Rane MP 22X Operator'S Manual Download Page 4

Manual-4

REAR PANEL DESCRIPTION

1. REMOTE MIC/LINE INPUT:

 This ¼" tip-sleeve Input is for wireless mics or other high-impedence sources.

2. MICROPHONE LOOP jacks:

 These ¼" tip-sleeve connectors are for inserting external signal processing in the micro-

phone circuit only. These jacks do not effect the other Inputs.

3. PHONO GROUND screw: 

This can facilitate your hum chasing, buzz eliminating experiments, providing a place to

connect those extra wires coming out of the turntables. See 

Chassis Grounding

, next page.

4. PHONO/LINE 1 & 2 INPUTS:

 These stereo Inputs are switchable from a PHONO (RIAA) stage for magnetic cartridges to

a LINE level Input suitable for any line level device such as a CD player. Each Input may be adjusted with its TRIM
control for level matching purposes if desired.

5. LINE 3,4,5 & 6 INPUTS:

 These stereo pairs of RCAs connect LINE level Inputs only. Each Input may be adjusted with its

TRIM control for level matching purposes if desired.

6. MASTER LOOP SEND & RETURN:

 These stereo pairs of RCA connectors are for inserting external signal processing in

the Master, Zone and Headphone circuits. This feature does not affect the operation of the MIC or AUX INPUTS. These
are switching jacks—always finish the loop when connecting send or return. Only connect to a device that is capable of
returning signal back to the MP 22x.

7. AUX LINE INPUT:

 This stereo pair of RCA connectors is an extra set of LINE level Inputs with an independent front

panel LEVEL control (see #7, Front Panel).

8. TAPE OUTPUT: 

These RCA connectors are line level Outputs intended for use with a tape recorder, but not necessarily

restricted to that purpose. You may be creative. These Outputs are not affected by the MASTER LEVEL fader.

9. MIC & AUX TO TAPE OUT switch:

 In the YES position the Mic and Aux signals along with all Inputs are routed to the

TAPE OUTPUT. In the NO position only program material from Inputs 1 through 6 appear at the TAPE OUTPUT.

10. MIC & AUX TO ZONE 1 switch:

 In the YES position the Mic and Aux signals along with all Inputs are routed to the

ZONE 1 OUTPUT. In the NO position only program material from Inputs 1 through 6 appear at the ZONE 1 OUTPUT.

Note: Mic and Aux signals are never routed to the ZONE 2 OUTPUT.

11. ZONE OUTPUTS:

 These stereo pairs of RCA connectors are line level Outputs with independent front panel OUTPUT

LEVEL controls (see #8, 

Front Panel

) and are not affected by the MASTER LEVEL control.

12. MASTER OUTPUTS:

 These balanced ¼" TRS (tip-ring-sleeve) Outputs connect to a balanced equalizer or amplifier.

Though not recommended, unbalanced ¼" TS (tip-sleeve) cables may be used for short runs (under 3 meters [10 feet]) to an
amplifier with unbalanced inputs. See RaneNote 110

 “Sound System Interconnection”

 for wiring recommendations.

13. Chassis ground point:

 This screw is provided for connection to chassis ground if required. See 

Chassis Grounding

 on the

next page.

14. POWER input connector:

 

This is not a telephone jack!

 Connect an 18 volt AC center-tapped transformer only. Use only a

Rane model RS 1, shipped with the unit, or other RS 1 compatible power supply approved by Rane.

Summary of Contents for MP 22X

Page 1: ...it from the MASTER OUTPUT jacks There are two places where you can get lost If you bring a phono signal into PH LN 1 or 2 be sure to keep the LINE PHONO switch set to PHONO likewise when using a CD player be sure this switch is set to LINE If you plug into the MASTER LOOP RETURN the signal path thru the unit is broken since these are switching jacks They are looking for the return from an outside ...

Page 2: ... combination of CUE pushbuttons sends any program present at the respective Channel s INPUT SELECT selector to the Headphone and meter cue sections The yellow LEDs adjacent to each CUE select button illuminate when the switch is engaged Not recommended for beat sync lights See Operating Instruc tions on page Manual 6 6 INPUT SELECT A B These four position rotary switches provide Input selection be...

Page 3: ...s controls the relative levels of the Cue and Program mixed together in Stereo When the Mode is switched to MONO this controls the balance between Mono Cue in the left earcup and the Mono Program in the right 20 HEADPHONE LEVEL control Clockwise rotation of this rotary control increases the Headphone drive LEVEL 21 HEADPHONE mode switch In the out position this switch feeds Stereo Cue and Program ...

Page 4: ...nt front panel LEVEL control see 7 Front Panel 8 TAPE OUTPUT These RCA connectors are line level Outputs intended for use with a tape recorder but not necessarily restricted to that purpose You may be creative These Outputs are not affected by the MASTER LEVEL fader 9 MIC AUX TO TAPE OUT switch In the YES position the Mic and Aux signals along with all Inputs are routed to the TAPE OUTPUT In the N...

Page 5: ...path thru the unit unless they contain the return from an outside device that got its signal from the Master Loop Send In other words these are switching jacks only use a stereo effects device that passes signal completely patched through The Mic and Aux can be switched to appear or not appear on the Zone 1 Output and the Mic and Aux can be switched to appear or not appear on the Tape Output deter...

Page 6: ...is switch up you get Stereo Program in both ears or Stereo Cue in both ears depending on the rotation of the PAN control The overall volume is then controlled by the HEADPHONE LEVEL control When a CUE is active at either Input Channel and if the Meter CUE PROGAM switch is down the monoed Cue signal is routed to the LEFT side of the PEAK dBu Meter while monoed Program is displayed on the RIGHT This...

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