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Manual-4

 HEADPHONES jack provides a high current output, capable of

driving headphones between 8 ohms and 600 ohms. Because the
amplifier is capable of high current drive, it is important that the
outputs are not shorted together or to ground. Do NOT use single cup
phones that short tip and ring.

 MASTER LEVEL adjusts the MASTER OUTPUT level for both the

balanced and unbalanced outputs.

 POWER connector. This is not a telephone jack! Connect only the

Rane RS 1 power supply included with your TTM 52i. The ground
screw terminal may be used to solve potential grounding problems with
other equipment. See Chassis Grounding on page Manual-6.

 MASTER OUT includes two sets of stereo outputs:

•   The ¼" TRS jacks provide high current BALanced output, which

should be used whenever driving equipment with a balanced input or
running distances greater than about 10 feet. Due to the high drive capability and low impedance, never use a mono ¼" Tip/
Sleeve (no ring) cable in this jack; this grounds one side of the BALanced output.

•   Use the UNBALanced output for shorter runs, such as connecting to a recorder, looping to another mixer, or to other local

signal processing or amplifiers. See Sound System Interconnection on page Manual-7.

 

PGM 1 and PGM 2 inputs include both PHONO and LINE input.

•   PHONO 1 and PHONO 2 inputs are RIAA compensated inputs with 18 dB per octave, 20 Hz rumble filters.
•   LINE 1 and LINE 2 inputs are unbalanced line level inputs with a nominal sensitivity of -10 dBV.
•   PHONO/LINE selection is made as described in section 

.

•   PGM 1 inputs are sent to the left side of the Crossfader. (HAMSTER switch out)
•   PGM 2 inputs are sent to the right side of the Crossfader. (HAMSTER switch out)

 PHONO GND terminals provide an independent ground connect point for two turntables. It is very important that each

turntable have a very good ground connection to one of these terminals. The thumb screws are not captivated, so use care
not to spin them off and lose them.

 The MIC INPUT is a balanced ¼" TRS input specifically designed for a dynamic microphone.

 MIC EFFECTS jacks are unbalanced mono ¼" Tip/Sleeve. This is an independent Effects Loop for the mic. There is no
engage switch, so the mic signal is always processed when you have an effects box connected.

•   The SEND jack provides the output to your effects processor.
•   The RETURN jack provides an input for the signal returning from your effects processor.

Summary of Contents for TTM 52I

Page 1: ... TTM 52i delivers very high volume into your headphones To avoid pain never put headphones on your head and then plug them in Always start with the PHONES LEVEL turned down and then turn it up to the desired level Because of the high current and low output impedance never short one side to ground or short left and right together as is possible with mono cup headphones Note Low power headphone stag...

Page 2: ... PGM 2 These are clickless switches suitable for transform scratch applications The switches are field replaceable and may be rotated in 45 increments See Figure 4 on page Manual 6 for rotation and replacement instructions HAMSTER switches are provided for PGM 1 and PGM 2 Program Faders These switches reverse the operation of the adjacent Program Fader When engaged signal is off with the Program F...

Page 3: ...ol adjusts the loudness of the Headphone output signal Always start with the LEVEL at minimum CCW and increase to a comfortable level with signal present and your headphones on This prevents tossing them across the room after you put them on and plug in with the level set too high The TTM 52i Headphone Amplifier delivers very high sound pressure levels SPL into most headphone loads Because of the ...

Page 4: ...oping to another mixer or to other local signal processing or amplifiers See Sound System Interconnection on page Manual 7 PGM 1 and PGM 2 inputs include both PHONO and LINE input PHONO 1 and PHONO 2 inputs are RIAA compensated inputs with 18 dB per octave 20 Hz rumble filters LINE 1 and LINE 2 inputs are unbalanced line level inputs with a nominal sensitivity of 10 dBV PHONO LINE selection is mad...

Page 5: ...rntable grounding wires are connected to the PHONO GND posts see 2 Try combinations of lifting grounds on units that are supplied with ground lift switches or links 3 If your equipment is in a rack verify that all chassis are tied to a good earth ground either through the line cord grounding pin or the rack screws to another grounded chassis or tied to the ground screw located just above the POWER...

Page 6: ...ning solutions CAIG CaiLube MCL 100 spray lubricant CAIG CaiLube MCL 5 spray cleaner CRC 2 26 www crcindustries com Order CaiLube MCL from CAIG Laboratories Inc 12200 Thatcher Ct Poway CA 92064 Phone 858 486 8388 Fax 858 486 8398 www caig com CLEANING INSTRUCTIONS A Front panel removal 1 Disconnect the power cord 2 Remove 3 slide fader knobs 3 Remove 4 4 40 front panel screws Faders and switches a...

Page 7: ... interconnected equipment is internally grounded properly Since most equipment is not internally grounded properly connecting both ends of the shield is not often practiced since doing so can create noisy interconnections A common solution to these noisy hum and buzz problems involves disconnecting one end of the shield even though one can not buy off the shelf cables with the shield disconnected ...

Page 8: ...Manual 8 Rane Corporation 10802 47th Ave W Mukilteo WA 98275 5098 TEL 425 355 6000 FAX 425 347 7757 WEB http www rane com 104033 VARIOUS XLR RCA CABLE ASSEMBLIES ...

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