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RMI KC-II, Manual

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Summary of Contents for KC-II

Page 1: ...Rocky Mount instruments Inc Sales Office Macungie Pa 18062 Phone 215 965 9801 Subsidiary of Alien Orgsn Company 1977 w smg m tfQgsm Wwsmm mm V MODEL kc e THE FIRST DIGITAL POLYPHONIC SYNTHESIZER ...

Page 2: ...c Jazz Flute and Clav stereo effect Jazz Flute complete with over blow transients due to tongueing Alto Recorder and Harpsichord stereo effect Exceptionally delicate and articulate Bells clanging realism due to KC s forte in complex waveforms and chorus tuning Pipe Organ Diapason Chorus with four rank Mixture Echo notes repeat like tape echo but in a different tone color one octave lower Rate is p...

Page 3: ...lefi i niSptidal reader accepts Tone t v Cards which contain bmc es represenHng waveforms 1 A total of fcur wrdscinbS programmed Once programmed these additional wavef fcehave just like the permanent M m T 7 C W b US dually n 9roups or mixed with the permanent memory Waveforms in any combination Programming can be up dated by merely slipping another lone Card in and out TONE CARD LIBRARY Our Tone ...

Page 4: ...ding our twelve voices between Divisions A and B A and C or A B and C allows one two or even three voices per key Selecting the proper assignment mode for your music will keep most of the voices speaking most of the time an efficient use of your tonal resources Now even simple chords can create big rich and complex sounds per Key Total 12 Voices from 12 Keys Division A 12 Trumpets Channel One left...

Page 5: ...nky Tonk Choir and Abstracts PEDAL ASSEMBLY IS INCLUDED With a Polyphonic Synthesizer serious professional keyboard people concentrate on their music with both hands on the keys Attempts at reaching for controls destroy the natural flow Therefore musical expression such as Pitch Bend Vibrato etc must come from the feet KC ll s Pedal Assembly is included as an integral part of the instrument not an...

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Page 8: ...ual is a comprehensive collection of data gathered over a period of years beginning in 1974 Contributions in the form of Set Up Sheets and ideas have been made by owners like yourself Blank Set Up Sheets are provided for your convenience to jot down new sounds If you create some new Set Ups you feel are unique please send them our way the Owner s Manual is loose leaf and we up date it from time to...

Page 9: ...racteristics and Usage 25 Pitch Characteristics and Usage Chart 27 FIXED VOICES 29 Fixed Voices Chart 30 TONE CARDS R M S Values 31 Custom Cards Polic 32 Current RMI Tone Card Library Categories 35 Mixing Pulse Waves graph 36 Mixing Pulses to Create Staircase Waveform graph 37 Sax Set Up Random Tone Change and or Octave Jump graph 38 VOICE COMBINATIONS recommendations 41 PROCESSORS 43 ENVELOPE GEN...

Page 10: ...er Harpsichord Bells v Pipe Organ 72 Echo 74 THE PEDALS Vibrato Attack Decay 75 Volume Foot Switches Latch Staccato Percussion Sustain 76 Pitch Bender Technique 78 Transposer Tuning Pitch Bender Controls 80 Model KC II Pitch Bender Controls schematic ORIGINAL MUSIC WRITTEN FOR KEYBOARD COMPUTER COMPOSED BY CLARK FERGUSON TRANSCRIBED BY RALPH SPOETTLE SET UP CHARTS panel facsimiles The 12 Presets E...

Page 11: ...VIBRATO left foot as each musical phrase builds 6 Try TRANSPOSE 8 under GENERALS for high violins NOWf YOU ARE READY TO TRY OTHER PRESETS 1 Notice the word priority11 and an arrow to the right When more than one preset is turned on the one farthest to the right will be in operation 2 As you change from one preset to the next you will notice that adjustments will be required in the ATTACK DECAY tim...

Page 12: ...e mid range and upper frequencies Frequencies lying in this area must remain in precise and proper proportions to each other if realism is to be achieved While the lower end is certainly important to high fidelity if lows tend to roll off or drop out most of the realism will still be present The lower end pro vides a sense of power the listener feels the results on the floor and on his or her ches...

Page 13: ...eact with the cabinet in which they are installed Horn loaded com pression drivers known as mid range horns are more frequently used in the P A and musical instrument business due to their well known ability for penetration Once again horns are highly efficient but at the sacrifice of wide range response although some people will tell you they can be equalized flat Solo instruments guitar and voic...

Page 14: ...ansients frequently generated by the KC or during heavy bass passages Remember if you are playing in a band that already has a bass player you will not need as much bass power Bi amping tri amping quad amping These are terms applied to the technique of using independent amplifiers for each speaker range For example a tri amp system would have three amplifiers one for bass one for mid range and one...

Page 15: ...lity and freedom from hum A pre araplifier will be required ahead of your power amplifier to boost the signal this feature is already incorporated in most amplifier heads and mixers The response curve should be essentially flat hat is no EQ no cut or boost Some microphone mixers have a high frequency boost built in find some way of eliminating or attenuating this high boost or it will cause unnece...

Page 16: ...percussion decay added to Channel One making the channels not exactly equal Now change to the Strings Preset both channels should be exactly equal How are the highs Does it sound like sitting in the middle of a string quartet If it doesn t there is work to be done Speaker place ment is very important since the highs so critical to strings are very directional Point the speakers and or tweeters spe...

Page 17: ... for many keyboards to the customized peaks and valleys needed for Bass and Guitar All you do is select the proper RMI Speaker System for your job model G 180 with JBL High Efficiency for High Volume applications like Guitar or RMI Electra Pianos model B 180 with Rock Solid Bottom for your Bass Axe or model K 180 with Flat response necessary for the RMI Keyboard Computer or Synthesizers ROCKY MOUN...

Page 18: ...ot Switch control on rear panel Unique Constant Current Drive circuit assures quiet clean response Unit is particularly insensitive to physical shock Amplification 180 watts RMS into 4 ohms less than 1 THD 110 watts RMS into 8 ohms less than 1 THD IM 15 4 ohms with 1 0 volt input 20 volts composite output IM 075 8 ohms with 1 0 volt input 20 volts composite output Bandwidth ldb 30hz 125khz Solid S...

Page 19: ... more volume can use two G180 speaker cabinets with the 360 amplifier head the cabinets are 8 ohms and two can be plugged in parallel for 4 ohm operation to increase volume There are two jacks on the back of the cabinet The K180 however is of 4 ohms impedance cUid only one can be used with each amplifier The 360 B Audio System consisting of a 36 0 Amplifier and a B180 Cabinet allows the Bass guita...

Page 20: ...board instruments may require a more efficient speaker cabinet For these cases we advise the G180 Cabinet WARNING K180 Cabinet Due to the large amount of power available from the 360 amplifier prolonged use at high volume with excessively boosted mid or treble may cause crossover and or tweeter damage to the K180 cabinet 1 14 77 ...

Page 21: ...eaks the 2 2 3f pitch during attack only then employs a staccato decay abruptly Also used to delay Bass Reed 32f Div C for Echo effect ADD CH 2 must be activated to operate Chiff CH 2 CV CHORUS or VIBRATO for DIVISION C CHANNEL TWO CANCEL CH 1 Eliminates voices being heard initially through DIVISION A CHANNEL ONE ADD CH 2 Activates DIVISION C PERC CH 2 Activates PERCUSSION mode in DIVISION C SUSTA...

Page 22: ... The voice number to be pro grammed is selected by the rotary knob Select the desired Tone Card and insert with arrow up and pointing toward the card reader slot No particular care is necessary in inserting the cards the reader is optical and reads faster than you can physically insert the cards As many as four cards can be programmed at a time one into each voice After the voices have been progra...

Page 23: ... for natural instruments such as strings Intensities beyond the spring are intended for heavy effects such as synthesizer vibrato VOLUME PEDAL CHANNEL 1 5 2 RED The function of this pedal is almost self explanatory The RED 2 engraved on the name plate indicates that those voices engraved in RED on the control panel will appear in CHANNEL ONE even though the ADD CH 2 control tab may be on Best resu...

Page 24: ...d 8f tuning controls can be adjusted however the TRANSPOSE tab may not transpose an exact octave when the controls are adjusted for perfect fourth tuning SUSTAIN PERCUSSION PEDAL This pedal will activate PERCUSSION or SUSTAIN modes in all divisions simulta neously The SUSTAIN PERCUSSION FOOTSWITCH control tab in the GENERALS division on the control panel selects whether the pedal will activate SUS...

Page 25: ...f modifying an already existing waveform the KC generates a new and independent waveform for each sound The concept is similar to an artist s palette where a large number of discrete colors are mixed but never actually altered Because of this sys 3m any sound ever created on the KC can be readily and precisely recreated at any time without guesswork The KC principle of wave form generation is simi...

Page 26: ... 17 80 f3133I33B33B33E33I33B33I33I3 3 3333333 3g 333333333333333J3I33333333333 J l2 11 li 4 4 2 U UMU I I 12 13 14 15 ti 11 H 13 20 V 22 23 It K 71 2179 30 31 32 13 3t 35 36 37 30 33 40 4142 44 45 46 47 4 50 51 52 S3 54 55 5S SI 53 53 f0 01 62 0 04 i 5 K 51 6S 63 Id It 17 13 H 15 K VIS li 3 5 6 8XIB 6 6 6 6 B 6 6 6 6 6 E 6 6 C ii 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 ...

Page 27: ...iiiiii iiiiiiicbiililiiilliii i ii i Milii i i i l ii ii t Is I r i I IT it t t it ililii IBiiiiii iliiijiir II III ...

