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Profile  

(プロフィール)

John Patitucci

John’s position as one of the great modern bass innovators stems from his love of musical diversity. Born in Brooklyn,
New York, John grew up listening to the Beatles and Motown artists (James Jamerson being a major influence). He picked
up the bass when he was 11 and played in a garage band with his older brother Thomas. In 1972 his family moved to
northern California where John continued honing his rock chops while also working with gospel groups and widening his
understanding of jazz. John went on to study classical bass extensively at San Francisco State University. In 1978 John
came to southern California and immersed himself in the burgeoning L.A. jazz scene. His first high-exposure gig came
with pianist Gap Mangione. By the 80’s he had established himself as a versatile sideman and session ace working with
the likes of Ry Cooder, Herbie Hancock, Tom Scott, Robben Ford, Stan Getz, Larry Carlton, Freddie Hubbard, Ernie Watts,
Lee Ritenour, and Dave Gruisin. 
Patitucci’s reputation went international in 1985 when Chick Corea sought him as a founding member for both his Elektric
and Akoustic Bands. John has garnered praise from critics and fans alike, consistently winning polls for “Best Jazz Bassist”
and “Best Acoustic Bassist” from the readers of Guitar Player, Jazziz, and many other music publications. 
The development of John’s unique 6 string solo voice has blossomed into a rich solo career including 5 albums recorded
for GRP. His album, “Another World” was nominated for a 1993 Grammy for Best Jazz Instrumental Album. He also
simultaneously released the artistic triumph “Heart of the Bass” on Corea’s Stretch label showcasing his orchestral
compositions with trumpeter/composer Jeff Beal. John has recently gone "bi-coastal" setting up shop near his roots of the
New York Jazz scene.

Abe Laboriel Jr.

As you can probably imagine, Abe Laboriel Jr. has been banging on objects since before he could walk. He claims
that his many failed attempts at melodic instruments have given him an affinity for the simpler arts, such as cooking
and drumming.  After a lifetime of learning and absorbing the artistry of some of the world's most respected
musicians (including mentors Jeff Porcaro, Chester Thompson and Alex Acuña), Abe Jr. has truly come into his own
aggressive and commanding style. Abe's energies have most recently been focused on writing and performing with
his power trio "The Raging Honkies" (with the Landau brothers), and making live and recorded appearances with
artists such as Seal, Steve Vai, Duran Duran, Big Mountain, Juliana Hatfield, Kathy Mattea, Dianne Reeves and Joe
Sample to name a few.  Expect to hear lots of big noise from this young L.A. slammer!

Bob Wilson

As a respected producer and arranger, a gifted songwriter and a much in-demand drummer, Bob has established an
industry-wide reputation, built on a lifetime of creativity.
Born and raised in Arizona, Bob began playing professionally at age sixteen. It was in 1972 that he first joined forces
with keyboardist Larry Williams, and the two formed SEAWIND, a group that would go on to forge a
groundbreaking synthesis of jazz and contemporary pop music.
As an L.A. studio musician and a songwriter, as well as a producer and arranger, Bob has performed and recorded
in virtually every area of the music industry. He has appeared in concert and on albums with such artists as Quincy
Jones, George Benson, Boz Scaggs, Henry Mancini, Lee Ritenour, The Crusaders, Michael Omartian, Herbie
Hancock, Andrae Crouch, Michel Colombier and many others. His arrangements and performances can be heard on
the soundtracks of many well-known Hollywood Films & Television shows.
Bob is one of the few modern musicians, who not only does it all, but does it the best!

偉大なるモダン・ベースの革新家の一人としての彼の位置づけは、音楽の多様性への彼の愛好に由来している。ニューヨ
ークのブルックリンで生まれ、ビートルズやモータウンのアーティスト(特に

James Jamerson

の影響が多大である)を聴

きながら育った。11 才のときにベースを始め、兄の

Thomas

とガレージ・バンドを始めた。1972 年に北カルフォルニアに

移住し、そこで、ゴスペル・グループと一緒に活動し、ジャズに対する理解を深めながら、彼のロック・チョップを研ぎ
澄まし続けた。ジョンは、サンフランシスコ州立大学で、幅広くクラシック・ベースを勉強し続けた。1978 年に南カルフ
ォルニアに移住し、急成長していた L.  A.  のジャズ・シーンに没頭した。彼の衝撃的なデビュー・ギグは、ピアニスト、

Gap Mangione

とであった。1980 年までには、何でもこなす伴奏者となり、

Ry Cooder

Herbie Hancock

Tom Scott

Robben Ford

Stan Getz

Larry Carlton

Freddie Hubbard

Ernie Watts

Lee Ritenour

Dave Gruisin

などと一緒に演

奏し、セッションの名手となっている。
1985年、

Chick Corea

が彼のエレクトリック・バンドとアコースティク・バンドのためのメンバー探しをしていたときに、

彼と巡り会い、以来彼の名声は全世界的なものとなった。彼は、批評家やファンから支持されており、「Guitar  Player」や

「Jazziz」などの多くの音楽雑誌の読者による「ベスト・ジャズ・ベーシスト」と「ベスト・アコースティク・ベーシスト」

投票では常に一位である。
彼のユニークな 6 弦ソロ・ボイスは、GRP のために録音した 5 枚のアルバムを含めた、彼の豊富なキャリアの中で開花し
ている。彼のアルバム、「Another  World」は、1993 年のグラミー賞に於いてベスト・ジャズ・インストゥルメント・アル
バムの部門でノミネートされた。彼は同時に、トランペッターで作曲家でもある

Jeff Beal

と共にオーケストラ音楽の入っ

ている

Corea

のストレッチ・レーベルの中で、音楽的な偉業「Heart of the Bass」をリリースしている。

最近、彼のルーツであるニューヨーク・ジャズ・シーンの近くに店を構えている。

恐らく彼は、生まれながらのドラム・プレーヤーなのであろう。メロディー楽器に於ける数多くの挫折のせいで、料理や
ドラムなどの、より単純な芸術が好きになったのだと彼は言っている。世界的に尊敬されているミュージシャン(

Jeff

Porcaro

Chester Thompson

Alex Acuña

)の芸術性を勉強し吸収した後で、彼は自身の攻撃的で堂々たるスタイルを築

き上げた。最近彼は、彼のパワー・トリオである(

Landau brothers

との)

The Raging Honkies

で作曲し演奏することに

集中している。そして、

Seal

Steve Vai

Duran Duran

Big Mountain

Juliana Hatfield

Kathy Mattea

Dianne

Reeves

Joe Sample

などとライブやレコーディング活動をしている。是非ともこの若いL.  A.  の " 叩き屋 " のビッグ・ノイ

ズを楽しんで欲しい。

彼はこの業界では、才能あるプロデューサー/アレンジャー/ソング・ライター/引っ張りだこのドラマーとして、大い
に名声を得ている。

アリゾナで生まれ、16才でプロとして演奏し始め、名声を高めた。

1972 年には、キーボーディストの

Larry William

s と一緒に SEAWIND というグループを結成し、ジャズと現代ポップ・ミ

ュージックの融合を開拓し続けた。

彼は、プロデューサー、アレンジャーのみならずソングライター、L.  A.のスタジオ・ミュージシャンとして、あらゆる音
楽業界の分野で演奏、録音をしている。

Quincy Jones

George Benson

Boz Scaggs

Henry Mancini

Lee Ritenour

The Crusaders

Michael Omartian

Herbie Hancock

Andrae Crouch

Michel Colombier

など多数のアーティストと一

緒にコンサートを開いたり、アルバムを作っている。彼のアレンジメントや演奏は、非常に有名なハリウッド映画のサウ
ンド・トラックや、テレビ・ショーで聴くことができる。

彼は、単なる演奏ではなく、ごきげんな音楽を演奏するという点で、数少ないモダン・ミュージシャンの一人である。

  M-BD1  Manual.je1    05.1.12  3:00  PM    ページ 27

Summary of Contents for BASS & DRUMS M-BD 1

Page 1: ...the bass performance Drum sounds are phrase loops with drum patterns of groove touch and Waveforms with a combination of strong and weak percussion hits for 1 shot As well as the Rhythm part it provi...

Page 2: ...rom the outlet when left unused for a long period of time Care should be taken so that objects do not fall and liquids are not spilled into the enclosure through openings The product should be service...

Page 3: ...rly sup port the unit and keep it from wobbling Avoid damaging the power cord Do not bend it excessively step on it place heavy objects on it etc A damaged cord can easily become a shock or fire hazar...

Page 4: ...4 SYR SYR AC100V M BD1 Manual je1 05 1 12 2 59 PM 4...

Page 5: ...5 P 2 M BD1 Manual je1 05 1 12 3 00 PM 5...

Page 6: ...h one as soon as possible to avoid the loss of all data in memory To have the battery replaced consult with your dealer or qualified Roland service personnel Additional Precautions Please be aware tha...

Page 7: ...7 4 5 MIDI MIDI M BD1 Manual je1 05 1 12 3 00 PM 7...

Page 8: ...reating music using computers samplers and synths His music can be heard throughout the world on television and CD and even on a new sound module for Roland in Japan Naoki Matsuura GigBag While living...

Page 9: ...orus 1 PC No 9 P09 Dance Part Rx Ch No Patch Name 1 1 81 Mutey SynBs 2 2 18 Mondo Johndo 3 3 83 T Wow Slappy 4 4 64 Abe Latin Bs 5 5 97 All Slides 6 6 103 Snare Menu 3 7 7 108 Sweeping LPs 8 10 d8 Dan...

Page 10: ...m Tom Menu 1 106 106 Cymbals Menu 1 107 107 Drum LP Menu 1 108 108 Sweeping LPs 2 109 109 SlapHappy 90 4 110 110 PlayC4Fun 90 2 111 111 Flanged 112 1 112 112 BW Jz 6 8 52 1 113 113 BW Brush 66 1 114 1...

Page 11: ...70 Maracas B4 71 Cabasa Cut C5 72 Deep Dry K C 5 73 Real Dry K1 D5 74 Comp K1 D 5 75 Ring rol Sn E5 76 Ring sft Sn F5 77 Ring hrd Sn F 5 78 Ring flm Sn G5 79 SlamRm sftSn G 5 80 SlamRm rolSn A5 81 Sla...

Page 12: ...92 18 Hat cls 2 A6 93 LiteVerb Sn A 6 94 Stomp K B6 95 AL Slam 66 C7 96 AL Grunge 84 PC No 5 d 5 Ballad SET Key Note No Rhythm Tone Name C2 36 Comp K3 C 2 37 NaturalStick D2 38 Verb hrd Sn D 2 39 Warm...

Page 13: ...94 Picc mid Sn B6 95 SlmDry hrdSn C7 96 Ring hrd Sn PC No 7 d 7 R R rhythm 2 Key Note No Rhythm Tone Name C2 36 Medium K C 2 37 Live Stick D2 38 SlamRm sftSn D 2 39 SlamRm flmSn E2 40 SlamRm hrdSn F2...

Page 14: ...Hat opn 2 EXC 1 F6 89 LoVerb hrdTm F 6 90 LoVerb hrdTm G6 91 HiVerb hrdTm G 6 92 HiVerb hrdTm A6 93 HiVerb hrdTm A 6 94 HiVerb hrdTm B6 95 Soft Low Tom C7 96 Soft Hi Tom PC No 13 d13 Empty Sn Hat Key...

Page 15: ...4 66 AL Shuff 76 G4 67 BW Brush 84 G 4 68 BW Brush 84 A4 69 AL Slam 84 A 4 70 AL Slam 84 B4 71 AL Whack 84 C5 72 AL Grunge 84 C 5 73 AL Grunge 84 D5 74 BW Swamp 84 D 5 75 BW Swamp 84 E5 76 BW Latin 84...

Page 16: ...SET 4f 123 SNR SET 5p 124 SNR SET 5f 125 SNR SET 6p 126 SNR SET 6f 127 SNR SET 7p 128 SNR SET 7f 129 SNR SET 8p 130 SNR SET 8f 131 SNR SET 9p 132 SNR SET 9f 133 SNR SET 10p 134 SNR SET 10f 135 SNR SET...

