REL Acoustics Stampede User Manual Download Page 17

REL Acoustics ST 5 User Manual 

 

17

RUNNING IN 

 

Care taken over running in will be rewarded by many years of pleasurable use. Both the 
electronics and the drive unit will benefit from an initial period of carefully controlled use.  
Possible damage may be sustained by running in the unit at too high a volume setting over an 
extended period.  On the other hand, by taking a little care over this initial period - about 24 
hours of actual use - a longer life with a higher potential eventual performance is assured. 

 

 
OVERLOAD PROTECTION 

 

REL sub-bass systems are designed as true sub-bass generators. They are designed to 
reproduce those exceptionally deep notes that are felt rather than heard. They will attempt to 
do this at whatever volume level you set.  If the volume is set too high, no damage should 
result because the built-in electronics will limit the cone movement. This electronic control is 
called 

Set-Safe®

.  It constantly and instantaneously monitors the output from the power 

amplifier and is totally transparent in operation until required.  This means it has absolutely no 
effect on the sound quality of any REL Sub-Bass System until an overload is detected. 
Ordinarily an overload would cause the power amplifier to go into clipping with resultant loss 
of control over the drive unit.  Apart from being sonically offensive, this can cause drive unit 
damage. 

Set-Safe®

 detects the point of incipient clipping and reduces the signal level to 

ensure actual clipping does not occur.  
 
Even without 

Set-Safe®

, overload would be a difficult thing to achieve because REL sub-bass 

systems have particularly high current amplifiers and very powerful drive units specifically 
designed for high sound pressure levels. 
 
From our tests, we believe it would be very difficult to deliberately damage a REL sub-bass 
system. Nevertheless, anything can be damaged if sufficient effort is made.  Although 
everything possible has been done to minimise damage from moderate attempts at 
overloading, there can be no defence against those individuals who deliberately and 
perversely abuse the device. Such damage is NOT covered by Warranty.  Please remember, 
a REL sub-bass system is there to supplement your main system, not to overwhelm it! 
 
 

CARE AND POLISHING 

 

Brittex (sprayed) finishes: 
These are best maintained by careful dusting with a lint free cloth.  Alternatively, a soft 
bristled brush may be used to sweep off any dust falling on the surface. If objects are to be 
placed upon the top, it is advisable to use a small mat to protect the surface and to avoid the 
risk of rattles.   
 
Wood veneer finishes: 
Dusting as above, plus the occasional polishing with a good quality furniture polish for the 
wood veneers.  Treat the finish as you would any other piece of quality furniture in your home. 
 
 

Summary of Contents for Stampede

Page 1: ...USER MANUAL STAMPEDE AND STRATA 5 REL Acoustics Limited North Road Bridgend Industrial Estate Bridgend CF31 3TP Great Britain Telephone 44 0 1 656 768 777 Fax 44 0 1 656 766 093 Web www rel net...

Page 2: ...ONTROL PANEL DISPLAY 9 ADDITIONAL FUNCTIONS 10 CONNECTING UP 11 TO CONNECT TO THE POWER AMPLIFIER USING THE UNBALANCED NEUTRIK HIGH LEVEL INPUT 11 TO CONNECT TO MONO BLOCK POWER AMPLIFIERS USING THE H...

Page 3: ...breboard This is the material of choice when the very highest quality is demanded There can be no substitute for weight and density in the quest for accurate low frequency reproduction Stampede and St...

Page 4: ...ated on the panel of the amplifier 7 Only use the power cord supplied or one of similar quality and construction 8 Do not allow anything to rest on the power cord Position the power cord so that it ca...

Page 5: ...must include the model serial number name and address of original purchaser and the name and address of the new owner The Warranty will be valid for the remainder of the original period of Warranty T...

Page 6: ...fier panel shown Stampede amplifier panel is the same REMOTE CONTROL IEC Mains socket and On Off switch DC TRIGGER 3 5mm jack 5 to 12 Volts LFE INPUT Phono socket Used to connect the sub bass system a...

Page 7: ...to store and recall settings Used to mute the LFE input Display will read LF on or LF oF Press again to switch LFE input back on Used to put the sub bass system into standby mode Display shows Stby p...

Page 8: ...l and the encoder on the front control panel When using the front control panel the functions are accessed by sequential presses of the control knob the function being displayed on the two left hand d...

Page 9: ...off point by pressing the or buttons on the remote control or by rotating the control knob on the control panel Slam Depth Select the Slam Depth option by pressing the or buttons on the remote contro...

Page 10: ...d on the two right hand digits DC TRIGGER Custom install feature Used for remote control of sub by other equipment Select by pressing the control knob until tr appears on the two left hand digits Rota...

Page 11: ...r sub bass with the main system and works with the REL s ABC circuitry to ensure a superior result This input is labeled Hi LEVEL This is the recommended means of connecting the sub for two channel us...

Page 12: ...PK OUT SPK OUT PRE AMPLIFIER GROUND see below High Level connections should be made to the same binding posts as the main speakers Using a single sub bass system connect as shown above Connect RED to...

Page 13: ...he other then this method will cause a mono signal to be sent to the main amplifier s or active speakers Connect as shown above using a phono to phono interconnect Plug one end into the sub LFE output...

Page 14: ...uld be placed in one of the corners behind the speakers A REL sub bass system will deliver true LOW bass pressurisation not the mid bass that most competitors settle for Low bass pressurisation below...

Page 15: ...difference at which point aesthetic concerns may override performance concerns 3 Placement The next step is to determine precisely how far out from the corner of the room the sub should be placed to a...

Page 16: ...nge no bass bloat and a greater degree of space and timing from the Foley effects For an even greater sense of space and impact a second woofer connected in parallel to the centre channel will prove t...

Page 17: ...rive unit Apart from being sonically offensive this can cause drive unit damage Set Safe detects the point of incipient clipping and reduces the signal level to ensure actual clipping does not occur E...

Page 18: ...transient They invariably fail to respond to the leading edge of that transient There is also the possibility of auto power on off systems remaining inoperative during quiet listening sessions It is n...

Page 19: ...500mV 500mV SLAM AND DEPTH 9dB to 9dB at 80Hz 9dB to 9dB at 80Hz DRIVE UNIT 8 Heavy Duty Long Throw 10 Heavy Duty Long Throw POWER OUTPUT WATTS 100 Watts RMS 150 Watts RMS PHASE 0 and 180 Degrees 0 an...

Page 20: ...REL Acoustics ST 5 user manual 20...

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