Page 28: ...18 waveform while at the same time sustaining a mellow waveform This procedure may not be as flexible as VCF modulation by an envelope generator however it is highly repeatable and predictable ...

Page 29: ...rding to laws of physics when the length of a pipe is cut in half its fre quency doubles jumping an octave higher Cutting a pipe in less than half will cause its frequency to rise less than an octave such as a musical interval of a fifth or third There are mathematical formulas for calculating length versus pitch At standard or unison pitch that of a piano middle A in the third octave of a five oc...

Page 30: ...s heard will correspond with pitches printed on Tone Cards only in the Transpose 8 position octave higher Voice Tab pitches in the Transpose 8 position are calculated by dividing by 2 Tone Card pitches in the Transpose 16 position one octave lower are calculated by multiplying by 2 3 1 5 2 2 7 1 7 9 1 5 11 do not appear on Tone Cards of Voice Tabs but are theoretical calculations of Tone Card pitc...

Page 31: ...re originally 16f now become 32 f extending the range even further down If you have the audio equipment to handle this range the results are staggering Remember the pitch footages engraved on the Voice Tabs correspond to the 16f TRANSPOSE position the normal position Card Reader or Alterable Voices will sound one octave lower than the pitch designated on the card when in the 16 TRANSPOSE position ...

Page 32: ...their ears to extremely high level audio for prolonged periods of time such as during rock concerts often experience a loss in sensitivity to high pitches There are a few general guidelines that can be followed for effective use of all of the available KC pitches Unison and octaves when used together and particu larly when they are adjacent to each other example 16 81 41 tend to give a sense of po...

Page 33: ...t pipe is placed at the top of the keyboard then by the time the pitches descend chromatically to the bottom of the keyboard the pitch has become too low to add clarity Therefore as pitches approach becoming too low breaks are made back up to higher pitches Several breaks may occur in the total range of the keyboard Like the pipe organ the Permanent Memory of KC voices includes a special R O M con...

Page 34: ...osition will sound at 8 1 3 5f pitches A Major Triad chord cu nE Gn played in the 2nd Octave will sound C2 E2 G2 from the 4f Tone Card and E3 G 3 B3 from the 4 5 Tone Card one Octave plus a Major Third higher The third Octave is in the range of most melodic lines and fundamental pitches and as a result the ear will hear a clash between the MG I in the fundamental 4f and the nG in the 4 5 Also ther...

Page 35: ...s sparkle and color speaking two octaves and a Fifth above the fundamental 1 3 5r Adds color no particular sparkle since pitch is lower Speaks two octaves and a Major Third above fundamental Dissonance can occur see 4 5f explanation 2f Reinforces melody line also good for percussions many variations in tone color and intensity available 2 2 31 Adds warmth and color speaking one octave and a Fifth ...

Page 36: ... shows R M S values the cards from which they were derived the channel assignment tonal quality and their intended use You should notice some of the following points when reading the chart 1 Control tab pitch engravings are one octave lower than Tone Card pitch listed in the Fixed Voice chip 2 BASS REED 32 div c is native to DIVISION flCM and therefore falls under the control of DIVISION f CM cont...

Page 37: ...ese cards were conceived as geometric shapes pulse waves rather than specifying their harmonic content Geometric waveforms have their own inherent series of harmonics the waveshape determines the harmonic content Our computer terminal can call up11 a program to calculate the R M S value relative loudness of any card that has been generated from harmonic content information however it cannot calcul...

Page 38: ...lavinet Sax Banjo rich nasal Clavinet Sax Banjo keys two voices 1 2 30 3 1 2 29 5 1 2 24 5 1 2 38 2 1 2 RED XX X 1 2 RED XX X 1 2 RED XX X Linear Sawtooth H French Horn D Cornopean B Piano Pulse Width 1 8 Pulse Width 1 16 Pulse Width 1 16 8 16S1111 8 16R1184 8 M00R1012 81 16D1118 8 SPG2004 8 SPG2002 8 SPG2002 DIV C SPANISH TRUMPET 16 BAG PIPE JAW HARP 32nd PULSE SINE WAVE SINE WAVE 16 16 16 SINE W...

Page 39: ...t for the total A copy of the current library will be returned along with the cards Spend a lot of time listening to each card individually Categorize the sounds mellow and fat brilliant and thin nasal flute like bell like etc close spaced harmonics such as the Spanish Trumpet or wide spaced harmonics like the Jaw Harp Close spaced harmonics sound coherent while wide spaced harmonics can be picked...

Page 40: ...he previous level while raising the level of the percussion tone Of course you will notice that the percussion tone is already doubled in Alterable Voices 3 4 see Set Up Sheet for Electric Organ Preset Tone Cards Custom Cards Policy From time to time we receive requests for tone card sounds other than just RMS value variations of existing cards such as a real piano trumpet guitar Electric Piano et...

Page 41: ...ique nnon lineartf characteristic due to its harmonic layout there is a group of harmonics around the fundamental such as the French Horn then unlike the French Horn there is a vacant space and finally a cluster of harmonics around the 16th harmonic When the keyboard is run chromatically with the Jaw Harp both the fundamental cluster and the upper cluster are heard throughout the lower and middle ...

Page 42: ...much as certain wines and spices go best with certain meats certain mixtures are best suited to either reeds or flues dia pasons or flutes The reason lies in their harmonic content some complement while others clash You will notice that each mixture is described as to its best use The BAROQUE ENSEMBLE card is a combination of two pitches of flutes desirable for light contrapuntal work Vowel Human ...

Page 43: ... 16 of the series may be heard in succession in an experiment turn off A C power briefly to clear the Alterable Voice memories then slowly program the Pulse Width 1 2 into the reader while holding a chord you will hear a 1 32 pulse width first followed by 1 16 3 32 1 8 etc until the card is all the way in at 1 2 pulse width By slowly inserting the Blank card number 00000 listed at the end of this ...

Page 44: ... image negative duty cycle This waveform has the effect of a square wave but is thin and metallic due to its narrow pulse If the spaces between the 1st and 16th pulses were filled in a true square wave would be created There would be more energy gener ated causing more bass content mirror image negative duty cycle ...

Page 45: ...ossover point I PULSE WIDTH 1 16 inserted in Alterable Voice I amplitude 64 units PULSE WIDTH 1 8 inserted in Alterable Voice II amplitude 128 units both cards summed amplitude 64 units value of 1 8 Pulse Width card note drawings not to scale Resulting waveform summed in Ensemble Division ...

Page 46: ...LE SECOND HALF CYCLE 37 PULSE WIDTH 1 8 PULSE WIDTH 1 16 PULSE WIDTH 1 32 f L L SUMMED composi te waveform ADD CHANNEL 2 composite waveform COMPOSITES SUMMED doubled amplitude COMPOSITE i COMPOSITE OUT of PHASE J pYhF 0GTAVE rn i r 1 1 L HIGHER SUMMED I I 1 _ i TJ i n T i 1 u m i ...

Page 47: ...ach is to select one or at the most two voices in each division that is to be used One exception to this rule is the pulse waves the narrow widths 16th 32nd do not have exceptionally high RMS Values and as a result you will find that one of the SAX set ups employs all three pulse waves in the same channel The other exception to the rule when three or four Voices may be selected in the same divisio...

Page 48: ...puter to the point where fdigital clipping 1 will occur inside the Computer No harm will occur to the Computer if the limit is exceeded however distortion can occur and the audio level will probably be higher than you or your audio system can tolerate If additional volume of a given Fixed Voice relative to other Fixed Voices is required its RMS value can be doubledM by adding in the ALTERABLE VOIC...

Page 49: ...ecific harmonic see Pitch Characteristic and Usage Chart on page25 5 Add any one of the MELLOW ENSEMBLE category of Tone Cards to any other Fixed Voice or Tone Card to add fatness 6 Add any one of the BRILLIANT REEDS category of Tone Cards to any other Fixed Voice or Tone Card to add MrichnessM or bite 7 Add any mixture Tone Card from ORGAN PIPE 5 ELECTRONIC category to the SINE WAVE 81 HARMONICS ...

Page 50: ...ice ff The term voice is placed in quotes since it is being used for a different meaning Earlier voice was referred to as meaning a particular tone color or waveshape such as the Fixed Voice Memory containing all of the various tone colors wave shapes The term voice can also apply to a part of the harmony such as So prano Alto Tenor or Bass in four part harmony If you were to play a three or four ...

Page 51: ... the ALTERABLE VOICES The sum ming is digital distortion free and perfect even the softest and most subtle voice will make its contribution to the ensemble If several voices are selected in a given processing channel they will all be summed into a single series of numbers representing the proper composite It is this final number that is read out at a frequency representing the given musical pitch ...

Page 52: ...e waveform When the waveform is multiplied by the 31 value amplitude the maximum volume would be achieved when multiplied by zero the minimum Numbers in between give varying degrees of amplitude The attack and decay slopes have each been divided into 3 stages according to progression in time As the attack stages are clocked the amplitude multiplier number increases in value until the highest value...

Page 53: ...IABLE Optional SHORT and LONG attack curves Decay curve is NORMAL Both attack a nd decay curves clocked by Sustain Oscil lator and speed variable by ATTACK DECAY Pedal At slower settings it is possible to hear individual attack stages of the first note played since it is heard against a background of silence If this effect is undesirable mask it by slowly opening the Volume Pedal on the first note...

Page 54: ...gan until key release at which time the entire decay stage series is clocked proportional to key frequency This combination is effective for a percussive organ envelope 7 STACCATO Selection of abrupt staccato attack and decay is made No curves are used no stages are clocked The STACCATO mode is imcompatible with all other envelope modes and will either override or negate their effect Staccato mode...

