background image

 

 

20 

User’s Guide OctaMic II   

© RME

 

 

12. Word Clock

 

 

12.1 Operation and Technical Background 

 

In the analog domain one can connect any device to another device, synchronisation is not 
necessary. Digital audio is different. It uses a clock, the sample frequency. The signal can only 
be processed and transmitted when all participating devices share the same clock. If not, the 
signal will suffer from wrong samples, distortion, crackle sounds and drop outs. 
 
AES/EBU, SPDIF, ADAT and MADI are self-clocking, an additional word clock connection in 
principle isn't necessary. But when using more than one device simultaneously problems are 
likely to happen. For example any self-clocking will not work in a loop cabling, when there is no 
'master' (main clock) inside the loop. Additionally the clock of all participating devices has to be 
synchronous. This is often impossible with devices limited to playback, for example CD players, 
as these have no SPDIF input, thus can't use the self clocking technique as clock reference. 
 
In a digital studio synchronisation is maintained by connecting all devices to a central sync 
source. For example the mixing desk works as master and sends a reference signal, the word 
clock, to all other devices. Of course this will only work as long as all other devices are 
equipped with a word clock or sync input, thus being able to work as slave (some professional 
CD players indeed have a word clock input). Then all devices get the same clock and will work 
in every possible combination with each other. 

 

Remember that a digital system can only have one master! If the OctaMic II uses its internal 
clock, all other devices must be set to ‘Slave’ mode.

 

 

But word clock is not only the 'great problem solver', it also has some disadvantages. The word 
clock is based on a fraction of the really needed clock. For example SPDIF: 44.1 kHz word 
clock (a simple square wave signal) has to be multiplied by 256 inside the device using a spe-
cial PLL (to about 11.2 MHz). This signal then replaces the one from the quartz crystal. Big 
disadvantage: because of the high multiplication factor the reconstructed clock will have great 
deviations called jitter. The jitter of a word clock is much higher as when using a quartz based 
clock.  
 
The end of these problems should have been the so called Superclock, which uses 256 times 
the word clock frequency. This equals the internal quartz frequency, so no PLL for multiplying is 
needed and the clock can be used directly. But reality was different, the Superclock proved to 
be much more critical than word clock. A square wave signal of 11 MHz distributed to several 
devices - this simply means to fight with high frequency technology. Reflections, cable quality, 
capacitive loads - at 44.1 kHz these factors may be ignored, at 11 MHz they are the end of the 
clock network. Additionally it was found that a PLL not only generates jitter, but also rejects 
disturbances. The slow PLL works like a filter for induced and modulated frequencies above 
several kHz. As the Superclock is used without any filtering such a kind of jitter and noise sup-
pression is missing. 
 
The actual end of these problems is offered by the 

SteadyClock

 technology of the OctaMic II. 

Combining the advantages of modern and fastest digital technology with analog filter tech-
niques, re-gaining a low jitter clock signal of 22 MHz from a slow word clock of 44.1 kHz is no 
problem anymore. Additionally, jitter on the input signal is highly rejected, so that even in real 
world usage the re-gained clock signal is of highest quality. 
 

 

Summary of Contents for OctaMic II

Page 1: ...OctaMic II Professional Mic Line Preamp and AD Converter 8 Channel Microphone Line Preamp with Line Outputs 8 Channel Analog to AES ADAT Interface 24 Bit 192 kHz Digital Audio 24 Bit Interface Steady...

Page 2: ...ADAT Optical 14 Inputs and Outputs 10 Analog Inputs Outputs 10 1 Mic Line In 16 10 2 Line Out 17 11 Digital Outputs 11 1 AES EBU 18 11 2 ADAT Optical 19 12 Word Clock 12 1 Technical Description and Ba...

Page 3: ...ture and water from entering the device Never leave a pot with liquid on top of the device Do not use this product near water i e swimming pool bathtub or wet basement Danger of condensation inside do...

Page 4: ...4 User s Guide OctaMic II RME...

Page 5: ...User s Guide OctaMic II RME 5 User s Guide OctaMic II General...

Page 6: ...2 Package Contents Please check that your OctaMic II package contains each of the following OctaMic II Power cord Manual 1 optical cable TOSLINK 2 m 3 Brief Description and Characteristics 8 balanced...

Page 7: ...O25MXLR4M4F1PRO Digital Breakout Cable Pro AES EBU 25 pin D sub to 4 x XLR male 4 x XLR female 1m BO25MXLR4M4F3PRO Digital Breakout Cable Pro AES EBU 25 pin D sub to 4 x XLR male 4 x XLR female 3 m BO...

