Manual-
INPUT CHANNELS
INPUT CH’s 1A, 2A
,
3A
, and
4A
are stereo, unbal-
anced RCA jacks that operate as RIAA equalized Phono
Inputs
or
Line Inputs.
PHONO
switches set the mode for Inputs
1A
,
2A
,
3A
, and
4A
. In the
out
position, these Inputs operate at
line-level (max input +20 dBu). Press the switch
in
for
PHONO
operation. If a turntable is not connected to one
of these Inputs, set the switch for Line (
out
).
PHONO
GROUND
posts are provided for connecting turntable ground wires. It is very important that each turntable have a
secure ground connection to the
MP
44
.
INPUT CH’s 1B
,
2B
,
3B
, and
4B
enter via stereo, line-level, unbalanced RCA jacks. Maximum input level is +20 dBu.
SOURCE
switches select
A
(Phono/Line) or
B
(Line) for each Input Channel.
Input
LEVEL
controls adjust the gain from
–12
dB to
+12
dB. The center detent position provides
0
dB of gain (unity). Use this control in conjunction
with the
OL
(overload indicator) to set the input gain
for the best signal to noise performance.
OL
(overload) indicators light when the maxi-
mum undistorted signal level has been reached.
These are fast responding peak detectors that light
3 dB before clipping.
Adjust Input LEVEL controls
so that these indicators remain
off
. This ensures that
your sound remains clean and undistorted and that
adequate head room is reserved for mixing. The
OL
indicators are
not
beat matching indicators.
EQ
switches engage the 3-band tone controls.
EQ
switches may be used in conjunction with the
Hi
,
Mid
and
Low
rotary tone controls as “kill” switches.
Set the rotary controls and flip the switch.
HIGH
tone controls affect frequencies from 4 kHz to 20 kHz. The range of control is
+6
dB to
OFF
(full kill). The center detent
position is unity gain. These controls are positioned just above the vocal range and may be used for small tonal changes or for the
elimination of high frequency signals.
MID
tone controls affect frequencies from 300 Hz to 4 kHz. The range of control is
+6
dB to
OFF
(full kill). The center detent
position is unity gain. These controls may be used for small tonal changes or for the elimination of midrange signals.
LOW
tone controls affect frequencies from 20 Hz to 300 Hz. The range of control is
+6
dB to
OFF
(full kill). The center detent
position is unity gain. These controls influence signals below midrange vocals and may be used for small tonal changes or for the
elimination of bass and beats.
A
–
POST
–
B
switches independently assign
CH 1, CH 2, CH 3
or
CH 4
to the
A
side of the crossfader,
B
side of the crossfader
or
POST
(after) the crossfader. The ability to assign an Input Channel to the
desired mix
eliminates the need for
redundant
source
selection on each of the four input channels.
Input
Channel Faders
control the mix level for each of the 4 input channels. These are VCA control faders for extended service
life and reduced travel noise. Too achieve the best mix consistency, use input
LEVEL
controls to set the gain and
Channel Faders
to
control the mix.
LISTED
SEND
RETURN
HOUSE OUTPUT
B
A
MASTER
AUX OUT
INPUTS
MASTER EFFECTS
CH 3
CH 2
PHONO GROUND
B
A
B
A
B
A
B
B
A
2
1
BOOTH
EFFECTS
AUX IN
CH 1
EFFECTS
FlexFX
INPUT
AUX MIC
MAIN MIC
INPUT
AVIS
RISQUE DE CHOC ELECTRIQUE — NE PAS OUVRIR
A
CH 4
MP 44
LEVEL
R
L
L
R
N108
L
R
R
L
R
L
MADE IN U.S.A.
RANE CORP.
R
L
R
L
REMOTE
LEVEL
LIMIT
Vc
Vr
+ -
GAIN
L
R
HOUSE
PAGE
INPUT
TRIGGERS
CD
R
L
RETURN
R
L
SEND
SEND
RETURN
R
L
PHONO
PHONO
PHONO
PHONO
RETURN
SEND
MIC
LINE
GAIN
GAIN
POWER
100-240V
20 WATTS
50/60 Hz
COMMERCIAL
AUDIO
EQUIPMENT
24TJ
R
C
US
LIGHT
TRIGGER
OUTPUT
WARNING
TO REDUCE THE RISK OF FIRE OR ELECTRICAL SHOCK DO
NOT EXPOSE THIS EQUIPMENT TO RAIN OR MOISTURE. DO
NOT REMOVE COVER. NO USER SERVICEABLE PARTS
INSIDE. REFER SERVICING TO QUALIFIED PERSONNEL.
PHANTOM
POWER
FOR CONTINUED
GROUNDING
PROTECTION DO
NOT REMOVE
SCREW
-8
+8
0
-4
-20
-7
-10
-2
0
+4
+2
+7
+10 dB
10
0
2
4
8
6
10
0
2
4
8
6
10
0
2
4
8
6
10
0
2
4
8
6
10
0
2
4
8
6
10
0
2
4
8
6
CUE
6
2
6
2
10
0
2
4
8
6
-8
+8
-8
+8
-8
+8
OFF
+6
-12
+12
0
-12
+12
0
-12
+12
0
-12
+12
OFF
+6
OFF
+6
OFF
+6
OFF
+6
OFF
+6
OFF
+6
OFF
+6
OFF
+6
OFF
+6
OFF
+6
L
R
OFF
+6
-8
+8
-8
+8
10
0
2
4
8
6
MIXER
OL
CH 3
CROSSFADER
CONTOUR
EFFECTS
A
CROSSFADER
CD TRIGGER
LIMIT
EFFECTS
MID
LOW
HIGH
MID
LOW
HIGH
OL
LEVEL
LEVEL
OL
MAIN MIC
FlexFX
LOW
EQ
MID
SOURCE
FlexFX
SOURCE
EQ
AUX MIC
HIGH
LOW
MID
HIGH
LOW
MID
HIGH
LOW
MID
HIGH
LEVEL
CH 1
OL
LEVEL
OL
CH 2
EFFECTS
PAN
MONO
B
CH 1
CH 3
CH 2
CUE
CH 4
MONITOR
PHONES
LEVEL
POWER
AUX B
BOOTH
LEVEL
FlexFX
FlexFX
EQ
SOURCE
EQ
SOURCE
HOUSE LEVEL
LEVEL
LEVEL
OL
CH 4
PEAK PROGRAM METER
MASTER
AUX A
PRE POST MIC
A POST B
A POST B
A POST B
A POST B
PRE POST MIC
AUX B
AUX OUT
AUX A
AUX IN
BALANCE
ON
ON
OFF
OFF
1B
2B
1A
2A
LEFT / RIGHT
3B
4B
3A
4A
RIGHT / PGM
LEFT / CUE
MONO
CUE / PGM
METER
SENSITIVITY
0
2
4
6
8
10
10
0
2
4
6
8
0
2
4
6
8
10
10
0
2
4
6
8
0
2
4
6
8
10
10
0
2
4
6
8
0
2
4
6
8
10
10
0
2
4
6
8
0
2
4
6
8
10
10
0
2
4
6
8
MP 44
PGM