Page 55: ...were Play this new chord you will hear nothing because the Sustain Oscillator is not running and cannot clock the necessar attack stages however the Processors have been activated and assigned to the keys so you can remove your hand The chord has been latched If you turn off the LATCH Pedal allowing the Sustain Oscillator to run again you will hear the previous chord begin to decay and the new cho...

Page 56: ...1 2 3 4 5 6 7 8 9I112BBEB17 ATTACK STAGES 12 3 4 5 6 7 8 9 T H 2 B S B 17 B B 3D a 22 3 S 25 25 7 2 S 3D a 2 DECAY STAGES ENVELOPE CURVES LONG ATTACK NORMAL DECAY ...

Page 57: ...15 14 13 12 11 10 9 8 7 6 5 4 3 2 1 0 LU Q o ATTACK short 1 2 3 4 5 6 7 8 9Dll2BKE 617B 92 21222324S2o27SS303132 DECAY normal 123456789D11EB34E 16 17 BB2 2L22232422527233303132 ATTACK STAGES DECAY STAGES ENVELOPE CURVES SHORT ATTACK NORMAL DECAY CO 3 ...

Page 58: ...4 23 22 21 20 19 18 17 16 15 I4 13 Q 12 Ej 10 9 u o o ii 4 3 2 1 0 ATTACK abrupt rise no stages counted 123456789dhebb151517bb2d21222324sz2723253312 attack stages DECAY percussion DECAY STAGES ENVELOPE CURVES PERCUSSION DECAY ...

Page 59: ...CHANNEL ASSIGNMENT VOICE PROCESSOR ENVELOPE BLOCK DIAGRAM not for service work ...

Page 60: ...pe controls associated with DIVISION A will always be in effect CH i CV and the CHANNEL ONE portions of the DIV B PERC SUSTAIN controls Referring to the Channel Assignment Block Diagram you will notice that the DIV B ADD CH 2 control must be activated before any of the effects of that division can be realized CH 2 CV and the CHANNEL TWO portions of the PERC g SUSTAIN controls It should also be not...

Page 61: ...y voice in DIVISIONS B or C can be chorused since they are initially processed in DIVISION A channel one Voices in DIVISION B can be chorused by activating the ADD CHANNEL 2 tab and either the CH 1 or CH 2 CHORUS VIBRATO tab Do not add both CHORUS VIBRATO tabs or there will no longer be a difference in frequency between the channels DIVISION C can be chorused by adding CH 2 and the CV tab DIVISION...

Page 62: ...iNAL OU W l H2 c t S 15 HEVBDflRD 1CU CDiriPUTER OJ i o DIVISION fHAMtt O E t TWO eivifioN e DIV C CHORUS r1 hevbdord L CDf PLiTEH DIVltIM CHANNtl ONE I TWO atviuoo c ckammci vt I t DIV C CHORUS OPTIONAL HEVBDflRD COMPUTER TT HEBD JJ COMPUTER C D A f CHORUS EFFECT DIVISIONS B C en CO ...

Page 63: ...efer to the Channel Assignment Block Diagram Voices in each division have been given channel assignment All voices in DIVISION A are assigned to CHANNEL 1 In DIVISIONS B and C only those voices engraved on the control tabs in RED are assigned to CHANNEL 1 all other voices including the ALTERABLES are assigned to CHANNEL 2 How ever before the Binary Waveform Information of the DIVISION B and C voic...

Page 64: ... of Processors is assigned to a given key until the complete end of a given envelope In the case of long envelopes such as SUSTAIN the lower end of the keyboard on FIXED ATTACK DECAY or any portion of the keyboard on VARIABLE ATTACK DECAY Processors will still be actively assigned to keys after the fingers have been removed More particularly as fingers are moved from one key to another there will ...

Page 65: ...ype flutes are used from DIVISION A and no CHORUS is employed since a single flute would not involve a CHORUS effect Other set ups such as the STRINGS and HORN use DIVISION B CHORUS and VARIABLE ATTACK DECAY DIVISION B CHORUS is used on almost all of the presets because it sounds good The ELECTRIC PIANO preset uses DIVISION lfBM CHORUS with PERCUSSION model The BELLS preset adds SUSTAIN mode The P...

Page 66: ...D A C HEVBDflRD cariPLJTER vo c J J DIVISION B CHORUS S PERC for PIANO HARPSICHORD or CLAVINET GUITAR EFFECTS OJ HEYBDFIRD COMPUTER DIVISION B CHORUS PERC SUSTAIN for BELL EFFECTS OJ ivuicn a cHANMti o e tvo BtvtSIPt C CKAimtl O e I Two kevbdrrd CDfVIFLJTEB cLL CDfVIFLJTEB ...

Page 67: ...R TTFA i X VC C J 3 CHORUS DIVISION C DIVISION B CHORUS DIVISION C PERCUSSION DIVISION CMAMNtl O C t TWO 5J J KEVBDflRD CDfV PLJTEH LTE Afll vc c DIVISION A LONG ATTACK VIBRATO for FLUTE VOICES DIVISION C PERCUSSION FOR HARPSICHORD OR CLAV HEVBDRRD CDMPUTEa CO in ...

Page 68: ...were the case then much of the processing ability of the Computer would be wasted To allow the most use from the available Processors at one time we provided for assign ing more than one Processor to the same key Assigning an additional Processor to each key played would allow the performer to play more than one Minstrumentn or effect simultaneously Finally a third Processor may be assigned to eac...

Page 69: ...ed As an example if you were to set up the sound of an Alto Recorder and then play in a chord and bass organ style the results would not at all be convincing There is a problem here Most people who purchase a Keyboard Computer are key board players having familiarity with organ and piano We might assume that on the average such performers have spent most of their musical time on the key board with...

Page 70: ... that very few performers are aware of the string playing technique Fortunately the Keyboard Computer generates beautiful and highly realistic strings but the burden is on the performer to employ the correct playing and arranging technique that brings these sounds to life The first item to keep in mind about the STRING preset on KC II is the fact that for every key depressed there are two distinct...

Page 71: ...ence of voices rhythmic contrasts can be created between the voices For example while a long melody note is held in the top voice in the right hand other voices can move around below in the same hand Other rhythmic contrasts can involve legato in one voice while the other three or two are staccato or conversely a legato left hand while the melody dances around staccato style in the right hand Both...

Page 72: ... so the tail cf the decay will have no vibrato This technique will go a long way toward creat ing the effect of real strings You will notice that a more heavy vibrato can be tolcra ted on the high notes than on the lower ones Particularly you might notice that for a given setting of the Vibrato Pedal there will be a heavier vibrato at the 16f position of the TRANSPOSE tab than at the 8 position A ...

Page 73: ...e In fact this imitation is ironic since the slowly turning speaker was originally conceived to imitate the sound of multiple pitch sources as found in a pipe organ we are now taking the real thing multiple pitch sources and trying to imitate the imitation Tremolo speed Leslie is initiated by opening the VIBRATO Pedal Third harmonic percussion is acheived by percussing the SINE WAVE 5 1 31 in DIVI...

Page 74: ... substantially after the key release A heavy use of the VIBRATO Pedal is very effective with the longer decay times and conversely alack of vibrato is more effective with the shorter decay times When employing longer decay times remember that the Processors are still assigned to a given key until the very end of the decay time even if the key in question is no longer depressed The point is that lo...

Page 75: ...ns for tuning the PITCH BENDER Pedal to the interval of a Perfect Fourth With the TRANSPOSER in the 16f position the PITCH BENDER Pedal will slide up a Perfect Fourth when depressed fully to the floor and held Listen to some country pedal steel to get an idea of the smooth slides used Of course a real pedal steel guitar is much more complex in its control over individual strings whereas the KC sli...

Page 76: ...h above the notes played This style contrasts with the pedal steel gradual slide heard over the entire range of the Perfect Fourth For another effective style the left hand can drop the bass line and instead play three note chords in the upper end of the keyboard against a single line running melody above in the right hand Right hand runs that terminate in a held note can have that note bent a hal...

Page 77: ...in the SUSTAIN position so that the chrome PERC SUSTAIN footswitch on the far right will add sustain to the piano when held with the foot This sustain pedal does not operate in exactly the same manner as does a sustain pedal on a real piano or even any other electric piano notes played with the sustain pedal held will continue to the end of their natural decay even after the pedal has been release...

Page 78: ...s depressed will activate all twelve Processors Since the Jazz Flute is a higher pitched instrument you may find the TRANSPOSE S1 position useful Remember however that the TRANSPOSE 8 position will allow only flat pitch bends the music written in this manual for Jazz Flute specifies a sharp pitch bend When attempting to imitate the sounds and characteristics of a natural instrument it is important...

Page 79: ... independence possessed by a group of solo musicians It is probably wise to limit the number of simultaneous voices to two or three Since the tone color is the same up and down the KC II keyboard the only dif ferentiation between voices is pitch and rhythm The melody line should take on a more staccato technique so as to draw attention to its line The phrasing should be grouped and fingered so as ...

Page 80: ...onally those Processors remain assigned to their given key until the absolute end of the decay time Processors are still assigned to keys after your fingers have been released For this reason it is wise on longer envelopes not to play large chords Three part harmony is most effective particularly when played open more than an octave between any three voices Arpeggios and broken chords are most eff...

Page 81: ...n the two are combined the CHIFF is substituted for the slow attack of the reed When the CHIFF abruptly decays the reed abruptly attacks with a percussive rise time If VARIABLE attack decay is selected then the CHIFF time can be extended with the ATTACK DECAY Pedal delaying the percussive attack of the BASS REED The BASS REED 32T div c is the only voice that can be delayed by the CHIFF In order to...

Page 82: ...slow Experiment setting the ATTACK DECAY Pedal about half way Now play a descending major scale and fine tune adjust the pedal so that the echo falls about a musical third behind Practice playing up and down scales in tempo with the decay time to create running parallel thirds The left hand when it joins the right should have less rhythmic activity For contrast switch the rhythmic activity to the ...

Page 83: ...nd of full open11 travel is intended to signal the performer that the level of Mnon realisticM vibrato is about to be reached Up to this point of travel natural instruments such as strings will sound effective beyond this point the synthesizer effects begin You must give a little extra push like going into the passing gear on an automatic transmission High solo notes are very effective on this hea...

Page 84: ...another One phrase or section is played at one level then a clean break is made to another level usually contrasting loud with soft like an echo Bach made much use of this technique between the keyboards of the organ FOOT SWITCHES Three foot switches allow some fast changes between effects The LATCH foot switch can create several effects When used in conjunction with the SUSTAIN footswitch or any ...

Page 85: ...elations between envelope effects it would be a good idea at this point to review the section in the OWNER S MANUAL on ENVELOPE GENERATION pages 43 through 49 PITCH BENDER TECHNIQUE Few keyboard players have had the chance to change their pitch on an infinitely variable basis by means of a pedal On first approach the device seems like the ultimate gimmick there is a great temptation to fiddle with...

Page 86: ...two or three flutes are playing together in harmony it is very unlikely that all three of them could bend the same amount at exactly the same time Of course if the Pitch Bender Pedal is moved all three will move together by the same amount To avoid this unrealistic effect two of the voices should take a brief rest while the remaining voice bends Another impor tant example is the case of the Pedal ...

Page 87: ... place in different musical styles The 16f and 8f Tuning controls are also tied in with the Transposer and Pitch Bender see the schematic pageSO There are two options for tuning settings the first being the more popular or useful 1 Octave Tuning with the Pitch Bender Pedal in the up position your foot removed and the Transposer in the 16f position set the 16f Tune control for zero beat with a know...

Page 88: ...als less than a Perfect Fourth are safe however intervals greater than a fourth may cause the clock speed to run faster than the M O S logic can follow In this mode the computer will temporarily cease to produce musical results No harm will come to the computer itself However if your amplifier has sufficient power the noises may cause damage to your speakers The range achievable by the M O S board...

Page 89: ...itch by a Perfect Fourth Additionally the Computer transposer mechanism on the Keyboard Array is switched up or down a Perfect Fifth It is the combination of these two intervals that results in an octave transpose without loosing notes at the top or Ibottom end Pitch Bender bends sharp in 16 Transpose position and flat in 8 TUNE 16 TUNE 8 5vdc 0 A ACll 5vdc INTERNAL TRIM CONTROLS FRONT PANEL CONTR...

Page 90: ... priority If more than one Preset Tab is activated at a time the one farthest to the right will operate When the farthest right tab is turned off the next farthest right tab will operate etc You can turn all Preset Tabs on at the same time then turn them off one at a time from right to left causing all the presets to be activated one at a time Take advantage of this feature for quick changes When ...

Page 91: ... a Fifth or more between adjacent Voices Ability to reach Tenths in Right Hand is helpful Otherwise use First or Second Inversion Chords but not Root Position Listen to Violins think Violin Two Processors per Key A HEVBDRRD COMPUTER CirclecpTabs are automatically activated by Strings11 Preset Tab INSERT CARDS Varies Envelope 1 2 3 Pedal Assfmbly Latch Stacc Key Vibrato Channel 1 2red Channel 2 Tim...

Page 92: ...ally activated by MElectric Organff Preset Tab INSERT CARDS 1 2 3 Pedal Assembly Latch Stacc Vibrato Channel 1 2red Channel 2 Attack Decay Pitch Bender Latch with Sustain Pedal or stop Perc Decay Use to kill Perc Use as Leslie Effect 3rd HARM PERC EQUAL Usually VOLUME Open Full Use to vary Percussion Length Div C Use on Solo Line Runs at end of Phrase For Sustain Effects ROCKY MOUNT INSTRUMENTS IN...

Page 93: ...Explore the effects of the Latch Staccato and Sustain Percussion Footswitches Four keys activate all Twelve Processors Three Processors per Key i Tf KEVBDflRD d L CDITIPUTEH Optional are automatically activated by Organ and Bells Preset Tab INSERT CARDS See Set Up for Add Manual Option for Organ and Bells Preset 1 2 3 Pedal Assembly Latch Stacc Vibrato Channel 1 2red Channel 2 Attack Decay Pitch B...

Page 94: ...te all Twelve Processors Three Processors per Key Guitar 3rd Harm Perc I cLLi COMPUTER LTEFA l V01K Optional ircle Tabs are automatically activated by f Organ and Guitar11 Preset Tab INSERT CARDS 1 2 3 Pedal Assembly Latch Stacc Vibrato Channel 1 2red Channel 2 Attack Decay Pitch Bender erc Latch with Sustain Pedal or stop Perc Decay Use to kill Perc and Guitar Hit Full just as Bender returns from...

Page 95: ...A C DIVISION 1 CMAhftU out I Two BlvlttC C CMJiKtl Oftt ft Two 32 S nvu S P s 16 M5t IS rut SC IS voice 1 tuuto CV CHI a 5 HEVSDflRD CDKPUTEH Optional irclec Tabs are automatically activated by Horn Preset Tab INSERT CARDS 1 2 Varies Envelope 3 4 Pedal Assembly Latch Stacc Vibrato Channel 1 2red Channel 2 Time Attack Decay Pitch Bender JNL For holding Chord Use for Funk Use to Accent Chords at end...

Page 96: ...IVISION CMAhMCL ONE t TWO e C A atl On t TVQ CM t OUMitl 012 A A KEVBDflRD CDITIPUTEH cLLi CDITIPUTEH KJZtXJL Optional are automatically activated by ffElectric PianoM Preset Tab INSERT CARDS Varies Envelope 1 2 3 Pedal Assembly Latch Stacc Vibrato Channel 1 2red Channel 2 Attack Decay Pitch Bender Latch with Sustain Pedal or stop Perc Decay Do not use Seldom used EQUAL Usually VOLUME Open Full Af...

Page 97: ...de Envelope allowing two techniques at once Left Hand can play Funky Clav while Right Hand Sustains Synthesizer Like Solo lines using Pitch Bender and Vibrato Six keys activate all Twelve Processors Two Processors per Key II CMAKMtL ONE I 1 X2 f cLL CDinFUTEB KMIUS v tt J Optional are automatically activated by Clav Preset Tab INSERT CARDS 1 2 3 Pedal As f rly Latch tacc Vibrato Channel 1 2red Cha...

Page 98: ... MAlto Recorder Harpsiu Preset Clavinet Jazz Flute Vibrato kTwo Processors per Key Soft Partial 5 1 31 Tonguing Transient NCAT TMUKC A HEVBDfiRD CD T FIJTEH Optional ircle rabs are automatically activated by Jazz Flute Clav 1 Preset Tab INSERT CARDS 1 2 3 Pedal Assembly Latch Stacc Vibrato Channel 1 2red Channel 2 Attack Decay Pitch Bender Latch with Sustain Pedal or stop Perc Decay Not used Not r...

Page 99: ...rciPtJTEH LTt A l 1 VOICE J Optional are automatically activated by Alto Recorder Harpsi Preset Tab INSERT CARDS 1 2 NOTE Although an option is available to add Sustain to the Harpsichord for Special Effects keep in mind that real harpsichords cannot sustain except when keys are Pedal Assembly Latch Stacc Vibrato Channel 1 2red Channel 2 Attack Decay Pitch Bender Latch with Sustain Pedal or stop P...

Page 100: ...Sound Theatre Organ Bells is drawn from Permanent Memory but not available manually on rocker tab Division ft CHAhSCL ON t TXO W BIVISIM e ClOiiNtl OmC I TWO CltCt i 16 PVlSt IS Oil 042 1 A HEV8GRRD CQMPL1TEB Optional are automatically activated by Bells Preset Tab INSERT CARDS 1 2 3 Pedal Assembly Latch Stacc Vibrato Channel 1 2red Channel 2 Attack Decay Pitch Bender Sustain Perc For holding Chor...

Page 101: ...f Sounds are drawn from Permanent Memory but are not available manually on Rocker Tabs DIVISION CHAMNtl ONC I ThO llM C CKA CU OmC I TWO rvist 15 M2 51 J Ov A TT KEVBDFIRD ci L CDfTIPUTER Optional but best in 16f Position for depth of 32f Reed C Irc j3cp Tabs are automatically activated by Pipe Organ11 Preset Tab INSERT CARDS 1 2 3 Pedal Assembly Latch Stacc Vibrato Channel 1 2red Channel 2 Attack...

Page 102: ...TWO i i Ai t A n a V ICO wJl t I 7 A TT KEV3DF RD cLL computer HVJfil J Optional Cgircfe Tabs are automatically activated by Echo Preset Tab INSERT CARDS 1 2 NOTE Do not use Perc Pedal when Staccato Mode is on 3 PICC 2 A or FIFE 1 L m FL 4 Bor PICC 2 A Pedal Assembly Latch Stacc Vibrato Channel 1 2red Channel 2 Attack Decay Pitch Bender Chord Segues with Long Attack Decay Kills Div Bfl and stops E...

Page 103: ... Cancel of manual Set Ups Leave tabs indicated for Add Manual Options in ON position and activate them by turning on the Add Manual tab In most cases information on Preset Set Up Sheets also applies to the Add Manual Options The necessary additional information is included on the Add Manual Set Up Sheets The following Add Manual Options are intended to be used with the Presets at the same time ...

Page 104: ...arrange to take full advantage of this unique effect This particular Set Up can be used alone for a Harpsichord Effect by turning off the Preset Adds Third Processor per Key f I r ctro hevbdrrd cdkiputeh K TTWJE VOItt I Activate for Add Manual Option INSERT CARDS 1 PhDAL ASSFMRIY Latch Stacc Vibrato Channel 1 2red Channel 2 Attack Decay Pitch Bender Sustain Herc ROCKY MOUNT INSTRUMENTS Set Up Shff...

Page 105: ...ndependently Bell Effects are created by Sustaining Division C with the Sine Wave 1 3 5 and opening the Attack Decay for Long Decay time Select Only One Optional V CY H2 e i f ViSTAtR mo I iA ia V t 5 AI9 V 1 IS kA I JW HEVBDflHD compiJTEH wia J J T a Activate for Add Manual Option INSERT CARDS 1 2 3 Pedal Assfmri y Latch Stacc Vibrato Channel 1 2red Channel 2 Attack Decay Pitch Bender ROCKY MOUNT...

Page 106: ... Sound Select Only One b rlttW C CKaxkCL C t tv C0 WUM 1UC IS t tCT C 16 otirr C r tmo CV k i 15 li t OJ r HEVBDRRD CDinPLJTER W C J Activate for Add Manual Option INSERT CARDS 1 2 3 Pedal Assembly Latch Stacc Vibrato Channel 1 2red Channel 2 Attack Decay Pitch Bender ROCKY MOUNT INSTRUMENTS Set Up Shfft ORGAN AND GUITAR PRESET Add Manual Option ...

Page 107: ...d Coordination involved is similar to use of Piano Sustain Pedal during chord changes release during change Optional Adds Third Processor per Key Select One Utt MI I hevbdfiro cdiv futeh V01C Activate for Acid Manual Option INSERT CARDS 1 2 3 Pedal Assfmbi y Latch Stacc Vibrato Channel 1 2red Channel 2 Attack Decay Pitch Bender Kills Perc Voices Adds Percussion Sine Waves Adds Perc Spanish Bag or ...

Page 108: ...CrCt S VI MAI 0 02 Oil r i w c a 5 Tr hevbdhrd LL CDITIPIJTER ALTTWLE VOICE J Activate for Add Manual Option INSERT CARDS 1 2 3 Pedal Assembly Latch Stacc Vibrato Channel 1 S 2red Channel 2 Attack Decay Pitch Bender CSUSTAI ROCKY MOUNT INSTRUMENTS 215 965 9801 Set Up Sheet Electric Piano Preset Add Manual Option ...

Page 109: ...urth Slide during Sine Decay after keys are released C 1 O C W filMIO cy CM I OHil Of KU IS e t CK V1 uro XI 0 2 l MtSR i i X a IK fin J A Optional CDinFUTEB Activate for ADD MANUAL Option INSERT CARDS 1 2 3 SINE WAVE 8 Pedal Assfmbi y Latch Stacc Vibrato Channel 1 2red Channel 2 Attack Decay Pitch Bender SlISTAIN Ferc ROCKY MOUNT INSTRUMENTS INP macungie Pennsylvania 18062 2i5 965980i nWw I IVIV ...

Page 110: ...n be combined and Alterables 3 4 can be combined INSERT CARDS 1 2 z PULSE WIDTH 1 16 jL PULSE WIDTH 1 8 Pedal Assfmriy Latch Stacc Vibrato Channel 1 2red Channel 2 Attack Decay Pitch Bender Sustain Herc RDPKY MOUNT INSTRUMENTS INP macungie Pennsylvania 18O62 2i5 965 090i nUul I IVIV VJ 4 JO 1 r V lV t i O I l O asubsioiarvo allen organ company plant rockv mount n c boi Set Up shfft Clavinet Preset...

Page 111: ... to Clav11 Select One ttvif we cmwi t l V w Jfi IE 51 J V lT I MlC r VV Activate for Add Manual Option INSERT CARDS 1 Pedal Assfmbi y Latch Stacc Vibrato Channel 1 2red Channel 2 Attack Decay Pitch Bender ROCKY MOUNT INSTRUMENTS INC ii JS Set Up shppt Jazz Flute Clav Preset Add Manual Option ...

Page 112: ...r i 3 A TT HEYBDF1RD Activate for Add Manual Option Pedal Assfmbly Latch Stacc Vibrato Try these cards doubled in Alterable Voices 1 5 2 _ SEPTIEME 1 1 71 B FLUTE 23rd 8 9f FLUTE 24th 4 5f FLUTE 29th 1 2T SINE lf FLUTE 2 2 31 B INSERT CARDS 2 Same Card Channel 1 2red Channel 2 Attack Decay Pitch Bender Sustain u ROCKY MOUNT INSTRUMENTS INC r 215 965 9801 WOCKV MOUNT H C 77HO1 Set Up Bells Preset A...

Page 113: ...r than an Add Manual11 Set Up Merely turning off the Pipe Organ Preset will activate this Set Up if the Add Manual tab is off With the Preset off six keys can be played Optional DIVISION t CMASREL 0 C t TWO C I muto CV T1IMT0 CV CH2 16 W KEVBDflRD cDirjpuTEn Activate for Add Manual Option INSERT CARDS 1 2 3 Pedal Assfmri Latch Stacc Vibrato Channel 1 2red Channel 2 Attack Decay Pitch Bender Sustai...

Page 114: ... hevbdrhd cdihputeh Is Activate for Add Manual Option INSERT CARDS 1 2 3 Pedal Assembly Latch Stacc VI3RAT0 Channel 1 2red Channel 2 Attack Decay Pitch Bender Sustain Perc ROCKY MOUNT INSTRUMENTS 215 965 9801 Set Up Shfpt PlPE ORGAN PRESET Add Manual Option 2 ...

Page 115: ...TO cv CM f fllM O CV CM7 tltC tfC IM0 IS 1A M 16 V w HEVBDflRD CDH1PLJTEB M RMT E Z Activate for Add Manual Option INSERT CARDS 1 2 FLUTE 2 2 3 B FLUTE 24th 4 5 Pedal Assembly Latch Stacc Vibrato Channel 1 S 2red Channel 2 Attack Decay Pitch Bender erc ROCKY MOUNT INSTRUMENTS Set Up smpft Alto Recorder Harpsi Preset Add Manual Option ...

Page 116: ...ng in the upper end if you are looking for that Effect Mixtures and or Bells StVISIC A e n L 9 1 KM 16 r v t ADIv flo i C C Of 1 W2 MV IS TT hevbdrrd cLL CDKIPUTEH TTFA L VO C J Activate for Add Manual Option INSERT CARDS Note Mixtures can be selected from Allen Organ Tone Card Library Double or use separately or mix 1 2 MIXTURE 1 2 MIXTURE CHRYSOGLOTT lim CHRYSOGLOTT Pedal Assembly Latch Stacc Vi...

Page 117: ... Attack Delayed Voice Variable Attack Decay Voices Select One OIVISIOM CHANNEL ONI I TVO oiviskm e oumku I t CM 2 ITltttlt lT nt VOiCl TOIU y Q I shc 1 nua KCAT SklTCH Tr1 hevbdhrd JJ CDfiiPUTEH VO1C Activate for Add Manual Option INSERT CARDS 1 2 CATHEDRAL CHOIR or 3 PICCOLO 2 A or 3 FIFE 1 LINEAR SAWTOOTH H Or I FLUTE 4 B or L PICCOLO 2 A Pedal Assfmbly Latch Stacc Vibrato Channel 1 S 2red Chann...

Page 118: ... manual before trying your own Included in this manual you will find blank Set Up Sheets for jotting down your own ideas If you come up with one you think is exceptional please send us a copy so we may share it with other owners like yourself by adding it to this manual You can receive additional blank Set Up Sheets and or recent Set Up Sheets for up dating your manual by writing RMI Macungie PA 1...

Page 119: ...ng two processors to that key the phase relation of the waveform between the two processors will be random and remain in that precise relation until the key is released Due to the nature of Two Processors per Key I Engraved Red Ch l only i I Also try with 8th Pulse alone or 16th Pulse alone HEVBDflfiD JJ i COMPUTER INSERT CARDS the waveshape out of phase relationships will cause phase cancellation...

Page 120: ...nvent your own combination of Pulses Optional C jThree Processors per Key h V OIVtlfM C CMRttfk t t I TW MM IID j M o 15 1G I IS 1 _JJ U LrJ HEVBDflRD cqkiputeh Tr HEVBDfRD cLL cqkiputeh Ttf l W C J Optional Try these optional Alterable Voices Option A 1 PULSE WIDTH 1 3 2 PULSE WIDTH 5 32 3 PULSE WIDTH 1 8 4 PULSE WIDTH 5 32 Pedal Assembly Latch Stacc Vibrato Option B PULSE WIDTH 3 16 PULSE WIDTH ...

Page 121: ...usy so get your fingers moving If you have any Banjo tapes or records try playing them at a slower speed to pick out the parts Phase Cancelling Effect similar to Sax Set Ups x O f KEVBDflRD JJa CDWPUTEH ALTTVA51 VOItt J vNz NOTICE Tone Color will vary at random on different keys due to Phase Cancellation Effect similar to Sax Set Ups INSERT CARDS l PgDAL ASSFMRI Y Latch Stacc Vibrato Channel 1 S 2...

Page 122: ...t Hands For a quick variation from the Steel Drum Sound push Vibrato and Attack Decay Pedals wide open Listen carefully when returning to Steel Drum Sound to get Decay correct Three Processors per Key BIVItlM C CHAMft I t t tiit tut u o tK t Ml SUI IOJ U jj Kit f MilS I I I KEVBDflRD _ COMPUTER ju irr uic INSERT CARDS TIERCE BELL Pedal Assembly Latch Stacc Vibrato Channel 1 2red Channel 2 Attack D...

Page 123: ...Try Reiterate and Roll Effects 1st 2nd and 3rd Octaves are particularly effective and resonant or OPTIONAL f iM c CKjutt I m s V2IUI0 fllUTO cv UiIOOtK 16 HO 16 drone 16 futSt 16 WHCl 1 S3 HEVBDflHD CDfTlPlJTER ALTtKA l VOICE s NOTE For quick change to another Mallet Instrument pre load cards for Vibes 1 Set Up In changing it will not be necessary to turn off all Division C Tabs only MAdd Ch 2M IN...

Page 124: ...e between Left and Right Hand and creating harmony with Fundamental of Right Hand Hit keys quickly and release The Decay is the secret Hot Griddle Technique again Oi l L CDinPUTEB Witt Optional Alternate with Preset for Contrast Option Try all All Harmonics Series Cards including JAZZ PICCOLOS A B INSERT CARDS 1 SINE WAVE 8 2 FLUTE 29th 1 2 B 3 Pedal Assembly Latch Stacc Vibrato Channel 1 2red Cha...

Page 125: ... 1 and 2 Pedals is effective Chiff is more pronounced when Channel 1 is used alone however a realism of warmth occurs when both are added OJ I 1 I LJLJI II ii CDITIPUTEH ALTTWLC VOICt mwrt CA a a h INSERT CARDS 1 2 3 SINE WAVE 8 Pedal Assembly Latch Stacc Vibrato Channel 1 2red Channel 2 Attack Decay Pitch Bender Sustain Herc ROCKY MOUNT INSTRUMENTS 215 965 9301 Set Up shfft Steam Piano Calliope ...

Page 126: ...membered Add Bells 3 Processors per Key ft tMASNtt 0 C 4 TWO BIVUIM C CMJMiCk VIIU10 PViSI IS nut 16 voice CH t OUKfl CK UJ I ClAMU im 0 I me L CD riPUTEH This Set Up can be alternated with Presets for Dramatic Effects INSERT CARDS 1 CATHEDRAL CHOIR RING MODULATOR RING MODULATOR Pedal Assembly Latch Stacc Vibrato Channel 1 2red Channel 2 Attack Decay Pitch Bender Sustain Herc Not used Not used Add...

Page 127: ...ional NOTE ENVELOPE Using Percussion Mode1 with Latch creates an Envelope with Percussive Attack but an Organ Like Scaled Release Envelope Option Activate Staccato Pedal and remove Perc Modes from Divisions B C D Attack Pedal Assfkri y Latch Stacc Vibrato Decay Channel 1 S 2red Attack Key Depression Time INSERT CARDS 1 2 Scaled Release 5 Channel 2 Attack Decay Pitch Bender Sustain Perc ON for Perc...

Page 128: ...n both B 3 and Clav are played together Clav Decays while B 3 holds Choice of Clavinet Tone Color B 3 Chorale Speed Effect Richer 3rd Processor per Key 4 Keys 12 Two Processors per Key B 3 Perc l DIVISION fMANKfL ONE t TWO OIVItIM C V liafl A ft Twft W V f IS IS 15 KEVBDflRD CDI PUTEH T KEVBDfRD cLL CDI PUTEH AlTTWJt Witt Optional In CM Position for Chorale Effect INSERT CARDS 1 2 Pedal Assembly P...

Page 129: ...ching instruments11 with Channel 1 and 2 Pedals And remember the playing style must also change instantly Both can be played together but the technique must be fudged however you might try Staccato OFF and Division C Percussion ON then adjust Decay Time Optional DIVISION CM OIVISIOM C Cl M fi C f f A KEVBDflP D CDIT1PLJTEH Optional INSERT CARDS 1 2 3 Pedal Assfmrly Latch Stacc Vibrato Channel 1 2r...

Page 130: ...eyboard Technique Two Processors per Key Oi HEVBDflRD CDMPUTEH lT HEVBDD VOICE J mount J INSERT CARDS 1 2 3 Pedal Assembly Sustain ROCKY MOUNT INSTRUMENTS 18062 215 965 9801 Set Up shfft Electric Organ 2 ...

Page 131: ... rLL COMPUTER ItfA l VOICE J mount INSERT CARDS 1 2 3 Pfdal Assfmriy Latch Stacc Vibrato Channel 1 2red Channel 2 Attack Decay Pitch Bender Sustain Perc ROCKY MOUNT INSTRUMENTS PENNSYLVANIA 18062 215 965 9801 Set Up Shpft Electric Organ 5 ...

Page 132: ...the 60fs If you are looking for a dated sound this is it Try Full Chords in Right Hand and Bass Line in Left Hand OTI o t I M I9 hevbdrrd CDfnPUTEH ALTTPA L VO C J 5 Optional INSERT CARDS Option If you want it to really SCREAM try the Sine 1 1 _ SINE CHORUS C 2 FIFE I1 3 ROCKY MOUNT INSTRUMENTS Set Up Shfft Portable Electronic Organ ...

Page 133: ...l Initial Voice Variable Attack Decay Voice Alternate or Combine Echo Voice Optional or OIVISIOM CHAMtL ONC I TWO SAKtOOIC 16 V M DIVISION e CfAMCL C t I TWO v v 16 tlltT IC IA 9 16 runt 16 lit IS iu Su c i5 kuio cv t u 3 HEVBDflRD pTEH vcia INSERT CARDS 1 JAW HARP B 2 BAGPIPE LINEAR SAWTOOTH H FIFE 1 Pedal Assembly Latch Stacc DO NOT USE TOGETHER Vibrato Channel 1 2red Channel 2 Attack Decay Pitc...

Page 134: ...one I two 15 Oil N HEVBDfiRD Tf HEVBDfRD J L CDiriFUTEH t a Witt J Can be used to add Sustain to Perc or to add Perc to Organ Envelope Similar Set Up good alternate INSERT CARDS 1 2 3 Pedal Assembly Latch Stacc Vibrato Channel 1 S 2red Channel 2 Attack Decay Pitch Bender Sustain Perc ROCKY MOUNT INSTRUMENTS ir m r PHOi Set Up Sheet _Jazz_Bass_ ...

Page 135: ...flHD CDfriPLJTEH VO1CI f Optional INSERT CARDS 1 CHRYSOGLOTT CHRYSOGLOTT Pedal Assfmri y Latch Stacc Vibrato Channel 1 2red Channel 2 Attack Decay Pitch Bender Sustain Perc ROCKY MOUNT INSTRUMENTS MACUNGIE PENNSYLVANIA 13062 215 C 65 9801 A SUBSIDIARY Of ALLEN ORGAN COMPANY PLAN ROCKY MOUNT N C 27801 Set Up Organ and Chrysoglott ...

Page 136: ...e Left Hand is most effective Be sure to experiment with mixing Upper Harmonics with different Bell Cards BIV IOil C OUMfl I TWO o v CD HEVBDflRD ALTTfASJi X VO C C 3 CM Optional Try any Bell Card in Alterable 1 mixed with any of the following in Alterable 2 Flute 2 2 3 B 8 11 B Flute 1 1 3 B Septieme 1 1 7 C Flute 23rd 8 9 Flute 24th 4 5 Flute 29th 1 2 B or Sine 2 Pedal Assfmrly Latch Stacc 1 2 3...

Page 137: ...rato can be kept at low level then increased when needed for Solo Lines The Electric Piano Wave Form is mellow and sounds good in this Organ Mode Select one or combine ttvlt 9 A C l V 16 HEVBDRRD COMPUTER voicr I c 3 ct V Optional Optional Alternate with Preset for contrast INSERT CARDS 1 Optional Diaphone Orchestral Tuba any Horn Card French Wald etc Note Cards can be mixed or alternated with Alt...

Page 138: ...er voia J 3 INSERT CARDS 1 SINE 8 2 Any Mixture 3 Pedal Assfmbi y Latch Stacc Vibrato Channel 1 2red Channel 2 Attack Decay Pitch Bender Sustain Perc Add Light Vibrato if desired FULL VOLUME EQUAL Long ROCKY MOUNT INSTRUMENTS Set Up shfft Bell Experiment ...

Page 139: ...ividual players performing contrast phrasing between Voices Effective Three Voice Style Almost legato parallel Sixths in Left Hand against a staccato solo in Right Hand Watch pitch range Quint Chiff 5 1 3f Tonguing Transient TTT bS Pfi59 KEVaDflD CDMPIJTEH Note This Set Up is better for Alto Recorder Solos than MAlto Recorder Harpsi11 Preset because using Percussion Mode in Division fCM for Harpsi...

Page 140: ...r cs KkT j rim LL COMPUTER ma rnr tt nti V Optional 1 3 See Strings Preset Set Up Sheet for details Pedal Assfmrly Latch Stacc Vibrato Channel 1 2red Channel 2 Attack Decay Pitch Bender Sustain Perc ROCKY MOUNT INSTRUMENTS 215 965 9801 Set Up Shfft OPTIONAL STRING SOUNDS ...

Page 141: ...6ths or 7ths DlVISfOX CMAT CL HEVBDflRD CDItJPUTEH INSERT CARDS 1 Option Try any Clarinet Card _ 2 EDGE WHISTLE 3 Pedal Assfmrly Latch Stacc Vibrato Channel 1 2red Channel 2 Attack Decay Pitch Bender Sustain Herc ROCKY MOUNT INSTRUMENTS I 1 from Steve Cooper Denver Colorado Set Up Shfft ACCORDION ...

Page 142: ... rhythmic Break chords A CNMMIL Ml vr HEVSDflRD cdihputeh vo c I Optional INSERT CARDS 1 2 3 Pfdai Assfmri Y Latch Stacc Vibrato Channel 1 2red Channel 2 Attack Decay Pitch Bender Sustain Herc ROCKY MOUNT INSTRUMENTS Set Up shpft Clavinet Effect ...

Page 143: ...on try any combination of these IVtttCM A C Cl 0 1 AiTO WCOICtt Muni L CDK1PUTEH Optional INSERT CARDS 1 2 3 Pedal Assembly Latch Stacc Vibrato Channel 1 2red Channel 2 Attack Decay Pitch Bender Sustain Perc ROCKY MOUNT INSTRUMENTS 215 965 9801 ROCKY MOUNT N C 3TMI Set Up wT Horn 1 Mellow ...

Page 144: ...ny in Right Hand o ilO IMtTCM HK HEYBDflRD CDIV1PUTER Optional INSERT CARDS 1 C0RN0PEAN C R1542 2 HORN B R1543 3 Pedal Assfmri y Latch Stacc Vibrato Channel 1 2red Channel 2 Attack Decay Pitch Bender SlISTAIN Kerc ROCKY MOUNT INSTRUMENTS Set Up Shpft Horn 2 Dark ...

Page 145: ...RT CARDS 1 BRASS R1546 2 BRASS R1546 3 Pedal Assfmbly Latch Stacc Vibrato Channel 1 2red Channel 2 Attack Decay Pitch Bender Sijstain Herc ROCKY MOUNT INQTR1IMFMTQ IMP macungie Pennsylvania 18O62 215 965 9801 nUWi I IVI VJI I IIMO I llVJIVIb 1 I O I I JL AlUSIIOIAiVOf ALUNOnGAIICOWANY ruM T ROCKV MOUNT NX 37 01 Set Up Horn 3 Brilliant ...

Page 146: ... to longer decay times Smooth Fourth Slides can be created with Pitch Bender during the Sine Decay after keys are released tlVISIOH S CHI IVIIIM C CMMl MlW o e L CDWPUTEH I Optional Pedal Assembly Latch Stacc NOTE These ABSTRACT Set Ups are very pleasant timbres that are intentionally non imitative Some will remind you of the timbres created by Walter Carlos in Switched On Bach The sky is the limi...

Page 147: ... Voice in Division ffCff Sine Wave Contrast Short and Long Decay times with Pedal Add Heavy Vibrato Pedal to longer decay times Smooth Fourth Slides can be created with Pitch Bender during the Sine Decay after keys are released Optional For Phase Canceling effect I uum KEVBDRP D CQITJFUTER Optional INSERT CARDS 1 2 3 SINE WAVE 8 Pedal Assfmrlyi Utch Stacc Vibrato Channel 1 2red Channel 2 Attack De...

Page 148: ...ain Voice in Division ffC Sine Wave Contrast Short and Long Decay times with Pedal Add Heavy Vibrato Pedal to longer decay times Smooth Fourth Slides can be created with Pitch Bender during the Sine Decay after keys are released iiviiim mi r Mt j i JLcLL CDIT1PLJTEB Optional INSERT CARDS 1 2 3 SINE WAVE 8 Pedal Assembly Latch Stacc Vibrato Channel 1 2red Channel 2 Attack Decay Pitch Bender Sustain...

Page 149: ... by Sustain Voice in Division C Sine Wave Contrast Short and Long Decay times with Pedal Add Heavy Vibrato Pedal to longer decay times Smooth Fourth Slides can be created with Pitch Bender during the Sine Decay after keys are released HEVBDflHD CDKIPUTEB KVJMJL vc c Optional SINE WAVE 8 Pedal Assembly Latch Stacc Vibrato Channel 1 2reo Channel 2 Attack Decay Pitch Bender StjSTAIN Perc ROCKY MOUNT ...

Page 150: ...d funky sound to Solo lines L cam carnPUTEH NOTE Make sure Attack Decay Pedal is in the FAST or MINIMUM Position HEEL FULLY DOWN INSERT CARDS 1 2 3 Pedal Assfmblyi Latch Stacc Vibrato Channel 1 2red Channel 2 Attack Decay Pitch Bender Sij stain Herc ROCKY MOUNT INSTRUMENTS 215 965 9801 NOCKV MOUNT M C TMt Set Up hpft8 Quint Organ ...

Page 151: ... y 8 HEVBDflRD CDirSPliTEH ULTEPASlf VOICE J tmtx u INSERT CARDS 1 2 3 Pedal Assembly Latch Stacc Vibrato Channel 1 2red Channel 2 Attack Decay Pitch Bender Sustain Kerc ROCKY MOUNT INSTRUMENTS 215 065 9801 Set Up Sheet ...

Page 152: ...p its RMS value doubles Most of the cards listed in the RMI library have high values it is helpful to coordinate the under standing of this section with trie section on Registration Concepts A performer can use the RMS values to advantage when seeking a specific balance between two sounds such as an organ sound with percussion like the B 3 Hammond sound11 The card used for the percussion tone is t...

Page 153: ...any unique realistic and phenomenal things that the RMI Keyboard Computer accomplishes dynamic tone coloring is not one of them it would seem amazing enough that it has high reliability in returning precisely to a specific sound when desired V All of this is not to say that dynamic tone coloring effects cannot be created Example A mellow tone can be prog 5 rammed in Ensemble Channel Two while a br...

Page 154: ...eturned along with the cards Since cards as opposed to Fixed Voices are used almost exclusively in the RMI Keyboard Computer it will be an important advantage to the performer to b greatly familiar with the i HH Tone Card Library Spend a lot of time listening to each card individually Categorize the sounds mellow and fat brilliant and thin nasal flute like bell like Close spaced harmonics such as ...

Page 155: ...rmonic layout there is a group of harmonics around the fundamental such as the French Horn then unlike the French Horn there is a vacant space and finally a cluster of harmonics around 16th harmonic When the keyboard is run chromatically with the Jaw Harp both the fundamental cluster and the upper cluster are heard throughout the lower and middle octaves however as the fundamental approaches the t...

Page 156: ... various harm onics or overtones above the fundamental Each of these cards is greatly effective when used as a quickly percussed sound that dies away leaving a fundamental 1 ike tone held The B 3 Hammond sound set up sheet is a good example or its variations Due to the short lived nature of quickly percussed sounds it is often necessary to insert the card into two adjacent Alterables I II or III I...

Page 157: ...negative duty cycle This waveform has the effect of a square wave but is thin and metallic due to its narrow pulse If the spaces between the 1st and 16th pulses were filled in a true square wave would be created There would be more energy gener ated causing more bass content mirror image negative duty cycle ...

Page 158: ...ossover point I I i PULSE WIDTH 1 16 inserted in Alterable Voice I PULSE WIDTH 1 8 inserted in Alterable Voice II amplitude 128 units both cards summed amplitude 64 units value of 1 8 Pulse Width card note drawings not to scale Resulting v aveform summed in Ensemble Division ...

Page 159: ...ader while holding a chord you will hear a 1 32 pulse width first followed by 1 16 3 32 1 8 etc until the card is all the way in at 1 2 pulse width By slowly inserting the Clank card number 00000 listed under Special the process can be reversed Different Pulse Width cards can be added in Alterable Voices I II or III IIII to create staircase waveforms one step per card Pulse Width cards 1 16 and 1 ...

Page 160: ...ny as four cards mixed together in the Alterable Voices can be achieved by using only Channel One in the Ensemble Division and not using the Percussion or Sustain in the Solo Division which allows the Solo Alterables to remain in Channel One ...

Page 161: ...l pitch intervals are measured from the nearest octave below Notice that the 16 and 81 notes heard are written in the Bass Clef and therefore are below the note played which is C3 The note played is heard as the same note only when a 41 voice is used When other pitches are used the note played will be heard above or below according to the chart It is interesting to note that these fractional pitch...

Page 162: ...R MAit cfilers Afa COXA To NZ OtJ W LOC j GMt 4 f _ C vr tZC TtX ccut o l rt EiZ CCfJ Cn L_ O J nmro t ATC S i svs IMBUES Solo JOiCt I All I to i ClocK AtFeC7tt4 j j ...

Page 163: ...the instrument 2 It it sirable to have less sensitivity at the beginning of the travel in order to give a wider spread to the first semi tone or whole step Common usage of the Bender particularly in jazz and rock is the half step or whole step bend sharp and return frequently followed by a heavy vibrato a typical guitar lick By having a wider spread in the first portion of the travel the performer...

Page 164: ...lutes the bass line would lose some realism if it were toslidawith the other three voicesi ev effective technique is to give the bass line _ a brief rest during the slide At the same time this ie trfrTt w wifl drawu ur more attention to the slide effect j Wt Hi Aside from the Pedal Steel technique is the Rock Guitar technique The guitar player sets his fingers to form the chord placing them on the...

Page 165: ...ated on a small board just inside the lid Intervals less than a Perfect Fourth are safe however intervals greater than a fourth may cause the clock speed to run faster than the M O S logic can foljow eththrmgr d or fewH dropped notos sowo hcavy DrC pu rs cs i an6 j fle4s iU nory nmtsi pfl 1 n f p No harm will come to the computer itself Hiowever if your amplifier has suff icient power yj r may cau...

Page 166: ... DOWN CONTROL PEDAL DOWN 0 VOLTS FLAT 5 VOLTS SHARP TO O VCO PITCH BENDER PEDAL CLOCK This schematic applies only to models having a dual concentric vibrato speed and intensity control on the front panel The internal trim controls set the counter clockwise and clockwise CCW CW pitch limitations of the front panel Pedal Up and Pedal Down controls ...