Page 8: ...business drawn up by Audio AG apply at all times 6 Appendix RME news and further information can be found on our website http www rme audio com Distributor Audio AG Am Pfanderling 60 D 85778 Haimhaus...

Page 9: ...er is encouraged to try to correct the interference by one or more of the following measures Reorient or relocate the receiving antenna Increase the separation between the equipment and receiver Conne...

Page 10: ...10 User s Guide OctaMic II RME...

Page 11: ...User s Guide OctaMic II RME 11 User s Guide OctaMic II Usage and Operation...

Page 12: ...que is advantageous for the connected microphone as well as the OctaMic II The phantom power of the OctaMic II is short circuit proof With a maximum load on all eight chan nels the internal voltage do...

Page 13: ...ES D sub or word clock BNC 2 Clock internal Master or external Slave 3 Internal Clock 44 1 kHz or 48 kHz 4 Activates Double Speed Mode 5 Activates Quad Speed Mode 6 AES output state Professional or Co...

Page 14: ...ernal termination 75 Ohms The switch is found beside the BNC socket Use a small pencil or similar and carefully push the blue switch so that it snaps into its lock position Another push will release i...

Page 15: ...User s Guide OctaMic II RME 15 User s Guide OctaMic II Inputs and Outputs...

Page 16: ...of con denser microphones The usage of a hi end integrated circuit That 1510 guarantees out standing sound quality lowest THD and maximum Signal to Noise ratio in any gain setting The OctaMic II s ove...

Page 17: ...g Reference Clip LED True Clip ADC Level Hi Gain 19 dBu 17 dBu 21 dBu 2 dBFS 4 dBu 13 dBu 11 dBu 15 dBu 2 dBFS 10 dBV 2 dBV 0 dBV 4 dBV 2 dBFS This also means that the CLIP LED lights up 4 dB before t...

Page 18: ...itch 6 to Professional or Consumer If AES PRO is chosen the out put level is almost 5V If CON Consumer is chosen the output signal will have a channel status compatible to SPDIF and the output level w...

Page 19: ...44 1 48 kHz Therefore the sample clock at the ADAT outputs is only half the frequency of the AES outputs As interesting as this is you don t need to think about it 96 kHz capable ADAT hardware like al...

Page 20: ...rd clock is not only the great problem solver it also has some disadvantages The word clock is based on a fraction of the really needed clock For example SPDIF 44 1 kHz word clock a simple square wave...

Page 21: ...he input only works from 2 8 Volts and above does not function correctly al ready after 3 meter cable length So it is not astonishing that because of the higher voltage word clock networks are in some...

Page 22: ...22 User s Guide OctaMic II RME...

Page 23: ...User s Guide OctaMic II RME 23 User s Guide OctaMic II Technical Reference...

Page 24: ...ut level XLR Gain 60 dB 40 dBu Maximum input level TRS Gain 6 dB 21 dBu Maximum input level TRS Gain 60 dB 33 dBu Line Out 1 8 Maximum output level 21 dBu Output 6 3 mm TRS stereo jack servo balanced...

Page 25: ...ional according to AES3 1992 Amendment 4 Single Wire 4 x 2 channels 24 bit up to 192 kHz ADAT 2 x TOSLINK Standard 8 channels 24 bit up to 48 kHz S MUX 16 channels 24 bit 48 kHz equalling 8 channels 2...

Page 26: ...cable please make sure that the connectors are clearly labelled with Tascam and Ya maha The cable can only be used when the Tascam side is connected to a Tascam connector and the Yamaha side is connec...

Page 27: ...connections with no loss in level For this to work pins 3 and 1 GND have to be connected inside the XLR con nector TRS jacks analog input and output The stereo TRS jacks of the analog inputs and outp...

Page 28: ...ta rate and hence twice the sample rate A stereo signal subsequently requires two AES EBU ports The Double Wire method is an industry standard today however it has a number of different names like Dua...

Page 29: ...ork with double sample rate It was then possible to transmit two channels of 96 kHz data via one AES EBU port But Double Wire is still far from being dead On one hand there are still many devices whic...

Page 30: ...principle because the audio information is stored in the same place in the data stream However there are blocks of additional information which are different for both standards In the table the meanin...

Page 31: ...ange of 28 kHz up to 200 kHz SteadyClock has originally been de veloped to gain a stable and clean clock from the heavily jittery MADI data signal The embedded MADI clock suffers from about 80 ns jitt...

Page 32: ...32 User s Guide OctaMic II RME 15 Block Diagram...

Reviews: