Manual-2
FRONT PANEL DESCRIPTION
1
Front panel MAIN MIC input:
Use this XLR connector for connecting a balanced microphone of any impedance.
2
MIC EQ controls:
Adjust the frequency contour of both Microphone Inputs. They have no effect on any other Inputs. Position-
ing these controls to the “12 o'clock” position turns the Mic EQ
off
.
3
CHANNEL A & B EQ ENGAGE switches:
Engaging this switch enables the Channel Equalizer to function. In the
out
posi-
tion, the Equalizer is bypassed.
4
CHANNEL A & B EQ level controls:
These four rotary controls, when enabled with the EQ ENGAGE switch, are used to
contour the frequency response of the selected Input Channel. This is not designed to be the only Equalizer in the system, this is
intended to provide EQ between varying program materials. We recommend an external graphic equalizer for best overall system
sound, connected between the MASTER OUTPUTS and the amplifier.
5
CUE A or CUE B switches:
Engaging any single or combination of CUE pushbuttons sends any program present at the respec-
tive Channel's INPUT SELECT selector to the Headphone and meter cue sections. The yellow LEDs adjacent to each CUE
select button illuminate when the switch is engaged. Not recommended for beat sync lights. See
Operating Instructions
on page
Manual-6.
6
INPUT SELECT A & B:
These four position rotary switches provide Input selection between the various phono/line inputs for
their respective mixing Channels.
7
AUX LEVEL control:
Adjusts the input Level from the AUX LINE IN jacks.
8
ZONE LEVEL controls:
Adjust the output Levels of ZONE 1 and ZONE 2.
9
PEAK dBu CUE/PROGRAM meter:
Can switch between two display modes. See
0
below.
0
Meter CUE/PROGRAM switch:
In the
out
position, the meter indicates Master Program output level in PEAK dBu in LEFT
and RIGHT stereo. In the
in
position, mono CUE level is displayed on the LEFT side and mono Program level is displayed on
the RIGHT side.
q
REMOTE MIC ENGAGE switch:
When pressed, ENGAGES the REMOTE MIC Input. The adjacent red LED flashes when-
ever the switch is pressed
in,
signalling that the Main Mic is
on
.
CUE LEFT
CUE
PGM
PGM RIGHT
MONO
+8
+5
+1
+3
PEAK dBu
-3
-1
-7
-5
-10
-15
-20
LEFT
RIGHT
0
CUE/PGM
6
4
10
8
0
8
2
ZONE 2
6
4
6
10
2
0
ZONE 1
8
10
10
8
0dB
2
4
4
2
0
4
2
4
CUT
EQ ENGAGE
2
BOOST
10
8
4
6
2
4
2
4
4
CUT
10
0dB
2
4
CUT
6
2
4
BOOST
BOOST
2
2
LEVEL
STEREO
8
6
4
10
2
0
0
2
PGM
6
2
CUE
6
LEVEL
PAN
0
2
4
2
4
CUT
0
BOOST
LINE 5
LINE 4
PH/LN2
LINE 3 LINE 4
LINE 5
10
8
6
2
4
10
0dB
6
2
4
4
CUT
BOOST
2
2
4
EQ ENGAGE
4
CUT
BOOST
2
4
2
CUT
BOOST
4
4
2
2
6
2
4
8
10
PH/LN1
TM
0
10
6
8
0
4
2
0
0
4
2
6
8
10
2
4
2
CUT
BOOST
4
0
4
2
2
BOOST
4
BOOST
4
4
CUT
CUT
2
2
8
MAX
2
MIN
OL
6
MAX
8
4
MIN
2
ENGAGE
ENGAGE
4
6
LINE 6
ACTIVE CROSSFADER
PWR
MIXER
AUX
OUTPUT LEVELS
B
HI-MID
TREBLE
MID
BASS
EQ B
MASTER LEVEL
HEADPHONE CONTROL
B
CUE B
INPUT SELECT
A
TREBLE
CUE A
HI-MID
MID
BASS
EQ A
CROSSFADER
CONTOUR
A
MAIN MIC
TREBLE
BASS
MIC EQ
REMOTE MIC
MAIN MIC
INPUT SELECT
MP 22z
F 60
