RedPlate CDS3 Operation Manual Download Page 4

RedPlate CDS3 Operations Guide 

 

Page 4 

© 

RedPlateAmps 2012 

 

REAR PANEL SECTION 

Domestic (USA): 

 

 
Rear Panel Export: 

 

 
IEC Module

 

– contains the main power switch, power cord inlet connector and the fuse drawer.  To access the fuse(s) 

 use a small flat blade screwdriver in the notch at the side of the power cord inlet connector, the drawer snaps out in a 
 rearward direction. The CDS3 can use either a standard 3AG size or the smaller European (5mm X 20mm) sized  
fuses (also called GMA fuses). A time delay variety (SLO-BLO) is recommended. 

Standby Switch

 

– This switch allows the tubes to warm up before operating the amplifier. Wait 1 minute after power on 

to move it up to the operate position. For improved tube life and performance do not leave the amplifier in Standby position 
for longer than 20 minutes (better to just leave it in operate mode during performance intermissions).  

FIXED/CATHODE (50 WATT / 40 WATT) Switch

 

– This switch changes the bias architecture of the output tubes from 

fixed bias (50 WATT) to cathode biased (40 WATT). 

The 40 WATT position allows the use of 6V6 tubes for lower power output (~18 Watts with 6V6). 

Bias adjustment and bias test point

 

– Allows external access for bias adjustment (see bias procedure in the 

Maintenance

 section). 

Impedance Selector Ω

 - Set this to the total impedance of all attached speakers. When 6V6 tubes are used, set to the 

next lower number. 

Speaker Jacks

 

– The MAIN and EXT jacks are wired in parallel. The MAIN jack must be used first because it has a 

protection device. ALWAYS HAVE A SPEAKER CONNECTED TO AVOID PERMANENT AMPLIFIER AND OUTPUT TUBE 
DAMAGE. 

LINE OUT

 

– A line level signal jack derived from the speaker output which contains the whole tone of the amplifier. 

 

SEND and RETURN Jacks

 

– The send jack connects to the input of an external effects device and the return jack 

connects to the output of an external effects device. The send jack can also be used as a preamp out. The return jack 
interrupts the signal path so the external effects unit must mix the wet and dry signals. The return jack can also be used as 
a power amp in jack for slave applications. The Master and Presence controls are still active. 

Reverb Control

 - Sets the amount of reverberation effect, takes the reverb out of circuit when rotated to zero (there will 

be a slight volume and tone change). 

Tweed/OD

 Switch

 

– Reduces the girth and lightens the tone of the Tweed preamp and Overdrive functions. Useful 

for higher output pickups which may contribute to too much bass gain when using the Tweed or Overdrive channels. 

Fat/Humbucker / Single coil Switch

 

– Sets the amount of bass gain in the input stage, useful for matching the 

amplifier to the guitar type. 

 

Footswitch Jack

 - This is a standard 180 degree 5 pin DIN jack for footswitch connection. If a replacement cable is 

needed, make sure all 5 wires are supported. The pinout is conveniently located on the rear panel for use with automated 
switcher conversion boxes.

 

OTHER FEATURES 

The CDS3 comes complete with a 3 button footswitch and a footswitch cable. The cable used is a regular MIDI cable 

and replacements are readily available in any length at most music stores. 

 
 

Summary of Contents for CDS3

Page 1: ...se take a moment and review this manual for an understanding of all the available features or just connect the footswitch put all the knobs at noon and play This manual applies to CDS3 models produced after 8 10 2012 Signal Path Block Diagram FRONT PANEL Input Jack Typical High impedance input to the amplifier Designed to be Pedal Friendly in the unlikely event you will ever use a pedal in front o...

Page 2: ...ely fatter positions of the midrange center frequency and achieves maximum fat midrange by lifting the Middle control in position 6 DRIVE SECTION The Drive section controls the amount of character to add to the Blackface channel s tone The section s range of effect can be just a hint of early break up or a full on aggressive heavy metal distortion Gain Control This control sets the amount of signa...

Page 3: ...don t have the footswitch connected Enabling the Tweed Channel from the panel disables the overdrive Tone Treble is emphasized at settings past 5 more bass at the lower numbers When pulled it shifts the preamp into Brown mode This tone control is lifted for a treble volume increase when the Boost Button is pressed on the footswitch see the Other Features section of this manual for details MASTER S...

Page 4: ...because it has a protection device ALWAYS HAVE A SPEAKER CONNECTED TO AVOID PERMANENT AMPLIFIER AND OUTPUT TUBE DAMAGE LINE OUT A line level signal jack derived from the speaker output which contains the whole tone of the amplifier SEND and RETURN Jacks The send jack connects to the input of an external effects device and the return jack connects to the output of an external effects device The sen...

Page 5: ...footswitch button does not work when the front panel Gain control is rotated to zero because it is a duplicate function Drive cannot be enabled if the front panel Tweed control is pulled POWER ON OFF PROCEDURE 1 Check the Standby switch to make sure it is toggled downward for Standby operation 2 Toggle the main power switch to the up position this switch is located at the edge of the IEC input mod...

Page 6: ...de screwdriver to adjust the bias pot for a reading of 72MV 5 MV FYI the plate voltage is 470 volts The reading is the sum of the idle current for both tubes 8 Recheck the reading after 10 minutes of operation and again after a week or two of operation INTERNAL TRIM POT The CDS3 has 1 internal trim pot for the PI Balance Useful for working with unmatched 12AX7 tubes in the phase inverter position ...

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