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Manual-4

 POWER

 connector. 

This is not a telephone jack!

 Connect only the 

Rane RS 1

 power supply included with your 

TTM 54i

 MASTER OUT 

includes two sets of stereo outputs:

•   The ¼" 

TRS

 jacks provide high current 

BAL

anced output, which should be used whenever driving equipment with a balanced 

input or running distances greater than about 10 feet (3 meters). Due to the high drive capability and low impedance, 

never

 use a 

mono ¼" Tip/Sleeve (no ring) cable in this jack; this grounds one side of the balanced output.

•   Use the 

UNBAL

anced output for shorter runs, such as connecting to a recorder, looping to another mixer, or to other

 local

 signal 

processing or amplifiers. 

 

EFFECTS 

jacks are unbalanced mono ¼" Tip/Sleeve. This stereo loop is inserted in the signal path as in section 

.

•   The 

SEND 

jacks provide the output 

to 

your effects processor.

•   The 

RETURN 

jacks provide an input for the signal returning 

from 

your effects processor.

21

 PGM 1

 and 

PGM 2

 inputs include both 

PHONO

 and 

LINE

 input.

•   PHONO 1

 and 

PHONO 2

 inputs are RIAA compensated inputs with 18 dB per octave, 20 Hz rumble filters.

•   LINE 1

 and 

LINE 2

 inputs are unbalanced line level inputs with a nominal sensitivity of -10 dBV.

•   PHONO/LINE

 selection is made as described in 

.

•   PGM 1

 inputs are sent to the left side of the Crossfader. (HAMSTER switch 

out

)

•   PGM 2

 inputs are sent to the right side of the Crossfader. (HAMSTER switch 

out

22

 PHONO GND

 terminals provide an independent ground connect point for two turntables. It is very important that each turn-

table have a very good ground connection to one of these terminals. The thumb screws 

are not captivated

, so use care not to spin 

them off and lose them.

Important Note

CHASSIS GROUNDING

If your system exhibits excessive hum or buzzing, there is an incompatibility in the grounding configuration between units some-

where. Here are some things to try:

1. Check that the turntable grounding wires are connected to the PHONO GND posts (

22

).

2. Try combinations of lifting grounds on units that are supplied with ground lift switches or links.

3. If your equipment is in a rack, verify that all chassis are tied to a good earth ground, either through the line cord grounding pin or 

the rack screws to another grounded chassis, or tied to the ground screw located just above the POWER jack.

4. This unit’s outboard power supply does 

not 

ground the chassis through the line cord. Make sure that this unit is grounded either to 

another chassis which is earth grounded, or directly to the grounding screw on an AC outlet cover by means of a wire connected to 

a screw on the chassis with a star washer to guarantee proper contact.

Please refer to RaneNote  “

Sound System Interconnection

” (supplied with this manual and available at our web site) for further 

information on system grounding.

18

22

23

24

19

20

21

CLASS 2 EQUIPMENT

UNBAL

BAL

SEND

RETURN

ACN001.187.837

MADE IN U.S.A.

RANE CORP.

R

L

R

L

U.S. PATENT PENDING

RETURN

SEND

INPUT

LINE 1

R

L

PHONO 2

LINE 2

R

L

PHONO 1

MASTER OUT

EFFECTS

MIC

PGM 2

PGM 1

EFFECTS

PHONO GND

TTM 54i

750mA

POWER

Summary of Contents for TTM 54I

Page 1: ...put of the TTM 54i delivers very high volume into your headphones To avoid pain never put headphones on your head and then plug them in Always start with the PHONES LEVEL turned down and then turn it up to the desired level Because of the high current and low output impedance never short one side to ground or short left and right together as is possible with mono cup headphones Note Low power head...

Page 2: ...owing the same hand motion for cut and scratch operation The 20 dB setting provides a normal audio taper while the 30 dB setting provides a more rapid fade out HAMSTER switches reverse the operation of the adjacent PGM 1 and PGM 2 Program Faders When engaged signal is off with the Program Fader up and maximum with the Program Fader down PHONO LINE source select switches are provided for PGM 1 and P...

Page 3: ... switch selects the HEADPHONES monitor source Use MASTER to rehearse your performance This signal is the same as that at the MASTER OUT but is not affected by the MASTER LEVEL control Use CUE to monitor the Program Input signal so you can Cue a signal before fading it in This signal is not affected by the Program Faders or Crossfader PHONES PAN control is only active when CUE is selected This contro...

Page 4: ...endent ground connect point for two turntables It is very important that each turn table have a very good ground connection to one of these terminals The thumb screws are not captivated so use care not to spin them off and lose them Important Note CHASSIS GROUNDING If your system exhibits excessive hum or buzzing there is an incompatibility in the grounding configuration between units some where Her...

Page 5: ...s processor 25 MIC LEVEL sets the gain of the Mic Input The range of operation is off to 60 dB There is no engage switch so set the MIC LEVEL to 0 when not in use The OL indicator lights 6 dB before clipping Adjust the MIC LEVEL so the OL indicator flashes only when you shout into the microphone 26 MIC TREBLE and BASS controls provide as much as 8 dB of boost or 8 dB of cut Response is flat when the ...

Page 6: ...ff excess fluid D Fader assembly installation 1 Connect the ribbon cable to the fader assembly 2 Place the fader assembly in position with the ribbon connector to the right side or top as shown 3 Line up the fader screw holes with the mixer mounting holes 4 Install 2 provided 3mm screws Using the wrong screw will ruin the fader 5 Replace the front panel and knobs Replacement Parts Replacement Phono ...

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