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Manual-

Level Meters

•   Level Meters have two modes of operation:

  °   Stereo Main output

  °   Cue Monitor.

•   Meter mode switch set to MAIN “

out

”:

  °   Meter displays the level at the Main output, after the Main output LEVEL control.

•   Meter mode switch set to CUE “

in

”:

  °   Meter displays whatever is selected by the Cue and Headphone monitoring circuit.

  °   This is the same signal heard in the headphones.

  °   Monitor any combination of the five individual Cue signals

   

-

or

-  A-side auto-cue

   

-

or

-  B-side auto-cue.

  °   Split Cue metering is the same as split cue monitoring in the headphones:

 

 

Mono-Cue in the left, Mono-Master in the right.

FlexFX Effects Loop

•   Allows the addition of an external stereo effects processor.

•   Individual DRY/WET pan controls for channels 1, 2, 3 and MIC.

•   Use DRY/WET pan controls simultaneously in any combination.

•   SEND level control:

  °   Off to +0 dB.

  °   Set SEND to prevent overloading the effects processor.

  °   Many effects devices can't tolerate the high signal levels possible with the Empath.

•   Unbalanced ¼" Tip/Sleeve SEND jacks.

•   Unbalanced ¼" Tip/Sleeve RETURN jacks.

•   FlexFX RETURN CUE

  °   FlexFX RETURN CUE is before the RETURN level control.

  °   Allows Cuing effects before bringing into mix:

   

Set FlexFX RETURN to minimum.

   

Adjust desired DRY/WET pan control to send signal to the effects processor.

   

Set A-CUE-B switch to center CUE position.

   

Engage FlexFX RETURN CUE “

in

”.

   

Monitor the effect in the headphones.

   

Bring the effect into the master mix by increasing FlexFX RETURN Level 

 •   Important reminders when using the FlexFX Return Cue:

  °   The FlexFX Loop is 

after 

the channel Fader and Crossfader.

   

You will hear nothing in the Return Cue if the signal is turned down by the channel Fader.

   

You will hear nothing in the Return Cue if the signal is turned down by the Crossfader

  °   For a signal to reach the FlexFX Loop:

   

One or more of the four DRY/WET pan controls must be set for some WET.

   

The Send Level must be turned up.

  °   To send DRY (no effect) signal to the Master mix while you Cue the WET signal:

   

Set the DRY/WET pan control in the middle.

   

If you set it to WET with the FlexFX RETURN down, you will lose the signal in the Master mix.

   

If you set it to DRY, nothing is sent to the FlexFX Loop.

  °   Setting any DRY/WET Pan control to its center position sends an equal signal to the Master mix and the FlexFX Loop.

•   RETURN level control:

  °   Off to +6 dB

  °   Use in combination with the DRY/WET pan controls to determine how much effect is in the Master mix.

  °   Increases the signal level of low voltage effects processors to the higher levels possible with the Empath.

0

10

FlexFX

DRY

Inputs 1, 2, 3 and MIC

WET

CUE

RETURN

SEND

RETURN

-20

-10

-4
-7

-2

+10

+2

0

+4

+7

10

0

2

4

8

6

10

0

2

4

8

6

10

0

2

4

8

6

AUX OUT

BOOTH

MAIN

LEFT

RIGHT

MAIN

CUE

Summary of Contents for ROTARY EMPATH

Page 1: ...lub broadcast competition remix live sound The Empath offers a combination of features compact size and quality presently unavailable at any price 0 10 10 8 0 2 6 4 2 0 4 6 8 10 12 4 8 8 4 0 12 L 12 OFF 10 0 12 12 2 4 8 6 R 6 20 10 4 7 2 12 10 2 0 4 7 OFF 6 OFF 6 12 12 OFF 6 OFF 6 OFF 6 OFF 6 OFF 6 OFF 6 L R L R 12 12 12 12 10 0 2 4 8 6 10 0 2 4 8 6 10 0 2 4 8 6 10 0 2 4 8 6 10 0 2 4 8 6 1 2 3 OL ...

Page 2: ...nd WET FlexFx loop See FlexFx Loop section for details A POST B Crossfader assignment Input channels are assignable to A side B side or Post Crossfader See Advanced Cue Selection section for automatic Flash Cue operation Auto Gain Switch Monitors channel 1 2 and 3 input signals and automatically adjusts the input gain Level is monitored at the Cue point After PHONO LINE source selection After GAIN...

Page 3: ...nput 1 and Input 3 controls Allows any fader response from SLOW smooth fade to FAST cut CONTOUR control provided for the Crossfader Allows any response from SLOW smooth blend to FAST cut Advanced Cue selection Three position switch allows automatic Flash Cue or individual Cue selection Set switch to A to Cue all channels assigned to the A side of the Crossfader Set switch to B to Cue all channels ...

Page 4: ...CUE signal is sent to the cue circuit before the AUX IN level control AUX IN level control range is Off to 10 dB AUX input sums to the Master mix after the Crossfader and FlexFX loop AUX Output Unbalanced RCA jack AUX OUT control range is Off to 0 dB Source is the Master mix Program 1 2 3 pre or post effects plus the Mic pre or post effects plus the AUX Input Booth Output Balanced TRS output Level...

Page 5: ...o the effects processor Set A CUE B switch to center CUE position Engage FlexFX RETURN CUE in Monitor the effect in the headphones Bring the effect into the master mix by increasing FlexFX RETURN Level Important reminders when using the FlexFX Return Cue The FlexFX Loop is after the channel Fader and Crossfader You will hear nothing in the Return Cue if the signal is turned down by the channel Fad...

Page 6: ...op threshold is at 75 dB of control attenuation CD triggers may be used with some external effects processors and drum machines See manufacturers specifications for details Internal switching power supply Plug in virtually anywhere IEC inlet with power switch Universal internal switching power supply 100 to 240 VAC 10 50 60 Hz 20 watts US 120 volt cord provided Note The internal fuse F1 should be ...

Page 7: ...track by carefully withdrawing from the unit and placing face up on the desk It may be cleaned with a lint free cloth rubbing firmly along the track so no debris remains If necessary the track can be washed in warm water wiped gently and then dried thoroughly using a dry cloth When dry wipe with a lint free cloth and check for marks along the track Note Lint free clothes are recommended to avoid d...

Page 8: ... the power 3 Remove knobs from controls covered by the lower Lexan faceplate 4 Remove the four screws attaching the Lexan faceplate 5 Remove the Lexan faceplate as seen here 6 The three rotary pots are mounted on a separate plate Remove the six screws hold ing the fader mounting plate 7 Lift the plate out of the chassis and rotate it up as in the photo below 8 Carefully disconnect the ribbon conne...

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