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Professional Audio Products Data Sheet

PI 14

PSEUDOACOUSTIC INFECTOR

PI 14

INFECTOR

PSEUDOACOUSTIC

POWER

SHEEN

THAT MASTER

PRE-DRIVE CONTROLS

PAN

THIS

ECSTACY

FREQ

THIS/THAT

250

70

3.6k

1.5k

1k

800

500

400

300

200

150
100

80

75

3k

2k

LEVEL

LEVEL

THERE

HERE

BREADTH

DEPTH

BREADTH

DEPTH

LEVEL

THIS

GLORY

SIG

OL

THAT

LEVEL

SUPPRESS

BACK

AGAIN

THAT

BYPASS

INPUT

10

0

2

4

8

6

10

0

2

4

8

6

10

0

2

4

8

6

10

0

2

4

8

6

10

0

2

4

8

6

10

0

2

4

8

6

10

0

2

4

8

6

10

0

2

4

8

6

2

4

8

6

General Description

Following in the time-honored tradition of the Rane Cor-

poration Engineering department’s never-ending quest to make 

the most out of the least, here is the revolutionary sonic enhance-

ment product, the Rane PI 14. Limitations of space and patience 

preclude detailing all the limitless virtues of this acoustic stimu-

lator, however one must make due with the allotted time and size 

and put down at least a rudimentary sketch of this marvelous 

piece of gimmickry.

Over the years, the sciences of audio production and repro-

duction have evolved slowly. Too slowly for Rane engineering. 

So, with a little clever application of some otherwise tawdry elec-

trical components, we bring you the PI 14. Not just an evolution, 

no way. It’s a revolution.

Have you ever wanted to add just a bit of this or a tad of that 

to your sound? Have you ever wondered what was available to 

allow it? So have we. The PI 14 gives you the ability to add bits of 

this and dashes of that, with continuously variable breadth and 

depth. How much would you pay for this flexibility? But wait. 

Before you answer that, there’s also the ability to pan from here 

to there and if you lose your way, there’s a switch to get you back 

again. And if you don’t care for the spectral distribution of the 

difference between this and that, there is a special Rinkwitz Liley 

4th grade crossover filter which may be used to control spectral 

harmony.

The Sheen reduction processor included in the overwhelm-

ingly complex circuitry of the PI 14 reduces to a bare memory 

the graininess and shimmer present in many modern record-

ings digitally processed without the assistance of an inverse PI 

14 digital dither shield. Now how much would you pay? Yes 

Martha, there’s more. More in the form of the rotary Ecstacy 

presence control at the far right hand side of the PI 14’s control 

panel. This knob can restore life to even the most nauseous 

recordings of the past. Don’t dispose of those old bubble gum (or 

bubble machine) recordings taking up space in your library. The 

PI 14 adds just enough of this or that to these legendary vinyl 

dinosaurs to make them worth the 9 styli you’ll wear out playing 

just one of them. Now how much would you pay? Let us know.

Features

•   Independent Power & Glory Switches
•   Continuously Variable This/That Level
•   Full-Function Ecstacy Generator
•   Variable This to That Crossover Frequency
•   Here-There Pan (Back Again Switching)
•   Program Dependent Sheen Removal
•   Anti-Resonant Concrete Chassis
•   Proprietary Paint to Reflect Odd Harmonic Light Frequencies to 

Reduce Nono-Linear Photon Radiation Interference

•   Time Warp Compression/Expansion to Synchronize Here/There 

Time Coordinates

Applications

•   New Age Seminars
•   Car Washes
•   High School Cafeterias
•   Funeral Homes
•   Executive Washrooms
•   High End Audio Demo Rooms
•   Community Access Cable Channels
•   Airport Baggage Claim Areas
•   Cars With Tiny Steering Wheels
•   Communications Scrambling
•   Railroad Crossing Warning Systems
•   Door Stops

Summary of Contents for PI 14

Page 1: ...here to there and if you lose your way there s a switch to get you back again And if you don t care for the spectral distribution of the difference between this and that there is a special Rinkwitz Liley 4th grade crossover filter which may be used to control spectral harmony The Sheen reduction processor included in the overwhelm ingly complex circuitry of the PI 14 reduces to a bare memory the gra...

Page 2: ...dge Signal Present 20 1 dBu More or less input level Diffusion Coefficient D 1 cm s Obeys Fick s First Law Deep Six Filter 19 9 Hz 180 dB Oct Brickwall 1 Hz Rane hates rumble Ultraviolet Filter 1 4 1 nm Corning CS 7 63 Amethyst Frequency Response 0 1 66 MHz 0 3 dB Ch 4 Ch 3 in some areas Slew Rate 13 2 f fn 1 furlong fortnight 0 00655 in sec THD Noise 0 00007 0001 Clean very clean IM Distortion SLEAZ...

Page 3: ...proprietary paint that re flects odd ordered harmonic light frequencies to reduce non lin ear photon radiation interference such as Rane s patent pending in 3 galaxies Time Warp Compression Expansion to synchro nize Here There time coordinates such as the Interdimensional Stabilizer essential for This and That such as the 10 megawatt mini fusion reactor power supply for those demanding audio transi...

Page 4: ...alanced output conductance terminated in 3 pin Mr Bill connectors RFI filters shall be provided but must allow all emergency broadcast frequencies to pass Transient On Off muting shall not work reliably and destructive thumbs shall occur regularly Deep six and ultraviolet filters shall be built in The pseudoacoustic infector shall afford an input level range of Off to 6 dB and if they can t afford that ...

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