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Manual-1

OPERATORS MANUAL

MP 22z

CLUB MIXER

QUICK START

If you won’t read the manual (we know how it is) here are a few basic “plug it in and get signal thru it” facts. The MP 22z has all 

unbalanced RCA connectors, except for the XLR & ¼" Mic Inputs, ¼" Mic Loop, and the balanced ¼" TRS Master Outputs. Be 

sure your amplifier is off while making connections. On the front panel, set all controls to the middle of their travel. Set all pushbut-

tons to their 

out

 position, slide the 

MASTER LEVEL

 all the way down. Turn the 

INPUT SELECT

 switch for Channel 

or 

B

 to an 

Input with material playing. Turn your amplifier on. Now slowly turn up the 

MASTER LEVEL

 and see the material on the meters 

and hear it from the 

MASTER OUTPUT

 jacks.

There are two places where you can get lost. If you bring a phono signal into 

PH/LN 1

 or 

2

 be sure to keep the 

LINE/PHONO

 

switch set to 

PHONO

; likewise when using a CD player be sure this switch is set to 

LINE

. If you plug into the 

MASTER LOOP 

RETURN

 the signal path thru the unit is broken, since these are switching jacks. They are looking for the return from an outside 

device that got its signal from the 

MASTER LOOP SEND

, so only use these when you can make a complete loop. 

With the 

CROSSFADER CONTOUR

 set to full counter-clockwise position, it operates as a typical constant-power crossfader. 

Set to clockwise position, the crossfader has the very steep slope as indicated in Figure 1 to the right. Now that was a pretty quick 

start, right?

WEAR PART

This product contains the following wear part subject to the 

ninety (90) day warranty period described on page Warranty-1: 

(1) Active Crossfader Assembly F 60.

Never connect anything except a Rane RS 1 to the thing 

that looks like a red telephone jack on the rear of the  
MP 22z. 

This is an AC supply and requires some special atten-

tion if you do not have an operational power supply

 exactly 

like 

the one that came with your unit. Consult the Rane factory for a 

replacement or substitution.

Figure 1. Crossfader Contour control

CUE LEFT

CUE

PGM

PGM RIGHT

MONO

+8

+5

+1

+3

PEAK dBu

-3

-1

-7

-5

-10

-15

-20

LEFT

RIGHT

0

CUE/PGM

6

4

10

8

0

8

2

ZONE 2

6

4

6

10

2

0

ZONE 1

8

10

10

8

0dB

2

4

4

2

0

4

2

4

CUT

EQ ENGAGE

2

BOOST

10

8

4

6

2

4

2

4

4

CUT

10

0dB

2

4

CUT

6

2

4

BOOST

BOOST

2

2

LEVEL

STEREO

8

6

4

10

2

0

0

2

PGM

6

2

CUE

6

LEVEL

PAN

0

2

4

2

4

CUT

0

BOOST

LINE 5

LINE 4

PH/LN2

LINE 3 LINE 4

LINE 5

10

8

6

2

4

10

0dB

6

2

4

4

CUT

BOOST

2

2

4

EQ ENGAGE

4

CUT

BOOST

2

4

2

CUT

BOOST

4

4

2

2

6

2

4

8

10

PH/LN1

TM

0

10

6

8

0

4

2

0

0

4

2

6

8

10

2

4

2

CUT

BOOST

4

0

4

2

2

BOOST

4

BOOST

4

4

CUT

CUT

2

2

8

MAX

2

MIN

OL

6

MAX

8

4

MIN

2

ENGAGE

ENGAGE

4

6

LINE 6

ACTIVE CROSSFADER

PWR

MIXER

AUX

OUTPUT LEVELS

B

HI-MID

TREBLE

MID

BASS

EQ B

MASTER LEVEL

HEADPHONE CONTROL

B

CUE B

INPUT SELECT

A

TREBLE

CUE A

HI-MID

MID

BASS

EQ A

CROSSFADER

CONTOUR

A

MAIN MIC

TREBLE

BASS

MIC EQ

REMOTE MIC

MAIN MIC

INPUT SELECT

MP 22z

F 60

Summary of Contents for MP 22z

Page 1: ...LINE 4 PH LN2 LINE 3 LINE 4 LINE 5 10 8 6 2 4 10 0dB 6 2 4 4 CUT BOOST 2 2 4 EQ ENGAGE 4 CUT BOOST 2 4 2 CUT BOOST 4 4 2 2 6 2 4 8 10 PH LN1 TM 0 10 6 8 0 4 2 0 0 4 2 6 8 10 2 4 2 CUT BOOST 4 0 4 2 2 BOOST 4 BOOST 4 4 CUT CUT 2 2 8 MAX 2 MIN OL 6 MAX 8 4 MIN 2 ENGAGE ENGAGE 4 6 LINE 6 ACTIVE CROSSFADER PWR MIXER AUX OUTPUT LEVELS B HI MID TREBLE MID BASS EQ B MASTER LEVEL HEADPHONE CONTROL B CUE B...

Page 2: ...ype plug A grounding type plug has two blades and a third grounding prong The third prong is provided for your safety If the provided plug does not fit into your outlet consult an electrician for replacement of the obsolete outlet 10 Protect the power cord and plug from being walked on or pinched particularly at plugs convenience receptacles and the point where it exits from the apparatus 11 Only ...

Page 3: ...ion the crossfader has the very steep slope as indicated in Figure 1 to the right Now that was a pretty quick start right WEAR PART This product contains the following wear part subject to the ninety 90 day warranty period described on page Warranty 1 1 Active Crossfader Assembly F 60 Never connect anything except a Rane RS 1 to the thing that looks like a red telephone jack on the rear of the MP ...

Page 4: ...s phono line inputs for their respective mixing Channels 7 AUX LEVEL control Adjusts the input Level from the AUX LINE IN jacks 8 ZONE LEVEL controls Adjust the output Levels of ZONE 1 and ZONE 2 9 PEAK dBu CUE PROGRAM meter Can switch between two display modes See 0 below 0 Meter CUE PROGRAM switch In the out position the meter indicates Master Program output level in PEAK dBu in LEFT and RIGHT s...

Page 5: ...left earcup and the Mono Program in the right a HEADPHONE LEVEL control Clockwise rotation of this rotary control increases the Headphone drive Level s HEADPHONE mode switch In the out position this switch feeds Stereo Cue and Program to both earcups In the in position the headphone circuit provides Mono Cue to the Left ear and Mono Program to the Right ear d HEADPHONE Output jack A tip ring sleev...

Page 6: ...9 MIC AUX TO TAPE OUT switch In the YES position the Mic and Aux signals along with all Inputs are routed to the TAPE OUTPUT In the NO position only program material from Inputs 1 through 6 appear at the TAPE OUTPUT 0 MIC AUX TO ZONE 1 switch In the YES position the Mic and Aux signals along with all Inputs are routed to the ZONE 1 OUTPUT In the NO position only program material from Inputs 1 thro...

Page 7: ... path thru the unit unless they contain the return from an outside device that got its signal from the Master Loop Send In other words these are switching jacks only use a stereo effects device that passes signal completely patched through The Mic and Aux can be switched to appear or not appear on the Zone 1 Output and the Mic and Aux can be switched to appear or not appear on the Tape Output deter...

Page 8: ... CUE With the STEREO MONO switch down you get Mono Cue in the Left ear and Mono Program in the Right and PAN controls the amount of each With this switch up you get Stereo Program in both ears or Stereo Cue in both ears depending on the rotation of the PAN control The overall volume is then controlled by the HEADPHONE LEVEL control When a CUE is active at either Input Channel and if the Meter CUE ...

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