vibrato added immediately after the sounds are played, it can be effective to add the vibrato after
the note is drawn out somewhat.
* Set this according to your purpose as described in “How to Apply the LFO” (p. 40).
DEPTH PITCH
★
-63–+63
How deeply the LFO will affect pitch
DEPTH TVF
★
-63–+63
How deeply the LFO will affect the cutoff frequency
DEPTH TVA
★
-63–+63
How deeply the LFO will affect the volume
DEPTH PAN
★
-63–+63
How deeply the LFO will affect the pan