Page 17: ...64 SNR MENU 2 Key Wave No Wave Name C4 180 RockOn Sn1 D4 181 RockOn Sn2 E4 182 Verb sft Sn F4 183 Verb hrDSn G4 184 Warm sft Sn A4 185 Warm hrd Sn B4 186 Warm flm Sn C5 187 DryFat sftSn D5 188 DryFat...

Page 18: ...e setting for Bank Sel Bank Select Message Reception see page 5 in the Sound Expansion Series manual remember to take the current value into account Patches marked with an asterisk are made using phra...

Page 19: ...s Please be aware that the Program Change data that is actually sent or received is one less than the value of the PC number described above The extent to which the Reverb Chorus Send Level will act i...

Page 20: ...D1 GM GS SMF 2 MIDI IN GM GS 2 No 16 Default Perf 2 p 5 0 32 noP CC11 Expression 0 p 5 EXC d12 d15 P05 P08 P10 d16 d17 Drum Loop 1 2 B P M B P M M BD1 Wave No PC No 1 64 64 S CD ROM Spectrasonics CD R...

Page 21: ...117 A 4 10 09 118 A 4 10 06 119 A 4 10 21 120 A 4 10 35 bpm key k s dtn 121 A 4 10 49 122 B4 11 36 123 B4 11 22 124 B4 11 08 125 B4 11 06 126 B4 11 19 127 B4 11 33 128 B4 11 47 129 C5 12 40 130 C5 12...

Page 22: ...9 115 E4 04 24 116 E4 04 39 117 F4 05 46 118 F4 05 31 119 F4 05 16 120 F4 05 02 bpm key k s dtn 121 F4 05 12 122 F4 05 27 123 F4 05 41 124 F 4 06 45 125 F 4 06 31 126 F 4 06 17 127 F 4 06 04 128 F 4 0...

Page 23: ...B3 01 11 115 B3 01 26 116 B3 01 41 117 C4 00 44 118 C4 00 29 119 C4 00 14 120 C4 00 00 bpm key k s dtn 121 C4 00 14 122 C4 00 29 123 C4 00 43 124 C 4 01 43 125 C 4 01 29 126 C 4 01 16 127 C 4 01 02 12...

Page 24: ...e 3 Playing the Waveform for Tone 1 of the Patch No 120AL Funk 120 assigned to Part 7 of the Performance No 2 Funk at a B P M of 126 instead of the original B P M of 120 You can make the setting using...

Page 25: ...Supply AC 117 V AC 230 V or AC 240 V Power Consumption 10 W AC 117 V AC 230 V or 11 W AC 240 V Dimensions 482 W x 165 D x 44 H mm 19 W x 6 1 2 D x 1 3 4 H inches EIA 1U Rack Mount Type Weight 2 65 kg...

Page 26: ...iel This tribute best describes the unique artistry of the Mexico City born virtuoso of the Bass Guitar To witness Abe play one immediately understands that music is essentially about passion and he i...

Page 27: ...ing and absorbing the artistry of some of the world s most respected musicians including mentors Jeff Porcaro Chester Thompson and Alex Acu a Abe Jr has truly come into his own aggressive and commandi...

Page 28: ...x 62 DOHA QATAR TEL 423554 SAUDI ARABIA Abdul Latif S Al Ghamdi Trading Establishment Middle East Commercial Center Al Khobar Dharan Highway W hamood st P O Box 3631 Al Khober 31952 SAUDIARABIA TEL 03...

Page 29: ...29 97 7 1 10 5 TEL 06 345 9500 530 1 4 16 TEL 03 3251 6150 M BD1 Manual je1 05 1 12 3 00 PM 29...

Page 30: ...30 MEMO M BD1 Manual je1 05 1 12 3 00 PM 30...

Page 31: ...ent requires shielded interface cables in order to meet FCC class B Limit This product complies with the requirements of European Directives EMC 89 336 EEC and LVD 73 23 EEC For EU Countries For EU Co...

Page 32: ...p 4 5 appropriate p 9 Patch Table 2 Not Obtained With GM System On or GS Reset Wrong Make sure the Sys Ex setting a switch for enabling reception of System Exclusive messages is not set at OFF Correc...

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