Page 167: ... button with dot to minimize spurious keying of unwanted notes The effect achieved is that the lowest key held v jll instantly transpose all other keys Holding a chord in the fourth octave and playing a sequence ofynotes in the first octave will cause the chord to be rapidly transposed You will note that there is an inverse relation between the key causing the transposition and the notes being tra...

Page 168: ...ch According to the laws of physics when the length of a pipe is cut in half its frequency doubles jumping an octave higher WififtiWl At standard or unison pitch that of a piano A middle A in the third octave of a five octave keyboard will sound at 440 cycles per second The termination used by pipe organs for this pitch range is 81 because the lowest pipe C at the bottom of the keyboard would be e...

Page 169: ...he Transposer Switch and the Pitch Bender Controls If the performer is to make effective use of these lower pitches the Keyboard Computer must be played through an audio system that has high powered amplifiers driving large speakers in proper enclosures see the section on Audio ...

Page 170: ...ce the playing techniques attacks decays and special effects oj each of the above instruments is unique and different they could j pH be pl4yed at the same time from the same keyboard jjA ci si ne they could ppjqv6e plfeyed at the same time from the same keyboard fj tyYci since the volume of each is intended to fill the room then the volume of two stops at the same time would more than likely be t...

Page 171: ...ral or solo flute sounds examples Jazz Flute 41 or the Alto Recorder All yellow buttons in the top row are voices in the string family Once again these strings are organ strings and should not be confused with the strings heard in an orchestra Organ strings as used in the old theatre organs of silent film days were very thin in fundamental and contained a sizeable portion of twelfth harmonic To cr...

Page 172: ...veform oscillators have been eliminated there is no char acteristic sound to the Keyboard Computer Each waveform whether simple or complex is plotted on a graph and assigned digital numbers When a key is held the numbers are read out at the appropriate frequency causing a tone whose color exhibits the characteristics of the waveform There are two sources of these waveforms the fixed memory and the...

Page 173: ...the range of the entire keyboard mixtures as they chromatically descend the keyboard jump back up in pitch at various points These jumps are called breaks11 If you play only the mixture or H button on the Keyboard Computer you will notice breaks between the first and second octaves nsecond and third octaves This is a three rank mixture three pitches The H in the Ensemble Division is a four rank mi...

Page 174: ... be sufficient A new technique must be developed Keyboard Computer technique It requires a little more thought as to how many Jjkeysjj you are playing if you think about chord structure used in piano and organ you will realize that e teti notes arelabided in the right hand to create richness of sound and frequently bass lines in the left hand are doubled in octaves Let s analyze that The basic sou...

Page 175: ...s This would be O K if the Computer were set up at the moment for piano organ Clavinet or harpsichord but suppose it were set up for Jazz Flute What then Step one is to study the characteristics of the Jazz Flute or whatever instrument you are trying to create The first thing to do is listen to some recordings of the instrument Some things to note are 1 Is it Solo or Polyphonic 2 If polyphonic how...

Page 176: ... co i fJ J Ji ir illIlE UM c SUSTAIN LCNOTM vinnATO i M III ALTVRAILI VO CK Tune A Up Medals s Channel One CD t I ZD ZD o to LU Cu t LU CD i h tO h LU rH CVJ CM ZC ZC 0 0 I I to to 2 2 LU LU 00 O Channel Two o o to ZC O 2 c2 h LU CO tO J H ZD to O HH CO Channel Three Pitch Bender All Bass Voices Ch 1 Ensemble Voices Ch 2 Ensemble Flutes All Flute Voices 161 REED Solo Div Solo Voices without perc o...

Page 177: ...W 1 i o Cu SL Making J azz lo cgs At AIost Waveform Cards rVtl M TO o I O Tune A Tunes Channel One Channel Two Channel Three Pitch Bender Programt iing Sheet if 3HPKY MHUMT IMQTR1IMFMTQ macungie Pennsylvaniai8062 216 9659801 tw rT OTMONf Ct MI l ...

Page 178: ...UTER Keyboard Technique M a z a o p Line Waveform Cards T ENSEMOLC rtOAL UP PEDAL DOWN O CO SUSTAIN LENOTH t rViniJATO I O I AUtRABLI VOICK SBCCCTOfV Tur A Tune Programing Sheet _ ROCKY MOUNT INSTRUMENTS S Title STggL St3 ...

Page 179: ...ISSK21H HE CD EH Keyboard Technique ua mqa y Waveform Cards FfoMtA HoM IF A Ort HBODy lS a IF MORE k DealED rVlPUATO I Q I Programming Sheet ROCKY MOUNT INSTRUMENTS Title UaMMOA i8 3 SQUA h ...

Page 180: ...aveform Cards OPTlOA AL r 3 tDAU UP PEDAL OOWN o o 4Ts 3riAl I SUSTAIN LENOTM rViPM TO i SPLLiO I ol TUNE A Tune Channel One Channel Two EGUAL ROCKY MOUNT INSTRUMENTS Channel Three Pitch Programming Sheet _ 216 9660801 MOCKY MOUNT N C 1TWI ...

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Page 182: ...lternate AS NOT O WITH LlNEAC Latch will Moui a oai Tune A Tune Channel One Channel Two Channel Three Pitch Programming Sheet ROPKY MOUNT IN TRUMFWTQ IMP macungie Pennsylvaniateosa 216 066B801 nUUl I IVUJVJIM I l l 3 I nUIVICIM O II IVm iumioiabvo aihnoiio i com ant rutim oe ymount c mi ...

Page 183: ...rrjQ I 1 Keyboard Technique C PAgr Stacatxo Waveform Cards Tune ROCKY MOUNT INSTRUMENTS INC Programming Sheet _ 215 0650801 HOCKV MOUNT N C JIM1 ...

Page 184: ...CDMPUTEH Keyboard Technique UKE Waveform Cards Q T OHAL To OtTAlN V0LOM A N LENGTH SPLCO I Q AUrtRAOLl VOlCt Of e A mJ Tune ROCKY MOUNT INSTRUMENTS Programming Sheet pULS ...

Page 185: ...Keyboard Technique 6 folfT Waveform Cards 2 jou eL T rtOAL UP CEOflL DOWN 0 O ALTER ABLI VO CK o Tuc A Tune Afio r spctd Aeon 3 o cuxjl Channel One Channel Two ROCKY MOUNT INSTRUMENTS Channel Three Pitch Programing Sheet ...

Page 186: ...CDf TEH Keyboard Technique q a qt c Stk f 3 Haveform Cards CwtO OPTtONA L 3 o ROCKY MOUNT INSTRUMENTS INC 5 MMaJSSSSflSS Programming Sheet _ Title ...

Page 187: ...hoa uPPtft QCLTAues Use Waveform Cards an RfACATfO 8ira B EL2lH 8 Ulli Oy Tune A Tune Channel One Channel Two Channel Three Pitch Bender EQUAL macungie Pennsylvania 18002 216 o65 bboi U lOI TOfAH HOI ANeO fA T n NT HOC Y MOUNT NC H Programing Sheet _ Title ...

Page 188: ...board Technique M ffrfcr Haveform Cards fifc ANV ri OAL JP PEOAL DOWN r SUSTAIN LCNOTH CVinnATO 1 SPLCO I TmE A Tune _ Channel One Channel Two Channel Three Pitch Programming Sheet _ ROCKY MOUNT INSTRUMENTS INC r u ith BfLbS ...

Page 189: ...Keyboard Technique I Tune LH HEVBDflRD COMPUTER Waveform Cards M0 0IL VhM LEMCTH Channel One Cl iANNEL TWO Channel Three Pitch F OAL V OLJWE 1 1 fo or IA tFFBCT Programming Sheet ROCKY MOUNT INSTRUMENTS ...

Page 190: ...ds Tav eijeilv cak d you 14 we m ALT RABl I mice Ttv aao Ttt t va wojld wot Trtcwii 4 as VJIOLlN ere PCOAL UP PEDAL DOWN ai SUOTAINLCNOTH s m I VlD IATO i 1 S tl O I BSl 1 O I ILIOTOM Tune A Tune Programming Sheet ff PI ROCKY MOUNT INSTRUMENTS Trr r P n ...

Page 191: ... 1 1088990 912 29001 VlNVA1ASNN3d 3IONODVW UNI bllM 3 l M II ClJLbN I 13NNVH3 13NNVH3 3NQ 00V 1 AWfS V Miavnu owvs o OivhuiA L Miowa i NiviBfts J O Moaivoai waivai A118 91 V 9 21 51 21 ...

Page 192: ...Keyboard Technique CDMPllTEH Waveform Cards Tune A Tune ROCKY MOUNT INSTRUMENTS Programming Sheet Ttti r ...

Page 193: ...AL sown p si sAjisDi imm ci SUSTAIN LCNOTH 1 rVlOKATO l SPtUO I CARD KLAOim Tune A Tune ROPk V MHIIMT IM TRNMFMTQ INP macungie Pennsylvania ibo62 215 96598oi IIWWIX T IVIWVJI I iJIMO I rtWlVICIM I O I IM W A SUM40IAHYO ALLINOMOAN COMPANY PLANT HOCRV MOUNT N C 2 0l Programming Sheet _ Title ...

Page 194: ... rvir uATo i SKI JO I ol AUTIHAOLI VOICK CARO AICAOCMI Tune A 0J J Channel One Channel Two Channel Three Pitch ROPKY MOUNT INKTRlIMFIMT IMC macungie Pennsylvania 18O82 21B 966 9801 nVJUIX I IVIV JIM I tIMO I nUIVICIM I O llMV iuuioi ro iuNo aANcaMr Nv kamt kockvMouwt n snot Programing Sheet Title ...

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